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Showing posts with label sikorska. Show all posts
Showing posts with label sikorska. Show all posts

Sunday, 2 June 2024

A crack in everything, that’s how the light gets in




Here's the sermon that I shared this morning at St Margaret Bowers Gifford and St Chad's Vange:

St Paul told the Christians in Corinth that they had the light of the knowledge of the glory of God in the face of Jesus Christ in their hearts, but that this treasure was in clay jars, so that it might be made clear that this extraordinary power belongs to God and did not come from them (2 Corinthians 4. 6 - 12).

If the clay jar, the container of the light, were to be perfectly formed, then the light inside would not be seen from the outside. The light of Christ would effectively be hidden as people would look at our perfect life and not Christ, because they would only see us.

Instead, St Paul says, because we are not perfect and have difficulties and flaws, we are like cracked clay jars, meaning that it is then clear that where we act or speak with love and compassion, this is because of Christ in us, rather than being something which is innate to us or simply our decision alone. He used this image of light in containers seen through cracks, or thin translucent clay, to assure the Corinthian Christians that they had the light of God in their lives, despite the fallibility and frailty of those lives.

The artist Anna Sikorska helped the congregation at St Martin-in-the-Fields reflect on these themes through ‘Light the Well’, a community art project which she is undertook together with the congregation, wider community and artists and craftspeoples group. Her installation was set in the Light Well of St Martin’s during November and December 2017 (see images above). It was the culmination of a community art project in which individuals from across St Martin’s – church congregation, Chinese community, clergy, staff and members of the International Group – gathered together over time and tables of clay to carefully form the porcelain lanterns which filled the Light Well. Each porcelain lantern was filled with light from a simple string of lamps.

Conversations around the tables when making the lanterns touched on ‘cracked pots’, the continental tradition of ‘St Martin’s day’ paper lanterns, networks of sea buoys, St Paul describing light inside clay vessels, the fragility of our lives and bodies, ‘broken but not crushed’ and Leonard Cohen’s lines: ‘Forget your perfect offering / There is a crack in everything / That’s how the light gets in.’

The project involved a large number of porcelain lanterns (glazed ceramic globes) made by laying strips of porcelain onto a round support. The size, surface decoration and character of each lantern differed, although the base material - and overall look - was consistent white ceramic, roughly made.

Porcelain clay glows with a transparency individual to itself but those who made lanterns realised that, in order to be as translucent as possible, the strips of porcelain needed to be as thin as possible. Once made, they were fired and the lanterns were then suitable for being outside. They developed cracks in the firing, through which the light inside was seen. In the Light Well at St Martin’s, these lanterns were joined together with cord covering the stone floor in a random constellation. The cord also connected a light bulb within each lantern, so each one shone from within.

These cracked translucent lanterns lit from within were a visible realisation of St Paul’s image of light in clay jars. By linking the lanterns together, this installation also highlighted another aspect of this passage.

St Paul writes that ‘We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies.’ He writes of us in the plural. We are afflicted, but not crushed. We are perplexed, but not driven to despair. It is as we come together to engage with affliction, perplexity, forsakenness, and being struck down that we carry in our body the death of Jesus and show the life of Jesus. It is as we come together, linked, like the lanterns, by the light of Christ that we become the Body of Christ.

So, in this passage, St Paul suggests that there are fractures and flaws running through each of our lives and that these imperfections actually enable the light within to be seen more clearly. As a result, he suggests that our vulnerabilities are the most precious aspect of our lives; of more significance than a confident pride in ourselves that will not acknowledge weakness.

Dietrich Bonhoeffer wrote that to ‘be a Christian does not mean to be religious in a particular way, to make something of oneself ... on the basis of some method or other, but to be ... the [person] that Christ creates in us. It is not the religious act that makes the Christian, but participation in the sufferings of God in the secular life …

following Christ results in the liberation of the self to exist for and with others .. "The Christian ... must drink the earthly cup to the dregs, and only in his doing so is the crucified and risen Lord with him, and he crucified and risen with Christ." Bonhoeffer could thus say that Christ takes hold of Christians at the centre of their lives, while at the same time recognizing that it also Christ who launches Christians into a world of suffering and difference. Hurled into the midst of this world, Christians are not to assume a sense of privilege but are to relinquish privilege for the sake of others …

To be claimed by others is … to participate in the vulnerable God's existence for us. In contrast to a "religion" that can only offer smug reassurance, bourgeois comfort, and pious quietism, the "new life" to which Jesus calls his followers is fraught with risk.

