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Showing posts with label vision. Show all posts
Showing posts with label vision. Show all posts

Sunday, 11 May 2025

Hope: The light of the promised future that is to come

Here's the reflection that I shared during Reflective Evening Prayer this evening at St Mary's Runwell
The readings were Lamentations 3:19-33 and 'Hope' is the thing with feathers by Emily Dickinson.

Disasters are frequent occurrences, “some natural, many more due to man’s ham-fisted neglect of the planet or our inability to get by without recourse to violence.” “The result is always the need for a new start, and how we respond and rebuild colours an uncertain future more than ever. Yet, for all the carnage and chaos that catastrophes bring, an odd truth is apparent: disasters do give us the chance to shape things differently.”

As a result, as Terry Eagleton writes in Hope without Optimism, “the most authentic hope is whatever can be salvaged, stripped of guarantees from a general dissolution.” It is whatever survives a general ruin. This is where we find the writer of Lamentations; bowed down with the reality of exile, yet trusting that it is in the nature of God to bring a new beginning from this disastrous affliction which is “wormwood and gall” to him. Similarly, Emily Dickinson claims that, hope is heard most sweetly in the Gale, “the chillest land” and “on the strangest Sea”.

Hope, Eagleton writes, “is to be found in the unfinished nature of the actual, discernible as a hollow at its heart.” “Potentiality is what articulates the present with the future, and thus lays down the material infrastructure of hope.” Hope is about a vision for a future that is different from the present; one which therefore requires imagination and vision. For Christians that vision is of the kingdom of God; which has begun to be realised but is still to come in its full reality.

As a result, in Theology of Hope Jürgen Moltmann argues that “Those who hope in Christ can no longer put up with reality as it is, but begin to suffer under it, to contradict it. Peace with God means conflict with the world, for the goad of the promised future stabs inexorably into the flesh of every unfulfilled present. If we had before our eyes only what we see, then we should cheerfully or reluctantly reconcile ourselves with things as they happen to be. That we do not reconcile ourselves, that there is no pleasant harmony between us and reality, is due to our unquenchable hope. This hope keeps man unreconciled, until the great day of the fulfilment of all the promises of God.

The Church, then, is intended to be “the source of continual new impulses towards the realization of righteousness, freedom and humanity here in the light of the promised future that is to come.” Our hope should “provide inexhaustible resources for the creative, inventive imagination of love.” It should constantly provoke and produce thinking of an anticipatory kind in love to humanity and the world, “in order to give shape to the newly dawning possibilities in the light of the promised future, in order as far as possible to create here the best that is possible, because what is promised is within the bounds of possibility.” “Thus it will constantly arouse the ‘passion for the possible’, inventiveness and elasticity in self-transformation, in breaking with the old and coming to terms with the new.” The Christian hope should always have “a revolutionary effect in this sense on the intellectual history of the society affected by it.”

“Wherever that happens, Christianity embraces its true nature and becomes a witness of the future of Christ.”

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Van Morrison - These Are The Days.

Thursday, 17 April 2025

Church Times - Book review: Messianic Commons: Images of the Messiah after Modernity by David Benjamin Blower

My latest book review for Church Times is on Messianic Commons: Images of the Messiah after Modernity by David Benjamin Blower:

"This book, which explores ideas of a reconciliatory and open messianic vision as opposed to a divisive and hierarchical vision, is ... particularly timely and prophetic, in a potentially terrifying age when nations increasingly seem to be embracing the spirit of the Antichrist rather than that of the coming Messiah."

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.

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David Benjamin Blower - The Soil.

Monday, 3 June 2024

Vision-crafting and team-building





















We enjoyed a PCC Away Day on Saturday at St Mary Magdalene Great Burstead, which included a lunchtime tour of the church. Revd Sue led us in Morning Prayer and a Wellbeing exercise and Revd Steve celebrated at the closing Eucharist.
 
In between, we were led in vision crafting and team building exercises by Sarah Rogers, one of three mission consultants available to parishes in the Basildon Deanery through Mission Opportunities Funding from the Diocese of Chelmsford. Sarah helped us think about our vision and values based on our current mission and ministry activities and helped us identify challenges and opportunities whilst identifying key initiatives and those requiring additional resource. All in all, a very productive and enjoyable day.

