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Showing posts with label mudcubs. Show all posts
Showing posts with label mudcubs. Show all posts

Saturday, 29 April 2023

International Times: The Mudcubs and the Wall

International Times, the Magazine of Resistance, have just published my short story entitled 'The mudcubs and the Wall'.

This story is the third of three about Nicola Ravenscroft's mudcub sculptures, which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes.' The second is 'The Mudcubs and the Clean-Up King'.

I have been writing a range of pieces (stories, poems and reflections) in response to Nicola's works. Click here for a poem published by Stride Magazine that was inspired by Nicola's series of 'in the language of angels' images, here for my Artlyst interview with Nicola, and here for an ArtWay Visual Meditation on her work.

My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, The New Dark Ages, a story about principles and understandings that are gradually fading away from our modern societies, and The curious glasses, a story based on the butterfly effect.

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Joy Oladokun - Keeping The Light's On.

Saturday, 1 April 2023

International Times: The Black Rain

International Times, the Magazine of Resistance, have just published my short story entitled 'The Black Rain', a story about the impact of violence in our media.

My other short stories to have been published by International Times are 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, 'The curious glasses', a story based on the butterfly effect, and two stories about Nicola Ravenscroft's mudcub sculptures - 'The Mudcubs and the O Zone holes' and 'The Mudcubs and the Clean-Up King'.

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Hurtsmile - Just War Theory.

Saturday, 4 March 2023

International Times: 'The Mudcubs and the Clean-Up King'

International Times, the Magazine of Resistance, have just published my short story entitled 'The Mudcubs and the Clean-Up King'

This story is the first of three about Nicola Ravenscroft's mudcub sculptures, which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes.' 

I have been writing a range of pieces (stories, poems and reflections) in response to Nicola's works. Click here for a poem published by Stride Magazine that was inspired by Nicola's series of 'in the language of angels' images, here for my Artlyst interview with Nicola, and here for an ArtWay Visual Meditation on her work.

My other short stories to have been published by International Times are The New Dark Ages, a story about principles and understandings that are gradually fading away from our modern societies and The curious glasses, a story based on the butterfly effect.

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Sunday, 18 September 2022

St Andrew's Wickford: Autumn art and heritage displays










 


Our autumn exhibition at St Andrew's Wickford focuses on children and nature. An archive display from Basildon Heritage has photographs of Wickford's children through the ages. Paintings by members of the Runwell Art Club feature animals, children and nature, while Nicola Ravenscroft’s mudcub sculptures are of children intimately connected to the earth – reminding us of our duty of care to life, to love, to planet Earth.

mudcubs… touching earth, bringing peace
5 September – 31 December 2022
St Andrew’s Church, 11 London Road, Wickford, Essex SS12 0AN


Nicola Ravenscroft’s mudcubs are children intimately connected to the earth – reminding us of our duty of care to life, to love, to planet Earth.

This exhibition is complemented by a heritage display on Wickford’s children from Basildon Heritage (Web: http://www.basildonheritage.org.uk/) from 18 September – 22 October (followed by a display on Wickford’s shops) and an exhibition by members of Runwell Art Club (https://community.saa.co.uk/art-clubs/runwell-art-club/) featuring animals, children and nature. All their works are for sale.

St Andrew’s Church is usually open: Saturdays from 8.30 am to 12.30 pm; Sundays from 9.30 am to 12.00 noon; Mondays from 1.30 to 3.45 pm; Tuesdays from 1.00 to 4.30 pm; Wednesdays from 10.00 am to 12.00 noon; and Fridays from 10.00 am to 1.30 pm.

See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.

Nicola Ravenscroft’s mudcubs are children intimately connected to the earth – reminding us of our duty of care to life, to love, to planet Earth.

Children pay attention to the world finding wonder in it. A child’s journey from the front of the house to the back will ‘be full of pauses, circling, touching and picking up in order to smell, shake, taste, rub, and scrape’, ‘every object along the path will be a new discovery’ because ‘the child treats the situation with the open curiosity and attention that it deserves’ (Sister Corita Kent). That is why the children are our future and can lead the way into a better future. This is also why Jesus said a child is greatest in the kingdom of heaven.

. . mudcubs . . are Earth’s messenger-angels: they silently call us to live in PEACE .. with nature and with each other.

Previously exhibited at St Martin-in-the-Fields, St John’s Cambridge, HSBC global headquarters Canary Wharf, Churchill College Cambridge, Cambridge University Faculty of Education and coming to us from the Talos Art Gallery’s ‘Natural Elements’ exhibition where they spent three months outdoors standing guard at the base of an old tree, these are sculptures to touch and feel and cherish. Nicola says: “Earth’s children are life’s heartbeat: they are her hope, her future ... they are breath of Earth herself. Creative, inquisitive and trusting, children are Earth’s possibility thinkers. They seek out, and flourish in fellowship, in ‘oneness’, and being naturally open-hearted, and wide-eyed hungry for mystery, delight and wonder, they embrace diversity with the dignity of difference.”