Bonhoeffer … claimed that God is revealed in the world precisely in those places that the world is most prone to ignore: in suffering, rejection, and scorn. The God of Jesus Christ takes these anathemas, makes them God's own, and invites all disciples to participate in them.’

(https://www.thefreelibrary.com/Religionless+Christianity+and+vulnerable+discipleship%3A+The+interfaith...-a098313403)

Bonhoeffer was saying and seeing what St Paul says and sees in today’s Epistle; each of us are like cracked or translucent clay jars because of our flaws and vulnerabilities. It is through these lines of stress – the suffering, rejection and scorn with which we engage - that the light of Christ is seen. It is as we join together in living for the sake of others – linked together as the lanterns were linked in the Light the Well installation – that we become the Body of Christ and reveal him most fully in the world. In this way, the Light the Well community art project and installation showed what it means to be the Body of Christ – the Church – in the world today. May we also see that for ourselves today. Amen.

Lord Jesus, in your face we see the light of the knowledge of the glory of God. Your light in our lives is like a flame inside a cracked clay jar, with your light seen through the lines of stress and tension that characterise our lives. As flawed people in a fragile world, we recognise that there is a crack in everything. We recognise, too, that it is through the cracks in our existence that your light gets in and shines out. We share in the vulnerability and suffering that was your experience of death in order that your life is also seen as being our strength in weakness. May we not be crushed, driven to despair, forsaken or destroyed, but in the stresses and tensions of our lives know your power loving and sustaining us. May we no longer strive after perfect offerings and pray instead that every heart to love with come, but as a refugee. Lord, in your mercy, hear our prayer.

Lord Jesus, in this wilderness before the promised land, we pray for all who are dispossessed and homeless. In their wilderness wanderings may they seek rest not only in a material land of promise but also in the one who left all he had to serve humanity, die and be raised to glory. In the tension of the now and the not yet, we pray for all who have asked for healing or release and to whom it has not been granted. In the depths of their loss may they encounter one whose preaching released long dead imprisoned souls. In these times between times, may we fully utilise the gifts of your Spirit - gifts of community and relationship, gifts of forgiveness and life-giving – to imagine new possibilities in the midst of the old problems of our world. Lord, in your mercy, hear our prayer.

Lord Jesus, who in suffering and then death was made nothing, we bring to you those who are experiencing loss through suffering and bereavement. We ask that nothing and no-one will trivialise their loss and that in the heart of their loss they will experience rebirth and resurrection. Lord, in your mercy, hear our prayer.

Lord Jesus, you are the light of the world and the light in our darkness. May your light be a flame to build warmth in our hearts towards family, neighbours and all those we meet. We place in your care all those we come to remember today. Give us, we pray, comfort in our anxiety and fear, courage and strength in our suffering, patience and compassion in our caring, consolation in our grieving. But above all, give us hope now and always. Lord, in your strength and vulnerability, hear our prayer.

Lord Jesus, through your rising from the grave, you broke the power of the grave, you broke the power of death and condemned death itself to die. As we celebrate this great triumph may we also make it a model for our living. Help us to identify in our lives all that should rightly die - redundant relationships, tired habits, fruitless longings. Resurrect in our lives faith, hope and love as surely as you raised Jesus Christ from the grave. Lord, in your mercy, hear our prayer.

Lord, may your light enlighten us in our decisions and be a fire to purify us from all pride and selfishness. Set our hearts on fire with love for you, so that we may love you with all our heart, with all our mind, with all our soul, and with all our strength, and our neighbours as ourselves. So that by keeping your commandments we may glorify you, the giver of all good gifts. Lord, in your strength and vulnerability, hear our prayer.

Blessing

Enlightenment in our decisions, purification from pride and selfishness, strength in weakness, God’s power loving and sustaining us. May those blessings of almighty God, Father, Son and Holy Spirit, rest upon you and remain with you always. Amen.








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Leonard Cohen - Anthem.

Monday, 4 May 2020

The light of the knowledge of the glory of God in clay jars





Here's my reflection for today's lunchtime Eucharist for St Martin-in-the-Fields:

This day is set aside to remember all who witnessed to their Christian faith during the conflicts in church and state in England, which lasted from the fourteenth to the seventeenth centuries but were at their most intense in the sixteenth century. Though the reform movement was aimed chiefly at the Papacy, many Christian men and women of holiness suffered for their allegiance to what they believed to be the truth of the gospel. As the movement grew in strength, it suffered its own internecine struggles, with one group determined that they were the keepers of truth and that all others were therefore at least in a state of ignorance and at worst heretical. In the twentieth century, ecumenical links drew the churches closer to each other in faith and worship and all now recognise both the good and evil that evolved from the Reformation Era.

