Showing posts with label moffatt. Show all posts
Showing posts with label moffatt. Show all posts
Friday, 21 September 2018
HeartEdge: Bill Viola and the art of contemplation
The latest HeartEdge event was hosted by the Parish Church of St Cuthbert in Edinburgh and sought to support churches in their cultural programming, particularly as it relates to visual art, by exploring approaches to curating exhibitions in churches, Bill Viola's church-located installations, and art as contemplative or meditative practice.
At HeartEdge, we have been inspired by the example of St Cuthbert’s in their installation of Bill Viola's 'Three Women'. This had been a particularly successful installation as a contribution to the Edinburgh Festival, in the connections it has forged with the Arts community and the local community, and in the positive press coverage received. All this has been with an understanding of the way in which the installation connects with the spirituality of St Cuthbert's.
HeartEdge seeks to share good practice and ideas with our members, so it made good sense to hold an event here exploring ways in which the mission of the church can be enhanced through art and the Christian narrative re-imaged and re-imagined.
Laura Moffatt, Director of Art & Christianity, reviewed Bill Viola's various installations in churches considering how and why they connect with our sacred buildings. Matthew Askey shared his experiences of curating significant exhibitions at Southwell Minster in recent years, considering ways of bringing exciting and varied work into churches by utilising sacred space well and connecting sympathetically with the spirituality of our churches.
I spoke about the contemplative nature of the experience of viewing art and made connections with approaches to and understanding of prayer. Finally, Alexander de Cadenet spoke as an artist for whom meditation has become of increasing significance, to the extent that he has begun seeking out other artist's with similar experience with whom he work together in a new organisation called Awakened Artists.
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James MacMillan - A New Song.
Labels:
ace,
art,
artists,
askey,
awakened artists,
contemplation,
de cadenet,
events,
heartedge,
installations,
moffatt,
southwell minster,
st cuthbert's edinburgh,
viola
Thursday, 19 July 2018
Bill Viola and the art of contemplation
Bill Viola & the art of contemplation: a HeartEdge church & culture seminar, Thursday 20 September, 2.00 – 5.30pm, The Parish Church of St Cuthbert, 5 Lothian Road, Edinburgh EH1 2EP.
St Cuthbert's is currently showing Bill Viola's 'Three Women' (http://www.st-cuthberts.net/info/viola2.pdf) and this seminar has been organised as the final event that the church is hosting relating to the installation.
The seminar will focus on:
- approaches to curating exhibitions in churches (Revd Matthew Askey, Chaplain Southwell Minster);
- Bill Viola's church-located installations (Laura Moffatt, Director Art + Christianity); and
- art as contemplative or meditative practice (Alexander de Cadenet, artist, and Revd Jonathan Evens, Associate Vicar St Martin-in-the-Fields).
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Jeff Buckley - I Shall Be Released.
Labels:
art,
askey,
contemplation,
curation,
de cadenet,
digital art,
event,
heartedge,
installations,
meditation,
moffatt,
slow art,
st cuthbert's edinburgh,
viola
Saturday, 11 February 2017
'Art and Christianity' and The Art of St Martin-in-the-Fields
The latest edition of Art and Christianity (no89, Spring 2017) is out and includes Charles Pickstone's letter from Havana seeking Utopia in Cuba's society and visual culture; reviews of the recent exhibitions 'Beyond Caravaggio', James Ensor and Helen Maurer's fascinating multi-media installation work. Graham Howes reviews two new texts on material religion; and Tina Beattie and Laura Moffatt discuss Bill Viola's video work at St Paul's Cathedral.
I've contributed a piece about new art at St Martin-in-the-Fields. In the piece I conclude by saying:
'Maintaining this fit between St Martin’s theological, historical and artistic ethos has drawn many into a deeper reflection and contemplation about the meaning of faith and relationship with God through the use of art. Trafalgar Square is, of course, well-known as the location for the world famous art collections in the National Portrait Gallery and National Gallery, as well as the contemporary Fourth Plinth commissions, but the art of St Martin-in-the-Fields now creates a complementary and special space for art lovers and worshippers alike.'
My other pieces on The Art of St Martin-in-the-Fields are a Visual Meditation for ArtWay in which I reflect on the theme of light seen through cracks using the recent commission of candle holders for St Martin-in-the-Fields undertaken by Giampaolo Babetto and an article for Artlyst giving more information about the art of St Martin's, including the Babetto commission.
I've contributed a piece about new art at St Martin-in-the-Fields. In the piece I conclude by saying:
'Maintaining this fit between St Martin’s theological, historical and artistic ethos has drawn many into a deeper reflection and contemplation about the meaning of faith and relationship with God through the use of art. Trafalgar Square is, of course, well-known as the location for the world famous art collections in the National Portrait Gallery and National Gallery, as well as the contemporary Fourth Plinth commissions, but the art of St Martin-in-the-Fields now creates a complementary and special space for art lovers and worshippers alike.'
My other pieces on The Art of St Martin-in-the-Fields are a Visual Meditation for ArtWay in which I reflect on the theme of light seen through cracks using the recent commission of candle holders for St Martin-in-the-Fields undertaken by Giampaolo Babetto and an article for Artlyst giving more information about the art of St Martin's, including the Babetto commission.
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Labels:
art and christianity,
articles,
artlyst,
artway,
babetto,
beattie,
commissioning,
ensor,
howes,
journal,
maurer,
moffatt,
pickstone,
st martin in the fields,
viola
Friday, 18 May 2012
Review in 'Art and Christianity'
The latest edition of Art & Christianity is out and includes the following:
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The Innocence Mission - The Wonder Of Birds.
- Feature - Aaron Rosen re-visits an anti-Jewish masterpiece
- Letter from Jonathan Keostlé-Cate
- Exhibition reviews - Neal Brown on Damien Hirst, Nicholas W S Cranfield on David LaChapelle, Stephen Laird on John Piper and the Church, Charles Pickstone on David Hockney
- Book reviews - Gillian Darley on Pews, Benches and Chairs eds Trevor Cooper and Sarah Brown
- Martin Eastwood on Lost in Wonder by Aidan Nichols OP, Jonathan Evens on Greg Tricker by Sister Wendy Beckett, Laura Moffatt on Divinity, Creativity, Complexity ed Michael Benedikt; Constructing the Ineffable ed Karla C Britton; Robert Maguire and Keith Murray by Gerard Adler
- DVD review - John Cooke on Creative Spirit (Methodist Art Collection)
- Commissioning - Sheona Beaumont on Elpida Hadzi-Vasileva and Michael Pinsky, Peter Doll on Norwich Cathedral Censing Angel
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The Innocence Mission - The Wonder Of Birds.
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