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Showing posts with label stewart. Show all posts
Showing posts with label stewart. Show all posts

Sunday, 26 January 2025

Mary, the mother of Jesus










Yesterday we had an excellent Parish Study Day at St Andrew's on 'Our churches and their Patron Saints'. Our churchwardens and members of the ministry team enabled us get to know our three churches, the buildings and the people. We found out more about their history and reflected on the lives of the saints that they are dedicated to.

This is what I had to say about Mary, the mother of Jesus:

The Revd Matthew Askey has said of Mary: “Mary, the mother of Jesus, who is one of the most significant, but neglected, figures in our shared cultural story. Mary was remarkable for the time and she has many things to show us and inspire us with today. She was an unmarried teenage mother, on the run, a refugee really, and at the same time through both her vulnerability and her determined strength she embodies so many positive characteristics of motherhood and what it means to be a woman today. Mary ultimately said ‘yes!’ to life, and gave herself into the hands of God’s love, and this is something that resulted in the life of the most inspiring person who has ever lived, Jesus, and then the birth of the world-wide Church that followed. The Church has 2 billion members today world-wide, is still growing, and about 32% of the world’s population are involved in some way with its acts of charity and life-transforming message of forgiveness and love for all people. Mary is right at the root and start of this movement of love.”

Mary was engaged to Joseph when the annunciation occurred. As she was found to be with child before they lived together, Joseph planned to dismiss her quietly. He had his own meeting with Gabriel which changed that decision but, if the man to whom she was betrothed, could not believe her without angelic intervention, then it would be no surprise if disbelief and misunderstanding characterised the response to Mary wherever she went.

We can learn much from Mary’s faith, trust and persistence in the face of disbelief, misunderstanding and probable insult. Our experience in times of trouble and difficulty will be similar as, on the one hand, God asks us to trust and persevere while, on the other, he will provide us with moments of support and strengthening. So, let’s look at some of her experience in more detail.

‘Here am I, the servant of the Lord,’ said Mary, ‘let it be with me according to your word.’ Mary said ‘Yes’ to God. As we have already begun to reflect, there is much more to saying that simple one syllable word ‘yes’ than we might at first imagine.

The poet-priest Malcolm Guite describes the Annunciation as follows:

‘a young girl stopped to see
With open eyes and heart. She heard the voice;
The promise of His glory yet to be,
As time stood still for her to make a choice;
Gabriel knelt and not a feather stirred,
The Word himself was waiting on her word.’

Victoria Emily Jones has reflected that ‘When Gabriel came to Mary to tell her she would bear a son, she was at first troubled, afraid, guarded. How was it possible that she, being a virgin, could become pregnant? But with the angel’s words of reassurance and promise, she yielded to the divine plan …” This is known as Mary’s fiat (Latin for “let it be”)—her consent to become the mother of God—and it’s celebrated by the church as the moment at which God became flesh, setting salvation in motion.

Theologians have debated the nature of Mary’s fiat—whether she really had a choice in the matter. After all, Gabriel comes speaking in terms of what will happen, without mentioning any conditions. However, most believe in the criticality of Mary’s “yes,” of her willing bodily and spiritual surrender. Between the angel’s ‘Hail’ and Mary’s ‘Let it be’ was a moment of supreme tension, one that Luci Shaw explores in her poem ‘The Annunciatory Angel’:

‘… We worry that she might faint.
Weep. Turn away, perplexed and fearful
about opening herself. Refuse to let the wind
fill her, to buffet its nine-month seed into her earth.
She is so small and intact. Turmoil will wrench her.
She might say no.’’

Why might Mary have said ‘No’? In the same poem Luci Shaw suggests there was a ‘weight of apprehension’ at the Annunciation because what had to be announced would ‘not be entirely easy news.’ As a result, Alan Stewart, in an Annunciation monologue, has Mary say ‘I said yes to my God / And I have come to question those words / For I did not know where they would lead’:

It was a day like any other day
Kneading bread. Lost in my thoughts
And then from behind
This light
An amazing light that filled the room
I turned round, holding my hand to my eyes
Backing away from it
And from inside this light, the figure of a man
Standing there. Looking at me
I felt I should run
I wanted to run
But his gaze fixed me to the spot
Like some rabbit charmed by a fox
But actually
His eyes were kind
And I felt strangely safe
‘is this an angel?’ I suddenly thought
have I sinned?
Has he mistaken me for someone?
Someone of importance
And then he spoke
‘Mary’
he knew my name
‘Mary’, he said ’don’t be afraid’
‘I have news for you’
‘in 9 months you will have a child and you are to call him Jeshua; God saves’
before I knew it, I was speaking
‘but I’m not married yet, I don’t…’
‘the child will be fathered by the Holy Spirit and he will save his people
the lord God will give him the throne of his father David’
the Saviour?, the Messiah?
I knelt down
And whispered
Simply
‘may it be to me as you have said’
I said yes
I said yes to my God
And I have come to question those words
For I did not know where they would lead

Where they led was to an immediate future of gossip, rumours and insult from those who thought of Jesus as illegitimate and in the longer term to a life of gathering gloom, ultimately one of sorrowing and sighing before a stone-cold tomb after the experience of viewing her son’s torture and cruel death; which was like a sword piercing her heart.

And yet, although she did not know it and could not have articulated it, there is a sense that she accepted all this when she accepted the challenge that the angel Gabriel brought from God. It may also have been that for having Jesus as her son she was, like many parents, more than glad that she had said yes, accepting the trauma, the gossip, the exile, the insults that she might bear her child, the promised Saviour.

