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Showing posts with label journeys. Show all posts
Showing posts with label journeys. Show all posts

Friday, 25 April 2025

ArtWay - “Giving identity to forms” – an interview with Márta Jakobovits

My latest interview for ArtWay is with ceramic artist Márta Jakobovits:

"I gravitate toward deep, intuitive approaches that bring visual and mental peace. I believe everyone’s life is a pilgrimage, a journey full of ups and downs. Artists have the ability to translate that journey, making it visible, audible, or readable, depending on their medium."

For more on Márta Jakobovits see here and here. A solo exhibition by Márta Jakobovits, in collaboration with Elizabeth Xi Bauer Gallery, is at The Liszt Institute (17-19 Cockspur Street, London SW1Y 5BL) from 2 May - 30 May 2025.

My other writing for ArtWay can be found at https://www.artway.eu/authors/jonathan-evens. This includes church reports, interviews, reviews and visual meditations.

ArtWay.eu has been hailed "a jewel in the crown of work in Christianity and the arts," and having come under the custodianship of the Kirby Laing Centre, the much-loved publication has entered an exciting new chapter in its story following the launch of a new website in September 2024.

Since its founding, ArtWay has published a rich library of materials and resources for scholars, artists, art enthusiasts and congregations concerned about linking art and faith. Founded by Marleen Hengelaar-Rookmaaker in 2009, ArtWay's significance is reflected in its designation as UNESCO digital heritage material in the Netherlands.

In 2018, I interviewed ArtWay founder Marleen Hengelaar-Rookmaaker for Artlyst on the legacy of ArtWay itself.



In the video above, the ArtWay team recounts the history of this much-loved resource and looks ahead to an exciting future for ArtWay.

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Amazing Blondel - Benedictus Es Domine.

Thursday, 27 March 2025

Seen and Unseen: Heading Home: a pilgrimage that breaks out beauty along the way

My latest article for Seen and Unseen is entitled 'Heading Home: a pilgrimage that breaks out beauty along the way'. The article focuses on a film called 'Heading Home' which explores how we can learn a new language together as we travel:

'The aim of all these initiatives is, as Ahmanson explains, what has always been the aim; “to serve this world to make it more like the heavenly home” where our ultimate citizenship lies, and to do so by “creating beauty in buildings and art and music and serving the suffering and those in all kinds of need”. The aim of all these initiatives is, as Ahmanson explains, what has always been the aim; “to serve this world to make it more like the heavenly home” where our ultimate citizenship lies, and to do so by “creating beauty in buildings and art and music and serving the suffering and those in all kinds of need”.'

For more on 'Heading Home', see my interview for ArtWay with Roberta Ahmanson, Siobhán Jolley and Ben Quash.

My first article for Seen and Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.

My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.

My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.

My fourth article was a guide to the Christmas season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas.

My fifth article was 'Finding the human amid the wreckage of migration'. In this article I interviewed Shezad Dawood about his multimedia Leviathan exhibition at Salisbury Cathedral where personal objects recovered from ocean depths tell a story of modern and ancient migrations.

My sixth article was 'The visionary artists finding heaven down here' in which I explored a tradition of visionary artists whose works shed light on the material and spiritual worlds.

My seventh article was 'How the incomer’s eye sees identity' in which I explain how curating an exhibition for Ben Uri Online gave me the chance to highlight synergies between ancient texts and current issues.

My eighth article was 'Infernal rebellion and the questions it asks' in which I interview the author Nicholas Papadopulos about his book The Infernal Word: Notes from a Rebel Angel.

My ninth article was 'A day, night and dawn with Nick Cave’s lyrics' in which I review Adam Steiner’s Darker With The Dawn — Nick Cave’s Songs Of Love And Death and explore whether Steiner's rappel into Cave’s art helps us understand its purpose.

My 10th article was 'Theresa Lola's poetical hope' about the death-haunted yet lyrical, joyful and moving poet for a new generation.

My 11th article was 'How to look at our world: Aaron Rosen interview', exploring themes from Rosen's book 'What Would Jesus See: Ways of Looking at a Disorienting World'.

My 12th article was 'Blake, imagination and the insight of God', exploring a new exhibition - 'William Blake's Universe at the Fitzwilliam Museum - which focuses on seekers of spiritual regeneration and national revival.

