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Showing posts with label norton. Show all posts
Showing posts with label norton. Show all posts

Sunday, 17 December 2017

commission4mission's Christmas newslette

commission4mission's e-news for Christmas has recently been sent out. Our thanks to Victoria Norton. Please enjoy looking over our forthcoming exhibitions and past events. In this newsletter we feature Victoria Norton, Clorinda Goodman and Judy Goring.  

We have welcomed several new artists to commission4mission this year, there are more included in this newsletter (Susan Latchford, Dorothy Morris and Lucy Crabtree) and more to come in our next issue.

Our artists have had a busy year exhibiting and making during 2017. Please visit our artists on their websites or in their studios for last minute Christmas gifts, purchasing and commissioning, or just because you are interested in the work they produce.

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Jeff Lynne's ELO - All Over the World.


Saturday, 2 September 2017

Latest commission4mission newsletter

The latest commission4mission e-newshas been published, thanks to Victoria Norton. Our artists have been busy over the summer season and the fruits of their labours are being brought to you through a number of exhibitions during autumn 2017. The newsletter includes news of our Vision exhibition at St Stephen Walbrook together with news of Michael Garaway, John Gentry, Judy Goring, Deborah Harrison, Tim Harrold, Anthony Hodgson, Susan Latchford, David Millidge, and new members Jacek Kulikowski and Adeliza Mole.

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The Staple Singers - Let's Do It Again.

Saturday, 18 February 2017

commission4mission Spring Newsletter

A design for an altar cross for a private chapel by Mark Lewis
Materials – Blue-finished forged steel and gilded brass.

The latest newsletter for commission4mission includes information of exhibitions by Jacqui Parkinson, Tim Harrold, Chris Clack and Victoria Norton, plus profiles of new members Deborah Harrison and Colin Riches as well as information about our forthcoming exhibition at The Hostry in Norwich Cathedral. Click here to read the latest news.

‘The Cross’ – Designs & Reflections at Norwich Cathedral (The Hostry) from 20 April to 29 May 2017 is an exhibition of works, talks and seminars by members of commission4mission. The exhibition is based on personal responses to the cross through designs, concept drawings, digital prints, wood & stone carvings, pottery & jewellery, paintings and drawings.

Exhibition free to attend. Open 9.30am – 4.30pm Monday to Saturday and 10.00am – 3.00pm on Sundays.

The exhibition is preceded at Norwich Cathedral by Jacqui Parkinson‘s ‘Threads through Revelation’ exhibition from 2 March to 16 April 2017. Jacqui spent three years exploring the book of Revelation: this has become a spectacular exhibition consisting of 14 huge panels. Threads through Revelation is now touring major cathedrals all over the UK.

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Saturday, 26 November 2016

commission4mission's latest newsletter

Victoria Norton has edited commission4mission's latest newsletter which includes information about:
To read the Christmas newsletter click here.

commission4mission will be exhibiting in The Hostry at Norwich Cathedral from 17 April to 30 May 2017. The exhibition will be entitled ‘The Cross’ and will include work by members of commission4mission whose backgrounds include silversmithing, ceramics, stained glass, textiles, graphics, sculpture and painting.

Harvey Bradley who is curating the exhibition writes: ‘Years ago I studied Silversmithing at Art College and still remember the exciting designs that we students produced – mostly never seen outside the college. Using the skills and inspiration of commission4mission members, many of whom have graduated from Art Colleges, I see an opportunity to challenge them to work on this simple commission with the prospect of a prestigious exhibition in Norwich to showcase their skills, talents and ingenuity. I feel sure that this would interest and inspire general visitors to the cathedral as well, as those involved in Art and Design. As a Christian organization we recognise that the symbol of the cross is accessible to both peoples of faith and of no declared faith. It may be of interest to include historical and cultural references: Greek, Latin, Jerusalem, Coptic, notions of Crucifix and ‘empty’‘ crosses within the display.’The cross as a Christian symbol offers a wide range of visual interpretations with many potential commentaries attached to its use. I anticipate that we will create an exhibition that will demonstrate a high quality of design and craftsmanship and give personal insights into what the cross means to the artists. There will be finished work, design concepts and background ideas.

We anticipate that this exhibition will include work by: Hayley Bowen, Harvey Bradley, Irina Bradley, Christopher Clack, Jonathan Evens, Terry Ffyffe, Rob Floyd, Maurizio Galia, Michael Garaway, John Gentry, Clorinda Goodman, Tim Harrold, Anthony Hodgson, Jean Lamb, Mark Lewis, David Millidge, Victoria Norton, Colin Riches, Henry Shelton and Peter Webb. In addition, a church congregation project is being promoted for members of St Marks Church, Oulton Broad, to contribute individual crosses for a large banner to be displayed at this exhibition as well as in their church.

Mark Lewis has booked dates for a commission4mission Retreat on Monday 24 – Tuesday 25 April at the Othona Community in Bradwell-on-Sea. commission4mission artists, members and others are encouraged to take part in an informal retreat that will include artwork, walks and conversation. Othona Bradwell is a place of welcome to people from all walks of life and all ages. For some it is a listening ear or a shoulder to lean on; to others a place of spiritual exploration (with plenty of beautiful coastline as inspiration); to some a place of peace and for others a vibrant social mixture. If you would like to join us on retreat please contact Mark Lewis for further details at mlewis342@gmail.com.