Mary could have said ‘No’ but her ‘Yes’ was a ‘Yes’ to new life, to growth, to new birth. As we have already noted, Matthew Askey says that: ‘Mary ultimately said ‘yes!’ to life, and gave herself into the hands of God’s love, and this was something that resulted in the life of the most inspiring person who has ever lived, Jesus, and then the birth of the world-wide Church that followed. The Incarnation was predicated on the willingness of the teenage Mary to respond to God’s call.’ Mary, he says, is right at the root and start of this movement of love. This means that every act of Mary is an act of love:

Love is saying yes to God without knowing what that choice entails.

Love is waiting for your man to realise that what you have said is true and to support you.

Love is enduring the arch looks and snide comments from those who know you are bearing a child conceived out of wedlock.

Love is support from your cousin, your child leaping in your womb, and your magnifying God.

Love is enduring the discomfort of travel to your husband’s hometown when you are close to full-term.

Love is accepting a stable when there is no room at the inn.

Love is laying your newborn child in a manger when there are no extended family around to support you.

Love is being welcoming when shepherds unexpectedly arrive in the night soon after you’ve given birth.

Love is treasuring all their words and pondering them in your heart.

Love is giving your child the name an angel requested.

Love is fleeing to another country knowing that the life of your newborn child is under threat.

Love is making a life to bring up your child separated from friends and family.

Love is saying yes to God without knowing what that choice would entail
and it is that choice which creates a cannonball of love that,
from that first Christmas ever onwards,
explodes love throughout the Universe and in us.

Let’s finish with a brief story of Mary’s inspiration on a later ministry. John Bosco was a priest and Founder of the Salesians. He had a particular call to help young men and pioneered new educational methods, for example, in rejecting corporal punishment. His work with homeless youth received the admiration even of anticlerical politicians and his promotion of vocational training, including evening classes and industrial schools, became a pattern for others to follow. To extend the work, he founded in 1859 a religious community, the Pious Society of St Francis de Sales, usually known as the Salesians. It grew rapidly and was well-established in several countries by the time of his death on this day in 1888.

John Bosco’s certainty that, in the face of desperate circumstances, he would nonetheless build a thriving religious community for boys came from a vision received as a dream. In his dream he saw Our Lady directing him in the way he should go; a way that involved walking on thorns. Friends, lay and clergy, were alongside him but declined to also walk on thorns. Finally, a new group of followers arrived who were willing to walk with him. The Mother of God said to him: ‘The thorns on the ground represent the sensitive human affections, sympathies and antipathies that divert a teacher from his true goal, hurt him, hinder his mission and prevent him from forming and reaping wreathes for eternal life. Roses are the symbol of the ardent charity by which you and your associates must distinguish yourselves. The thorns symbolize the obstacles, sufferings and sorrows that await you. But do not lose heart. With charity and mortification you will overcome everything and will have roses without thorns!’

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Adrian Snell - How Can I Explain.

Sunday, 24 December 2023

The meaning of life enters humanity still

Here's the sermon that I shared at St Mary's Runwell and St Catherine's Wickford this morning (using material from Alan Stewart and Late, Late Service):

It was a day like any other day
Kneading bread. Lost in my thoughts
And then from behind
This light
An amazing light that filled the room
I turned round, holding my hand to my eyes
Backing away from it
And from inside this light, the figure of a man
Standing there. Looking at me
I felt I should run
I wanted to run
But his gaze fixed me to the spot
Like some rabbit charmed by a fox
But actually
His eyes were kind
And I felt strangely safe
‘is this an angel?’ I suddenly thought
have I sinned?
Has he mistaken me for someone?
Someone of importance
And then he spoke
‘Mary’
he knew my name
‘Mary’, he said ’don’t be afraid’
‘I have news for you’
‘in 9 months you will have a child and you are to call him Jeshua; God saves’
before I knew it, I was speaking
‘but I’m not married yet, I don’t…’
‘the child will be fathered by the Holy Spirit and he will save his people
the lord God will give him the throne of his father David’
the Saviour?, the Messiah?
I knelt down
And whispered
Simply
‘may it be to me as you have said’
I said yes
I said yes to my God
And I have come to question those words
For I did not know where they would lead

The Annunciation (Luke 1: 26-38) is the moment when the creator of everything finds a way into flesh and blood. And in doing that, the meaning of all life enters into full humanity. That's what we celebrate at Christmas.

And the meaning of life enters humanity still. The meaning of life desires us. Watches our movements and listens to our hopes. The meaning of life is a lover whose gentle fingers occasionally touch and startle us, asking if we can love back, but never using force on us ... waiting to be invited to love. The meaning of life is love. Something intangible by nature. Something that cannot be possessed, bought, or sold.

And at Christmas we celebrate the fact that God, the source of all love and meaning, has so desired humanity that He has taken the risk of becoming vulnerable to what we might do if His life is left in our hands. God, the meaning of life, desires you and me in a way that one of us would desire our partner.

Love and desire are about creative union. About being open and receptive to the other, letting them be fully themselves, working for their pleasure, receiving their gifts to you. And when we're open to being God's partner, we find the mystery of meaning: that the ordinary moments of life have meaning. Not a meaning perhaps that you could put into words, just a sense of being right, purposeful.

You and I have this choice. A chance to respond to the touch of our lover and receive this union in our souls ... the centre of who we are. A choice to live life for the meaning of the moment, not just the thrill, and to turn from anything that promises a thrill and delivers meaninglessness. God is still in Flesh and Blood. Now God is flesh and blood in partnership and love, and like Mary we must say "Yes" to that partnership and discover the meaning of our own individual (and communal) lives.