My 13th article 'Matthew Krishanu: painting childhood' was an interview with Matthew Krishanu on his exhibition 'The Bough Breaks' at Camden Art Centre.

My 14th article was entitled 'Art makes life worth living' and explored why society, and churches, need the Arts.

My 15th article was entitled 'The collective effervescence of sport's congregation' and explored some of the ways in which sport and religion have been intimately entwined throughout history

My 16th article was entitled 'Paradise cottage: Milton reimagin’d' and reviewed the ways in which artist Richard Kenton Webb is conversing with the blind poet in his former home (Milton's Cottage, Chalfont St Giles).

My 17th article was entitled 'Controversial art: how can the critic love their neighbour?'. It makes suggestions of what to do when confronted with contentious culture.

My 18th article was an interview entitled 'Art, AI and apocalypse: Michael Takeo Magruder addresses our fears and questions'. In the interview the digital artist talks about the possibilities and challenges of artificial intelligence.

My 19th article was entitled 'Dark, sweet and subtle: recovered music orientates us'. In the article I highlight alt-folk music seeking inspiration from forgotten hymns.

My 20th article was entitled 'Revisiting Amazing Grace inspires new songs'. In the article I highlight folk musicians capturing both the barbaric and the beautiful in the hymn Amazing Grace and Christianity's entanglement with the transatlantic slave trade more generally.

My 21st article was entitled 'James MacMillan’s music of tranquility and discord'. In the article I noted that the composer’s music contends both the secular and sacred.

My 22nd article was a book review on Nobody's Empire by Stuart Murdoch. 'Nobody's Empire: A Novel is the fictionalised account of how ... Murdoch, lead singer of indie band Belle and Sebastian, transfigured his experience of Myalgic encephalomyelitis/chronic fatigue syndrome (ME) through faith and music.'

My 23rd article was entitled 'Rock ‘n’ roll’s long dance with religion'. The article explores how popular music conjures sacred space.

My 24th article was an interview with Alastair Gordon on the artist’s attention which explores why the overlooked and everyday capture the creative gaze.

My 25th article was about Stanley Spencer’s seen and unseen world and the artist’s child-like sense of wonder as he saw heaven everywhere.

My 26th article was entitled 'The biblical undercurrent that the Bob Dylan biopics missed' and in it I argue that the best of Dylan’s work is a contemporary Pilgrim, Dante or Rimbaud on a compassionate journey.

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Josh Garells - Farther Along.

Friday, 28 February 2025

Resources for Lent and Holy Week






This year the Ministry Team in the Wickford and Runwell Team Ministry have once again written our own Lent Course, a five week course looking at journeys in the Bible.

The Bible is full of journeys made by people guided by God. Some are shorter and some are longer. All are transformational. Life is often thought of as a journey. There are high points and low points, paths where we travel swiftly and paths where we feel bogged down, there are some times when we feel like we have come to a dead end and some times when the future ahead looks far away. In this course we look at five particular biblical journeys and think about how the people involved might have felt, and what responses they evoke in us when we hear them. Do they remind us of our own journeys with God? Week 1: Abraham’s wanderings Week 2: The Exodus Week 3: Ruth and Naomi Week 4: Jesus journey to Jerusalem (based on St Luke’s gospel) Week 5: Paul’s missionary journeys (based on Acts) 

These sessions will be offered on Tuesday evening and Thursday afternoon and evening, depending on numbers, starting the week of 10th March. 

Mark of the Cross and The Passion are collections of images, meditations and prayers by Henry Shelton and myself on The Stations of the Cross. They provide helpful reflections and resources for Lent and Holy Week. These collections can both be found as downloads from theworshipcloud.

Mark of the Cross is a book of 20 poetic meditations on Christ’s journey to the cross and reactions to his resurrection and ascension. The meditations are complemented by a set of semi-abstract watercolours of the Stations of the Cross and the Resurrection created by Henry Shelton.

The Passion: Reflections and Prayers features minimal images with haiku-like poems and prayers that enable us to follow Jesus on his journey to the cross reflecting both on the significance and the pain of that journey as we do so. Henry and I have aimed in these reflections to pare down the images and words to their emotional and theological core. The mark making and imagery is minimal but, we hope, in a way that makes maximum impact.

Jesus dies on the cross

The sun is eclipsed, early nightfall,
darkness covers the surface of the deep,
the Spirit grieves over the waters.
On the formless, empty earth, God is dead.

