An evening with Neil Tye and Make Space for God

 

An evening with Neil Tye
Friday 4 July, 7.00 pm
St Andrew’s Church, 11 London Road, Wickford SS12 0AN

For the last 25 years Neil Tye has been working professionally, as a physical visual theatre performer, instructor, teacher, and installation artist, and has taken his performances, and teaching skills around the world. Hear stories about his music, performance, and painting.

Part of ‘Unveiled’, the Friday night arts and performance event at St Andrew’s Church

Artist Statement

Neil’s artistic practice is grounded in an intuitive and process-driven approach, wherein the act of painting itself dictates the final composition. Rather than adhering to predetermined concepts, he engages with the canvas through spontaneous mark-making and gestural forms, allowing the work to evolve organically. While his initial engagement with a piece may be sparked by a particular colour or shape, it is the dynamic interplay of movement, texture, and form that ultimately guides its development.

By embracing spontaneity and fluidity, his work exists at the intersection of abstraction and interpretation, inviting viewers to engage with the imagery in a way that is both personal and open-ended. Through this interplay between process and meaning-making, Neil`s paintings function as both intuitive expressions and conceptual explorations of movement, memory, and transformation.

About the artist

Neil Tye (b. 1963, London UK) is a Denmark-based artist with a background in both visual arts and physical theatre. Initially working as a performer and educator in physical theatre, he transitioned into visual expression 15 years ago. He holds an MA in Professional Practice from Middlesex University, London, and has exhibited, performed, and taught extensively across Europe and beyond. His exhibitions include venues such as the arts and culture centre Spinderihallerne (Denmark), the arts centre Banco de Nordeste (Brazil), and The Post Houston TX (USA), among others. Drawing from his multidisciplinary background, Neil’s work explores movement, form, and storytelling through visual mediums. He continues to create from his studio M10 in the Art zone area here in Spinderihallerene.

'The things we carry'

Following its initial display at Spinderihallerene in April, Neil's latest exhibition 'The things we carry' will be shown at Redbud Arts Center, Houston, from 7 - 28 June. This is a collection of mixed media works that centre around the nature of human connection. To mark the opening, Redbud Arts Center will host a special one-night performance by the internationally acclaimed Ad Deum Dance Company. The performance, inspired by themes from Tye's exhibition, will weave movement, storytelling, and live interaction with the artwork, offering audiences a multidisciplinary experience that bridges visual art and contemporary dance.

Neil says of the exhibition: "The title of this exhibition was inspired by reflections I had while creating my recent body of work. The first thought centres on the fundamental nature of human connection—we are not meant to navigate life alone. We rely on one another for support, understanding, and encouragement, whether through conversation, shared experiences, or emotional upliftment. The second thought arose from one particular painting, which evoked the image of an overloaded truck. This visual metaphor led me to consider how, in life, we accumulate and carry various burdens—emotions, worries, frustrations, memories, secrets, hopes, and dreams. These intangible yet weighty elements can become overwhelming, making it evident that we cannot bear them alone. At times, we must find ways to release or share these burdens, but this raises important questions: Where do we turn for relief? To whom do we entrust our heaviest thoughts? And how can we cultivate a sense of communal support to help lighten the loads we all inevitably carry?"


Make Space for God

Saturday 5 July, 10.00 am - 4.00 pm 

Miracle House, Silva Island Way, Wickford

A day of creativity and inspiration led by Anja and Neil Tye, the visionary leaders of "Art Encounter" from Denmark.

Art Encounter is an international arts ministry under Rescue Team which is run by married couple Neil and Anja Tye who are based in Denmark.

Neil and Anja are trained artists, and have been using their artistic skills as artist missionaries for many years. They have worked with different Christian organisations and churches from around the world such as Creative Mission in Sweden, Creative Arts Europe in Belgium, YWAM Costa Rica, Circus Victory Brazil, Ad Deum Dance Company USA, Iris Ministries Brazil, Acts Academy International Bible College, to Euroclass youth Mission boarding school in Denmark.

Art Encounter communicates the Gospel by using the arts, from dance, theatre, creative writing, and the visual arts and painting in various settings both in Denmark and around the world.

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Glen Hansard - Down On Our Knees.

Current and past activity

I am Team Rector for Wickford and Runwell in the Diocese of Chelmsford and Area Dean for Basildon. My current and past activities all fit within the HeartEdge 4 Cs mission model.