When we know this for ourselves we will say with Mary:

My soul magnifies the Lord
And my spirit rejoices in God my Saviour
For he has been mindful
Of the humble state of his servant
From now on all generations will call me blessed
For the mighty One has done great things for me
And holy is his name

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Late, Late Service - Let Not Your Hearts Be Troubled.

Monday, 24 April 2023

The Blind Jesus (No-one belongs here more than you) exhibition

 












The Blind Jesus (No-one belongs here more than you) art exhibition which has been at St Andrew's Wickford will next be shown at St Paul's Church, New Southgate, from Friday 28 April to Thursday 4 May.

The Blind Jesus (No-one belongs here more than you) is an image in charcoal of the Last Supper by Revd Alan Stewart, which includes the central character of a visually impaired Jesus, surrounded by twelve people of differing ages, backgrounds and abilities. At the table, an empty chair invites the viewer to find themselves at the table.

The Blind Jesus (No-one belongs here more than you) has been commissioned by Celia Webster, Co-Founder of Wave (We’re All Valued Equally), as part of a project in which it seeds other images of the Last Supper that are truly for everyone. Schools, churches and community groups are being invited as part of this project to create their own images of welcome and belonging.

The exhibition includes additional images of welcome and belonging created by: WAVE (We are All Valued Equally); St Mary's Catholic Primary School in Muswell Hill; St Paul's CE Primary School in Barnet and Wickford Church of England School. The exhibition at St Paul's sees an additional piece - 'Me, Myself and I - God's Children' - by St Paul's Primary School N11 join the exhibition.

Photographs of the WAVE Church Last Supper were taken by Maria de Fatima Campos.

Pupils in year 1 and 2 at St Paul’s CofE School in Friern Barnet created their work with their amazing art teacher, Dimple Sthalekar. The work shows how we begin as roots and then grow. The leaves of the tree are multi-coloured and moveable to show how we can move into different spaces and communities. St Paul's is a hugely welcoming and inclusive school that welcomes children from all backgrounds and faiths and uses the medium of art to convey this.

St Mary's Catholic Primary School focused their piece on the empty chair included in Alan Stewart’s drawing. Pupils in Years 4 and 5 created ‘Take a Seat,’ a piece which uses the technique of mono-printing to create lots of empty chairs as an invitation for everyone to sit down and join the table. They began the project by talking about the empty chair and what it could mean. They also compared and contrasted it with the commissioned drawing to talk about difference and what forms that can take. Through the process, the children decided that the peace dove would make a good representation of god. The words around the dove invite us to take a seat, to unite us in love and community.

Alice Lucas, art teacher at Wickford Church of England School, helped everyone there make a special picture based on a rainbow and including images of pupils and staff to show that they all belong at the school.

The exhibition can be seen at St Paul's on Friday 28th, Saturday 29th, Sunday 30th April, and Thursday 4th May (see flyer above for times).

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Glen Hansard - Grace Beneath The Pines.

Friday, 10 March 2023

Wonderful addition to 'The Blind Jesus (No-one belongs here more than you)' exhibition

 











Wickford Church of England School have made a wonderful addition to our current art exhibition at St Andrew's Wickford on belonging and welcome based on the experience of disabled people. See https://wickfordandrunwellparish.org.uk/st-andrews.html for times when the church is open, if you would like to see this picture and the exhibition.

The Blind Jesus (No-one belongs here more than you) exhibition is at St Andrew's Church (11 London Road, Wickford SS12 0AN) from 9 January until Easter. Do come and experience it for yourself. St Andrew’s Church is usually open: Saturdays from 8.30 am to 12.30 pm; Sundays from 9.30 am to 12.00 noon; Mondays from 1.30 to 3.45 pm; Tuesdays from 1.00 to 4.30 pm; and Wednesdays from 10.00 am to 12.00 noon. To arrange a visit with in-person audio description please contact Revd Jonathan Evens on tel: 07803 562329 or email: jonathan.evens@btinternet.com. See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.

The Blind Jesus (No-one belongs here more than you) is an image in charcoal of the Last Supper by Revd Alan Stewart, which includes the central character of a visually impaired Jesus, surrounded by twelve people of differing ages, backgrounds and abilities. At the table, an empty chair invites the viewer to find themselves at the table.

The Blind Jesus (No-one belongs here more than you) has been commissioned by Celia Webster, Co-Founder of Wave (We’re All Valued Equally), as part of a project in which it seeds other images of the Last Supper that are truly for everyone. Schools, churches and community groups are being invited as part of this project to create their own Last Supper images.

The exhibition includes additional Last Supper images created by: (Still) Calling from the Edge conference; WAVE (We are All Valued Equally); St Mary's Catholic Primary School in Muswell Hill; and St Paul's CE Primary School in Barnet.

The photographs of the WAVE Church Last Supper were taken by Maria de Fatima Campos. Pupils in year 1 and 2 at St Paul’s CofE School in Friern Barnet created their work with their amazing art teacher, Dimple Sthalekar. The work shows how we begin as roots and then grow. The leaves of the tree are multi-coloured and moveable to show how we can move into different spaces and communities. St Paul's is a hugely welcoming and inclusive school that welcomes children from all backgrounds and faiths and uses the medium of art to convey this.