Through the death of all we hold most dear, may we find life. Amen.

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Julie Miller - How Could You Say No.

 

Thursday, 27 February 2025

Seen and Unseen: The journey Bob Dylan biopics fail to capture

My latest article for Seen and Unseen is entitled 'The journey Bob Dylan biopics fail to capture'. In it I argue that the best of Dylan’s work is a contemporary Pilgrim, Dante or Rimbaud on a compassionate journey:

"Throughout Dylan’s career, he writes songs about people travelling through life in the face of apocalyptic storms seeking some form of relief or salvation or entry to heaven. So, what we have in the best of Dylan’s work is a contemporary Pilgrim, Dante or Rimbaud on a compassionate journey, undertaken in the eye of the Apocalypse, to stand with the damned at the heart of the darkness that is twentieth century (and then twenty-first century) culture.”

For more on Bob Dylan see here, here, here, here, here, here, here, here, here, here, and here. See also my co-authored book The Secret Chord which has been described as an impassioned study of the role of music in cultural life written through the prism of Christian belief. For more of my writings on music click here.

My first article for Seen and Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.

My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.

My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.

My fourth article was a guide to the Christmas season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas.

My fifth article was 'Finding the human amid the wreckage of migration'. In this article I interviewed Shezad Dawood about his multimedia Leviathan exhibition at Salisbury Cathedral where personal objects recovered from ocean depths tell a story of modern and ancient migrations.

My sixth article was 'The visionary artists finding heaven down here' in which I explored a tradition of visionary artists whose works shed light on the material and spiritual worlds.

My seventh article was 'How the incomer’s eye sees identity' in which I explain how curating an exhibition for Ben Uri Online gave me the chance to highlight synergies between ancient texts and current issues.

My eighth article was 'Infernal rebellion and the questions it asks' in which I interview the author Nicholas Papadopulos about his book The Infernal Word: Notes from a Rebel Angel.

My ninth article was 'A day, night and dawn with Nick Cave’s lyrics' in which I review Adam Steiner’s Darker With The Dawn — Nick Cave’s Songs Of Love And Death and explore whether Steiner's rappel into Cave’s art helps us understand its purpose.

My 10th article was 'Theresa Lola's poetical hope' about the death-haunted yet lyrical, joyful and moving poet for a new generation.

My 11th article was 'How to look at our world: Aaron Rosen interview', exploring themes from Rosen's book 'What Would Jesus See: Ways of Looking at a Disorienting World'.

My 12th article was 'Blake, imagination and the insight of God', exploring a new exhibition - 'William Blake's Universe at the Fitzwilliam Museum - which focuses on seekers of spiritual regeneration and national revival.

My 13th article 'Matthew Krishanu: painting childhood' was an interview with Matthew Krishanu on his exhibition 'The Bough Breaks' at Camden Art Centre.

My 14th article was entitled 'Art makes life worth living' and explored why society, and churches, need the Arts.

My 15th article was entitled 'The collective effervescence of sport's congregation' and explored some of the ways in which sport and religion have been intimately entwined throughout history

My 16th article was entitled 'Paradise cottage: Milton reimagin’d' and reviewed the ways in which artist Richard Kenton Webb is conversing with the blind poet in his former home (Milton's Cottage, Chalfont St Giles).

My 17th article was entitled 'Controversial art: how can the critic love their neighbour?'. It makes suggestions of what to do when confronted with contentious culture.

My 18th article was an interview entitled 'Art, AI and apocalypse: Michael Takeo Magruder addresses our fears and questions'. In the interview the digital artist talks about the possibilities and challenges of artificial intelligence.

My 19th article was entitled 'Dark, sweet and subtle: recovered music orientates us'. In the article I highlight alt-folk music seeking inspiration from forgotten hymns.

My 20th article was entitled 'Revisiting Amazing Grace inspires new songs'. In the article I highlight folk musicians capturing both the barbaric and the beautiful in the hymn Amazing Grace and Christianity's entanglement with the transatlantic slave trade more generally.

My 21st article was entitled 'James MacMillan’s music of tranquility and discord'. In the article I noted that the composer’s music contends both the secular and sacred.

My 22nd article was a book review on Nobody's Empire by Stuart Murdoch. 'Nobody's Empire: A Novel is the fictionalised account of how ... Murdoch, lead singer of indie band Belle and Sebastian, transfigured his experience of Myalgic encephalomyelitis/chronic fatigue syndrome (ME) through faith and music.'

