Hallelujah: The Holy or the Broken & The Secret Chord

The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of "Hallelujah"
by Alan Light is 'a fascinating account of the making, remaking, and unlikely popularizing of one of the most played and recorded rock songs in history—Leonard Cohen’s beautiful and heartrending “Hallelujah.”'

'Today, “Hallelujah” is one of the most-performed rock songs in history. It has become a staple of movies and television shows as diverse as Shrek and The West Wing, of tribute videos and telethons. It has been covered by hundreds of artists, including Bob Dylan, U2, Justin Timberlake, and k.d. lang, and it is played every year at countless events—both sacred and secular—around the world.

Yet when music legend Leonard Cohen first wrote and recorded “Hallelujah,” it was for an album rejected by his longtime record label. Ten years later, charismatic newcomer Jeff Buckley reimagined the song for his much-anticipated debut album, Grace. Three years after that, Buckley would be dead, his album largely unknown, and “Hallelujah” still unreleased as a single. After two such commercially disappointing outings, [Alan Light asks,] how did one obscure song become an international anthem for human triumph and tragedy, a song each successive generation seems to feel they have discovered and claimed as uniquely their own?'

Light quotes Cohen as saying, 'This world is full of conflicts and full of things that cannot be reconciled, but there are moments when we can transcend the dualistic system and reconcile and embrace the whole mess, and that's what I mean by "Hallelujah".'

This quote essentially sums up the content of The Secret Chord, the book written by Peter Banks and I. The Secret Chord seeks to explore a number of the dilemmas which musicians and other artists face, not so much in order to map out one route through or around these dilemmas but in an attempt to get the creative juices flowing. Our experience of creativity is of disparate and often contradictory ideas being crushed, swirled, fermented, shaken and stirred in our minds in order that the fine wine of creativity results. Our hope is that The Secret Chord, by exploring artistic dilemmas from a range of different perspectives, will mature in reader’s minds just like fine wine or a precious pearl.

The Secret Chord is an impassioned study of the role of music in cultural life, written through the prism of Christian belief. Covering a range of musical styles and influences, from gospel music to X Factor, The Secret Chord conveys enthusiasm for music and its transformative powers. In the book we ask, is there really a 'Secret Chord' that would both please the LORD and nearly everybody else as described in Leonard Cohen's popular song 'Hallelujah'? And are there some people who just don't get music, as in the next line in Cohen's lyric?

While a significant number of books have been published exploring the relationships between music, art, popular culture and theology - many of which we have enjoyed and from which we have benefited - such books tend either to academic analysis or semi biography about artistes whose output the writers' enjoy. By contrast, The Secret Chord is an accessible exploration of artistic dilemmas from a range of different perspectives which seeks to draw the reader into a place of appreciation for what makes a moment in a 'performance' timeless and special.

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John Cale - Hallelujah.

Patrick Altes: Frayed Ideologies and Hybridity

‘Frayed Ideologies’ at the Hay Hill Gallery presents the latest paintings by the internationally acclaimed artist Patrick Altes and invites us to consider the struggle to define ourselves, and the process of being human.

The work relates to the melting pots and breaking points of land, conflict, and diaspora. It refers to our living in times of extreme turbulence and instability – both political and environmental - and herald dreams and resurgences from the unconscious linked to the artist's personal vision and perception of the world. The series of large-scale paintings are visually arresting with their powerful monochromatic collages and complex markings. They depict mass movement, the drive and energy of eruption, transition and revolution. These shreds of papers collaged on the canvas are purposely distressed, torn and show marks of the passage of time. They are never-merging and forever juxtaposing; they find their junctions and their specific arrangement to form non-random, synchronistic shapes, patterns, movements and tensions, which echo the inner tensions driving the artistic process. The use of paper is deliberately reminiscent of calligraphy and arabesques. It harks back to a variety of western and eastern influences: Aborigines' myths of origins, Villeglie's torn posters, Japanese action painting, and lyrical abstraction.

Patrick Altes says: "In a world with constant, often rapid and brutal transformation, our identity remains defined by our attachment and sense of belonging to a specific land. Straddling two worlds refers to this delicate and often uneasy balancing act that we experience when living in a culture different from the one we originate and the sense of uneasiness and not anchored that it elicits. This restlessness can be construed as a disadvantage or enjoyed for its liberating aspect. There is a mirror effect between outer fractures in the world and the inner turmoil we are experiencing. Sitting on the fence is no longer an option as moral dilemmas concern us all."

Hybridity by Altes can be seen in The Bridge at St Martin-in-the-Fields. Altes writes of this work: "Whether or not you are a believer, the cultural, social, and political importance of religions is indisputable. They are intertwined in the history of civilization and often the prime source of their evolution. They can act as great dividers or powerful pacifiers. This painting represents the living space of freedom and dynamic harmony religions can create when they bring the best in humanity."

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Duke Special - In A Dive.

Anthony Hodgson

I met Anthony Hodgson again at tonight's Private View for commission4mission's 'Presence' exhibition, having formerly met him when I spoke at the Arts Centre Group's spring gathering.

Anthony grew up in Whitby and feels that this ancient port, and its environs, has inspired him throughout his life, being exposed as it is, to the extremes of natural beauty and violence. His art is a reflection and a continuation of this. What intrigues him is the relationship between the contrasts and conflicts found in nature and within ourselves: the light and dark; the good and bad; the beauty and the ugliness; life and death, and beyond.

Multi-talented Anthony is an artist, musician, photographer and poet. 

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Evanescence - Bring Me To Life.