St Mary's Catholic Primary School focused their piece on the empty chair included in Alan Stewart’s drawing. Pupils in Years 4 and 5 created ‘Take a Seat,’ a piece which uses the technique of mono-printing to create lots of empty chairs as an invitation for everyone to sit down and join the table. They began the project by talking about the empty chair and what it could mean. They also compared and contrasted it with the commissioned drawing to talk about difference and what forms that can take. Through the process, the children decided that the peace dove would make a good representation of god. The words around the dove invite us to take a seat, to unite us in love and community.

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Sunday, 4 December 2022

Next Step Creative: The Encounter









On Friday our first term of Unveiled events at St Andrew's Wickford ended with a wonderful evening in which Next Step Creative's Steven Turner performed The Encounter, a show that explores the story of Christmas in a fresh way using dance and mime. Through the show we experienced a variety of Christmas stories in contemporary and engaging ways for the whole family. The performance was a creative mix of multi media and physical theatre appealing to a variety of ages. This was a great community event with a range of dynamic and engaging pieces, including Mime, Contemporary, Ribbons, Ballet, and Banners combined with bespoke video graphics. 

Steven Turner has trained in a variety of dance styles, including contemporary, street, mime and moving with props. He attended a Laban boys course, as well as attending summer schools with companies including Springs Dance Company, Movement in Worship and Chantry Dance Company. In recent years Steven has founded his own organisation, Next Step Creative, to promote collaboration between dance and other creative arts. Regularly choreographing and teaching for Dance 21 (a dance company for children and young adults with Down’s syndrome). He has performed at Project Dance Paris and travelled to Rotterdam to teach in connection with his role as ICDF Refresh Coordinator. He has performed across the UK and Europe including Switzerland, Netherlands, Denmark, Germany, and France.

Next Step Creative is a relational organisation with a vision to create a platform to support creative people. Working within the UK and internationally using multi media, live performances, workshops and teaching; making their artists work more accessible through a collaborative online shop.

2023's Unveiled events will begin with:
  • From Rettendon Turnpike to Halls Corner: A Journey in Time, A talk by Geoff Whiter of Wickford Community Archive, Friday 13 January, 7.00 pm.
  • The Blind Jesus (No-one belongs here more than you): Exhibition viewing evening, Friday 27 January 2023, 7.00 – 9.00 pm. See this exhibition of Last Supper images created by: Alan Stewart; (Still) Calling from the Edge conference; WAVE (We are All Valued Equally); & Schools in Hampstead and Barnet. Hear from artist Alan Stewart, project lead Celia Webster (co-founder of WAVE), and Revd John Beauchamp, Disability Ministry Enabler for the Diocese of London. The Blind Jesus (No-one belongs here more than you) has been commissioned as part of a project in which it seeds other images of the Last Supper that are truly for everyone. Schools, churches and community groups are invited, as part of this project, to create their own Last Supper images.
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Steve Taylor - Innocence Lost.

Friday, 22 July 2022

ArtWay Visual Meditation: Invited to be with Jesus

My latest Visual Meditation for ArtWay is on 'The Blind Jesus (No one belongs here more than you)' by Alan Stewart:

'The Blind Jesus (No-one belongs here more than you) is an image in charcoal of the Last Supper which includes the central character of a visually impaired Jesus, surrounded by twelve people of differing ages, backgrounds and abilities. At the table, an empty chair invites the viewer to find themselves at the table.

This image has been commissioned by Celia Webster, Co-Founder of Wave (We’re All Valued Equally), as part of a project in which it seeds other images of the Last Supper that are truly for everyone. Schools, churches and community groups are being invited as part of this project to create their own Last Supper images.'

For more on The Blind Jesus (No-one belongs here more than you) see here, here and here. My interview with textile artist Belinda Scarlett can also still be read on the ArtWay site.

My visual meditations include work by María Inés Aguirre, Giampaolo Babetto, Marian Bohusz-Szyszko, Alexander de Cadenet, Christopher Clack, Marlene Dumas, Terry Ffyffe, Jake Flood, Antoni Gaudi, Nicola Green, Maciej Hoffman, Lakwena Maciver, S. Billie Mandle, Giacomo Manzù, Sidney Nolan, Michael Pendry, Maurice Novarina, Regan O'Callaghan, Ana Maria Pacheco, John Piper, Nicola Ravenscroft, Albert Servaes, Henry Shelton, Anna Sikorska, Jan Toorop, Edmund de Waal and Sane Wadu.

My Church of the Month reports include: All Saints Parish Church, Tudeley, Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Churches in Little Walsingham, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Eton College Chapel, Lumen, Metz Cathedral, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St. Margaret’s Church, Ditchling, and Ditchling Museum of Art + Craft, St Mary the Virgin, Downe, St Michael and All Angels Berwick and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

Blogs for ArtWay include: Congruity and controversy: exploring issues for contemporary commissions;
Photographing Religious Practice; Spirituality and/in Modern Art; and The Spirituality of the Artist-Clown.

Interviews for ArtWay include: Sophie HackerPeter Koenig and Belinda Scarlett. I also interviewed ArtWay founder Marleen Hengelaar Rookmaaker for Artlyst.

I have reviewed: Art and the Church: A Fractious Embrace, Kempe: The Life, Art and Legacy of Charles Eamer Kempe and Jazz, Blues, and Spirituals.

Other of my writings for ArtWay can be found here. My pieces for Church Times can be found here. Those for Artlyst are here and those for Art+Christianity are here. See also Modern religious art: airbrushed from art history?

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Simon and Garfunkel - Bridge Over Troubled Water.