Our three churches and halls in the Wickford and Runwell Team Ministry are hubs for the community in Wickford and Runwell. Between them activities and groups supported include: Coffee Mornings; Councillor Surgery; Art and Heritage Exhibitions; Floral Art; Gamblers Anonymous; Huff & Puff; Lace Makers; Ladygate Scribblers; Martial Arts; Meet & Make; Mothers Union; Parent & Toddlers Group; Parent’s 1st Group; Phlebotomy Clinics; Singing Group; Tai Chi; U3A; Unveiled arts and performance evening; Warfarin Clinic; WI Craft Group; Wickford Chapter; Wickford Lodge; Wickford Women’s Institute; Yoga. These groups and activities provide a wide range of social, leisure and educational opportunities for the local community, as well as providing warm spaces that enable those attending to save on heating in their homes while attending. In addition, local schools visit our buildings for a range of educational opportunities. 

Our Unveiled arts and performance evening plus our art and heritage exhibition programme deliver new cultural offers in Wickford. These seek to bring high quality art and performance to Wickford while also encouraging local talent by providing new platforms for local performers and artists. We take part in Bas-Arts Index and Wickford Voices (Creative Basildon) and use heritage displays provided by Basildon Heritage. We have worked with local arts organisations such as Runwell Art Club and Next Step Creative, while also utilising local artists and performers such as Jackie Burns (Space Artist), Dave Crawford (Musician), Eva Romanakova (Singer), John Paul Barrett (Artist) and Steven Turner (Dancer). We have supported the possible development of a Wickford Business Improvement District (BID), including joining the Town Team.

We are making use of the HeartEdge 4 Cs which has enabled a focus on cultural programming that has brought new contacts with the community and which is generating additional opportunities for grant funding. One church in the team is being developed as a cultural and heritage hub for the town, while others are expanding their focus on contemplative spiritualities and traditional parish activities. Within these initiatives, a new enquirers course has been introduced and a monthly discussion group for young people.

The Basildon Deanery is a group of Church of England churches in the Basildon, Billericay and Wickford areas. Our 19 churches are grouped in 10 parishes and have great community activities, enjoyable cultural events and artefacts, beautiful environments, and fascinating heritage. In the Basildon Deanery we have used Mission Opportunities Fund grants to set up a Deanery website (https://basildondeanery.co.uk/) and to work with mission consultants/coaches.  

My creative writing has been published by Amethyst Review, International Times, Strait, and Stride Magazine. I write regularly on the Arts for national arts and church media and my journalism has been published by: AM; Art+Christianity Journal; Artlyst; ARTS Journal; ArtServe Magazine; ArtWay; Church Times; Epiphany; Expository Times; Faith in Business Quarterly, Franciscan Magazine; Gods' Collections; Ilford Recorder; Image Journal; International Times; Journal of Theological Studies; Muslim Weekly; National Churches Trust; New Start; Seen and Unseen Magazine; Strait; Stride Magazine; Transpositions; and Visual Commentary on Scripture. 

My publications include: ‘The Secret Chord’ (Lulu, 2012, with Peter Banks); ‘Finding Abundance in Scarcity’ (Canterbury Press, 2021, ed. Samuel Wells); ‘Liturgy on the Edge’ (Canterbury Press, 2018, ed. Samuel Wells); ‘Living with other faiths’ (Contextual Theology Centre, 2006 / Greater London Presence & Engagement Network, 2009); ‘Christians in the workplace’ (Diocese of Chelmsford, 2007, with C. Ball, P. Ritchie and P. Trathen); and ‘Despair and Hope in the City’ (Alistair Shornach, 1990, with Philip Evens). I have poems that have been included in two anthologies: 'Thin Places and Sacred Spaces' (2024); and 'All Shall Be Well: Poems for Julian of Norwich' (2023).

My previous roles in the Church of England have been as: Associate Vicar for HeartEdge at St Martin-in-the-Fields (including three years as p/t Priest-in-charge at St Stephen Walbrook), Vicar of St John’s Seven Kings, and Curate at St Margaret’s Barking.

At St Martin-in-the-Fields I led the development of HeartEdge from its launch in 2017 to become a growing international and ecumenical movement of churches, organisations and individuals from Australia, Canada, England, Italy, Netherlands, New Zealand, Scotland, South Africa, USA, and Wales. The movement includes Baptist, Church of England, Church of Scotland, Episcopal, Independent, Lutheran, Methodist, Presbyterian, Protestant Church of the Netherlands, Remonstrant, Roman Catholic, Salvation Army, United Reformed, and Uniting Church.

