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Showing posts with label collage. Show all posts
Showing posts with label collage. Show all posts

Friday, 17 January 2025

'The Way': Exhibition viewing evening

 


















We had a very well-attended exhibition viewing evening tonight at St Andrew's Wickford for Steve Whittle's 'The Way' exhibition. Steve was interviewed and gave some fascinating insights into his career and work. We covered some of the same ground that we covered in our interview for ArtWay. The interview covers Steve's fascinating career and the range of work he undertakes, including his primary focus on collage.

'The Way', an exhibition by Steve Whittle at St Andrew's Wickford (11 London Road, Wickford, Essex SS12 0AN) from 11 January to 18 April 2025. This artist, based in Westcliff-on-Sea based, uses collage to create Stations of the Cross & a range of other scenes, both religious and landscape. St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm.

‘The main medium I use is collage and over many years I have developed the technique which can be seen in many of the pictures in this exhibition.’

The primary subject matter in Steve Whittle's work is colour, which has been the major theme. The work is often produced in series and is unified by the similar images and combinations of colours that are used. Each picture can therefore be viewed as a component of a group or seen as an individual piece.

The medium Whittle uses is collage and over many years he has developed the technique which can be seen in many of the pictures in this exhibition. Firstly, the paper, which is acid free, is prepared with several coats of acrylic paint in the appropriate colour and the torn paper collage is applied to this surface with acrylic glue in as many layers as necessary to get the correct colour combinations. When the picture is complete it is then coated with UVS varnish.

‘The Way’ includes a series of Stations of the Cross, plus other crucifixion and resurrection images.

The Spring 2025 programme for Unveiled, our fortnightly Friday night arts and performance event at St Andrew’s Church (7.00 – 9.00 pm, 11 London Road, Wickford, Essex SS12 0AN), began tonight:

Spring Programme 2025
  • 31 January (7.00 pm) – ‘Four Essex Trios’. An evening of poems and photographs with Jonathan Evens exploring thin places and sacred spaces in Essex, including Bradwell, Broomfield, Pleshey, and Runwell.
  • 14 February (7.00 pm) – An evening with the Ladygate Scribblers. Hear poetry and prose from a longestablished Wickford-based writers group.
  • 28 February (7.30 pm) – Open Mic Night. Everybody is welcome to come along & play, read, sing or just spectate. See you there for a great evening of live performance!
  • 14 March (7.00 pm) – Simon Law in concert. Simon has fronted the rock bands Fresh Claim, Sea Stone and Intransit, as well as being a founder of Plankton Records and becoming an Anglican Vicar. This will be his final concert for us before retirement.
  • 28 March (7.30 pm) – Dave Crawford & friends in concert. Popular local musician, Dave Crawford writes engaging/melodic songs in Americana/ Alt-Rock/IndieFolk. He has performed at the Leigh Folk Festival, Pin Drop Sessions, & Music for Mind together with Kev Butler. This will be Dave’s third concert at Unveiled. We have also enjoyed his powerful vocals & guitar at our Open Mic Nights.
  • 11 April (7.30 pm) – Tim Almond in concert. ‘Around the World in 60 Minutes’ featuring songs and stories from Kenya, Ethiopia, Malawi, Ecuador and Bangladesh.
See http://wickfordandrunwellparish.org.uk/whats-on.html and https://basildondeanery.co.uk/index.php/news/ for more information.

These events do not require tickets (just turn up on the night). There will be a retiring collection to cover artist and church costs.

Our churches are places to enjoy cultural programmes including concerts and exhibitions as well as being places to see art and architecture.

St Andrews Church in Wickford provides regular art, culture and heritage events and we are looking to develop this further. We think that to do so will benefit the Town by bringing more people to the Town Centre. As part of a Feasibility Study exploring what might be possible that is funded by UKFSP Feasibility Fund, we are asking people locally to share what art, culture and heritage activities they are interested in and what they are looking for.

We would be very grateful if you could complete the survey and tell others about it. The survey can be found at https://forms.gle/dmPH7uzAafuAqLzDA. We are keen that as many people in and around Wickford complete the survey as possible.

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Saturday, 11 January 2025

ArtWay: Interview with Steve Whittle










My latest interview for ArtWay is with Steve Whittle, whose exhibition at St Andrew's Wickford opens next week. The interview covers Steve's fascinating career and the range of work he undertakes, including his primary focus on collage. See below for more about Steve and his exhibition at St Andrew's.

ArtWay.eu has been hailed "a jewel in the crown of work in Christianity and the arts," and having come under the custodianship of the Kirby Laing Centre, the much-loved publication is entering an exciting new chapter in its story with the launch of a new website in September.