My 23rd article was entitled 'Rock ‘n’ roll’s long dance with religion'. The article explores how popular music conjures sacred space.

My 24th article was an interview with Alastair Gordon on the artist’s attention which explores why the overlooked and everyday capture the creative gaze.

My 25th article was about Stanley Spencer’s seen and unseen world and the artist’s child-like sense of wonder as he saw heaven everywhere

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Tuesday, 11 February 2025

Shrove Tuesday, Ash Wednesday and Lent




Shrove Tuesday Pancake Party, St Catherine’s Hall, Tuesday 4th March

Drop in between 2.30pm and 4pm or stay all afternoon and help raise funds for St Catherine’s restoration. £5 to include 2 pancakes and tea or coffee. There will also be a raffle. Sign-up sheet at the back of the church. Gluten free available on request. Names before 2nd March please.

Ash Wednesday: Our Eucharists with the imposition of ashes will be at 10.30 am in St Andrew's Wickford and 8.00 pm in St Mary's Runwell. All are welcome.


A five week course looking at journeys in the Bible. We are offering this course the week commencing 10th March. If you are interested in attending please let us know your preferences in order (1,2,3) and you will be allocated to a group. The options are Tuesdays at 7.30 pm, Thursdays at 2.00 pm, and Thursdays at 7.30 pm. If you are prepared to host a group please also let us know. Do you have any special requirements that need to be considered? Please let a member of the ministry team know.

The Bible is full of journeys made by people guided by God. Some are shorter and some are longer. All are transformational. Life is often thought of as a journey. There are high points and low points, paths where we travel swiftly and paths where we feel bogged down, there are some times when we feel like we have come to a dead end and some times when the future ahead looks far away. In this course we look at five particular biblical journeys and think about how the people involved might have felt, and what responses they evoke in us when we hear them. Do they remind us of our own journeys with God? 

  • Week 1: Abraham’s wanderings 
  • Week 2: The Exodus 
  • Week 3: Ruth and Naomi 
  • Week 4: Jesus journey to Jerusalem (based on St Luke’s gospel) 
  • Week 5: Paul’s missionary journeys (based on Acts)

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Water Into Wine Band - Hill Climbing For Beginners.

Sunday, 5 January 2025

We shall not cease from exploration

Here's the sermon that I shared at St Catherine's Wickford this morning:

The Magi searched for a sign, then searched for the one to whom the sign pointed, and then gave gifts when they found the one for whom they were looking for (Matthew 2.1-12). We think of them as being wise for doing all this. When we think about their story in these terms, it can give us a framework or a pattern for thinking about our own lives; perhaps then we will also find or know wisdom!

The Magi searched the stars looking for signs of divine communication; messages from the gods that could guide individuals and nations in the present. In other words, they were seeking answers, by the best means they knew how, to the big questions in life:
  • Who are we or, in other words, what is the nature, task and significance of human beings?
  • Where are we or, in other words, what is the origin and nature of the reality in which human beings find themselves?
  • What's wrong or, in other words, how can we account for all that seems wrong or broken in the world?
  • What's the remedy or, in other words, how can we alleviate this brokenness, if at all?
These are questions that each of us, consciously or unconsciously, find answers to by the way that we live our lives but it is only when we consciously ask them and actively search for answers that we begin to leave behind our natural inclination to live life for our pleasure and convenience.

The sign which the Magi found through their searching was the star in the east which they thought was a sign that the king of the Jews had been born as a baby. This sign uprooted them from where they were. If they were to see and to worship the baby King then they had to leave where they were and travel not knowing for sure where their journey would take them. Their journey was probably inconvenient and uncomfortable for them but was the only way for them to find what they were seeking. It is similar for us as we consciously ask ourselves the big questions in life and seek answers; asking questions and seeking answers is uncomfortable and often means making changes to the way that we are currently living which are inconvenient and disruptive, yet necessary, if we are to find any sort of answers at all.

T. S. Eliot writes, in his poem called ‘Little Gidding’, “We shall not cease from exploration,” and that is right because if we stop searching, if we stop questioning, then we get stuck and stagnate. We only have to look at nature to see the way in which all growth involves change; the caterpillar and butterfly being one of the most dramatic examples. Our own bodies are constantly changing throughout our lives with many of our cells being replaced as we progress through life. Growth involves constant change and if we apply this same principle to our thought life, our emotional life and our spiritual life then, as Eliot wrote, we must not cease from exploration.