John Gentry has been busy making and exhibiting this autumn and winter: At the beginning of November John exhibited with the Gainsborough's House Print Work Shop Members at the 'Minories Gallery'; Colchester School of Art.There are 4 etchings of his currently on show in Lisa Anderson's Wellhouse Gallery Herndon on the Hill, Stanford-le-Hope, Essex and he is still engaged on ideas for the Norwich Cross C4M exhibition at Easter.

Hayley Bowen is exhibiting in a show called ‘Bah Humbug’ with the KAOS Artist’s Group, at Cass Art in Kingston from Friday 25th November until December 8th. This is an affordable art exhibition with Christmas in mind. All works are for sale and can be taken away immediately after purchase, for convenience. Hayley has two pieces in the show: ‘The Spirit Of Christmas’ – a 20x20cm acrylic painting depicting the spirit of Christmas, this friendly skull is letting us know that even if we bring along little else to the day, it’s purely the spirit of Christmas, and it’s message, that is important. She is also exhibiting ‘Relic’, a 30x40cm acrylic painting.

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Saturday, 6 August 2016

Drift Pop-Up Gallery: Mersea Gallery & Studio



Five contemporary artists - Anne Marie Jacobs, Victoria Norton, Gina Newson, Vinnie Stapley and Maxine Jones - have got together to host the Drift Pop-Up Gallery at the Mersea Gallery & Studio from 6th August to 28th August 2016. The work shown explores themes inspired by Mersea’s unique natural environment using a wide variety of mediums, ranging from ceramics to painting.

Anne-Marie Jacobs' current work is inspired by aerial photographs of the extraordinary wilderness of Mersea Island and its surrounding salt-marshes. She says; 'My sculptural ceramics communicate an experience of the landscape, evoking a bodily relationship to it.'

Victoria Norton is a professional artist and art educator showing regionally and nationally, with experience in international commissions and residencies.Themes are broadly spiritual and often connected to the natural environment or human condition. Installation, site-specific and sculptural works are built upon through drawing, printmaking, collage and construction. Work is developed through a variety of medium and is often constructivist in style. Victoria lives and work on Mersea Island, Essex, and brings over thirty years’ experience of making work, exhibiting and teaching to her practice.

After a long career in TV production and Arts Documentaries, Gina Newson returned to painting and, recently, digital printmaking. Her work ranges from large acrylic abstract canvases to smaller prints reworked from her own photography. She has sold to private collectors in the UK and US and last year was commissioned to paint a large abstract work for the lobby of a commercial building in Clerkenwell.

Textile Artist Vinny Stapley’s work focuses on the natural ephemera of the landscape, exploring the unique nuances of the fringes of the Blackwater. Her more recent work has been exploring the tides and tidelines through abstracted stitched form. The repetitive nature of stitch echoes the constant ebb and flow of the sea.

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The Harbour Lights - Another Rainbow.

Friday, 6 May 2016

commission4mission's latest newsletter

commission4mission's latest newsletter features:


Victoria Norton, who compiles the newsletter says:

"Spring has sprung and our artists are busy with shows and commissions in the coming weeks. I hope you will find time to attend and enjoy all c4m has to offer."

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Prince - Holy River.

Tuesday, 25 March 2014

Tony Benn: Prophets vs Priests

The Guardian has published two excellent pieces (here and here) exploring the Christian influences on the life and thought of Tony Benn:

'He stood in a high-minded tradition that went back to Keir Hardie, co-founder of the Labour party, George Lansbury, its leader in the early 1930s, and the historian RH Tawney, its most important intellectual influence in the early 20th century. It went still further back to Victorian figures such as Thomas Hughes, author of Tom Brown's Schooldays, and Charles Kingsley, author of The Water Babies, and even to the Old Testament. "For Benn," David Powell, an early biographer wrote, "the entire socialist venture is rooted in history, a continuum reaching back in time to its biblical roots".'

Giles Fraser writes: 'His big thing was that the Bible was the story of the battle between the kings (and their priestly lackeys) and the prophets – the priests, in his book, being the establishment baddies and the prophets being the social-justice-seeking goodies. And it's not a bad interpretive lens through which to understand a lot of the Biblical action.

For Benn, the priests were the theological justifiers of monarchy. They cemented the conservative relationship between an eternal and unchanging God and a static social order. The prophets, on the other hand, were a total pain in the arse, forever railing against those who thought that the ceremonies of the temple were more important than the purposes for which the temple existed. He was a bit like Amos: "I hate, I despise your religious festivals; your assemblies are a stench to me. Even though you bring me burnt offerings and grain offerings, I will not accept them. Away with the noise of your songs! I will not listen to the music of your harps. But let justice roll on like a river, righteousness like a never-failing stream!"'

Benn's understanding is one that Walter Brueggemann has unpacked in greater depth. For example, Sam Norton highlights Brueggemann writing that: “… in 1 Samuel 8, Samuel is in deep dispute with Israel over the function and nature of public leadership. Israel wants a king, in order to be “like the other nations.” Samuel, here the reliable voice of Yahweh, refuses them a king, on the grounds that human kingship is an act of distrust in Yahweh … This interpretive tradition, suspicious of concentrations of power, anticipates that the centralized government is in principle exploitative, usurpatious, and self-serving. We may say that this recognition is fundamental to a biblical critique of power.”

The people of Israel, in the course of the rest of their history, were going to endure many examples of monarchs who were self-serving and who exploited their position and power for their own ends. What God said, through Samuel, would occur did occur on many occasions in the subsequent history of the people of Israel.