Our thanks to everyone who took part and to St Mary's Great Burstead for hosting us.

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The Moody Blues - Minstrel's Song. 

Friday, 27 October 2023

Seen&Unseen: Corinne Bailey Rae’s energised and anguished creative journey

My second article for Seen&Unseen has just been published. In it, I explore inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith: 

"Black Rainbows represents a significant development in Bailey Rae's music and career. By turns angry and reflective, noisy and still, celebratory and keening, original and grounded, the album broadens her musical palette considerably through a marvellous melange of electronica, jazz and punk meshed with soul and R&B. The album ranges from righteous railing against the casual erasure of Black lives and memories to a vision of a world in which we dig our gardens and live, find work and time to dance, in a new utopia."

For more on Theaster Gates, a key inspiration for Black Rainbows, click here. For my reviews of exhibitions that explore similar themes click here, here, and here

My first article for Seen&Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.

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Corinne Bailey Rae - A Spell, A Prayer.

Monday, 11 April 2022

Artlyst: Raphael The Human And Divine – National Gallery

My latest review for Artlyst is of Raphael at the National Gallery:

'... by focusing on the range of his work and commitments, this exhibition provides us with a much fuller and deeper picture of the artist and person Raphael was; one who is a Renaissance man alongside Leonardo and Michelangelo and one whose qualities were such that, on his death, he was compared to Christ. Shaped as we all are – however isolated and individual, we might become – by our relationships with others, it was his experience of friendship and humanity that, combined with his natural talent, enabled him to create a vision of all that humanity could become.

While being predominantly a vision of harmony, serenity, and beauty, meaning that the critique of Ruskin cannot simply be dismissed, sufficient of the energy and emotion which is found more readily in the drawings seeps into his paintings to ensure they combine execution and thought; beauty and veracity. In this way, he captures in his art, the human and the divine, love, friendship, learning, and power. This year in Holy Week and Eastertide, given the degree of turmoil, conflict and anxiety to be found within our world, we could do far worse than to immerse ourselves in Raphael’s vision of all we can potentially become, and be inspired.'

My other pieces for Artlyst are:

Interviews -

Articles -
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Bob Chilcott - Christ, My Beloved.

Sunday, 14 April 2019

Artlyst - Visionary Cities: Michael Takeo Magruder – British Library

My latest review for Artlyst is of Michael Takeo Magruder's Imaginary Cities at the British Library:

'Magruder translates his source material – which are precious entities in their own right – into either digitally immersive or physically tangible artefacts that re-present their source in alternative forms. These enthrall and convince in and of themselves, while also enhancing our appreciation for the source itself. To do so requires the paying of attention both to the source map and to the properties of the form in which the re-presentation occurs. The creation of these installations is, therefore, a labour of love.'

My other Artlyst articles and interviews are:
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Bill Fay - City Of Dreams.

Thursday, 22 November 2018

In the heavenly throne room

Here is my reflection from yesterday's Eucharist at St Martin-in-the-Fields (based on material found here):

The Book of Revelation was written as the Early Church was beginning to experience persecution. Dr. Dennis E. Johnson notes that the ‘historical setting of the book of Revelation is that it is addressed to seven churches in the Roman province of Asia, which is on the west coast of what is now Turkey … It's a period where there is some violent persecution of the church by Roman governmental officials in some places in the empire — not consistent yet. There are also other types of violence, lawless violence, against Christians as well … a variety of churches facing a variety of challenges to their faith — some obvious, overt violence, some far more subtle.’ In Revelation the challenges faced by the Early Church are examined through apocalyptic imagery of a struggle between forces of good and evil, with the assurance given that Christ has won the victory and, therefore, his followers should persevere in the face of persecution.

Chapter 4 is where the story really starts. This is where John is given the ‘revelation’ that gives the book its title. Everything from this point on is part of the vision which is granted to him as he stands there in the heavenly throne room.’ Tom Wright suggests that ‘What we are witnessing in [chapter 4] … is not the final stage in God’s purposes. This is not a vision of the ultimate ‘heaven’, seen as the final resting place of God’s people. It is, rather, the admission of John into ‘heaven’ as it is at the moment. The scene in the heavenly throne room is the present reality; the vision John is given while he is there is a multiple vision of ‘what must take place after these things’ – not ‘the end of the world’ as such, but those terrible events which were going to engulf the world and cause all the suffering for God’s people about which the seven churches have just been so thoroughly warned.’