Initiated by the congregation at St Martin-in-the-Fields in 2017, HeartEdge is a movement for renewal, fuelled by people and churches sharing their assets, experience, resource and need. As an ecumenical network, HeartEdge brings together people to share ideas and experience, do theology and develop their church and community. HeartEdge is about churches developing four Cs: Commerce - Generating finance via enterprise, creatively extending mission. Culture - Art, music, performance re-imagining the Christian narrative for the present. Congregation - Inclusive liturgy, worship and common life. Compassion - Empowering congregations to address social need. 

I also had three main areas of responsibility in relation to the congregation at St Martin’s. First, I created an artists’ and craftspeoples’ group involving participants of all abilities which organises art workshops, a monthly drawing group, exhibition space in the Crypt, annual exhibitions, and a lecture series. Second, I was the clergy lead for the Disability Advisory Group, Disability Cross-Site Working Group, and annual conference on disability and church organised in partnership with Inclusive Church. Among other outcomes the support and facilitation I have provided enabled delivery of a full organisational Access Audit, six conferences, and two publications. Third, I was clergy lead with the Global Neighbours Committee which, as a sub-committee of the PCC, enabled St Martin’s to support their neighbours around the world by contributing to the funding of projects, through prayer, raising awareness and other activities. In this period I also led on their partnership with St Mary’s Cathedral Johannesburg. For three years I was also Chair of Westminster Churches Together.

I supported a curate as a team member at St Martin’s and undertook the setting up and preparation for a second curate who began after I had left. I was also a Post Ordination Training Tutor for Two Cities & Stepney – attending and contributing to POT (IME4-7) meetings in order to provide continuity of pastoral care and contribute to teaching. I also became an Associate Tutor for St Augustine’s College of Theology, teaching a module on The Arts, Culture and Christian Ministry and Mission.

At St Stephen Walbrook I created in ‘Start:Stop’ – reflections for those on their way to work - a mission model that worked in its context (creating a new sustainable congregation and drawing new people into the wider life of the church) and is replicable. I demonstrated the viability of a new Monday lunchtime service, now being taken forward as Choral Classics. I set and demonstrated the value (in terms of visitor footfall and deepening spirituality) of ongoing arts programming in a City church context. I revived the relationship between the church and Mansion House and introduced a new annual service to the City which was enthusiastically embraced by the Livery Companies and Ward Clubs. I also addressed the issues which were holding back the missional development of the church - and put viable, high-quality alternatives in place, often using the partnership with St Martin’s to do so. I was a training incumbent to one curate at St Stephen Walbrook.

St John’s Seven Kings aimed to grow together as a community of God's people, filled and empowered by the Holy Spirit to follow Jesus Christ's example and teaching. I sought to lead us as a community (including a team of reader emeritus and authorized local preacher) in that aim and enable us to live it out through worship, love, inclusivity, growth, service, witness, healing and prophecy. 

I sought to do so, in particular, by: addressing financial issues through stewardship and hall usage; an ongoing programme of building maintenance; community engagement through community campaigns and groups (including the chairing of Seven Kings & Newbury Park Resident's Association and the Management Committee of Downshall Pre-School Playgroup, plus serving as a Community Governor at Downshall Primary School); further development of the St John’s Centre as a community hub; development of a community garden; schools ministry; development of a Ministry Leadership Team; use of a variety of styles of service; establishment of a youth club; delivery of a Sunday School and annual Holiday Club; clustering with three neighbouring Anglican churches; establishment of a local Scriptural Reasoning group; establishment of a social enterprise project (Seven Kings & Newbury Park Sophia Hub); and publicizing of our engagement with the Arts (including the creation of a local Art Trail) and the wider community. 

I began the development of these initiatives with a review of the existing Mission Statement for St John's and we reviewed progress by means of a worship survey, a mystery worshipper, and ongoing discussions in Ministry Leadership Team meetings. From 2008 I was a training incumbent contributing to the training of two curates.