But that is not all that this passage or the Bible, as a whole, says on the subject because God and Samuel, despite their misgivings and predictions, all the people of Israel to have what they want. Why do they do this? In part, because there is another, more positive, strand of thinking in the Bible about monarchs. This is the strand which sees David and, initially, his son Solomon as great Kings under whose reign Israel was at the peak of its prosperity and influence.  

Brueggemann notes that the kind of kingship that we see David and initially Solomon exercise: “had the establishment and maintenance of justice as its primary obligation to Yahweh and to Israelite society. This justice, moreover, is distributive justice, congruent with Israel’s covenantal vision, intending the sharing of goods, power, and access with every member of the community, including the poor, powerless, and marginated.”

This is what Brueggemann thinks the Bible sees as key to any form of public leadership: “The claim made is that power – political, economic, military – cannot survive or give prosperity or security, unless public power is administered according to the requirement of justice, justice being understood as attention to the well-being of all members of the community.”

Brueggemann writes about this in terms of the core testimony and the counter testimony. The core testimony is structure legitimating; that is to say it is about order and control – everything in its rightful place and a rightful place for everything. The counter testimony is pain embracing; that is to say it is about hearing and responding to the pain and suffering which is found in existence. The core testimony is “above the fray” while the counter testimony is “in the fray”.

The wonderful thing, it seems to me, about the Christian scriptures is that this debate and dialogue is resolved in favour of the counter testimony. René Girard writes that, in the Gospels, “God himself, the Word become flesh in Jesus, becomes the victim … The New Testament Gospels are the starting point for a new science or knowledge of humanity. This new knowledge begins with faith in Christ the innocent victim, and it becomes the leaven that will work itself out and expand to the point that the concern for victims becomes the absolute value in all societies molded or affected by the spread of Christianity.”

Similarly, Gerd Theissen writes that in the life, teaching and death of Jesus of Nazareth:

“religion takes an unprecedented turn, and becomes instead an agency of healing for the wounded. In the religion of the prophets, and in the religious commitment for which Jesus lived and died, we see the distillation of faith in a God who is on the side of the downtrodden rather than their oppressors, and who seeks to bring a new, supernatural order of justice and peace out of the natural laws of selection and mutation which spell death for the weak and powerless.”

Finally, Rowan Williams says that:

“All human identity is constructed through conversations, in one way or another. The gospel adds the news that, in order to find the pivot of our identity as human beings, there is one inescapable encounter, one all-important conversation into which we must be drawn. This is not just the encounter with God, in a general sense, but the encounter with God made vulnerable, God confronting the systems and exclusions of the human world within that world – so that, among other things, we can connect the encounter with God to those human encounters where we are challenged to listen to the outsider and the victim.”


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Billy Bragg - Upfield.

Thursday, 16 January 2014

Music at Midnight: the Life and Poetry of George Herbert

Music at Midnight: the Life and Poetry of George Herbert by John Drury is a brilliant biography as this review by Diarmaid MacCulloch makes plain:

'Drury triumphantly delivers the goods, artfully weaving the poetry through the life (little of Herbert’s verse can be pinned to particular dates, which Drury turns to his advantage). He opens with what he rightly calls a masterpiece, “Love III”: “Love bade me welcome; yet my soul drew back”. So much of Herbert is packed into it: a disarmingly domestic scene of a cheerful meal, in which the poet’s sense of unworthiness, doubt and self-loathing is lovingly subverted by a Host – both innkeeper and that which Catholic Christians term the bread of the Eucharist. “So I did sit and eat”: what Reformed Protestant simplicity to cap the verse!' 

'Because he published no English poems during his lifetime, and dating most of them exactly is impossible, writing Herbert's biography is an unusual challenge. In this book John Drury sets the poetry in the whole context of the poet's life and times, so that the reader can understand the frame of mind and kind of society which produced it, and depth can be added to the narrative of Herbert's life. (T.S. Eliot: 'What we can confidently believe is that every poem in the book [The Temple] is in tune to the poet's experience.') His Herbert is not the saintly figure who has come down to us from John Aubrey, but a man torn for much of his life between worldly ambition and the spiritual life shown to us so clearly through his writings. The result is the most satisfying biography of this exceptional English poet yet written.' (Trinity Hall, Cambridge)

Drury is particularly good on Herbert's relationship with John Donne and his influence on poets such as Richard Crashaw and Henry Vaughan. Herbert was himself influenced by Nicholas Ferrar who 'transformed his mercantile family into a religious and educational community, a voluntary society that he hoped would preach to contemporaries by their example. While that hope was at best only partially fulfilled in his lifetime, those who had known him at Little Gidding were able later to form networks that adapted that piety and voluntarism to create societies acceptable within the church. These men led the way to voluntary Anglicanism that characterized a 'Church of England' in transition from a national to an established but essentially voluntary institution.' The memory of the community survived to inspire and influence later undertakings in Christian communal living, and one of T.S. Eliot's Four Quartets also called "Little Gidding."

On his deathbed Herbert sent Ferrar the manuscript of The Temple, telling him to publish the poems if he thought they might "turn to the advantage of any dejected poor soul" and, if not, to burn them. Ferrar decided to publish them and Herbert's poetry has remained in print ever since.   

Malcolm Guite is particularly illuminating on Herbert's poetry in his excellent Faith, Hope and Poetry: Theology and the Poetic Imagination. Also worth reading are his post on Herbert's poems about prayer and his sonnet for George Herbert.