Since its founding, ArtWay has published a rich library of materials and resources for scholars, artists, art enthusiasts and congregations concerned about linking art and faith. Founded by Marleen Hengelaar-Rookmaaker in 2009, ArtWay's significance is reflected in its designation as UNESCO digital heritage material in the Netherlands.



In the video above, the ArtWay team recounts the history of this much-loved resource and looks ahead to an exciting future for ArtWay.

Back in 2018, I interviewed ArtWay founder Marleen Hengelaar-Rookmaaker for Artlyst on the legacy of ArtWay itself. I have written frequently for the site with a recent piece being an interview with British artist Hannah Rose Thomas, who is also an author, human rights activist and a UNESCO PhD Scholar at the University of Glasgow.

My visual meditations for ArtWay include work by María Inés Aguirre, Giampaolo Babetto, Marian Bohusz-Szyszko, Alexander de Cadenet, Christopher Clack, Marlene Dumas, Terry Ffyffe, Jake Flood, Antoni Gaudi, Nicola Green, Maciej Hoffman, Gwen John, Lakwena Maciver, S. Billie Mandle, Giacomo Manzù, Sidney Nolan, Michael Pendry, Maurice Novarina, Regan O'Callaghan, Ana Maria Pacheco, John Piper, Nicola Ravenscroft, Albert Servaes, Henry Shelton, Anna Sikorska, Alan Stewart, Jan Toorop, Andrew Vessey, Edmund de Waal and Sane Wadu.

My Church of the Month reports include: All Saints Parish Church, Tudeley, Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Churches in Little Walsingham, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Eton College Chapel, Lumen, Metz Cathedral, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St. Margaret’s Church, Ditchling, and Ditchling Museum of Art + Craft, St Mary the Virgin, Downe, St Michael and All Angels Berwick and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

Blogs for ArtWay include: Congruity and controversy: exploring issues for contemporary commissions; Ervin Bossanyi: A vision for unity and harmony; Georges Rouault and André Girard: Crucifixion and Resurrection, Penitence and Life Anew; Photographing Religious Practice; Spirituality and/in Modern Art; and The Spirituality of the Artist-Clown.

Interviews for ArtWay include: Matthew Askey, Paul Chandler and Brian Whelan, Sophie Hacker, Peter Koenig, David Miller, Belinda Scarlett and Hannah Rose Thomas.

I have also reviewed: Art and the Church: A Fractious Embrace, Kempe: The Life, Art and Legacy of Charles Eamer Kempe and Jazz, Blues, and Spirituals for ArtWay.

Other of my writings for ArtWay can be found here.

'The Way', an exhibition by Steve Whittle at St Andrew's Wickford (11 London Road, Wickford, Essex SS12 0AN) from 11 January to 18 April 2025. This artist, based in Westcliff-on-Sea based, uses collage to create Stations of the Cross & a range of other scenes, both religious and landscape. St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm.

‘The main medium I use is collage and over many years I have developed the technique which can be seen in many of the pictures in this exhibition.’

View the exhibition and hear Steve speak about his work at ‘Unveiled’, the arts & performance evening at St Andrew’s Wickford, Friday 17 January, 7.00 pm.

The primary subject matter in Steve Whittle's work is colour, which has been the major theme. The work is often produced in series and is unified by the similar images and combinations of colours that are used. Each picture can therefore be viewed as a component of a group or seen as an individual piece.

The medium Whittle uses is collage and over many years he has developed the technique which can be seen in many of the pictures in this exhibition. Firstly, the paper, which is acid free, is prepared with several coats of acrylic paint in the appropriate colour and the torn paper collage is applied to this surface with acrylic glue in as many layers as necessary to get the correct colour combinations. When the picture is complete it is then coated with UVS varnish.

‘The Way’ includes a series of Stations of the Cross, plus other crucifixion and resurrection images.

The Spring 2025 programme for Unveiled, our fortnightly Friday night arts and performance event at St Andrew’s Church (7.00 – 9.00 pm, 11 London Road, Wickford, Essex SS12 0AN), begins with the exhibition viewing evening for 'The Way' by Steve Whittle:

Spring Programme 2025
  • 17 January (7.00 pm) – ‘The Way’ exhibition viewing evening. Meet artist Steve Whittle, see his exhibition & hear him interviewed. This artist, based in Westcliff-onSea based, uses collage to create Stations of the Cross & a range of other scenes, both religious and landscape.
  • 31 January (7.00 pm) – ‘Four Essex Trios’. An evening of poems and photographs with Jonathan Evens exploring thin places and sacred spaces in Essex, including Bradwell, Broomfield, Pleshey, and Runwell.
  • 14 February (7.00 pm) – An evening with the Ladygate Scribblers. Hear poetry and prose from a longestablished Wickford-based writers group.
  • 28 February (7.30 pm) – Open Mic Night. Everybody is welcome to come along & play, read, sing or just spectate. See you there for a great evening of live performance!
  • 14 March (7.00 pm) – Simon Law in concert. Simon has fronted the rock bands Fresh Claim, Sea Stone and Intransit, as well as being a founder of Plankton Records and becoming an Anglican Vicar. This will be his final concert for us before retirement.
  • 28 March (7.30 pm) – Dave Crawford & friends in concert. Popular local musician, Dave Crawford writes engaging/melodic songs in Americana/ Alt-Rock/IndieFolk. He has performed at the Leigh Folk Festival, Pin Drop Sessions, & Music for Mind together with Kev Butler. This will be Dave’s third concert at Unveiled. We have also enjoyed his powerful vocals & guitar at our Open Mic Nights.
  • 11 April (7.30 pm) – Tim Almond in concert. ‘Around the World in 60 Minutes’ featuring songs and stories from Kenya, Ethiopia, Malawi, Ecuador and Bangladesh.
See http://wickfordandrunwellparish.org.uk/whats-on.html and https://basildondeanery.co.uk/index.php/news/ for more information.

These events do not require tickets (just turn up on the night). There will be a retiring collection to cover artist and church costs.

Our churches are places to enjoy cultural programmes including concerts and exhibitions as well as being places to see art and architecture.

St Andrews Church in Wickford provides regular art, culture and heritage events and we are looking to develop this further. We think that to do so will benefit the Town by bringing more people to the Town Centre. As part of a Feasibility Study exploring what might be possible that is funded by UKFSP Feasibility Fund, we are asking people locally to share what art, culture and heritage activities they are interested in and what they are looking for.

We would be very grateful if you could complete the survey and tell others about it. The survey can be found at https://forms.gle/dmPH7uzAafuAqLzDA. We are keen that as many people in and around Wickford complete the survey as possible.








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Dave Crawford - Revelations.

Wednesday, 6 November 2024

Artlyst: Modern Art Oxford Reopens After £2million Redesign

My latest exhibition review for Artlyst is on exhibitions at Modern Art Oxford as they reopen after a £2 million redesign:

'The main exhibition choice for the reopening of Modern Art Oxford is also the first institutional exhibition in the UK of work by Cuban artist Belkis Ayón (1967-1999). Ayón, whose work can also be seen at Tate Modern, was a Cuban artist and printmaker considered a pioneer in the printmaking world through her use of collography. By layering textured repurposed materials onto cardboard matrices, a form of collage, she was able to produce a vast range of tones, textures, and forms in large multi-panelled works. The exhibition includes film of Ayón using this process to create work, examples of which have now been seen at the Venice Biennale in 1993 and 2022, plus a retrospective at UCLA in 2016.

Her work is transgressive in that she reinterprets the traditions, rituals and beliefs of the Abakuá, a predominantly male Afro-Cuban religious group originating in the tribes and ritual traditions of West Africa, by focusing on the mythical female figure of Sikán.'

Interviews -
Monthly diary articles -

Articles/Reviews -
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Friday, 2 February 2024

Southend-on-Sea: Steve Whittle and John Paul Barrett



There is a marvellous opportunity currently in Southend to see traditional religious imagery in a new light.

Steve Whittle ‘Retrospective : 1973-2023’
Beecroft Art Gallery
Saturday, 13 January - Sunday, 31 March 2024

The primary subject matter in Steve Whittle's work is colour, which has been the major theme. The work is often produced in series and is unified by the similar images and combinations of colours that are used. Each picture can therefore be viewed as a component of a group or seen as an individual piece.

The medium Whittle uses is collage and over many years he has developed the technique which can be seen in many of the pictures in this retrospective. Firstly the paper, which is acid free, is prepared with several coats of acrylic paint in the appropriate colour and the torn paper collage is applied to this surface with acrylic glue in as many layers as necessary to get the correct colour combinations. When the picture is complete it is then coated with UVS varnish.

The retrospective includes a series of Stations of the Cross, plus other crucifixion and resurrection images. Additionally, there are images of churches including St Peter's Chapel at Bradwell. M.L. Banting writes:

"Asking what had drawn him to this ancient Chapel, Whittle says it’s almost impossible to put into words, he’d felt a primal and immediate connection on his first visit and had to return again and again. That powerful pull has resulted in a number of works, including charcoals, pastels, paintings and collages, all of which portray the extraordinary sense, or spirit, of place – remote, lonely; glorious and powerful – the austere silhouette of the Chapel monumental against the sea and sky."