‘John is summoned into the throne room because, like some of the ancient Israelite prophets, he is privileged to stand in God’s council chamber and hear what is going on in order then to report it to his people back on earth ... The rainbow (verse 3) … takes us back to the story of Noah in Genesis 9, where the great bow in the sky was God’s visible promise of mercy, never again to destroy the earth with a flood.’ The 24 Elders may symbolise the 12 Tribes of Israel combined with the 12 Apostles; Christianity and Judaism linked together in God’s ultimate plan and purposes. The four living creatures have come to be associated with the Gospels and the Gospel writers, but are symbolic of the all-seeing nature of God. Finally, God is worshipped for his holiness, eternal nature, and creativity. In the following chapters we are introduced to Jesus as lion and lamb and then see that conflict ensues with the powers of evil until finally we reach the New Jerusalem in which heaven and earth are joined fully and forever.

The big theme of Revelation, as has been said, is that Jesus is Lord, and he has won, is winning, and will win. With that in mind, Wright says, ‘I have spoken of this scene so far in terms of God’s throne in heaven, and John’s appearing before it like an Old Testament prophet. But the idea of a throne room, with someone sitting on the throne surrounded by senior counsellors, would instantly remind John’s readers of a very different court: that of Caesar. We have already heard hints of the power struggle (the kingdom of God against the kingdoms of the world) in the opening three chapters. Now, by strong implication, we are being invited to see that the powers of the world are simply parodies, cheap imitation copies, of the one Power who really and truly rules in heaven and on earth.’

‘As John’s great vision unfolds, we … see how it is that these human kingdoms have acquired their wicked, cruel power, and how it is that God’s radically different sort of power will win the victory over them. This is the victory in which the seven letters were urging the churches to claim their share. We now discover how that victory comes about. It begins with the unveiling of reality. Behind the complex and messy confusions of church life in ancient Turkey; behind the challenges of the fake synagogues and the threatening rulers; behind the ambiguous struggles and difficulties of ordinary Christians – there stands the heavenly throne room in which the world’s creator and lord remains sovereign. Only by stopping on our tracks and contemplating this vision can we begin to glimpse the reality which not only makes sense of our own realities but enables us, too, to win the victory’.

That is the purpose of this book and John’s vision. In a world of turmoil and in times of persecution, we are called to stand firm and to hold on to the faith because Christ has won the victory. He calls us to live in the light of that victory and know it in our own lives even, or especially, in times of trouble.

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Leonard Cohen - The Future.

Monday, 4 September 2017

Vision: exhibition launch reception











A reception to launch commission4mission's Vision exhibition was held tonight at St Stephen Walbrook.

During this reception commission4mission Associate member, Wendy McTernan, gave a talk entitled ‘Interpretations of the Cross in Contemporary Art & Culture’ and exploring images by Damien Hirst, Sarah Lucas and Andre Serrano, among others.

In today’s secular society, it is perhaps surprising that artists still find themselves drawn to the Christian cross as a means of expression. The cross has never been an event about which one can remain neutral; from the start it was an offence. Contemporary artists’ interpretations have taken many forms.

Wendy looked at some examples and shared how, in unexpected and sometimes shocking ways, Jesus’ story becomes part of theirs – and ours. commission4mission’s AGM was also be held at earlier in the day.

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Jeff Buckley - We All Fall In Love Sometimes.

Saturday, 2 September 2017

Latest commission4mission newsletter

The latest commission4mission e-newshas been published, thanks to Victoria Norton. Our artists have been busy over the summer season and the fruits of their labours are being brought to you through a number of exhibitions during autumn 2017. The newsletter includes news of our Vision exhibition at St Stephen Walbrook together with news of Michael Garaway, John Gentry, Judy Goring, Deborah Harrison, Tim Harrold, Anthony Hodgson, Susan Latchford, David Millidge, and new members Jacek Kulikowski and Adeliza Mole.

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The Staple Singers - Let's Do It Again.