I had wide ranging and varied experience during my title post, including a 15 month interregnum when I was the sole priest in the ministry team based at St Margaret’s Barking. In addition, to pastoral, preaching and teaching ministries, the occasional offices and leading worship, I set up and chaired the Faith Forum for Barking & Dagenham, organized an ecumenical programme of SOULINTHECITY initiatives across the borough, set up and supported a support initiative for self-harmers, organized the delivery of ESOL courses from the St Margaret’s Centre, and organized church involvement in a range of borough-led Arts projects.

My ministry has involved a focus on the following:

• The Arts i.e. organisation of concerts, performances, events, exhibitions and study days in each Parish and through commission4mission; oversight of contemporary Church Art commissions in each Parish and through commission4mission; delivery of Arts-related courses in parishes, through commission4mission and as part of Diocesan Lent and Eastertide programmes; painting/creative writing; arts-related journalism with a national profile, and publication of ‘The Secret Chord’. For my sabbatical I visited significant sites connected to the renewal of religious art in Europe during the twentieth century in order to reflect on the significance of these sites both for art history and good practice for commissioning.
• Inter-faith engagement i.e. managed a project which introduced a Faith Communities Toolkit to three Jobcentre Plus regions and piloted new approaches to Jobcentres working in partnership with their local faith communities, including design and quality assurance of a comprehensive Information Pack (the Faith Communities Toolkit) and delivery of training in the use of this Toolkit; set up and chaired the Barking & Dagenham Faith Forum including: agreement of aim, objectives and statement of commitment; preparation of constitution; planning of Launch Event; chairing of Organising Committee; development of Faith Forum programme; and fundraising; planned, publicized and run, through Faith in London's Economy (FiLE), seminars on Ethics in a Global Economy and Re-negotiating ‘value’, using speakers such as Saif Ahmad, Jay Lakhani, Dr. Edmund Newell, Mannie Sher and Baroness Uddin; undertaking of consultancy work for Faith Regen Foundation; development of the Living with other Faiths Resource pack; involvement in Greater London Presence & Engagement Network (PEN) and Chelmsford Diocese Presence & Engagement Group; development of a local Scriptural Reasoning group and of Seven Kings Sophia Hub. 
• Training i.e. as a trained Trainer I have: taught a module on The Arts, Culture and Christian Ministry and Mission for St Augustine’s College of Theology; delivered the Living God’s Future Now online programme of workshops for HeartEdge; written and delivered ‘Inspired to Follow: Art and the Bible Story’ sessions and courses through St Martin’s and HeartEdge; designed and delivered the ‘Living with other faiths’ congregational resource pack for CTC (later revised for Greater London PEN), including delivery of training for individual parishes, as part of the Diocese of Chelmsford’s Lent & Eastertide programme, and as a unit in Stepney Area Reader’s Training; designed and delivered (with others) the Christians in the Workplace resource pack for the Diocese of Chelmsford, including delivery of training using its materials for individual parishes, as part of the Diocese of Chelmsford’s Lent & Eastertide programme, with St Mellitus College students and SSM curates in the Diocese; designed and delivered (with others) ‘The Big Picture’, ‘Living the Story’ and ‘Christian Art – fallacy or fusion?’ series of courses on faith and popular culture for the Diocese of Chelmsford’s Lent & Eastertide programme; delivery of Lent Courses; leadership of home groups; POT Tutor for Two Cities and Stepney Areas; and contributions as a speaker to a wide variety of conferences, seminars and workshops.
• Workplace ministry i.e. Weekly email to work-based email group; Christians in the Workplace courses; development of Christians in the Workplace Parish Resource pack; planned, publicized and run, through FiLE, seminars on Ethics in a Global Economy and Re-negotiating ‘value’; set up 'Start:Stop' at St Stephen Walbrook and 'Contemplative Commuters' in the Wickford and Runwell Team Ministry.

I have been: Trustee and Chair of Trustees for the Voice of the People Trust; Trustee and Elder of the New Life Church Centre, Dagenham (originally Grieg Hall Evangelical Church); Consultant, then Director of FRF; Consultant for MADE in Europe; Chair of Trustees for Downshall Pre-School Playgroup; Community Governor for Downshall Primary School; Chair of Seven Kings & Newbury Park Resident’s Association; Secretary of commission4mission; and Director of Sophia Hubs Limited. I am currently a Director of FRF and a Local Advisory Board member for Wickford Church of England School. 

