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Showing posts with label amethyst press. Show all posts
Showing posts with label amethyst press. Show all posts

Saturday, 31 May 2025

International Times: The Edge of Chaos

My latest poem to be published by International Times is entitled 'The Edge of Chaos'. 

My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of Bill Fay, plus reviews of: 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, beginning with 'The ABC of creativity', which covers attention, beginning and creation, Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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Michael McDermott - What In The World.

Friday, 29 November 2024

Thin Places and Sacred Spaces: October online launch


 

View the recording of the October online launch for Thin Places and Sacred Spaces here. Join editor Sarah Law of Amethyst Press on Friday for an evening hour of poetry readings and discussions on what makes the concept of a thin place so compatible with poetry. To see the September Launch, which includes my reading of 'Runwell', click here.


In this important and wide-ranging new anthology from Amethyst Press, with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:

  • Sacred Locations
  • Sacred Nature
  • Sacred Architecture
  • Sacred Times & Holy Hours
  • The Thin Veil Between Life & Death
  • The Holy Unexpected
  • Thin Places in Art, Poetry & Language
If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell' is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios' and was the first poem in the sequence to be written and published. The poem takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends.

The second poem in the sequence to be published is at International Times and is entitled 'Broomfield' Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see herehereherehere and here. I will be giving a talk on 'Broomfield Artists in the Basildon Deanery' at St Andrew's Wickford in December (see below).

The third poem in the series to be published is entitled 'Pleshey' and celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director. My poem can also be found on the Diocesan Retreat House website here.

'Bradwell', the final poem in the series to have been published, is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. My previous posts about Bradwell and the Othona Community can be found here and here.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Five of my poems have appeared in Amethyst Review. They are:'Pleshey''Runwell''Are/Are Not''Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click herehereherehere, and here. My poems published by International Times are 'Broomfield' and 'The ABC of creativity'. The latter covers attention, beginning and creation and can be read here.





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Launch of Thin Places & Sacred Spaces: an anthology of new poetry

Wednesday, 23 October 2024

October online launch for 'Thin Places and Sacred Spaces'



The October online launch for Thin Places and Sacred Spaces is this Friday, October 25th, 7-8PM BST. All are welcome to attend. Join editor Sarah Law of Amethyst Press on Friday for an evening hour of poetry readings and discussions on what makes the concept of a thin place so compatible with poetry/

The eventbrite link to register for Friday's event is: https://www.eventbrite.co.uk/e/thin-places-sacred-spaces-october-online-launch-tickets-1026964326947?aff=oddtdtcreator

To see the September Launch, which includes my reading of 'Runwell', click here.

In this important and wide-ranging new anthology from Amethyst Press, with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:
  • Sacred Locations
  • Sacred Nature
  • Sacred Architecture
  • Sacred Times & Holy Hours
  • The Thin Veil Between Life & Death
  • The Holy Unexpected
  • Thin Places in Art, Poetry & Language
If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell' is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios' and was the first poem in the sequence to be written and published. The poem takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends.

The second poem in the sequence to be published is at International Times and is entitled 'Broomfield' Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see here, here, here, here and here. I will be giving a talk on 'Rosemary Rutherford's Religious Art' at St Mary with St Leonard Broomfield in November, together with Kathy Rouse (see below).

The latest poem in the series to be published is entitled 'Pleshey' and celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director. The final poem in this sequence - 'Bradwell' - will be published shortly.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Five of my poems have appeared in Amethyst Review. They are:'Pleshey''Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click here, here, here, here, and here. My poems published by International Times are 'Broomfield' and 'The ABC of creativity'. The latter covers attention, beginning and creation and can be read here.

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Launch of Thin Places & Sacred Spaces: an anthology of new poetry

Saturday, 5 October 2024

Amethyst Review: 'Pleshey'

My latest poem to be published by Amethyst Review is entitled 'Pleshey' and is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios'. The poem celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director.