Justin Lewis-Anthony and Sam Norton are provocative and relevant on the George Herbert model of ministry as an overwhelmingly impossible task. Lewis-Anthony suggests in If you meet George Herbert on the road, kill him: Radically Re-Thinking Priestly Ministry that the memory of Herbert celebrated by the Church is an inaccurate one, and, in its inaccuracy, is unfair on Herbert himself and his successors in the ordained ministry.

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Ralph Vaughan Williams - The Call.

Monday, 29 October 2012

New Book: The Secret Chord (2)


My jointly authored book The Secret Chord, an impassioned study of the role of music in cultural life written through the prism of Christian belief, is now available in paperback as well as Kindle. The paperback is being sold directly from Lulu - click here for the link. 

If you're a Kindle user, then the bumper bargain Kindle version at just £1.95 is available by clicking here. If you're not a Kindle user but would like the online version then click here to download free software to run the Kindle version. 

The website for The Secret Chord is also up and running with news, bios, additional links, and room for your comments and views. Click here to access the website and start a conversation about issues raised in The Secret Chord

Click here for initial comments on The Secret Chord and here for a mention of The Secret Chord on the Ritter Records blog. For more news of my fellow author Peter Banks' band, After The Fire, click here.

Special thanks to Sam Norton, Philip Ritchie, Heather Rowe, John Russell, Sean Stillman and Paul Trathen for spreading the word about The Secret Chord.

Rev Dr Hugh Rayment-Pickard, author and co-founder of IntoUniversity says "Secret Chord is well written, full of wisdom, great quotes and illustrations. It's great to read something about art and Christianity that embraces such diverse material."

Carol Biss, Managing Director of Book Guild Publishing, says Secret Chord is an interesting and impassioned study of the role of music in cultural life, written through the prism of Christian belief. Covering a huge range of musical styles and influences, from gospel music to X Factor, Secret Chord conveys a great enthusiasm for music and its transformative powers, which readers are sure to find engaging.”

While a significant number of books have been published exploring the relationships between music, art, popular culture and theology - many of which Peter and I have enjoyed and from which we have benefited - such books tend either to academic analysis or semi biography about artistes whose output the writers' enjoy. By contrast, The Secret Chord is an accessible exploration of artistic dilemmas from a range of different perspectives which seeks to draw the reader into a place of appreciation for what makes a moment in a 'performance' timeless and special.

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After The Fire - I Don't Understand Your Love.

Thursday, 25 October 2012

Retreat reading











I'm just back from my annual cell group retreat (with fellow bloggers Sam Norton and Paul Trathen, among others) which this year took place at the Carmelite Priory at Boars Hill. Here are some of the highlights from my retreat reading which reflect our Carmelite setting:

"Applying the practice of the Übersichtliche Darstellung, then, to our 'mystical investigations', here we observe a process of watching or seeing the 'Form of Life' (Lebensform) through the 'language games' (Sprachspiele) that are employed. Our job is not to make mystical interpretations of certain Weltanschauungen but to present 'everything as it is'. The ontological questions no longer concern us. When Wittgenstein's approach is applied to the spiritual realm, its application is neatly summarized by Drury's remarks concerning The Tractatus:

For me, from the very first, and ever since, and still now, certain sentences from the Tractatus Logico-Philosophicus stuck in my mind like arrows, and have determined the direction of my thinking. They are these:

1. 'Everything that can be put into words can be put clearly'
2. 'Philosophy will signify what cannot be said by presenting clearly what can be said'
3. 'There are, indeed, things which cannot be put into words. They make themselves manifest. They are mystical'.
(Drury 1973:iv)

... Drury ... delineated the relationship between (1) the need to speak clearly - the Übersichtliche Blick of the philosopher, and (2) how this relates to the 'unsayable' and the 'mystical'. By delineating what can be said clearly we also delineate what cannot be said but can be shown. This ... is the role of the philosopher who investigates 'the mystical' ... 

the Wittgensteinian approach advocated here concentrates the mystic 'speech act' in it's overall communicative intent; that is, through showing as well as saying. This leads to the notion ... of the 'performative discourse of mystical speech'."

"... the Wittgensteinian move from Weltanschauungen to Weltbild under the Übersichtliche Darstellung - from mind/body Cartesian dualism to a post-enlightenment suspicion of the Cartesian 'I' - mirrors the strategies of 'mystical discourse'. The mystical strategies ... of unknowing and affectivity ... are held alike by the contemporary post-enlightenment discourse of Wittgenstein and the pre-enlightenment discourse of theologia mystica. That is, with the 'postmodern' critique of Cartesian dualism we return to a 'pre-modern' notion of self. Both discourses share similar strategies and ... for both 'style' is as important as 'content'.

Both Teresa and Wittgenstein ... are in their own ways inviting their readers to move 'out of the head' into embodied practices. This ... is the key 'transformational strategy' of both Ludwig Wittgenstein and the writers of the Christian tradition of theologia mystica:

A religious question is either a 'life question' or (empty) chatter. This language game, we could say, only deals with 'life questions'.
(Wittgenstein BEE 183:202)"