The Magi’s journey found its immediate conclusion when they knelt before the Christ-child and worshipped him. They had no independent verification that this child was the King that they were seeking; they simply had to trust that this was so because they had arrived at the place to which the star had led them. Once again, T. S. Eliot’s ‘Little Gidding’ describes this well:

“If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel …”

The answer to our questions is a person, not a fact, and the person who is the answer to our questions turns out to be God himself. Because God is infinite, he cannot be fully known or understood by human beings. With God, there is always more for us to know and understand. Knowing God is like diving into the ocean and always being able to dive down deeper therefore are ultimately only three responses we can make to the wonder and majesty of God. The first is, as we have been saying, to keep exploring and the second is this, to express our sense of awe and wonder by kneeling in worship.

The third is to give gifts. The Magi gave gold, frankincense and myrrh; each being costly gifts expressing aspects of Christ’s nature and purpose. Christina Rossetti expressed the significance of the Magi’s gift-giving beautifully in her carol, ‘In the bleak midwinter’:

“What can I give Him, poor as I am?
If I were a shepherd, I would bring a lamb;
If I were a Wise Man, I would do my part;
Yet what I can I give Him: give my heart.”

She understood that the costliest gift we can give is our life and that our life is given to Jesus when we express through our lives and actions something of who Jesus is.

Kneeling in worship was the end of the journey that the Magi took when following the star but it was also the beginning of the new journey that they were now to make; the journey home. Eliot used the phase, ‘In my end is my beginning,’ at the end of his poem called ‘East Coker’ and, in ‘Little Gidding,’ he writes:

“We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.”

The Magi journeyed home, but their home was no longer what it once was because they had been changed by their journey. Eliot’s poem ‘The Journey of the Magi’ ends with these lines:

“were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.”

The Magi are no longer at ease with their old way of life because they have been changed through their searching and journeying. Now they see life differently because of what they have seen and heard; the answers they give to life’s big questions are no longer the same as before – their worldview has changed.

Are we asking the big questions? Are we constantly questioning and exploring yet also kneeling in awe and wonder to worship? And are both our answers to life’s big questions and to the way we live our lives changing as a result? If we wish to be wise like the Magi then our answer to all those questions will be, “Yes.”

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Saturday, 15 June 2024

Quiet Day: Faith Pictures

 








We've had a wonderful Quiet Day today at St Mary's Runwell reflecting on faith journeys and faith pictures. We've been reflecting on key moments in our lives and faith and thinking of ways to picture what we have experienced and learnt. It has been a very moving time for which we thank Gail and Stephen who led us throughout the day. We ended with a Eucharist in which our reflections were offered back to God.

Faith Pictures is a free resource from Church Army to help Christians of all traditions talk about their own story of faith with confidence. Faith Pictures is six sessions long, each one building on the last to help Christians to see where God has been present in their lives, how they can talk about that confidently, and how God is active in the world around us and wants us to join in with Him.

Today, we looked at our own journeys, where and how we have been aware of God, and how we might start to think about the shape of that journey. We also created images that helped sum up our own faith journey.

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The Accompany - Beside The Still Waters.

Friday, 11 November 2022

Church Times: Returning Journeys by Andrew Vessey at St Edmundsbury Cathedral

My latest review for Church Times is of Returning Journeys by Andrew Vessey at St Edmundsbury Cathedral:

'Vessey is an artist of integration, with a unitive vision, seeing God and stories interwoven within landscape. Christ and an angel underpin several of these landscapes, while light irradiates and illuminates from deep within. Images within images, paintings within paintings, are all set in a chapel within a chapel: visual and spiritual depth held together.'

Vessey thinks the particular duty of the artist who is a Christian is to develop images and symbols that stretch the meaning of our inherited biblical visual vocabulary.

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here and those for Art+Christianity are here. See also Modern religious art: airbrushed from art history?

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Rev Simpkins - Plough Sunday.

Sunday, 6 November 2022

Andrew Vessey: Returning Journey's




 





RETURNING JOURNEYS ART EXHIBITION

November 5, 2022 | 10:00 am – November 20, 2022 | 4:00 pm
St Edmundsbury Cathedral

Returning Journeys is an exhibition of paintings and reflections by Andrew Vessey. Andrew was ordained at St Edmundsbury Cathedral in 1986 before becoming a Curate in Framlingham and Saxtead. He is now retired.