Sunday, 27 August 2017

commission4mission's Vision exhibition & reception






Vision is an exhibition of artworks by members of commission4mission which will be held at St Stephen Walbrook (39 Walbrook, London EC4N 8BN) from Monday 4 to Friday 15 September 2017, Weekdays 10.00am – 4.00pm (Weds 11.00am – 3.00pm).

A group exhibition by commission4mission, Vision is intended as a broad theme open to wide interpretation, but will explore sight, visions and revelations. Artists taking part will showcase their individual engagements with the theme. The exhibition will feature assemblage, ceramics, collage, digital prints, etchings, film, icons, installations, paintings, photography, poetry and sculpture.

The exhibition will include work by 27 commission4mission artists including Ally Ashworth, Hayley Bowen, Harvey Bradley, Irina Bradley, Christopher Clack, maryjean donaghey, Jonathan Evens, Terence Ffyffe, Rob Floyd, Maurizio Galia (Italy), Michael Garaway, John Gentry, Clorinda Goodman, Judy Goring, Laura Grenci (Italy), Barbara Harris, Deborah Harrison, Tim Harrold, David Hawkins, Jacek Kulikowski, Mark Lewis, Adeliza Mole, Colin Riches, Janet Roberts, Henry Shelton, Monica Thornton and Peter Webb.

Former Bishop of Barking David Hawkins, commission4mission’s Patron, contributes Adam and Eve (after Masacio’s ‘Adam and Eve Expelled from the Garden of Eden’ 15th century), 35” x 15”, photograph and acrylic.

David writes: “During a woodland walk, in a moment, I saw standing before me Adam and Eve – shortly before they were expelled from the Garden of Eden. The serpent was there, as was the Tree of Good and Evil, the Tree of Calvary and the Tree of Life. The ivy, like evil, entwined the couple as they in turn clung to the tree.

The relationship of English Ivy (Hedera helix) to a tree has similarities to the behaviour of evil towards human life. Its habit is to attach itself to anything that stands, with the help of suction-like roots called ‘hold fasts’. Although it does not kill the tree, it competes for nutrients, water and sunlight, and so it may weaken the tree making it more prone to disease and branch dieback.”

A reception to launch the exhibition will be held on Monday 4 September from 6.30pm. During this reception commission4mission Associate member, Wendy McTernan, will give a talk entitled ‘Interpretations of the Cross in Contemporary Art & Culture’. In today’s secular society, it is perhaps surprising that artists still find themselves drawn to the Christian cross as a means of expression. The cross has never been an event about which one can remain neutral; from the start it was an offence. Contemporary artists’ interpretations have taken many forms. Wendy will look at some examples and see how, in unexpected and sometimes shocking ways, Jesus’ story becomes part of theirs – and ours. commission4mission’s AGM will also be held at 5.00pm.

Revd Jonathan Evens, commission4mission’s secretary says, “Classical, modern and contemporary art and architecture beautifully combine for commission4mission’s fifth group exhibition in the setting of St Stephen Walbrook. The theme of the show will be ‘Vision’ and, as in previous years, will feature a wide variety of work from longstanding and new members.”

commission4mission’s Chair, Peter Webb, says: “We are very fortunate to be able to exhibit regularly at St Stephen Walbrook. The exhibition always attracts a great deal of attention in the City. As before, interpretation of the theme is up to individual artists, and no doubt we will have the usual amazing variety and originality in the work submitted.”

A gift of 10 per cent of the proceeds from sales will be donated to the charity Oasis. commission4mission has made Oasis our charity of choice, meaning that charitable giving will be exclusively to Oasis for the time being.
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Damien Rice - On Children.

Thursday, 3 August 2017

Vision - commission4mission at St Stephen Walbrook

 

Vision is an exhibition of artworks by members of commission4mission which will be held at St Stephen Walbrook (39 Walbrook, London EC4N 8BN) from Monday 4 to Friday 15 September 2017, Weekdays 10.00am – 4.00pm (Weds 11.00am – 3.00pm).

A group exhibition by commission4mission, Vision is intended as a broad theme open to wide interpretation, but will explore sight, visions and revelations. Artists taking part will showcase their individual engagements with the theme. The exhibition will include work by Hayley Bowen, Harvey BradleyIrina Bradley, Christopher ClackMary Davey, Terrence Ffyffe, Rob Floyd, Maurizio Galia, Michael Garaway, John Gentry, Clorinda Goodman, Judy Goring, Laura Grenci, Deborah Harrison, Tim Harrold, David Hawkins, Adeliza Mole, Janet RobertsHenry Shelton and Monica Thornton, among others.