Peter TylerThe Return To The Mystical

"Mysticism is a protean term used to signify a variety of disparate phenomena from the sublime to the trivial, from the effusions of the God-intoxicated saint to the babblings of the hallucinogen-intoxicated addict. It runs the gamut from St Teresa's mansions of the soul to Timothy Leary's neural cocoon ... Although mysticism is a puzzle it should be kept in mind that its often exotic language and the bizarre phenomenon associated with it hinge on a single point: If God exists - and the consensus of the Mystics of the Book (that is, the followers of Judaism, Christianity, Islam) believe that He does - then God is the ultimate goal of human life. Moreover, He is a goal which humankind cannot attain by its efforts alone. Divine aid is necessary. The conviction that the beatific vision is grounded on God, the lumen gloriae of the theologians, delivered Christianity from becoming no more than another priggish intellectual sect or esoteric mystery religion ... It can be said that the mystic claims to be able to penetrate the carapace of the external world, view the beauty within, and ascend to its source, the "all-beautiful One" of St Augustine. That the mystic is directed towards this vision is often lost in the horrifying penances and bizarre exotica that glut their accounts." R. A. Herrera, Silent Music: The Life, Work, and Thought of St John of the Cross  

“I would still argue that everyone, no matter how confused or ill-situated in life, can have at least modest mystical experiences. They may be as simple as the beautiful stillness that settles at the sight of a sunset or a brief period of wonder at the birth of a child. Mysticism doesn’t have to be a life profession. Further, I think that much of our depression, anxiety, and addiction has to do with what John writes about: the soul’s need and longing for transcendence. This need is instinctual and unavoidable.” Thomas Moore, Foreword to M. Starr trans., St John of the Cross: Dark Night of the Soul

“God stripped Job naked and left him on a dunghill, vulnerable and persecuted by his friends. The ground was teeming with worms. Job was filled with anguish and bitterness. This was exactly when God Most High, he who lifts the poor man from the dunghill, was pleased to come down and speak with him face-to-face. This is when God revealed to Job the depths and heights of his wisdom, which he had never done in the time of Job’s prosperity.” St John of the CrossDark Night of the Soul

"Men invent means and methods of coming at God's love, they learn rules and set up devices to remind them of that love, and it seems like a world of trouble to bring oneself into the consciousness of God's presence. Yet it might be so simple. Is it not quicker and easier just to do our common business wholly for the love of him?" 

 "Nor is it needful that we should have great things to do. . . We can do little things for God; I turn the cake that is frying on the pan for love of him, and that done, if there is nothing else to call me, I prostrate myself in worship before him, who has given me grace to work; afterwards I rise happier than a king. It is enough for me to pick up but a straw from the ground for the love of God." 

"The time of business does not with me differ from the time of prayer; and in the noise and clatter of my kitchen, while several persons are at the same time calling for different things, I possess God in as great tranquility as if I were upon my knees at the blessed sacrament." 

Brother LawrencePractising the Presence of God 

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Steve Bell - Kindness.

Sunday, 10 June 2012

The litmus test for public leadership

Less than a week on from the Diamond Jubilee weekend, where we thanked God for the 60 years of our Queen’s reign, and the lectionary has us reading 1 Samuel 8 where God says, through Samuel, that in wanting to be ruled over by a King, the people of Israel were rejecting him and his rule over them. Did those who compiled the lectionary deliberately select this reading for the Sunday after the Diamond Jubilee weekend as a corrective to our celebrations and is this passage the definitive word on monarchy to be found in the Bible?

I don’t know the answer to the first of those questions, having no idea what goes through the minds of those who compile the lectionary year on year but the second question is well worth exploring more closely before looking at 1 Samuel 8 itself more closely.
The first thing to say is that, as Sam Norton (the Rector of Mersea) put it recently on his blog: “One of the most important things to understand about the Bible is that it is a library of Holy Scripture – that is, there are many different voices within the Bible (even within particular books of the Bible) – and this is of God. That is, it is in recognising both what different books have in common, and where they disagree, that an individual Christian is enabled to come to a mature understanding of the text.”
On some subjects, like the value or otherwise of monarchies, the Bible has a huge amount of comment (but often without there necessarily being any clear agreement on the subject), while on other subjects, like that of same sex relationships, the Bible has hardly anything to say. It is interesting to note that the issues on which the Bible has lots to say are often issues that we don’t view as controversial, while issues on which the Bible has little or nothing to say can sometimes assume huge importance in the life of the Church.
This is one illustration of the fact that we often assume we know what the Bible says when actually we haven’t really got to grips with what it says at all. Our Gospel reading (Mark 3. 20 - 35) is a case in point. Many Christians assume that the Bible supports what we now call ‘family values’ but, as our Gospel reading shows, the Bible often asks deep and searching questions of what it is that we value about family life. Because the Bible often does not actually say what we seem to want it to say and doesn’t always take a simple or consistent line on particular issues, it seems that we can actively shy away from wrestling with the challenges or complexities that it poses in favour of something simpler and more comforting.
So, having set all those hares running, as we come back to 1 Samuel 8 we need to come with an openness to hear what the Bible is actually saying to us, which on this occasion also means being open to the possibility that our celebrations of monarchy last weekend were entirely wrong.
A good guide, who I commend (because he takes the complexities of reading the Bible into account), when reading the Old Testament generally is a Bible scholar called Walter Brueggemann. Brueggemann writes that: “… in 1 Samuel 8, Samuel is in deep dispute with Israel over the function and nature of public leadership. Israel wants a king, in order to be “like the other nations.” Samuel, here the reliable voice of Yahweh, refuses them a king, on the grounds that human kingship is an act of distrust in Yahweh … This interpretive tradition, suspicious of concentrations of power, anticipates that the centralized government is in principle exploitative, usurpatious, and self-serving. We may say that this recognition is fundamental to a biblical critique of power.”
The people of Israel, in the course of the rest of their history, were going to endure many examples of monarchs who were self-serving and who exploited their position and power for their own ends. What God said, through Samuel, would occur did occur on many occasions in the subsequent history of the people of Israel.