His work is on view in the Edmund Chapel and, with the paintings arranged to make a space for contemplation, the result makes a ‘chapel within a Chapel’. You are welcome to talk with Andrew and view the process of bringing art to life as he works, in various mediums, on new pieces inspired by the Bury Cross.

The centrepiece of the exhibition is a work titled ‘Homage to John Mason’, the 17th century poet whose increasingly popular hymn is about the glory of God and the questioning of humanity’s faith. Other paintings on show by Andrew explore the connection between biblical story and those places in which the artist has been brought face to face with the sharp reality of the presence of God.

12 paintings are displayed, each with an accompanying text incorporating a reflection, a poem and a prayer, all written by the artist. The exhibition is open daily between 10.00am – 4.00pm from Saturday 5 November to Sunday 20 November.

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Van Morrison - In The Garden.

Saturday, 11 December 2021

Artlyst: Albrecht Dürer Travels Of A Renaissance Artist – National Gallery London

My latest review for Artlyst on 'Dürer Journey's: Travels Of A Renaissance Artist' at the National Gallery:

'Albrecht Dürer’s grandfather hailed from the Hungarian village of Ajtos. Dürer’s father migrated from Hungary to Germany, eventually settling in Nuremberg. Dürer, himself, lived in Nuremberg throughout his life but made several significant European journeys; along the river Rhine, twice crossing the Alps to Italy and, in later life, to the Low Countries.

Journeys, therefore, shaped Dürer’s family significantly while also fuelling his curiosity and creativity, in part by bringing him into contact with a broader range of other artists and, over time, increasing his fame and influence. This is the first exhibition to focus on the artist through his travels, bringing us, as visitors and viewers, closer to the man himself and the people and places he visited. The world he inhabited and through which he travelled was one at the beginning of significant change, so by following his journeys, our eyes are opened to significant cultural shifts.’

For more on this period of art history see my review of 'Cranach: Artist and Innovator'.

My other pieces for Artlyst are:

Interviews -

Articles -
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Wednesday, 30 December 2020

Jake Lever - Do The Little Things


Jake Lever is a Birmingham-based artist who had an exhibition of Soul Boats at Birmingham Cathedral -  - for which he won an award for art in a religious context . I wrote a piece about the awards for Artlyst. and have made use of  Touching the Sacred: Creative Prayer Outlines for Worship and Reflection by Chris Thorpe and Jake Lever.

Jake Lever's 'Do the Little Things', a pandemic project is described here: 

‘Be joyful, keep the faith, and do the little things.’ St David 589 AD

Through the pandemic, I have wanted to connect with people I care about, but have often found myself lost for words, unsure what to say. Instead, I turned to making tiny golden boats, sending them to people as a kind of silent, wordless communication, heart to heart.

Some boats have symbolised my sadness at not being able to be physically present with people when they are facing challenges like illness and isolation. Some boats have expressed my wish to reach out ‘from a distance’ to people celebrating births, weddings and other joyful events. Other boats have been posted simply as a way of treasuring my friendships.

These small gestures - ‘little things’ - have started to form a web stretching far and wide, a visual expression of our universal human need for belonging and connection.

An invitation to join in: If you wish to be able to connect with those you care about by sending them a boat, I would be very happy to collaborate with you. By sending someone a handmade gilded boat (for whatever reason), you will be participating in 'Do the Little Things', a slowly evolving communal artwork. In time, these journeys will be anonymously charted as lines on an illuminated map of the world, a record of precious human relating.

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The Innocence Mission  - This Boat.

Wednesday, 15 April 2020

Followers of the Way

Here's the reflection I shared in today's lunchtime Eucharist for St Martin-in-the-Fields:

‘When this story (Luke 24. 13 – 35) begins, two people are walking along a road, a stranger meets them, he claims he has no knowledge of Jesus’ death, and as they expose their grief this apparent stranger unfurls his insights into scripture and tradition. They persuade him to stay, wanting to prolong the encounter and wanting to welcome him. The food is prepared. The two hosts welcome their guest. And the guest blesses, makes himself known as Host, and disappears leaving them to tell their friends the good news of their encounter.’ (Ayla Lepine - 'Inspired to Follow')

The Emmaus Road story breaks open ways in which we may encounter God.