Trials and Tribulations: Modern Impressions of Iconography
Friday 2 - Thursday 29 February 2024

This is a new exhibition by local artist John Paul Barrett at the Forum. This collection is inspired by Eastern European iconography. Visitors will experience traditional religious imagery in a new light, and (re)connect with the spiritual aspect and values symbolised by pivotal Biblical events.

You can meet the artist at the following times:
  • Friday 2 February, 5-6.30pm
  • Saturday 3 February, 3-4.30pm
  • Saturday 10 February, 11am-2pm
  • Saturday 17 February, 3-5pm
  • Saturday 24 February, 11am-2pm
Also worth checking out is: 

on the Focal Point Gallery website, which features St Peter-on-the-Wall:

Richard Baxter is interested in how traces from previous lives of places describe time passing. When visiting a site, he collects photographic evidence and takes squeezes: sheets of porcelain pressed onto surfaces, peeled away to reveal exact negatives of specific details. He is currently exploring the site of St Peter-on-the-Wall at Bradwell in Essex. Built by Cedd in 654 it is England’s oldest church, but it uses far older materials from the Roman fort Othona that stood there for over 400 years. The stones came from Kent and the red bricks from the clay found under the fields. Many centuries have left their marks, making a complex story of building and rebuilding. It is a place of utmost simplicity requiring a simple response. The prints are enhanced with a cobalt wash, a blue associated with porcelain. This is a different kind of printmaking, and goes hand in hand with making cyanotypes, which use similar blue dye tones and give a timeless feel. This film is a collage of inputs and outcomes so far. Next steps will see Baxter combine the photographic images onto squeezes for the first time. The images will sit on top of their own texture.

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Friday, 10 March 2023

Wonderful addition to 'The Blind Jesus (No-one belongs here more than you)' exhibition

 











Wickford Church of England School have made a wonderful addition to our current art exhibition at St Andrew's Wickford on belonging and welcome based on the experience of disabled people. See https://wickfordandrunwellparish.org.uk/st-andrews.html for times when the church is open, if you would like to see this picture and the exhibition.

The Blind Jesus (No-one belongs here more than you) exhibition is at St Andrew's Church (11 London Road, Wickford SS12 0AN) from 9 January until Easter. Do come and experience it for yourself. St Andrew’s Church is usually open: Saturdays from 8.30 am to 12.30 pm; Sundays from 9.30 am to 12.00 noon; Mondays from 1.30 to 3.45 pm; Tuesdays from 1.00 to 4.30 pm; and Wednesdays from 10.00 am to 12.00 noon. To arrange a visit with in-person audio description please contact Revd Jonathan Evens on tel: 07803 562329 or email: jonathan.evens@btinternet.com. See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.

The Blind Jesus (No-one belongs here more than you) is an image in charcoal of the Last Supper by Revd Alan Stewart, which includes the central character of a visually impaired Jesus, surrounded by twelve people of differing ages, backgrounds and abilities. At the table, an empty chair invites the viewer to find themselves at the table.

The Blind Jesus (No-one belongs here more than you) has been commissioned by Celia Webster, Co-Founder of Wave (We’re All Valued Equally), as part of a project in which it seeds other images of the Last Supper that are truly for everyone. Schools, churches and community groups are being invited as part of this project to create their own Last Supper images.

The exhibition includes additional Last Supper images created by: (Still) Calling from the Edge conference; WAVE (We are All Valued Equally); St Mary's Catholic Primary School in Muswell Hill; and St Paul's CE Primary School in Barnet.

The photographs of the WAVE Church Last Supper were taken by Maria de Fatima Campos. Pupils in year 1 and 2 at St Paul’s CofE School in Friern Barnet created their work with their amazing art teacher, Dimple Sthalekar. The work shows how we begin as roots and then grow. The leaves of the tree are multi-coloured and moveable to show how we can move into different spaces and communities. St Paul's is a hugely welcoming and inclusive school that welcomes children from all backgrounds and faiths and uses the medium of art to convey this.

St Mary's Catholic Primary School focused their piece on the empty chair included in Alan Stewart’s drawing. Pupils in Years 4 and 5 created ‘Take a Seat,’ a piece which uses the technique of mono-printing to create lots of empty chairs as an invitation for everyone to sit down and join the table. They began the project by talking about the empty chair and what it could mean. They also compared and contrasted it with the commissioned drawing to talk about difference and what forms that can take. Through the process, the children decided that the peace dove would make a good representation of god. The words around the dove invite us to take a seat, to unite us in love and community.

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