Nicola Ravenscroft is a British sculptor and songwriter whose sculpture has a lifegiving presence and a peaceful stillness. A graduate of Camberwell School of Art, London, UK she has owned and run a sculpture gallery and, as an art teacher, has nurtured many young people into celebrating their inherent creativity and thinking beyond the walls. Her sculpture installation With the Heart of a Child was part of a project exploring what the arts in transdisciplinary learning spaces can contribute to primary education. Nicola has been commissioned to create the Westminster National bronze memorial, honouring the sacrifice of NHS and careworkers on the covid front line.

Web: https://nicolaravenscroft.com / https://nicolaravenscroft.com/mudcubs/.

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Wednesday, 24 August 2022

The greatest among you must become like the youngest









Here's the reflection I shared at today's midweek Eucharist at St Andrew's Wickford:

At my first training weekend as a curate the then Bishop of Barking, David Hawkins, performed a handstand to demonstrate the way in which Jesus, through his teaching in the beatitudes, turns our understanding of life upside down. He was thinking of the way in which Jesus startles us as paradox, irony and surprise permeate his teachings flipping our expectations upside down: the least are the greatest; adults become like children; the religious miss the heavenly banquet; the immoral receive forgiveness and blessing. Bishop David's action turned our expectations, as curates, of Bishops and their behaviour upside-down at the same time that it perfectly illustrated his point.

Today’s Gospel reading (Luke 22.24-30) is one of those passages where Jesus turns conventional thinking on its head by telling his disciples that “the greatest among you must become like the youngest and the leader like one who serves.” Jesus turns the meaning of greatness and leadership upside down. No longer are they to be understood in terms of garnering wealth and power for oneself. Now they are understood to be about service; giving your life that others might live. Jesus, as the servant King, says to us, ‘I, your Lord and Teacher, have just washed your feet. You, then, should wash one another’s feet. I have set an example for you, so that you will do just what I have done for you.’

The most radical reversal in a culture where the elders were revered is that “the greatest among you must become like the youngest.” Years before, the prophet Isaiah had promised a child born for us who would establish endless peace upheld with justice and righteousness. Isaiah described a time when the wolf shall live with the lamb, the leopard would lie down with the kid, the calf and the lion and the fatling together, with a little child leading them (Isaiah 11.1-9).

Isaiah's vision of the peaceable kingdom was centred on a child born to be the Prince of Peace. When that promised child came among us at Jesus, he said: ‘Let the little children come to me, and do not stop them; for it is to such as these that the kingdom of God belongs’; ‘Unless you change and become like children, you will never enter the kingdom of heaven’; ‘Whoever becomes humble like this child is the greatest in the kingdom of heaven’ and ‘Whoever welcomes one such child in my name welcomes me.’

The child born for us leads us to become like children. Why is this so? Children see the peaceable kingdom, until adults teach them otherwise. That is why the children are our future and can lead the way into a better future. We need to unlearn the dirty devices of this world in order to become, as it were, a little child again that we may enter into the Kingdom of God.

Nicola Ravenscroft, the creator of the mudcub sculptures that we have at St Andrew’s this autumn, intuitively understands these truths and, as a maternal sculptor, creates children that through their connection to nature grant us a vision of the peaceable kingdom toward which they wish to lead us. Her mudcub sculptures, simply dressed in soft silk tulle, hesitate in time, leaning forward, hopeful, poised to dive, eyes closed, dreaming into their future, anticipating things unseen.

Nicola writes that “as an artist, I am visionary, sculptor, mother to many, and grandmother to even more.” She adds that she breathes life into life taking “clay, dirt and stardust, shaped and twisted torn smoothed and broken lost, found and moulded wax and singing molten bronze through white-hot crucible-refining fire, Earth’s own core breathing life into revealing-truth, a giving-birth to energy.” The result is this collection of mudcubs – children intimately connected to the earth – reminding us of our duty of care to life, to love, to planet earth.

She says they are, are “earth’s messenger-angels: silently calling us all to live in peace with nature”: “Earth’s children are life’s heartbeat: they are her hope, her future ... they are breath of Earth herself. Creative, inquisitive and trusting, children are Earth’s possibility thinkers. They seek out, and flourish in fellowship, in ‘oneness’, and being naturally open-hearted, and wide-eyed hungry for mystery, delight and wonder, they embrace diversity with the dignity of difference.”

These are the children we are called to welcome, the children we are to become, the children to whom the peaceable kingdom belongs. They stand together, peacefully, as friends, vulnerable and strong, silently singing out their call to change. These little children lead with trusting feet, plump and bare. The Prince of Peace is with them and calls us to let them lead the way.

As we contemplate these children this autumn, may we be led by Jesus to become like little children ourselves.

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