This description of the Feast Day for the English Saints & Martyrs of the Reformation Era is very revealing. It makes it clear that, although these martyrs died for their beliefs, internal conflict within the Church is not what God intended for his people and that relating to our brothers and sisters in Christ on the basis that we hold the truth of Christianity in ways that others don’t is a far from adequate basis for real relationship in a body of people called by their Lord to be united. The final sentence about the ecumenical movement indicates a better way forward which is that of relationship on the basis of our shared fallibilities, failings and lack of understanding.

That is the message of 2 Corinthians 4. 5-12, a passage that we have come to know and love at St Martin’s through the work of the Disability Advisory Group and through the Light the Well community art project which resulted in an installation in the Light Well.

The artist Anna Sikorska worked with us on the installation which was set in the Light Well of St Martin-in-the-Fields during November and December 2017. It was the culmination of a community art project in which individuals from across St Martin’s – Church congregation, Chinese community, clergy, staff, clients from the Connection and members of our International Group – gathered together over time and over tables of clay to carefully form the porcelain lanterns which then filled the Light Well.

The lanterns were glazed ceramic globes whose size, surface decoration and character differed, although the base material - and overall look - was consistent white ceramic, roughly made. In the Light Well these lanterns were joined together with cord covering the stone floor in a random constellation. The cord also connected a light bulb within each lantern, so each one shines from within. Each lantern glowed when lit from within because of the translucency of porcelain.

Porcelain, like all clay, is malleable when wet and able to be moulded and shaped but, once formed and fired, is firm but fragile at one and the same time. Porcelain, however, unlike most other clays, is also translucent meaning that light can be seen through it. It glows with a transparency individual to itself. All these aspects of porcelain are factors in verses from 2 Corinthians 4: 6-12 which say that ‘God … has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ’ and that ‘we have this treasure in clay jars, so that it may be made clear that this extraordinary power belongs to God and does not come from us.’

If the clay jar, the container of the light, were to be perfectly formed, then the light inside would not be seen from the outside. The light of Christ would effectively be hidden. People would look at our perfect life and not Christ, because they would only see us. Instead, St Paul says, because we are not perfect and have difficulties and flaws we are like cracked clay jars, meaning that it is then clear that where we act or speak with love and compassion, this is because of Christ in us, rather than being something which is innate to us or simply our decision alone. He used this image of light in containers seen through cracks, or thin translucent clay, to assure the Corinthian Christians that they had the light of God in their lives, despite the fallibility and frailty of those lives.

The cracked translucent lanterns of this installation lit from within are a visible realisation of St Paul’s image of light in clay jars. By linking the lanterns together, this installation also highlights another aspect of this passage. Paul writes that ‘We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies.’ Paul writes of us in the plural. We are afflicted, but not crushed. We are perplexed, but not driven to despair. It is as we come together to engage with affliction, perplexity, forsakenness, and being struck down that we carry in our body the death of Jesus and show the life of Jesus. It is as we come together, linked, like the lanterns, by the light of Christ that we become the Body of Christ.

These verses picture us as fragile clay or porcelain containers. We all, as individuals, have the light of Christ within which can be seen by others as a result of our fragile nature; either the lines of stress in our lives or the thinness of our skin. Each of us are like cracked or translucent clay jars because of our flaws and vulnerabilities. It is through these lines of stress – the suffering, rejection and scorn with which we engage - that the light of Christ is seen. It is as we join together in living for the sake of others – linked together as the lanterns were linked in the Light the Well installation – that we become the Body of Christ and reveal him most fully in the world. In this way, this installation shows us what it means to be the Body of Christ – the Church – in the world today. When we come together as fragile individuals glowing with the light of Christ in and through our fallibilities, we are the Church as it is intended to be.

Prayers

Lord Jesus, in your face we see the light of the knowledge of the glory of God. Your light in our lives is like a flame inside a cracked clay jar, with your light seen through the lines of stress and tension that characterise our lives. As flawed people in a fragile world, we recognise that there is a crack in everything. We recognise, too, that it is through the cracks in our existence that your light gets in and shines out. We share in the vulnerability and suffering that was your experience of death in order that your life is also seen as being our strength in weakness. May we not be crushed, driven to despair, forsaken or destroyed, but in the stresses and tensions of our lives know your power loving and sustaining us. May we no longer strive after perfect offerings and pray instead that every heart to love with come, but as a refugee. Lord, in your mercy, hear our prayer.