The first poem in the sequence to be written - 'Runwell' - was also published by Amethyst Review and has recently been included in the Amethyst Press anthology, Thin Places and Sacred Spaces, This poem takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends.

The second poem in the sequence to be published is at International Times and is entitled 'Broomfield' Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see here, here, here, here and here. I will be giving a talk on 'Rosemary Rutherford's Religious Art' at St Mary with St Leonard Broomfield in November, together with Kathy Rouse (see below).

The final poem in this sequence - 'Bradwell' - will be published shortly.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Four of my poems have appeared in Amethyst Review, in addition to 'Pleshey'. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride Magazine, click here, here, here, here, and here. My poem entitled 'The ABC of creativity' is at International Times. It covers attention, beginning and creation and can be read here.

Several of my short stories have also been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.



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Launch of Thin Places & Sacred Spaces: an anthology of new poetry

Thursday, 3 October 2024

Launch of Thin Places & Sacred Spaces: an anthology of new poetry


The September 2024 online launch of Thin Places and Sacred Spaces: an international anthology of new poetry edited by Sarah Law and published by Amethyst Press is now available to be viewed on YouTube. This launch features many of the contributors reading their work, especially from the first part of the anthology which features poetry related to Sacred Locations, Sacred Nature, and Sacred Architecture. I feature among those reading, with my poem 'Runwell'.

In this important and wide-ranging new anthology from Amethyst Press, with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:
  • Sacred Locations
  • Sacred Nature
  • Sacred Architecture
  • Sacred Times & Holy Hours
  • The Thin Veil Between Life & Death
  • The Holy Unexpected
  • Thin Places in Art, Poetry & Language
If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell', the poem of mine which has been included in Thin Places and Sacred Spaces, is part of a series of poems on thin places and sacred spaces in Essex. 'Broomfield' has just been published by International Times and the other poems in this sequence - 'Bradwell' and 'Pleshey' - will be published shortly by International Times and Amethyst Review respectively.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Four of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click here, here, here, here, and here. My latest poem to be published, 'The ABC of creativity', is at International Times. It covers attention, beginning and creation and can be read here.

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Iona - Treasure.

Monday, 23 September 2024

Thin Places & Sacred Spaces: Launch events & readings



Dates have now been set for the online launch events for 'Thin Places & Sacred Spaces'. Join editor Sarah Law, founder of Amethyst Press for evenings of poetry readings and discussion on what makes the concept of a thin place so compatible with poetry. 

Use the following links to book your free space:

Monday September 30th 7-8PM UK time (BST)
https://www.eventbrite.co.uk/e/thin-places-sacred-spaces-september-online-launch-tickets-1026921248097?aff=oddtdtcreator

Friday October 25th 7-8PM UK time (BST)
https://www.eventbrite.co.uk/e/thin-places-sacred-spaces-october-online-launch-tickets-1026964326947?aff=oddtdtcreator

In this important and wide-ranging new anthology from Amethyst Press, with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:

  • Sacred Locations
  • Sacred Nature
  • Sacred Architecture
  • Sacred Times & Holy Hours
  • The Thin Veil Between Life & Death
  • The Holy Unexpected
  • Thin Places in Art, Poetry & Language

If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell', the poem of mine which has been included in Thin Places and Sacred Spaces, is part of a series of poems on thin places and sacred spaces in Essex. 'Broomfield' has just been published by International Times and the other poems in this sequence - 'Bradwell' and 'Pleshey' - will be published shortly by International Times and Amethyst Review respectively.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Four of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click here, here, here, here, and here. My latest poem to be published, 'The ABC of creativity', is at International Times. It covers attention, beginning and creation and can be read here.

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Sarah Law - Thérèse: Poems.

Wednesday, 18 September 2024

Amethyst Press: Thin Places & Sacred Spaces


Very pleased to be among those whose poetry has been included in 'Thin Places & Sacred Spaces'.