Wednesday, 6 July 2022

The kingdom of God come close

Here's the reflection I shared today as part of the midweek Communion Service at St Andrew's Wickford:

A week or two ago, an image that I was involved in initiating featured in Church Times. The Blind Jesus (No-one belongs here more than you) is an image in charcoal of the Last Supper which includes the central character of a visually impaired Jesus, surrounded by twelve people of differing ages, backgrounds and abilities. At the table, an empty chair invites the viewer to find themselves at the table.

This image was commissioned by Celia Webster, Co-Founder of Wave (We’re All Valued Equally), as part of a project in which it seeds other images of the Last Supper that are truly for everyone and is displayed by churches alongside selections of these additional images. Schools, churches and community groups are being invited as part of this project to create their own Last Supper images. I hope we can show the image here in future.

Celia writes: “The wounded Jesus reassures me that He is never a distant God and like any loving parent experiences His children’s hurt and suffering as his own. Jesus is the friend of the overlooked and those on the edge. We are shown in this picture that our true identity is found in Jesus who just wants us to be close to him and love him and allow him to love and transform us!”

Revd John Beauchamp, Diocesan Disability Ministry Enabler for the Diocese of London, writes that: “In this Last Supper, the marginalised and excluded and devalued are invited to the table. Invited to be with Jesus. To sit and eat with him. To find themselves with him and recognise themselves in him.”

The good news that the disciples were asked to proclaim, as we heard in our Gospel reading (Matthew 10:1-7), was that the kingdom of God had come near to those that they visited. Our mission, if we will accept it, is the same, to proclaim that the kingdom of God has come near to the people of Wickford and Runwell. To understand what that means and what it is we are to do, we need to understand what it meant for the first disciples. The disciples were the heralds for Jesus’ imminent arrival in the places to which they travelled, so that phrase would certainly have meant Jesus is coming and the Kingdom of God arrives where he arrives.

The kingdom of God comes near to us when Jesus comes near because Jesus is God with us. That is what the incarnation, the crucifixion and the resurrection are all about. The Gospel of Matthew begins with the angel's promise that the Messiah will be called Emmanuel - God with us. The Gospel ends with Jesus's promise to his disciples, "Remember, I am with you always, to the end of the age." In between we get Jesus's promise to the church, "Where two or three are gathered in my name, I am there with them." … And, perhaps most significantly of all, the Gospel of John says "The Word was made flesh and dwelt with us." Jesus's ministry is about being with us, in pain and glory, in sorrow and in joy, in quiet and in conflict, in death and in life. God is with us when Jesus comes near, which is, in reality, all the time. That is our witness as Christians and it is also our ministry. If the heart of the Gospel is that God is with us in every circumstance and into eternity, then our task is to be with others in order that they experience God with them.

Because the disciples were living out their faith in practice, as those bringing peace and healing into the communities they visited, it also meant that the Kingdom of God could be seen in their lives and examples too. That can still be true for us today as well. Doing good, for Christians, is not about our salvation – it’s not about earning God’s love – instead it is a consequence of our salvation; because God has loved us so much, we then want to love others and, as we do, the Kingdom of God comes close to those we love, help and heal.

The kingdom of God has come near means that in our relationships, sharing and mutuality we experience together a taste of heaven. That is not something that we have brought or something that only we can offer to others. Instead, it is about real communion, a real sharing, a mutual sharing of selves that is welcoming and inclusive one of the other. After all, in heaven there is only relationship with God, with ourselves, with one another and with the whole creation. So, it is only as we enter into real and deepening relationships that we anticipate heaven in the present and live God's future now.

That is the relational mission to which Jesus called his disciples when sending out the 70 and to which he calls each one of us. It's not a guilt inducing call that makes the salvation of others reliant on our response. It's a relationship affirming call to live in community, to form partnerships, to deepen relationships, to experience communion, and to live God's future now. As Rachel Held Evans once said, “This is what God's kingdom is like: a bunch of outcasts and oddballs gathered at a table, not because they are rich or worthy or good, but because they are hungry, because they said yes. And there's always room for more.”

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Ho Wai-On - Blessed.

Friday, 1 July 2022

The Blind Jesus (No-one belongs here more than you)

Church Times recently ran a photo story on The Blind Jesus (No-one belongs here more than you), an image in charcoal of the Last Supper which includes the central character of a visually impaired Jesus, surrounded by twelve people of differing ages, backgrounds and abilities. At the table, an empty chair invites the viewer to find themselves at the table. See here for the Church Times story.

This image has been commissioned by Celia Webster, Co-Founder of Wave (We’re All Valued Equally), as part of a project in which it seeds other images of the Last Supper that are truly for everyone and is displayed by churches alongside selections of these additional images. Schools, churches and community groups are being invited as part of this project to create their own Last Supper images.

Rev Alan Stewart is currently the vicar of two churches in Hertford. He studied Foundation Art at Belfast Art College, then graduated with a degree in Fashion and Textiles from Central St Martins in London. From an early age, he’s drawn and painted. He has exhibited in various churches and galleries. He works in charcoal, pastel and collage.

Wave for Change is about encouraging and enabling mixed-ability friendships. Wave want to see more people with and without learning disabilities mixing and having fun together in the heart of our communities. Their focus is on enabling places across the UK where this can happen. They connect, encourage and support those who want to see vibrant mixed-ability social and worship groups in their communities. https://www.wave-for-change.org.uk/

Those who wish to find out more about this project can contact Celia Webster at cebwebster@gmail.com.

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Carleen Anderson - Begin Again.