When Jesus encountered the two disciples on the Emmaus Road on the evening of the first Easter day he met them where they were. Jesus’ incarnation and ministry, above all else, was ‘about being with us, in pain and glory, in sorrow and in joy, in quiet and in conflict, in death and in life.’ Now, he came to be with these two disciples. Coming to be with them meant that he joined them on their journey although they were going in the wrong direction, in other words away from Jerusalem. He didn’t berate, however, or try to re-direct them. He simply joined them and walked with them. All who are beginning to explore the Christian faith are travellers because they are on the way. They may not yet be coming to church, but are committed to taking the next step. One of the earliest names for the people called Christians was followers of the Way, so, ‘right at the beginning of the journey, people need to experience what it means to be part of a pilgrim church.’ ‘Before people can become pilgrims themselves they need to feel happy to travel with us and be open to experiencing life from a Christian perspective.’ (Stephen Cottrell)

Jesus also joins in with their conversation, listening to them first before he speaks. Similarly, our welcome of others must involve an attitude which seeks to get inside the shoes of the other person so that they can be welcomed and accompanied at every point of their journey. Jesus’ first question to the disciples was then one of open vulnerability to their agenda: ‘What are you discussing with each other while you walk along?’ Our practice of offering wonderings to others in response to hearing their experiences is similar. In response to their questions and accounts of what has happened he then breaks open the scriptures, explaining to them ‘the things about himself.’ By this stage Jesus had created a helpful context in which to explore faith. We, too, need to create safe places, where people are at ease, where they can bring their questions, and where they will feel challenged, but not pressured; a space that enables people to question and discover for themselves the significance of Jesus Christ.

Arriving at Emmaus, they invited him in, and as he broke bread their eyes were opened. ‘When he was at the table with them, he took bread, blessed and broke it, and gave it to them. Then their eyes were opened, and they recognized him; and he vanished from their sight.’’ They had not seen: suddenly they did see. A gesture – a reminder of what Christ did at the Last Supper – has alerted them to his identity. As the etymology of the word suggests, recognition involves an awareness which harks back to something previous. It is a re-knowing of something which therefore requires a pre-knowing. It involves a kind of memory. At Emmaus, their memory is of the Last Supper.’ For us, ‘Our memory of God’ is that ‘bit of human nature which seeks to be in right relation to God, and which means that we can be redeemed.’ (Chloe Reddaway - 'Inspired to Follow')

‘The disciples saw Jesus’ scars as he broke the bread. They remembered his story and realized it was their story. They discerned his body as it became their body. They left the table with hearts on fire. They who before had stood alone were united with the believers. They looked forward to every future meal as a moment of encounter with the risen Christ. They had become what they had eaten, the body of Christ.’ (Sam Wells)

So, at the centre of the Emmaus story is a very simple and ordinary action; breaking bread. Although a simple and ordinary thing to do, it becomes a very important act when Jesus does it because that is the moment of recognition and realisation. Something very simple and ordinary suddenly becomes full of meaning and significance. Their experience was an epiphany, a moment to which our being with, travelling with, and discussion with will often lead. ‘Following Christ’s sudden departure, as a new quality of knowledge fills the room where moments before he broke the bread, the two people who’d been on the road confer and ask each other in bewilderment: ‘Did our hearts not burn within us?’ God invites light into the darkest of corners.’ (Ayla Lepine) A space had been created which enabled these people to question and then discover for themselves the significance of Jesus Christ. They then rushed back to Jerusalem as they couldn’t wait to share with others the good news they have received.

Luke’s account provides us with a rich and challenging story about exploring faith which is hugely relevant for the situation we face today because: ‘our own culture here in … London is not so dis-similar to the ones the first apostles encountered outside the comfort zone of the Jewish faith: a smorgasbord of beliefs, a general interest in things spiritual, a lack of confidence in the meta-narratives that had previously been trusted so much. In this sort of world becoming a Christian will be like a journey, and much of our work will be helping people to make the journey; and much of that will be removing obstacles from the path.’ (Stephen Cottrell)

This story reveals ways to help others experience what it means to be part of a pilgrim church so that right at the beginning of their journey people feel happy to travel with us and are open to experiencing life from a Christian perspective.

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The Call - What's Happened To You?