But that is not all that this passage or the Bible, as a whole, says on the subject because God and Samuel, despite their misgivings and predictions, all the people of Israel to have what they want. Why do they do this? In part, because there is another, more positive, strand of thinking in the Bible about monarchs. This is the strand which sees David and, initially, his son Solomon as great Kings under whose reign Israel was at the peak of its prosperity and influence.  
Brueggemann notes that the kind of kingship that we see David and initially Solomon exercise: “had the establishment and maintenance of justice as its primary obligation to Yahweh and to Israelite society. This justice, moreover, is distributive justice, congruent with Israel’s covenantal vision, intending the sharing of goods, power, and access with every member of the community, including the poor, powerless, and marginated.”
This is what Brueggemann thinks the Bible sees as key to any form of public leadership: “The claim made is that power – political, economic, military – cannot survive or give prosperity or security, unless public power is administered according to the requirement of justice, justice being understood as attention to the well-being of all members of the community.”
This, then, is the litmus test which, as those seeking to be faithful to what the Bible actually says about monarchy and all forms of public leadership, we should be applying to all those who have power and authority over us in some fashion – monarch, prime minister, cabinet, government, and local authority councillors and officials. The questions we should be putting to them and using to assess their value and legitimacy are questions of justice, particularly for those who are the poorest and least powerful.
It is interesting then to note that this is the very test that the Archbishop of Canterbury used in his sermon at St Paul’s Cathedral last Tuesday. In that sermon, he criticised “the traps of ludicrous financial greed, of environmental recklessness, of collective fear of strangers and collective contempt for the unsuccessful and marginal” and said that what will save us from those traps is a vision of dedicated service to others. One important aspect of discovering that vision is to have “stories and examples available to show it’s possible.” One of those stories over the past six decades, he said, has been that of the Queen who “has shown a quality of joy in the happiness of others” and who “has responded with just the generosity St Paul speaks of in showing honour to countless local communities and individuals of every background and class and race.”
He was saying that the Queen passes the litmus test set within the Bible for those in public leadership but at the same time making it clear, as the Bible also does, that those who lead us into “the traps of ludicrous financial greed, of environmental recklessness, of collective fear of strangers and collective contempt for the unsuccessful and marginal” are not worthy of the office which they hold.
As we follow the story of the monarchy through in Israel’s history, we see this worked out in practice. Brueggemann writes that: “… the royal system was not finally effective in sustaining Israel … at the centre of Israel’s self-awareness is the debacle of 587 B.C.E., when king, temple, and city all failed.”
What happens next is fascinating and central to the development of Christianity: “The dynastic promise … was turned to the future, so that Israel expected the good, faithful, effective king to come, even though all present and known incumbents had failed. Out of concrete political practice arose an expectation of the coming of messiah: a historical agent to be anointed, commissioned, and empowered out of the Davidic house to do the Davidic thing in time to come, to establish Yahweh’s justice and righteousness in the earth.”  
As Christians, we believe that Messiah to have already come in the person of Jesus of Nazareth and that through his life, death and resurrection the establishment of God’s justice and righteousness on earth, as in heaven, has begun to be established and is now awaiting his second coming for its full completion. This brings us back to the place where we began, the centralizing of power in the hands of one human being is always likely to lead to that power being used in ways that are self-serving and exploitative. It is only we acknowledge God as the ultimate and just ruler of all that our lives and society are placed in their proper perspective.
As we await that day, we can both hold our rulers to account on the Biblical basis of the issue of justice for all and, as the Archbishop emphasised in his Diamond Jubilee sermon, seek “the rebirth of an energetic, generous spirit of dedication to the common good and the public service, the rebirth of the recognition that we live less than human lives if we think just of our own individual good.”  

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Madness - Our House.

Friday, 11 May 2012

Many different voices

Sam Norton has written an excellent post on approaches to reading and understanding the Bible. His starting point is that:
"One of the most important things to understand about the Bible is that it is a library of Holy Scripture – that is, there are many different voices within the Bible (even within particular books of the Bible) – and this is of God. That is, it is in recognising both what different books have in common, and where they disagree, that an individual Christian is enabled to come to a mature understanding of the text."

He sets out why the Bible can't be assumed to have one single unequivocal thing to say about a topic and explains historically how the idea that it does appeared within Christianity. With astute illustrations of the issues he raises, this is an excellent post which lays the ground for some examination of particular  texts in future.

See here, here, here, here, here, here, here and here for my take on this in a series of posts entitled Divine dialogues.

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Iona ~ Edge of the World.

Thursday, 10 May 2012

Self-sacrifice and distinctive Christianity

I’ve read Andrei Tarkovsky’s Sculpting in Time immediately after Sam Norton’s Let us be human and have been fascinated to find that both have been addressing the same issue; that only by becoming more distinctively Christian can we engage constructively with the crises of our times.