Wednesday, 30 March 2022

The Meaning in the Miracles: Seeing and Believing

Here's the reflection I shared tonight in Bread for the World at St Martin-in-the-Fields as part of our Lent Course on 'The Meaning in the Miracles' by Jeffrey John

At this service we shared a newly commissioned drawing called ‘Blind Jesus (no one belongs here more than you)’ - see below. The drawing has been commissioned by Celia Webster from the artist Alan Stewart with the aim of creating discussion in churches and the wider community including encouraging others to create their own Last Supper images. Both Celia and Alan joined us for the service. Celia is part of the Church of England disabilities steering committee, while Rev Alan Stewart is currently the vicar of two churches in Hertford. He studied Foundation Art at Belfast Art College, then graduated with a degree in Fashion and Textiles from Central St Martins in London and has exhibited in various churches and galleries. This image in charcoal of the Last Supper, to which I refer in the reflection, includes the central character of a visually impaired Jesus, surrounded by twelve people of differing ages, backgrounds and abilities. At the table, an empty chair invites the viewer to find themselves at the table. This Jesus challenges theological and Biblical imagery of blindness as sin or something to be cured. The image is offered as the beginning of a conversation. It asks questions like... What associations do we have with blindness? How does this Jesus ‘see’ me? Why has each figure been chosen? What are their stories? Who else should be at this meal? Is the empty chair for you?:

Tonight, we grapple with two of the more problematic elements of Jesus' miracles. As one whose teenage faith was renewed through the Charismatic movement, with its belief in supernatural healing, while also later becoming father to a daughter who not only has epilepsy but whose character and personality has been shaped through that experience, these are stories with which I grapple personally. In the book, Jeffrey John is crystal clear on one of the issues with which we grapple tonight. In the chapter on ‘The Withered Fig Tree’ he says that the way this story is told in Mark's Gospel 'exemplifies the way the early Church imported into the Gospel an anti-Semitic ideology which had no place in the original teaching of Jesus, and which has spawned a terrible legacy of atrocities perpetrated by Christians on Jews down the ages.’

John says that our response should be to ‘align ourselves consciously with Paul and against the evangelists, in particular, with Paul’s continuing love and respect for the tradition of Israel, his unbreakable conviction that God’s promises stand firm, and his yearning hope that in the end all Israel – the Old and the New – shall be one in God’s salvation.’ Jeffrey John doesn't go as far in regard to disability, but I want to suggest that we should essentially do the same.

The way in which disability is understood and treated within the Gospels and in Jesus' healing miracles is an issue with which we have grappled at St Martin's because of the work of our Disability Advisory Group led by Fiona MacMillan. Much of what I will say tonight is based on my understanding of their work and the issues they have raised, including use of several insightful phrases coined by Fiona.

The issue is highlighted by our title for tonight's session ‘Seeing and Believing’. If seeing is equated with believing then those who do not see, including those who are blind, are excluded from believing. The fact that Jesus heals blind people and speaks about such healing relating to faith seems to reinforce the problem. It is a problem that also applies to deaf people who are viewed in a similar way within these stories. A focus on prayer for supernatural healing also removes agency from disabled people and leads to accusations of a lack of belief on the part of those not healed.

The problem goes deeper still, however, because of an Old Testament belief that the difficulties we encounter in life derive from our sins or those of our ancestors. This is a belief that Jesus explicitly rejects, doing so in relation to the healing of a blind man. Nevertheless, it is an understanding that has found its way into the hymns and liturgy that we commonly use in church, and which alienates and excludes disabled people. As example, think about how you would feel singing these lines from ‘Amazing Grace’ and ‘Just As I Am’, were you to be a blind person yourself:

‘Amazing grace / How sweet the sound / That saved a wretch like me / I once was lost, but now I'm found / Was blind, but now I see’

‘Just as I am, poor, wretched, blind’

While we know that the language of blindness, sight and salvation is intended metaphorically and refers to a sinfulness in which we all share, nevertheless to hear a fundamental aspect of your identity as a blind person equated to wretchedness is deeply galling, disheartening and is ultimately exclusionary.

Jeffrey John is clear that the point of Jesus' miracles is not medical but theological and spiritual. This has the effect of making them about all of us, rather than solely about those who were healed. John also argues that we are all blind or deaf before God opens us to his presence. However, while this universalises the stories, it also reinforces the equation between blindness or deafness and sin.

A different understanding of healing can emerge from these stories if we begin, as Jeffrey John does, with the understanding that the purpose of Jesus' healing ministry was to restore those who had been excluded to worship and to community. That is why the healing miracles often end with those healed going to see the authorities of the day in order to be readmitted to society. John notes that the healing miracles cover most of the excluded groups from Jesus’ time.

Healings were the way – the only way at that time - to return those who had been excluded to worship and community. Today, however, the social model of disability is based on the understanding that society disadvantages disabled people; that society is not set up to support the needs of disabled people and, therefore, it is society, not disabled people, that need to change. If we remove the barriers in society that exclude disabled people we can achieve the end that Jesus intended, which is the Messianic banquet in which everyone is included. That banquet is symbolised for us by the Eucharist.

Believing is not primarily about seeing supernatural healings that prove the existence of God but instead about seeing a vision of communion and community in the Eucharist, a place where all can come and where all are valued, where people can get in and join in.