A reception to launch the exhibition will be held on Monday 4 September from 6.30pm. During this reception commission4mission Associate member, Wendy McTernan, will give a talk entitled ‘Interpretations of the Cross in Contemporary Art & Culture’. In today’s secular society, it is perhaps surprising that artists still find themselves drawn to the Christian cross as a means of expression. The cross has never been an event about which one can remain neutral; from the start it was an offence. Contemporary artists’ interpretations have taken many forms. Wendy will look at some examples and see how, in unexpected and sometimes shocking ways, Jesus’ story becomes part of theirs – and ours. commission4mission’s AGM will also be held at 5.00pm.

Revd Jonathan Evens, commission4mission’s secretary says, “Classical, modern and contemporary art and architecture beautifully combine for commission4mission’s fifth group exhibition in the setting of St Stephen Walbrook. The theme of the show will be ‘Vision’ and, as in previous years, will feature a wide variety of work from longstanding and new members.”

commission4mission’s Chair, Peter Webb, says: “We are very fortunate to be able to exhibit regularly at St Stephen Walbrook. The exhibition always attracts a great deal of attention in the City. As before, interpretation of the theme is up to individual artists, and no doubt we will have the usual amazing variety and originality in the work submitted.”

A gift of 10 per cent of the proceeds from sales will be donated to the charity Oasis. commission4mission has made Oasis our charity of choice, meaning that charitable giving will be exclusively to Oasis for the time being.

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Bruce Springsteen - The Promised Land.

Thursday, 26 January 2017

Circularity/Centrality & HeartEdge - At the Heart. On the Edge.

For the current edition of ArtReview a number of artists were asked to propose values they think will be useful to art in the coming year. Renata Lucas wrote the following:

'Circularity/Centrality

When you asked me to describe a value that would be important to art production in 2017, I spent a few days wondering how to name the interest of working with the surroundings to create certain consequences in the interior of a subject: working with the margins to produce an effect in the centre, or applying a force in the centre to create a change of direction in a given context (in the margins). What interests me is to work with this movement between the centre and periphery.'

Lucas' value has real synergy with the vision we have developed at St Martin-in-the-Fields: At the heart. On the edge. 


'... led by our Parochial Church Council, in conversation with the other parts of St Martin’s, we started to develop a vision that could encompass everything we do and stand for, in all our diverse activities and identities ... 

What we came up with, was agreed at the January PCC meeting, and subsequently endorsed by all the boards across the site, was this six-word, two-sentence vision: At the Heart. On the Edge. I want to explore with you what this vision means and what it says about what and who we are and where we’re going. 

Let’s start with At the Heart. This is saying something most obviously about geography and culture, but more subtly about faith and life. St Martin’s is, without question, at the heart of London. And, for all our identification with the outcast, it’s at the heart of the establishment: it was built by a king, sits half a mile from 10 Downing Street, three-quarters from Parliament, and a mile from Buckingham Palace. Members of the cabinet and the Royal Family visit almost every year, and countless famous people come here at some stage to celebrate, to honour, or to mourn. 

But more importantly ‘At the Heart’ refers implicitly to life, the universe and everything. For Christians, the heart of it all is God’s decision never to be except to be with us in Christ. That triggers creation, as a place for God to be with us, incarnation, the moment Christ becomes flesh amongst us, and heaven, the time and space in which God is with us forever. As a church, St Martin’s exists to celebrate, enjoy, and embody God being with us – the heart of it all. We’re not about a narcissistic notion that we are the heart – we rest on the conviction that God is the heart and we want to be with God. 