Lord Jesus, in this wilderness before the promised land, we pray for all who are dispossessed and homeless. In their wilderness wanderings may they seek rest not only in a material land of promise but also in the one who left all he had to serve humanity, die and be raised to glory. In the tension of the now and the not yet, we pray for all who have asked for healing or release and to whom it has not been granted. In the depths of their loss may they encounter one whose preaching released long dead imprisoned souls. In these times between times, may we fully utilise the gifts of your Spirit - gifts of community and relationship, gifts of forgiveness and life-giving – to imagine new possibilities in the midst of the old problems of our world. Lord, in your mercy, hear our prayer.

Lord Jesus, who in suffering and then death was made nothing, we bring to you those who are experiencing loss through suffering and bereavement. We ask that nothing and no-one will trivialise their loss and that in the heart of their loss they will experience rebirth and resurrection. Lord, in your mercy, hear our prayer.

Lord Jesus, through your rising from the grave, you broke the power of the grave, you broke the power of death and condemned death itself to die. As we celebrate this great triumph may we also make it a model for our living. Help us to identify in our lives all that should rightly die - redundant relationships, tired habits, fruitless longings. Resurrect in our lives faith, hope and love as surely as you raised Jesus Christ from the grave. Lord, in your mercy, hear our prayer.
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U2 & Daniel Lanois - Falling At Your Feet.

Saturday, 6 January 2018

ArtWay Visual Meditation: Light in Clay Jars

In my latest Visual Meditation for ArtWay I reflect on Anna Sikorska's SALT installation, the culmination of the Light the Well community art project, which was recently at St Martin-in-the-Fields:

"The cracked translucent lanterns of this installation lit from within are a visible realisation of St Paul’s image of light in clay jars. By linking the lanterns together, this installation also highlights another aspect in 2 Corinthians 4. Paul writes that ‘We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies.’ Paul writes of us in the plural. We are afflicted, but not crushed. We are perplexed, but not driven to despair. It is as we come together to engage with affliction, perplexity, forsakenness and being struck down that we carry in our body the death of Jesus and show the life of Jesus. It is as we come together, linked, like the lanterns, by the light of Christ that we become the Body of Christ."

My other ArtWay meditations include work by María Inés Aguirre, Giampaolo Babetto, Marian Bohusz-Szyszko, Christopher Clack, Marlene Dumas, Terry Ffyffe, Antoni Gaudi, Maciej Hoffman, Giacomo ManzùMichael PendryMaurice Novarina, Regan O'Callaghan, Ana Maria Pacheco, John Piper, Albert Servaes and Henry Shelton.

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Mark Heard - Strong Hand Of Love.

Saturday, 18 November 2017

Light the Well project: SALT installation extension




Anna Sikorska's SALT installation set in the Light Well of St Martin-in-the-Fields is the culmination of the Light the Well community art project and its stay at St Martin's has been extended until 14 December. The installation features in the current edition of Church Times as a photo story.

This installation set in the Light Well has been made by the hands of people at St Martin-in-the-Fields. Individuals from across our shared life – Church congregation, Chinese community, clergy, staff, clients from the Connection and members of our International Group – have, over some time, gathered together over tables of clay and carefully formed the pieces which fill the Light Well. Each porcelain ‘lantern’ is filled with light from a simple string of lamps. They will sit together in-situ for one week, during which we celebrate the Feast of St Martin and also the 30th anniversaries of St Martin-in-the-Fields Limited and the Bishop Ho Ming Wah Community Centre.

Conversations around the tables when making the lanterns touched on ‘cracked pots’, Jesus’ story of searching for the 100th sheep, the continental tradition of ‘St Martin’s day’ paper lanterns, networks of sea buoys, St Paul describing light inside clay vessels, faces, the fragility of our lives and bodies, ‘broken but not crushed’, and Leonard Cohen: ‘Forget your perfect offering / There is a crack in everything / That’s how the light gets in.’ This installation has been the work of Anna Sikorska, Jonathan Evens, Katja Werne, Jim and Sarah Sikorski and everyone who accepted a lump of porcelain and gave it a form. Thank you.

From the 19th November you are invited to be part of changing the gathered constellation into an expanded field, dispersing the pots/lanterns amongst our community and beyond. You will be able to buy a piece to take away and light a small candle inside. Proceeds to the New Art Studio and Art Refuge UK, both charities working with art therapy in the context of migration and displacement. Each lantern costs £10 (cash only) and must be collected on the morning of Sunday 17 December. To reserve a lantern go to the Box Office.