A key part of that inclusion is that everyone has insight and understanding. Everyone has perceptions of God to share. As a result, physical blindness is not a barrier to knowing God or to sharing aspects of that relationship with others. The writings and experience of John Hull, a theologian who was blind, clearly show this to be true. In his ‘Open Letter from a Blind Disciple to a Sighted Saviour,’ he notes that it is not necessary to the witness of faith, regarding the way our ignorance, sin and disobedience prevent us from responding to the love of God made known in Jesus Christ, that that witness ‘should be cast into the form of the metaphor of blindness.’ That it was is surely, he suggests, ‘a case where the metaphor kills but the spirit gives life.’ He argues that it is necessary that all those who are spoken to by the Bible, including blind people, ‘should have an opportunity to reply, and thus the conversation which is within the Bible can enter into conversation with us today, and through offering a voice and a hearing to everyone, we can create a community of genuine free speech.’ There should be ‘a proliferation of many meanings until everyone's meanings are gathered in.’ ‘This is the way that the Bible becomes truly ecumenical, truly catholic.’

Alan Stewart's marvellous drawing of the Last Supper gives us just such an ecumenical or catholic image through its depiction of a diverse group of disciples surrounding a blind Jesus at the Last Supper. This is an image of many who have experienced barriers to inclusion getting in and joining in with the recognition that experiences of exclusion are central to a faith that sees Jesus become the scapegoat for humanity in order to remove the barriers to encounter with God that we had previously erected. The Jesus who does that bears on his body the marks of his Passion, carrying those signs and experiences into an eternity of unity and communion. His experience of being scapegoated and excluded becomes revelatory and is the route by which all can return to community.

In the same way, the experience of disabled people must become central, as in this image, not through the eradication of disability by means of supernatural healing, but by the eradication of all barriers to communion so that the insights of all can be received for the benefit and building up of the whole people of God. When one is excluded, the body of Christ is not whole and currently many remain excluded. To reverse that situation, we need to see the vision of communion that Jesus institutes through the Eucharist, that he shares in parables of the Messianic banquet, and which will become our experience in eternity in order that we begin to live that future now.

That is the vision that we need to see in order to believe, because belief is not primarily intellectual or propositional, instead it is about practice and demonstration – living God’s future now. It is a vision in which those who are blind or deaf or otherwise disabled have a valued place as those who, like Jesus, have come through exclusion to join in at the table. That is the vision that Alan Stewart sets out so compellingly for us in his Last Supper image. See and believe.




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June Boyce-Tillman - We Shall Go Out.

Tuesday, 12 December 2017

Start:Stop - Advent waiting


Bible reading

Take heed, watch; for you do not know when the time will come. It is like a man going on a journey, when he leaves home and puts his servants in charge, each with his work, and commands the doorkeeper to be on the watch. Watch therefore--for you do not know when the master of the house will come, in the evening, or at midnight, or at cockcrow, or in the morning-- lest he come suddenly and find you asleep. And what I say to you I say to all: Watch." (Mark 13:33-37)

Meditation

Advent is a time of watching and waiting. Waiting to celebrate the first coming of Christ and reflecting on our wait for his second coming. Waiting is a common experience; one that used to characterise the British as we were known for our ability to wait patiently in queues. Now that would seem to have changed, as adverts claim that impatience is a virtue.

Alan Stewart, a clergy friend, has written a meditation which helps us reflect on our common experiences of waiting. He begins:

Waiting for news / News you long for / News you fear / Waiting for answers
Waiting to rejoice / With tears of laughter / Tears of regret / Waiting to grieve
Waiting to remember / Waiting to forget
Waiting to greet / or to say goodbye / Waiting to embrace / or to push away

He ends: Waiting for God / And in the waiting / God waits / With us.

So, God is with us in our waiting. That is the first thing for us to realise and sense. It is something that we see both in the Christmas story and in the wider story of Jesus’ life, death and resurrection as I have highlighted in another meditation:

Waiting. / Elizabeth waiting years for the conception of a child.
Waiting. / Mary waiting nine months for the birth of God’s son.
Waiting. / Simeon waiting to see the salvation of Israel.
Waiting. / Eastern visitors following a star, waiting to worship the baby born King of the Jews.
Waiting. / Joseph and Mary living in Egypt waiting for the death of Herod.

So, I conclude: Love waits. / Birth waits. / New life waits. / Revelation waits. / God waits.

Why are we waiting? Why does God wait? The answer that the Bible seems to give is that he is waiting for us to respond to him. W. H. Vanstone wrote: “So it is with the love of God. For the completion of its work, and therefore its own triumph, it must wait upon the understanding of those who receive it. The love of God must wait for the recognition of those who have power to recognise … Recognition of the love of God involves, as it were, the forging of an offering: the offering is the coming-to-be of understanding: only where this understanding has come to be has love conveyed its richest blessing and completed its work in triumph.”

God waits for us; waits for our recognition, understanding and response to his love. So, let us make it our aim and prayer this Advent to see him more clearly, love him more dearly, and follow him more nearly day by day.

Prayers

Watchful at all times, let us pray for strength to stand with confidence before our Maker and Redeemer. Let us pray to the Lord: Lord, have mercy.

Lord, you wait for us to come and see you. You wait to shine light where there is darkness, to show love where there is hate, to share peace where there is conflict, to give hope where there is despair. Let us pray to the Lord: Lord, have mercy.

Lord, you wait for us to come and see you. Let us gather round the manger to shine your light, to show your love, to share your peace, to give your hope. Let us pray to the Lord: Lord, have mercy.

Let us come, and remember what has been fulfilled. Let us prepare for what must yet be done. Let us come to the One who waits to show us love. Let us pray to the Lord: Lord, have mercy.

(Christine Sine)

Almighty God, as your blessed Son Jesus Christ first came to seek and to save the lost; so may he come again to find in us the completion of his redeeming work. Let us pray to the Lord: Lord, have mercy.