For Tarkovsky, writing in the 1980s, the crisis is that of competing ideologies where the “assertion of class or group interests, accompanied by the invocation of the good of humanity and the ‘general welfare’, result in flagrant violations of the rights of the individual, who is fatally estranged from society.” The individual either “becomes the instrument of other people’s ideas and ambitions” or else becomes “a boss who shapes and uses other people’s energies with no regard for the rights of the individual.” He argues that “the laws of a materialistic worldview” are that “selfish interests ... make up a ‘normal’ rationale for action.” Modern man, he suggests, “is not prepared to deny himself and his interests for the sake of other people or in the name of what is Creator.” As a result, “many of the misfortunes besetting humanity are the result of our having become unforgivably, culpably, hopelessly materialistic.”  This is particularly dangerous because “we seem to have a fatal incapacity for mastering our material achievements in order to use them for our own good” and “have created a civilization which threatens to annihilate mankind.”
For Norton, the contemporary presenting issue is that of peak oil; limits or a peak to the volume of fossil fuels which can be produced leading to a decline in production. Because our “contemporary way of life in the affluent West is built around the easy availability of cheap liquid fuel,” peak oil inevitably means significant change and challenge for our culture. However, it also exposes an underlying predicament, “that exponential growth cannot continue within a finite environment.” Exponential growth – “the continued doubling of a quantity over time” – has been worshipped as an idol within Western society because such growth in water use, food production, steel production, and our economies generally “has led to great abundance in the rich countries, and a much higher quality of life for those who live in industrialised countries.” Our “way of life has been built around the maintenance of exponential growth – and as that way of life crashes into ecological limits, so too will that way of life.” Norton writes that for this way of life to come to an end will be a blessing, because “our present way of life is a terrible, terrible pestilence on creation.”
So, the presenting issues which they address differ but the underlying issue or predicament which they identify is broadly similar. Both also criticise the place that science has come to assume within our society.
Norton argues that the “origin of our frenetically anti-phronetic society” – phronesis is practical judgement - “lies in the political assertion of science at the expense of Christianity.” This has taken two forms; first, “to say that scientific truth is the only truth” and second, that what we gain from processes of scientific investigation is more important than anything else. To make these two assertions downplays “the knowledge and awareness that can come through understanding poetry or art or great fables and stories” and also the passing on of wisdom which “is conducted through the rites and practices of religious faith, the telling of stories and sharing of rituals that embody and express a particular way of viewing the world and asserting a particular pattern of value.”   
Tarkovsky uses a more poetic and ambiguous image to again say something broadly similar:
“Seeing ourselves as protagonists of science, and in order to make our scientific objectivity the more convincing, we have split the one, indivisible human process down the middle, thereby revealing a solitary, but clearly visible, spring, which we declare to be the prime cause of everything, and use it not only to explain the mistakes of the past but also to draw up our blueprint for the future.”
Tarkovsky argues that “the individual today stands at a crossroads, faced with the choice of whether to pursue the existence of a blind consumer, subject to the implacable march of new technology and the endless multiplication of material goods, or to seek out a way that will lead to spiritual responsibility, a way that ultimately might mean not only his personal salvation but also the saving of society at large; in other words, to turn to God.”
Similarly, Norton, after saying that our “way of living – the western way of life, with its excess consumerism and mindless destruction of creation – this way of life destroys life,” then writes that the “vision of Christian life, of full humanity, is that there is a way of life shown to us by Christ which allows us to be all that God intends us to be.”
Their different vocations – of film-maker and priest – then lead them to develop slightly different emphases in the working out of the way that leads to wisdom and spiritual responsibility.
The key for Tarkovsky is to rediscover “the Christian sense of self-sacrifice,” “the Christian ideal of love of neighbour”:
“Concerned for the interests of the many, nobody thought of his own in the sense preached by Christ: ‘Love your neighbour as yourself.’ That is, love yourself so much that you respect in yourself the supra-personal, divine principle, which forbids you to pursue your acquisitive, selfish interests and tells you to give yourself, without reasoning or talking about it; to love others. This requires a true sense of your own dignity: an acceptance of the objective value and significance of the ‘I’ at the centre of your life on earth, as it grows in spiritual stature, advancing towards the perfection in which there can be no egocentricity.”
Tarkovsky’s can be seen as a slightly individualistic conception of the spiritual way. It is one which sees little value in the contemporary Church:
“Not even the Church can quench man’s thirst for the Absolute, for unfortunately it exists as a kind of appendage, copying or even caricaturing the social institutions by which our everyday life is organised. Certainly in today’s world which leans so heavily towards the material and the technological, the Church shows no sign of being able to redress the balance with a call to spiritual awakening.”
Tarkovsky’s alternative to the Church is art:
“In this situation it seems to me that art is called to express the absolute freedom of man’s spiritual potential. I think that art was always man’s weapon against the material things which threatened to devour his spirit. It is no accident that in the course of nearly two thousand years of Christianity, art developed for a very long time i the context of religious ideas and goals. Its very existence kept alive in discordant humanity the idea of harmony.
Art embodied an ideal; it was an example of perfect balance between moral and material principles, a demonstration of the fact that such a balance is not a myth existing oly in the realm of ideology, but something which can be realised within the dimensions of the phenomenal world. Art expressed man’s need of harmony and his readiness to do battle with himself, within his own personality, for the sake of achieving the equilibrium for which he longed ...
Art affirms all that is best in man – hope, faith, love, beauty, prayer ... What he dreams of and what he hopes for ...
In a sense art is an image of the completed process, of the culmination; an imitation of the possession of absolute truth (albeit only in the form of an image) obviating the long – perhaps, indeed endless – path of history ...
Finally, I would enjoin the reader – confiding in him utterly – to believe that the one thing that mankind has ever created in a spirit of self-surrender is the artistic image. Perhaps the meaning of all human activity lies in artistic consciousness, in the pointless and selfless creative act? Perhaps our capacity to create is evidence that we ourselves were created in the image and likeness of God.”
Norton, by contrast, sees a much more significant role for the Church:
“The heart of what the Church is about is worship, because worship is where we learn to be different. Worship is the primary means of making disciples. This is why worship and getting worship right is so important, because worship is where we come into the presence of God formatively, and we are formed differently. We hear the word, we share the sacrament and that changes us ... Spiritually, this is the answer to the predicament which our civilisation faces. This is where we learn the wisdom that is the antidote to the poisonous asophism which afflicts our culture. The Church Fathers said ‘The Eucharist makes the Church’. I want to add ‘The Eucharist heals the world’.”
This focus though does not in any sense mean that he thinks that the church has perfectly fulfilled this role. Instead he writes:
“For all the things that are going wrong in our world the church must confess its own responsibility. It is because the people who have custody of the knowledge of God and whose duty it is to teach that knowledge of God have failed in their task that our civilisation has come to be in the predicament we now have to endure.”
Tarkovsky might well agree. While the Church, not the Arts, are Norton’s main focus, we have already noted his valuing of the Arts. He also writes that “the common recognition that science has too important a place in our cultural life has only been able to be voiced at the margins of society, amongst poets and playwright – those whose scientific credibility is not strong.”
He calls us to “get on with the task of building our cathedrals of justice, forgiveness and kindness in our communities, and walking humbly alongside the Lord, who is with us, letting Him teach us what it means to be human”:
“All of which is saying that the practice, the actual living out of Christian faith comes before the proclamation. The living out of the faith is foundational because that is what gives the words their weight. The practice is something which changes us on the inside and radiates out into our wider lives.”
It would seem possible that Tarkovsky had not encountered a contemporary church practising the faith in the way Norton describes and it would be interesting to know whether such an encounter would have changed his view of the Church. His injunction to “love yourself so much that you respect in yourself the supra-personal, divine principle, which forbids you to pursue your acquisitive, selfish interests and tells you to give yourself, without reasoning or talking about it; to love others” is  a focus on “the practice, the actual living out of Christian faith” about which Norton writes.      
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Olga Sergeeva - Kumushki.