St Martin-in-the-Fields is home to several commissions and permanent installations by contemporary artists. We also have an exciting programme of temporary exhibitions, as well as a group of artists and craftspeople from the St Martin’s community who show artwork and organise art projects on a temporary basis.

The artists and craftspeoples group is organising an Advent Oasis on Sunday 3 December from 2-4 pm in the George Richards & Austen Williams Rooms. This will be another ‘Oasis’ time of quiet scripture reflection, prayer and practical art. Art materials will be available for you to explore, play with colour and be creative through collage, painting, drawing or writing. All are very welcome – please let Helena Tarrant know if you wish to come – tel: 020 7766 1100 or email: helana.tarrant@smitf.org.

Then in January the group are involved in the organisation of an Art Talk on Chinese Textiles - 6.30pm, Monday 15 January 2018, St Martin's Hall. This talk by Jacqueline Simcox will be on Silks From Imperial China: Ming and Qing dynasty costumes and textiles 1368-1911. Free tickets from https://www.eventbrite.com/e/lecture-chinese-textilestickets-38247649750. It is the first in an occasional series of art talks focusing on aspects of Chinese Art and organised with the Chinese Speaking Congregations of St Martin's.

Jacqueline Simcox, who has written numerous articles on Chinese textiles, will talk about some of the Ming dynasty (1368-1644) textiles and some of the imperial costumes and festivals and show how they changed when the Machu from the north took over the country from 1644-1911 (Qing dynasty).

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T Bone Burnett - Everything Is Free.

Thursday, 16 November 2017

Powering the light of Christ in our lives

Here is my sermon from today's Eucharist at St Stephen Walbrook:

Jesus speaks of himself as being the light of the world. Therefore light is a common New Testament metaphor. In Jesus' day light was provided through fire and fire required a container in order to be managed and contained. In this story (Matthew 25. 1 - 13) the container is lamp with a finite supply of oil to fuel the wick. In his second letter to the Corinthians St Paul uses the image of a clay jar with a flame within (2 Corinthians 4. 1 - 12).

This second image has been inspirational for an art installation currently displayed in the Light Well at St Martin-in-the-Fields. The artist Anna Sikorska has worked with many of the different groups at St Martins to create porcelain lanterns which glow when lit from within because of the translucency of porcelain. The lanterns that have been made are glazed ceramic globes whose size, surface decoration and character differ, although the base material - and overall look - is consistent white ceramic, roughly made. In the Light Well these lanterns have been joined together with cord covering the stone floor in a random constellation. The cord also connects a light bulb within each lantern, so each one shines from within.

Porcelain, like all clay, is malleable when wet and able to be moulded and shaped but, once formed and fired, is firm but fragile at one and the same time. Porcelain, however, unlike most other clays, is also translucent meaning that light can be seen through it. It glows with a transparency individual to itself. All these aspects of porcelain are factors in these verses which say that ‘God … has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ’ and that ‘we have this treasure in clay jars, so that it may be made clear that this extraordinary power belongs to God and does not come from us.’

In the installation the lit lanterns are lit by light bulbs powered through the electrical cord connecting them together. In today’s Gospel reading the fuel for the light is oil. Half of the women in the story thought ahead, realised that they may well have to wait some time and brought with them sufficient supplies of oil so that when they bridegroom did finally arrive, much later than planned, they had all they needed to be ready for his arrival, unlike the other five who had to go to buy more oil and then were too late for the wedding feast. The point is that Jesus wanted his disciples to be like the wise women; he was emphasising to them the vital importance of being ready and prepared for what was to come.

So, to sum up, light in these stories symbolises Jesus; he is the light of the world that illuminates the darkness of our lives. The containers for the light are our bodies. The light of Christ enters our lives at baptism or conversion but is then intended to shine out from within, like the glow created by the lightbulbs inside the translucent porcelain lanterns. For this to happen the clay must be thin and with cracks; both of which make it fragile. The analogy is to the faults and fallibilities in our lives which paradoxically enable Christ to be seen more clearly.

If the clay jar, the container of the light, were to be perfectly formed, then the light inside would not be seen from the outside. The light of Christ would effectively be hidden. People would look at our perfect life and not Christ, because they would only see us. Instead, St Paul says, because we are not perfect and have difficulties and flaws we are like cracked clay jars, meaning that it is then clear that where we act or speak with love and compassion, this is because of Christ in us, rather than being something which is innate to us or simply our decision alone.