Prior to ordination I worked in the Employment Service/Jobcentre Plus for 18 years and held a range of policy and operational posts primarily at management levels including: policy development work on New Deal 50+ and New Deal for Disabled People which included researching US approaches to Welfare to Work and organizing a national consultation event; managing a team of 14 delivering an assessment and rehabilitation service for disabled people; setting up a pilot Personal Adviser service and leading a consortium bidding to deliver a Job Retention service; and managing a project which introduced a Faith Communities Toolkit to three Jobcentre Plus regions and piloted new approaches to Jobcentres working in partnership with their local faith communities. During this time, I trained as a trainer. 

I have BA (Hons) degrees in Modern English Studies and Contextual Theology. In a gap year after Further Education, I led a British Youth for Christ voluntary youth work team which organized a mission, holiday club, Youth Services and took assemblies/lessons in schools. 

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Delirious? - Find Me In The River.

International Times: The Black Rain

International Times, the Magazine of Resistance, have just published my short story entitled 'The Black Rain', a story about the impact of violence in our media.

My other short stories to have been published by International Times are 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, 'The curious glasses', a story based on the butterfly effect, and two stories about Nicola Ravenscroft's mudcub sculptures - 'The Mudcubs and the O Zone holes' and 'The Mudcubs and the Clean-Up King'.

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Hurtsmile - Just War Theory.

Poetry evening: Steven O'Brien, Edward Lucie-Smith & Joe Machine

Steven O'Brien began the poetry evening at St Stephen Walbrook, which was organised by The London Magazine during Joe Machine's exhibition 'The Life & Legend of St Stephen'. O'Brien read from his two collections, Dark Hill Dreams and Scrying Stone.

He views public readings as crucial in the process of writing as living work saying "it is an imperative of Creative Writing that it emerges (from its roots in English Literature) with a distinct conceptual style and flavour, in which literary writing can encompass both the creatively critical and the critically creative."

O'Brien has said that, as Editor of The London Magazine, he looks for:

"Poetry that acknowledges the tropes of the past but offers something fresh in shape, structure and theme. Poetry that shows rather than tells. Poetry that is wholly alive to the possibilities of sensory language, cadences and vivacity of impact."

He encourages poets to: "Read widely and deeply. Serve your poetic apprenticeship, but do not be slavish. Write, write and write. Craft and redraft. Try always to be daring, and specific."

Edward Lucie-Smith read his powerfully intense series of poems about the Srebrenica massacre which took place in Bosnia in 1995 including:

Buried, reburied, unburied,
Stacked up,
Two thousand
Of the nameless,
Waiting for their stolen
Names to be returned to them.

(Edward Lucie-Smith, 6. Bodies at Tuzla)

Joe Machine read poetry and prose included in the monograph on his work. In the book Edward Lucie-Smith writes that:

"Joe had an extremely turbulent childhood and youth, marked by many episodes of theft and violence, which continued into his young adulthood. These overlapped with the beginnings of his life as a creative artist and a creative writer.

His first association with other creative spirits was with the poetry group the Medway Poets, who gave regular recitals at venues in the various Medway towns. This group was essentially disenfranchised, and divorced from the sophistication of middle-class literary circles in London. Though Joe Machine did not come into contact with the group until the late 1993, the impulse that led to its formation was rooted in a much earlier epoch. Essentially it could trace its ancestry to the rise of punk rock in the Britain of the mid-1970s."

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Edward Lucie-Smith - Srebrenica.

Sophia Hub update

Ros Southern writes;

'Vic Norman led a powerful session at the enterprise club on Tuesday and vastly increasing social media skills is the focus of January and the whole year! Read here about the enterprise club session and follow up help.

We are getting help to run a Redbridge portal for start-ups and there is a social media working session on Tuesday 20th January at the enterprise club, so put the date in your diaries. (see above link)

Blogging and linking to each other's websites is the best way to promote your business. Read Manzoor Ahmed's guest blog here and please send me yours.

Plans for the Timebank community skills swap are going well (Taira Khan is leading a creative writing session and Vic Norman a twitter training) - please publcise and let us know your ideas. Flyer here.

The East London Small Business Centre is coming to Sophia Hubs for Tuesday's lunch time enterprise club (13th January at 12.30) for a practical session and info on loads of resources. Click here to see what Claudia will be covering.

Thanks for the responses to last week's requests for mentors and expert help. More needed, and especially volunteers willing to help start ups and Sophia Hubs with social media.'

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The New Basement Tapes - Kansas City.