This evening, the
Woolf Institute at the University of Cambridge presented a unique musical event that used music as a springboard for interfaith dialogue.
Entitled “
Creation: A World-Premiere Event”, it featured live performances of new compositions written by musicians from Jewish, Christian, and Muslim backgrounds expressly for this project. The musical offerings were followed by an engaging roundtable discussion featuring an interfaith collection of scholars affiliated with Cambridge University.
“I envisioned this event as an opportunity to explore the unique the arts can contribute to interfaith dialogue”, says
Delvyn Case, an American musician and scholar who curated the project as part of his Visiting Fellowship at the Woolf Institute. “Listening to music reminds us of all the things we have in common with each other, no matter who we are or what we believe: the love of beauty, the value of human connection, and our need to explore the deepest questions life poses to us. Using music to help us consider questions of faith and spirituality will be a one-of-a-kind experience for all who attend.”
The event featured new compositions for voice and piano by
Ari Ben-Shabetai, an internationally-prominent composer now based in the UK, as well as Case, who serves as Professor of Music at Wheaton College in Massachusetts. These works were performed by baritone
Robert Rice, a member of The Cardinall’s Musick, and
Calvin Leung, one the UK’s most accomplished young pianists. The third piece, a new song based on an original text, was performed by
Samia Malik, a singer-songwriter, workshop leader, and activist known for her emotionally-riveting bilingual Urdu/English songs.
“Each of us has created a new piece of music that explores the theme of ‘creation’ from a religious or spiritual perspective,” says Case. “It’s fascinating to see the unique ways each of us has approached the challenge. Some of us have focused on the ways the theme relates to the basic human urge to create – and how that helps us understand the spiritual dimension of human experience. Others have expressly connected it to the issue of environmental crisis that we all face. Altogether, these pieces demonstrate the unique power of the arts to bring people together in conversation about themes that are relevant to all of us today.”
The performances of the pieces was followed by an informal panel discussion featuring scholars representing each of the three Abrahamic faiths. Cambridge Faculty of Divinity members Prof. Giles Waller and Prof. Timothy Winter (Abdal Hakim Murad) were joined by Dr. Danielle Padley, a Research Fellow at the Woolf Institute. Each of the composers was also present for the event and shared their own thoughts about their music.
Musician biographies:
Born in Jerusalem, Ari Ben-Shabetai studied composition with Mark Kopytman at the Jerusalem Rubin Academy of Music, and with George Crumb and Richard Wernick at the University of Pennsylvania,U.S.A., where he received a Ph.D. in Composition. Now residing in the UK, for many years he served as head of the Composition, Conducting and Theory Department at the Jerusalem Rubin Academy of Music. His Sinfonia Cromatica won the first prize in the 1994 Israel Philharmonic Orchestra composition competition, and was subsequently performed on tour to Germany, France, Italy, and the U.S.A. with Maestro Zubin Mehta conducting. In 1995 his work Magreffa was commissioned by Maestro Lorin Maazel for the Pittsburgh Symphony Orchestra and was performed both in Pittsburgh and in Jerusalem. A winner of numerous international awards, Dr. Ben-Shabetai was Chairman of the Israel Composer's League for four years, during which period he founded the Israeli Music Center (IMC) publishing house and produced "Psanterin" - a 9 CD Anthology of Israeli piano music.
Born in Saudi Arabia to Pakistani parents, Samia Malik has lived in the UK since she was a child. For over 30 years she has written, performed and produced bilingual Urdu and English songs based on traditional Urdu Ghazal (a highly refined union of poetry with music) extending and subverting the form to explore contemporary issues around identity, race and gender. She has collaborated and toured nationally and internationally with acclaimed world-class musicians, writers and artists including Baluji Shrivastav OBE, Dr Mallika Sarabhai, Giuliano Modarelli, Seemab Gul, Al MacSween, Sukhdeep Dhanjal, Sianed Jones and Cris Cheek. Samia has released five albums: 'The Colour of the Heart' (1998 rereleased 2023), Jaago – Wake Up (2004), Azaadi: Freedom (2017), 'Samia Malik Live at Norwich Arts Centre' (2019), and 'Songs to Heal and Empower' (2023). She also delivers highly successful and popular workshops and performances directly in the community, including to vulnerable groups such as refugees and asylum seekers, women and families being supported by domestic violence organisations, and isolated rural groups.
Delvyn Case is an American musician, scholar, writer, speaker, and educator. He has spent 25 years developing projects for secular and religious audiences that explore music’s unique power to explore questions of spirituality in the contemporary world. His writings on music, faith, and theology have appeared in The Christian Century, Sojourners, Books and Culture, and his work has been featured in Time Magazine, on BBC4’s “Sunday Morning” broadcast, and in the Boston Globe. He has collaborated on projects with the Yale Institute for Sacred Music, the Boston College Centre for Christian-Jewish Learning, the American Academy of Religion, Hebrew College, and many churches and organizations in the UK. He is the founder and executive director of Deus Ex Musca, an international organization that promotes the use of sacred music as a resource for spiritual formation, ecumenism, and interfaith dialogue. In 2024 he spent two terms as a Visiting Fellow at Exeter College, Oxford, and is currently a Visiting Fellow at the Woolf Institute. His music has been performed by over 100 orchestras across the world, including the BBC Scottish Symphony, the Royal Liverpool Philharmonic, and the Hallé Orchestra, as well as by Grammy-winning artists including Richard Stoltzman and the Chestnut Brass Company. A graduate of Yale University and the University of Pennsylvania, Dr. Case currently holds the A. Howard Meneely Endowed Professorship at Wheaton College in Massachusetts, where he conducts the Great Woods Symphony Orchestra.
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