In this important and wide-ranging new anthology from Amethyst Press with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:
  • Sacred Locations
  • Sacred Nature
  • Sacred Architecture
  • Sacred Times & Holy Hours
  • The Thin Veil Between Life & Death
  • The Holy Unexpected
  • Thin Places in Art, Poetry & Language
If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell', the poem of mine which has been included in Thin Places and Sacred Spaces, is part of a series of poems on thin places and sacred spaces in Essex. The other poems in this sequence - 'Bradwell', 'Broomfield' and 'Pleshey' - will be published shortly either by International Times or Amethyst Review.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Four of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click here, here, here, here, and here. My latest poem to be published, 'The ABC of creativity', is at International Times. It covers attention, beginning and creation and can be read here.

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Saturday, 18 May 2024

International Times: The ABC of creativity

My latest poem, The ABC of creativity, has been published by International Times. It cover attention, beginning and creation and can be read here.

My poems previously published by Stride can be read by clicking here, here, here, here, and here. My poems previously published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. I am very pleased to be among those whose poetry has been included in Thin Place & Sacred Spaces, a new anthology forthcoming in 2024 from Amethyst Press. Check in at Amethyst Review for more details, including a publication date in July and an online launch and reading in September. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

Together with Tim Harrold, I will be giving a poetry reading at Unveiled on Friday 31 May 2024, 7.00 pm, St Andrew’s Church, 11 London Road, Wickford, Essex SS12 0AN. We will share a selection of poetry and prose from our own collections and those of our favourite poets. Tim Harrold is a poet who creates images of profound challenge and change, of pause and process, of chrysalis and catalyst. His most recent publication is ‘Verses versus Viruses’. All are most welcome. See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.

My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, plus reviews of: T Bone Burnett's 'The Other Side' and Peter Case live in LeytonstoneHelaine Blumenfeld's Together exhibition, 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'.

My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.


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Tim Harrold - A Blessing.

Wednesday, 8 May 2024

Julian of Norwich: An inspiration in love and prayer

Here's the reflection that I shared at St Andrew's Wickford this morning and, in which, I used material from Dan Graves to reflect on Julian of Norwich as an example to inspire us on her feast day:

"On 8th May in the year 1373, when Julian of Norwich was thirty years old and suffering from what was considered to be a terminal illness, she experienced a series of sixteen visions, which revealed aspects of the love of God. Following her recovery, she spent the next twenty years of her life pondering their meaning and recorded her conclusions in what became the first book written by a woman in English, The Revelations of Divine Love. At an unknown point in her life, she became an anchoress attached to the Church of St Julian in Norwich. She died around the year 1417."

"As an anchoress, she was a woman who had set herself apart for God and lived isolated in a cell. Recognizing her need for a deeper love of Christ, she appealed to God for three things: a stronger understanding of Christ’s passion; a sickness unto death while still young, allowing her to experience all that a body and soul experience in death but without actual death—so that she might learn to live more mindful of God; three “wounds:” absolute contrition, kind compassion, and steadfast longing toward God.

It seemed her unusual prayer was being answered, as Julian became deathly ill. Everyone around her despaired of her life. She also believed she was dying. The last rites were administered to her. Then a wonderful thing happened: Julian experienced what a future generation might describe as a near-death experience. At the crisis of her sickness, between four and nine one afternoon, she received fifteen “showings,” or revelations. She reported that heaven opened to her, she beheld Christ in his glory, and she saw the meaning and power of his sufferings. She also saw Christ’s mother, Mary, exalted and beloved.

In her thirteenth showing, Julian received a comforting answer to a question that had long troubled her: “In my folly, before this time I often wondered why, by the great foreseeing wisdom of God, the onset of sin was not prevented: for then, I thought, all should have been well. This impulse [of thought] was much to be avoided, but nevertheless I mourned and sorrowed because of it, without reason and discretion.

“But Jesus, who in this vision informed me of all that is needed by me, answered with these words and said: ‘It was necessary that there should be sin; but all shall be well, and all shall be well, and all manner of thing shall be well.'