Finally, we need a consistent source of power for the light within. The wise women prepared for the wait by bringing sufficient supplies with them to keep their lamps lit. For the installation, the source of power is the cable which connects all of the lanterns. Our source of power, as Christians, is the Holy Spirit and we need to be constantly filled with the Spirit in order that we are consistently empowered to shine with the light of Christ. In his letter to the Ephesians, St Paul encourages us to go on being filled with the Holy Spirit or to drink the Spirit of God, huge draughts of him (Ephesians 5. 18 - 20). The Spirit empowers Christians to live a life of growing and overcoming, of transforming our lives to become like Jesus Christ. So, like the wise women with their supplies of oil, we can never have too little of the God’s Holy Spirit.

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Bruce Cockburn - Closer To The Light.

Tuesday, 14 November 2017

Start:Stop - Light shines through lines of stress



Bible reading

For it is the God who said, “Let light shine out of darkness,” who has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ.

But we have this treasure in clay jars, so that it may be made clear that this extraordinary power belongs to God and does not come from us. We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies. For while we live, we are always being given up to death for Jesus’ sake, so that the life of Jesus may be made visible in our mortal flesh. So death is at work in us, but life in you. (2 Corinthians 4: 6-12)

Meditation

St Paul told the Christians in Corinth that they had the light of the knowledge of the glory of God in the face of Jesus Christ in their hearts, but that this treasure was in clay jars, so that it might be made clear that this extraordinary power belongs to God and did not come from them (2 Corinthians 4. 6 - 12). If the clay jar, the container of the light, were to be perfectly formed, then the light inside would not be seen from the outside. The light of Christ would effectively be hidden. People would look at our perfect life and not Christ, because they would only see us. Instead, St Paul says, because we are not perfect and have difficulties and flaws we are like cracked clay jars, meaning that it is then clear that where we act or speak with love and compassion, this is because of Christ in us, rather than being something which is innate to us or simply our decision alone. He used this image of light in containers seen through cracks, or thin translucent clay, to assure the Corinthian Christians that they had the light of God in their lives, despite the fallibility and frailty of those lives.

At St Martin-in-the-Fields, the artist Anna Sikorska is currently helping us reflect on these themes through ‘Light the Well’, a community art project which she has undertaken with the whole church community. The project has involved making porcelain lanterns (glazed ceramic globes). The size, surface decoration and character of each lantern differ, although the base material - and overall look - is consistent white ceramic, roughly made. The lanterns were made by laying strips of porcelain onto a round support. Once made, the lanterns were fired and are then suitable for being outside. They develop cracks in the firing, through which the light inside will also be seen. In the Light Well at St Martin’s these lanterns have been joined together with cord covering the stone floor in a random constellation. The cord also connects a light bulb within each lantern, so each one shines from within.

Porcelain, like all clay, is malleable when wet and able to be moulded and shaped but, once formed and fired, is firm but fragile at one and the same time. Porcelain, however, unlike most other clays, is also translucent meaning that light can be seen through it. It glows with a transparency individual to itself. All these aspects of porcelain are factors in these verses which say that ‘God … has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ’ and that ‘we have this treasure in clay jars, so that it may be made clear that this extraordinary power belongs to God and does not come from us.’

These cracked translucent lanterns lit from within are a visible realisation of St Paul’s image of light in clay jars. By linking the lanterns together, this installation also highlights another aspect of this passage. Paul writes that ‘We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies.’ Paul writes of us in the plural. We are afflicted, but not crushed. We are perplexed, but not driven to despair. It is as we come together to engage with affliction, perplexity, forsakenness, and being struck down that we carry in our body the death of Jesus and show the life of Jesus. It is as we come together, linked, like the lanterns, by the light of Christ that we become the Body of Christ.

These verses picture us as fragile clay or porcelain containers. We all, as individuals, have the light of Christ within which can be seen by others as a result of our fragile nature; either the lines of stress in our lives or the thinness of our skin. Each of us are like cracked or translucent clay jars because of our flaws and vulnerabilities. It is through these lines of stress – the suffering, rejection and scorn with which we engage - that the light of Christ is seen. It is as we join together in living for the sake of others – linked together as the lanterns are linked in the Light the Well installation – that we become the Body of Christ and reveal him most fully in the world. In this way, this installation shows us what it means to be the Body of Christ – the Church – in the world today. When we come together as fragile individuals glowing with the light of Christ in and through our fallibilities, we are the Church as it is intended to be.