Sunday, 11 March 2012

Leonard Cohen: Going Home

Sam Norton has a helpful reflection on the problem of suffering based on songs from Leonard Cohen's Old Ideas. My series of posts on the Suffering God here, here and here seem to cover similar ground.
The song from Old Ideas that I've been musing over is 'Going Home':

"I love to speak with Leonard
He’s a sportsman and a shepherd
He’s a lazy bastard
Living in a suit"

This opening verse sets up the ambiguity inherent in the song, as Leonard is singing about speaking with Leonard.

Just who is the first person character in the song? One suggestion from some reviews has been a manager-type figure. It is also possible that the character speaking in the song is intended to be God, who might command the kind of obedience attributed to Cohen within the song. That would also seem to fit with 'Show Me The Place' where the singer of the song speaks of himself as the slave being told where to go. Where he is to go seems to be to do with incarnation ("Where the Word became a man") and resurrection ("Help me roll away the stone") and therefore it would seem that he is characterising himself as the slave of God.

In 'Show Me The Place' this slavery seems to be accepted but in 'Going Home' it seems more ambiguous and more sinister:

"But he does say what I tell him
Even though it isn’t welcome
He just doesn’t have the freedom
To refuse"

As an alternative, I want to suggest that Leonard the man is speaking to Leonard the persona. All performers seem to need to create a stage persona that is in some way separate from the reality of who the person actually is. On this basis, the song is to do with the experience of leaving the stage in order to experience reality - "Going home / Behind the curtain / Going home / Without the costume / That I wore."

It seems to me that this is a good fit with Cohen's experience of spending five years in a Buddhist retreat only to return to performing when his retirement savings were plundered by his personal manager. Not that 'Going Home' is a confessional song. It's ambiguities mean that it can be read on several different levels but this reading makes sense of both it's central premise - Leonard talking to Leonard - and the stage-related imagery of the song's chorus.

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Leonard Cohen - Going Home.  

Thursday, 2 February 2012

Constructive Christian engagement with the collapse of our culture

Sam Norton, who blogs at Elizaphanian, has published Let Us Be Human, a book which brings together his thinking on many of the topics on which he has blogged and taught extensively over the past few years: 

"We live in a time of escalating crises and environmental disasters – how should the church understand them, and how should the church respond to them? In this short, readable and punchy book, Sam Charles Norton argues that the fundamental problem of our time is a spiritual one – that we have forgotten what it means to be wise – and that the path for the faithful through this time of crisis is to re-establish the priority of worship. Only by becoming more distinctively Christian can we engage constructively with the collapse of our culture."

I've appreciated Sam's take on these issues greatly in recent years, including taking a group from St John's Seven Kings to Mersea Island to hear from him, and am looking forward to reading Let Us Be Human as a result.

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Thea Gilmore - Bad Moon Rising.

Wednesday, 21 September 2011

Expanded conversation about Dale Farm

Having moved into his new role of Diocesan Advisor for Faith in the Public Square, Paul Trathen has resumed blogging and has, as a result of earlier ministry and his chairing of the Basildon Forum of Faiths, had the opportunity to offer support to those under threat of eviction from Dale Farm. His posts on the current situation and the underlying issues can be read and should be read by clicking here. Also well worth reading in this context is Sam Norton's 'Joking about the end of the world' article.

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The Clash - Should I Stay Or Should I Go?