But in addition to indicating something central in relation to geography, culture and faith, the word ‘heart’ refers to feeling, humanity, passion, emotion. This means the arts, the creativity and joy that move us beyond ourselves, beyond rational thought, to a plane of hope and longing and desire and glory. It means companionship, from a meal maybe shared in the café or a gift for a friend perhaps bought in the shop. At the heart means not standing on the sidelines, telling the government what to do or waiting for the market to swing back to prosperity, but getting in the thick of the action, where honest mistakes are made but genuine good comes about, where new partners are found and social ideas take shape. But it also means genuine care. Not long after I came to this parish a national figure told me his mum, who lives 500 miles from London, sends an annual donation every year to St Martin-in-the-Fields. When he asked his mum why, she said, ‘St Martin’s cares about what matters.’ That’s what it means to be at the heart. It means practising and being known for compassion, understanding, love. Not walking away from people when life or the church or health or those close to them have let them down. 

And that brings us to the second half of our vision, On the edge. In just the same way this has both obvious and subtle connotations. Most evidently, St Martin’s is located on the edge of Trafalgar Square, looking over the splendour of the Gallery, the honour of Nelson’s column, and the majesty of the embassies, but also the commotion of tourist and trader and traveller and the pageant of protest and performance. But more generally, the word ‘edge’ speaks of the conviction at St Martin’s that God’s heart is on the edge of human society, with those who have been excluded or rejected or ignored. God looked on the Hebrews in slavery, looked on Israel in exile, looked on Christ on the cross, and walks with the oppressed today. St Martin’s isn’t about bringing those on the imagined ‘edge’ into the exalted ‘middle’; it’s about saying we want to be where God is, and God’s on the edge, so we want to be there too. A former archbishop said, ‘If you ever lose your sense of the intensity and urgency of faith, go and hang out with those who still have it – and the chances are they’re among those the world regards as the least, the last and the lost.’ That’s why we’re on the edge: because we want to discover that intensity and urgency for ourselves. 

Being ‘edgy’ is often associated with speaking out on behalf of the downtrodden. We don’t do a lot of that at St Martin’s, for one reason only: we want to walk alongside the downtrodden so that they can find the courage, the voice, and the opportunity to speak for themselves. We’re not about swapping persecution for paternalism. But being on the edge does mean facing the cost of being, at times, on the edge of the church. Some of the issues we care deeply about are not areas of consensus in the church. We aim to practise what we believe is a true gospel where we receive all the gifts God is giving us, especially the ones that the church has for so long despised or patronised. That may sometimes make us unpopular. Being on the edge doesn’t have to mean being relentlessly opinionated or impulsively impatient: we’re in the persuading business, not the railroading business. 

But the ‘edge’ doesn’t just refer to issues of exclusion and disadvantage and injustice. St Martin’s seeks to be on the leading edge, perhaps the cutting edge in a number of ways. We have a truly outstanding music programme, of voluntary and professional singers, free and commercial concerts, liturgical and performance events. It’s getting better all the time. We’re the greenest church in the diocese, and as well as seeking to embrace ecological concerns in everything we do we’re seeking a similar rigour and scrutiny and renewal around questions of disability. Most extensively, we have a commercial enterprise that’s integrated into the life of our church community and rather than simply being a source of funds is at the forefront of what we’re trying to achieve in London’s civil economy. As we’re trying to promote and share these commitments more broadly, we’re developing a sense of how St Martin’s isn’t just about central London, but about an ethos that is national and in some respects beyond; and we’re beginning to develop the appropriately named Heart-Edge Network to make these connections.'

‘At the Heart. On the Edge.’ is a conference to launch HeartEdge, the new network for churches growing practices and patterns of sustainable mission, initiated by St Martin-in-the-Fields. This conference is a day where we’ll be exploring mission by sharing ideas, uncovering solutions and finding support. Starting at 10.30 am (coffee from 10 am) on 8 February 2017 at St Stephen Walbrook, we’ll finish at 3.30pm. We are not charging for the event.

Sam Wells will be hosting the day with contributions from colleagues across England. Our focus will be on:
  • Congregation – approaches to liturgy, worship and day-to-day communal life
  • Commerce – activities generating finance and developing social enterprise
  • Charity – addressing social needs while retaining congregational participation
  • Culture – art, music and ideas to re-imagine the Christian narrative for the present moment
We’re working hard to ensure the day will inspire, resource and equip delegates. To book a place to attend this first conference colleagues can visit here >> https://www.eventbrite.co.uk/e/at-the-heart-on-the-edge-heartedge-conference-2017-tickets-29792821130. You can download the membership pack, which provides background and further information about how to join here.

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Bruce Cockburn - Free To Be.