Blessing

Christ the Sun of Righteousness shine upon you, scatter the darkness from before your path, and make you ready to meet him when he comes in glory; and the blessing of God almighty, the Father, the Son, and the Holy Spirit, be among you and remain with you always. Amen.

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Steve Bell & Malcolm Guite - Epiphany on the Jordan.

Monday, 27 June 2016

Discover & explore - St Peter

Today's Discover & explore service at St Stephen Walbrook was the last in the current series. I reflected on the life and thought of St Peter using a poem by Malcolm Guite and a meditation by Alan Stewart. The service featured the Choral Scholars of St Martin-in-the-Fields singing:
  • Introit - Duruflé, Tu es Petrus
  • Anthem - Britten, A Hymn of St Peter
  • Anthem - Bairstow, The King of Love my Shepherd is
  • Closing - Palestrina, Agnus Dei (I & II) from Missa ‘Tu es Petrus’
In my reflection I said:

The Singing Detective is a TV drama serial by Dennis Potter that was first shown in the 1980s. The story is about Philip Marlow, a writer of detective novelettes in the style of Raymond Chandler including one called ‘The Singing Detective’. At the beginning of the series Marlow is confined to a hospital bed because of the psoriasis which has affected every part of his body.

Marlow’s situation is that his childhood beliefs and commitments to God and to his parents have been betrayed through key incidents such as his seeing his mother’s adultery and his allowing another schoolboy, Mark Binney, to be punished for something that Marlow himself had done. His inability to face these betrayals has led him into a lifestyle where he abused and betrayed those he loved and it is only as he is stripped by his illness that he can begin to face these memories, come to accept who he is and move beyond these abusive relationships and The Singing Detective shows us how this happens.

The story is about the way in which Marlow faces up to the key events in his past. He has to re-inhabit his past, almost re-live it, in order that he comes to feel sorrow for the way in which he betrayed Mark Binney. It is only at the point that he re-lives that experience and feels sorrow for what he did that he is able to get up from his bed and walk again.

I mention this, because what Marlow experiences in The Singing Detective is very similar to what Peter experiences in our Bible reading (John 21. 12 - 19). Peter betrayed Jesus by denying him three times. Since the crucifixion Peter would have been in agony in his conscience over the way in which he failed Jesus at Jesus’ moment of need. The agonies that Philip Marlow experiences in The Singing Detective help us to flesh out this story as it is told in the Bible and to understand a little more of what Peter would have felt at the time.

When Peter meets Jesus by Lake Tiberias, Jesus forces Peter to re-live that experience of betrayal. That is why Jesus asks Peter three times, ‘Do you love me?’ These three questions mirror Peter’s three denials and take him back into that experience. Like Marlow, Peter has to re-inhabit his past in order to move on from it. As Jesus questions Peter, his sense of remorse for what he had done would have been immense.

Peter denied Jesus three times and so Jesus asks Peter three times, ‘Do you love me?’ When they have finished re-living the experience of his denial, Peter finds that he has three affirmations that counter-balance his three denials. By taking him back into the experience of denial Jesus turns Peter’s denials into affirmations and he turns Peter’s memory of the denial from a negative memory into a positive one. The denial happened, Peter would never have forgotten that but then he was given the opportunity to turn it into a positive affirmation of his love for Jesus and that would have been the memory that he carried forward with him.

Like Peter and like Philip Marlow we can carry around with us the memory of bad events that have happened to us – things that we did to others or things that others did to us. If we are not careful the memory of these events from the past will twist and harm our life now, in the present. The way to be released from the harm and hurt of these memories is, with the help of others, to go back into those memories, to re-live them, feeling sorrow what the wrong that we did and finding positive ways in which we can show that sorrow and repair the hurt that we have done or which has been done to us.

If that is your situation then put yourself in Peter’s place now as you read a meditation written by Revd. Alan Stewart based on this passage:

I am the one who ran away when I said I never would
I didn’t believe you when you said
‘the sheep will scatter’

I am the one who sat in the shadows avoiding eyes
I never believed I’d disown you like this
Not once, but three times

I am the one who wasn’t there while you died that death
I couldn’t believe that this was how
The story ends

‘do you love me?’ he later asked
‘I love you’ I replied
‘feed my lambs’

I am the one who hid in an upstairs room
I wanted to run but there was no longer
anywhere to go

I am the one who could find no solace nowhere
I wanted to open my eyes and see him there
Laughing

I am the one who wept my heart raw with regret
I wanted to tell him ‘I’m sorry…
I do love you.’

‘do you love me?’ he asked again
‘I do love you’ I replied
‘take care of my sheep’

I am the one who woke to the sound of women’s voices
I longed to believe they’d seen you, but hope
Was still on its knees

I am the one who ran to where they lay your body down
I longed to destroy the rumours
Before they destroyed me

I am the one who saw you arrive like a ghost
I longed to reach out and touch you, but I couldn’t
even look at you

‘do you love me?’ he asked for a third time
looking into my eyes
and my heart tore within me

‘you know that I love you’ I replied
‘then feed my sheep’

(Revd. Alan Stewart)

The next series of Discover & explore services will explore themes of stewardship & finance:
  • Monday 3rd October: Time 
  • Monday 10th October: Talents 
  • Monday 17th October: Treasure/Gold 
  • Monday 24th October: Guidance 
  • Monday 31st October: Promises (All Souls Day) 
  • Monday 7th November: Safety 
  • Monday 14th November: Money 
  • Monday 21st November: Security


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Maurice Duruflé - Tu Est Petrus.