“These words were said most tenderly, showing no manner of blame to me nor to any who shall be saved.”

In this she recognized the compassion she had prayed for. She was impressed with her need to be joyful in all circumstances, however adverse, and for no particular reason, except this: that all things will ultimately be put right by Christ.

The following night Julian received a final, sixteenth showing while she slept. In it Satan and his hosts assailed her, but God gave her grace, and she fixed her eyes on the crucified Christ and trusted that because of his suffering and victory over sin he could protect her, and he delivered her from the demonic jeers and mutterings."

"This week is the fourth consecutive Week of Prayer in the Diocese of London in preparation for the great Feast of Pentecost. This year we join with Christians around the country, responding to the encouragement of the Archbishops of Canterbury and York to spend focused and dedicated time in prayer for all Christians to deepen our relationship with Jesus so that we may have confidence to share our faith that all may respond to the call of Jesus Christ to follow Him."

Julian of Norwich is a wonderful example to us of prayer leading to revelation and understanding. She says to us: “Our Lord is most glad and joyful because of our prayer; and he expects it, and he wants to have it, for with his grace it makes us like to himself in condition as we are in nature, and such is his blessed will. For he says: Pray wholeheartedly, though it seems to you that this has no savour to you; still it is profitable enough, though you may not feel that. Pray wholeheartedly, though you may feel nothing, though you may see nothing, yes, though you think that you could not, for in dryness and in barrenness, in sickness and in weakness, then is your prayer most pleasing to me, though you think it almost tasteless to you. And so is all your living prayer in my sight.” (14th Revelation, p. 249)

Julian encourages us to persevere in prayer because: "Prayer unites the soul to God, for though the soul may always be like God in nature and in substance restored by grace, it is often unlike him in condition, through sin on our part. Then prayer is a witness that the soul wills as God wills, and it eases the conscience and fits us for grace. And so he teaches us to pray and to have firm trust that we shall have it; for he beholds us in love, and wants to make us partners in his good will and work." (14th Revelation, p. 253)

Here are prayers that I used in Morning Prayer this morning:

Triune God, Father and Mother to us all, who showed your servant Julian revelations of your nurturing and sustaining love: Move our hearts, like hers, to seek you above all things, for in giving us yourself you give us all. God of everything, both great and small, we praise you for the rich variety of your creation and for the love and care you lavish on all that you have made. Help us to appreciate your world, to care for it properly and not to damage it. We thank you for the wisdom of the Bible and for the works of Christian thinkers such as Julian of Norwich. Help us to pay attention, to understand and to follow. We praise and thank you for the knowledge that, despite all the sin and suffering humankind has caused, you are always with us ready to support and encourage us and that all shall be well, and all shall be well, and all manner of thing shall be well. Lord, in your mercy, hear our prayer.

Awareness of the presence of God fills Julian of Norwich with joy, desire, hope and love. Lord, we pray that, seeking wisdom from her we may make your presence in our daily lives more conscious and vibrant so that we may be responsive to the graces, blessings and opportunities you offer at each moment of the day. Blessed Julian our Mother, speak of us to the Father. Blessed Julian our Sister, speak of us to the Son. Blessed Julian our Friend, speak of us to the Spirit. That we may know what it means to pray: God of Thy goodness, give me Thyself, for Thou art enough to me. And I can ask nothing that is less that can be full honour to Thee. And if I ask anything that is less, ever shall I be in want, for only in Thee have I all. Lord, in your mercy, hear our prayer.

In you, Father all-mighty, we have our preservation and our bliss. In you, Christ, we have our restoring and our saving. You are our mother, brother, and Saviour. In you, our Lord the Holy Spirit, is marvellous and plenteous grace. You are our clothing; for love you wrap us and embrace us. You are our maker, our lover, our keeper. Teach us to believe that by your grace all shall be well, and all shall be well, and all manner of things shall be well. Lord, in your mercy, hear our prayer.