Prayers

Lord Jesus, in your face we see the light of the knowledge of the glory of God. Your light in our lives is like a flame inside a cracked clay jar, with your light seen through the lines of stress and tension that characterise our lives. As flawed people in a fragile world, we recognise that there is a crack in everything. We recognise, too, that it is through the cracks in our existence that your light gets in and shines out. We share in the vulnerability and suffering that was your experience of death in order that your life is also seen as being our strength in weakness. May we not be crushed, driven to despair, forsaken or destroyed, but in the stresses and tensions of our lives know your power loving and sustaining us. May we no longer strive after perfect offerings and pray instead that every heart to love will come, but as a refugee. Lord, in your strength and vulnerability, hear our prayer.

Lord Jesus, you are the light of the world and the light in our darkness. May your light be a flame to build warmth in our hearts towards family, neighbours and all those we meet. We place in your care all those we come to remember today. Give us, we pray, comfort in our anxiety and fear, courage and strength in our suffering, patience and compassion in our caring, consolation in our grieving. But above all, give us hope now and always. Lord, in your strength and vulnerability, hear our prayer.

Lord, may your light enlighten us in our decisions and be a fire to purify us from all pride and selfishness. Set our hearts on fire with love for you, so that we may love you with all our heart, with all our mind, with all our soul, and with all our strength, and our neighbours as ourselves. So that by keeping your commandments we may glorify you, the giver of all good gifts. Lord, in your strength and vulnerability, hear our prayer.

Blessing

Enlightenment in our decisions, purification from pride and selfishness, strength in weakness, God’s power loving and sustaining us. May those blessings of almighty God, Father, Son and Holy Spirit, rest upon you and remain with you always. Amen.

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Innocence Mission - Morning Star.

Sunday, 12 November 2017

Patronal Festival and Light the Well







Our Patronal Festival service Thirty Enterprising Years’ tonight celebrated 30 years of commercial life at St Martin-in-the-Fields and reflected on the place of the place of our business in the future of our community. The preacher for this service was Revd Dr Sam Wells, who offered a series of beatitudes for business. The service was followed by the unveiling of a plaque for Canon Geoffrey Brown and a party in the Crypt with celebrations, food and a quiz.

The Choir of St Martin-in-the-Fields sang in the Light Well alongside Anna Sikorska's SALT installation which is the culmination of the Light the Well community art project.

Set in the Light Well from 11 – 18 November, this installation has been made by the hands of people at St Martin-in-the-Fields. Individuals from across our shared life - Church congregation, Chinese community, clergy, staff, clients from the Connection and members of our International Group - have, over some time, gathered together over tables of clay and carefully formed the pieces which fill the Light Well.

Each porcelain ‘lantern’ is filled with light from a simple string of lamps. They will sit together in-situ for one week, during which we celebrate the Feast of St. Martin and also the 30th anniversaries of St Martin-in-the-Fields Limited and the Bishop Ho Ming Wah Community Centre.

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Anton Bruckner - Locus Iste.

Light the Well project: SALT installation - night time images










Anna Sikorska's SALT installation set in the Light Well of St Martin-in-the-Fields from 11 – 18 November is the culmination of the Light the Well community art project.

This installation has been made by the hands of people at St Martin-in-the-Fields. Individuals from across our shared life - Church congregation, Chinese community, clergy, staff, clients from the Connection and members of our International Group - have, over some time, gathered together over tables of clay and carefully formed the pieces which fill the Light Well.

Each porcelain ‘lantern’ is filled with light from a simple string of lamps. They will sit together in-situ for one week, during which we celebrate the Feast of St. Martin and also the 30th anniversaries of St Martin-in-the-Fields Limited and the Bishop Ho Ming Wah Community Centre.

Conversations around the tables touched on “cracked pots”, Jesus’ story of searching for the 100th sheep, the continental tradition of “St Martin’s day” paper lanterns, networks of sea buoys, St Paul describing light inside clay vessels, faces, the fragility of our lives and bodies, “broken but not crushed”, and Leonard Cohen: “Forget your perfect offering / There is a crack in everything / That's how the light gets in.”

This installation has been the work of Anna Sikorska, Jonathan Evens, Katja Werne, Jim and Sarah Sikorski and everyone who accepted a lump of porcelain and gave it a form. Thank you.

From the 19th November you are invited to be part of changing the gathered constellation into an expanded field, dispersing the pots/lanterns amongst our community and beyond. You will be able to buy a piece to take away and light a small candle inside. Proceeds to the New Art Studio and Art Refuge UK, both charities working with art therapy in the context of migration and displacement. Each lantern costs £10 (cash only) and must be collected on the morning of Sunday 19 November. To reserve a lantern go to the Box Office.