Last year I had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for the anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Ink’s Wish'. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Foue of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

Check back at Amethyst Review for more details, including a publication date in July and an online launch and reading in September, of Thin Place & Sacred Spaces, a new anthology from Amethyst Press in which I will also have work included.

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Jonathan Evens - 'Meditation on Alan Oldfield's Revelations of Divine Love of Julian of Norwich'.

Monday, 29 April 2024

Thin Place & Sacred Spaces

Very pleased to be among those whose poetry has been included in Thin Place & Sacred Spaces.

Thin Place & Sacred Spaces
is a new anthology forthcoming in 2024 from Amethyst Press, featuring work from the following poets:


Check back at Amethyst Review for more details, including a publication date in July and an online launch and reading in September!

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for the anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Ink’s Wish'. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Foue of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

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Saturday, 28 October 2023

Love is the Meaning

















Love is the Meaning is an international art exhibition in response to Julian of Norwich’s ‘shewings’ 650 years ago which is in Julian’s city from 18th October – 16th November.

Julian of Norwich's writing continues to surprise, baffle and delight. She thought it was worthwhile to ask God how He could possibly claim that ‘All shall be Well’ and the end response was ‘Love is the Meaning’.

To celebrate the 650th anniversary of Julian’s shewings in her home city, the Friends of Julian and the Julian Partnership wanted to focus on the pictures themselves, not only the words of this remarkable woman. So in March 2023 they challenged modern artists to think about Julian’s “shewings” and imagine what she actually saw.

Over forty artists from several different countries have responded, and the results are on show in three venues. The artists have used media from the traditional crafts of stained glass, stone carving, and weaving to conceptual art in sound and light. There is a podcast and interactive installations to spark the imagination and light up Julian’s words.

Often it takes years of living with a picture – a good picture – to see it all. And often we can’t put the reason it is so satisfying into words. Julian studied the pictures sent to her by God for over twenty years – because she wanted to understand them and she believed their meaning was important. It was a most dangerous act of faith in those years when it became illegal to read or write about God in English. For lay people like Julian, teaching theology – in English – was punishable by a most hideous death of burning at the stake in nearby Lollard’s Pit. In spite of the danger, Julian wrote the first book in English by a woman.

St Julian's, St John's Timberhill, and St Stephen's Rampant Horse Street in Norwich are all connected with Julian's life. The exhibition takes the form of an exciting pilgrimage walk and exploration of the art and history of these important churches. Special guided walks with Paul Dickson on some dates introduce visitors to Medieval Norwich to help visitors explore the medieval city that Julian would have known so well.

“Julian counselled people daily throughout her years as an anchoress, and we want to reawaken the conversation.” says Lucy Care, curator of the exhibition. “This exhibition exploring her pictures through the eyes of modern artists allows us to see her work with fresh eyes. Prepare to wonder, be confused, indignant or refilled with happiness as her conviction that Love is the meaning of God’s creation is made visible. That love resides in every being, every drop of water and every organic cell of the universe, just as the artist’s DNA can be found in every fibre of their own work.”

The exhibition is over three venues, St Julian’s in Julian Alley, St John the Baptist, Timberhill and St Stephen’s, Rampant Horse Street. The exhibition is planned to give a sense of pilgrimage as visitors walk the streets of medieval Norwich. All venues are open 10am – 3pm, seven days a week. Church services will also be happening from time to time.

For information on workshops and times of church services please look on the website: https://julianofnorwich.org/pages/love-is-the-meaning-an-exhibition-of-new-art-celebrating-the-words-and-shewings-of-julian-of-norwich#.

All Shall Be Well: Poems for Julian of Norwich, the Amethyst Press anthology of new poems for Julian of Norwich has also been prepared for the Anniversary and 20 of its poems are also displayed around Norwich, several being shown close to the exhibition venues.

'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review. Copies can be purchased here: Amazon USAmazon UKAmazon AU (plus other Amazon platforms).

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Sian Croose - All Shall Be Well.