Anna Sikorska lives and works in London. She studied for a BA in Fine Art at the Slade School of Fine Art, UCL, London and completed an MA in Sculpture at the Royal College of Art, London. She has exhibited in many group and solo exhibitions. Anna has work permanently sited at Marusici Sculpture Park, Croatia.

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The Innocence Mission - O Lord Of Light.

Light the Well project: SALT installation - day time images

















Anna Sikorska's SALT installation set in the Light Well of St Martin-in-the-Fields from 11 – 18 November is the culmination of the Light the Well community art project.

This installation has been made by the hands of people at St Martin-in-the-Fields. Individuals from across our shared life - Church congregation, Chinese community, clergy, staff, clients from the Connection and members of our International Group - have, over some time, gathered together over tables of clay and carefully formed the pieces which fill the Light Well.

Each porcelain ‘lantern’ is filled with light from a simple string of lamps. They will sit together in-situ for one week, during which we celebrate the Feast of St. Martin and also the 30th anniversaries of St Martin-in-the-Fields Limited and the Bishop Ho Ming Wah Community Centre.

Conversations around the tables touched on “cracked pots”, Jesus’ story of searching for the 100th sheep, the continental tradition of “St Martin’s day” paper lanterns, networks of sea buoys, St Paul describing light inside clay vessels, faces, the fragility of our lives and bodies, “broken but not crushed”, and Leonard Cohen: “Forget your perfect offering / There is a crack in everything / That's how the light gets in.”

This installation has been the work of Anna Sikorska, Jonathan Evens, Katja Werne, Jim and Sarah Sikorski and everyone who accepted a lump of porcelain and gave it a form. Thank you.

From the 19th November you are invited to be part of changing the gathered constellation into an expanded field, dispersing the pots/lanterns amongst our community and beyond. You will be able to buy a piece to take away and light a small candle inside. Proceeds to the New Art Studio and Art Refuge UK, both charities working with art therapy in the context of migration and displacement. Each lantern costs £10 (cash only) and must be collected on the morning of Sunday 19 November. To reserve a lantern go to the Box Office.

Anna Sikorska lives and works in London. She studied for a BA in Fine Art at the Slade School of Fine Art, UCL, London and completed an MA in Sculpture at the Royal College of Art, London. She has exhibited in many group and solo exhibitions. Anna has work permanently sited at Marusici Sculpture Park, Croatia.

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Black Rebel Motorcycle Club - Let The Day Begin.

Saturday, 11 November 2017

Light the Well project: SALT installation


Anna Sikorska's SALT installation set in the Light Well of St Martin-in-the-Fields from 11 – 18 November is the culmination of the Light the Well community art project.

This installation has been made by the hands of people at St Martin-in-the-Fields. Individuals from across our shared life - Church congregation, Chinese community, clergy, staff, clients from the Connection and members of our International Group - have, over some time, gathered together over tables of clay and carefully formed the pieces which fill the Light Well. 

Each porcelain ‘lantern’ is filled with light from a simple string of lamps. They will sit together in-situ for one week, during which we celebrate the Feast of St. Martin and also the 30th anniversaries of St Martin-in-the-Fields Limited and the Bishop Ho Ming Wah Community Centre.

Conversations around the tables touched on “cracked pots”, Jesus’ story of searching for the 100th sheep, the continental tradition of “St Martin’s day” paper lanterns, networks of sea buoys, St Paul describing light inside clay vessels, faces, the fragility of our lives and bodies, “broken but not crushed”, and Leonard Cohen: “Forget your perfect offering / There is a crack in everything / That's how the light gets in.”

This installation has been the work of Anna Sikorska, Jonathan Evens, Katja Werne, Jim and Sarah Sikorski and everyone who accepted a lump of porcelain and gave it a form. Thank you.

From the 19th November you are invited to be part of changing the gathered constellation into an expanded field, dispersing the pots/lanterns amongst our community and beyond. You will be able to buy a piece to take away and light a small candle inside. Proceeds to the New Art Studio and Art Refuge UK, both charities working with art therapy in the context of migration and displacement. Each lantern costs £10 (cash only) and must be collected on the morning of Sunday 19 November. To reserve a lantern go to the Box Office.
Anna Sikorska lives and works in London. She studied for a BA in Fine Art at the Slade School of Fine Art, UCL, London and completed an MA in Sculpture at the Royal College of Art, London. She has exhibited in many group and solo exhibitions. Anna has work permanently sited at Marusici Sculpture Park, Croatia.

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Gordon Gano (feat. Mary Lou Lord) - Oh, Wonder.