My week began with the opening the online exhibition, Exodus & Exile: Migration Themes in Biblical Images, that I have curated for The Ben Uri Gallery and a related essay entitled Debt Owed to Jewish Refugee Art.
The exhibition, which is currently Exhibition of the Week, includes a range of Biblical images from the Ben Uri Collection in order to explore migration themes through consideration of the images, the Bible passages which inspired them and the relationship between the two. This is because themes of identity and migration feature significantly in both the Hebrew and Christian Bibles and images from these Bibles are a substantive element of the Ben Uri Collection.
The combination of images and texts enables a range of different reflections, relationships and disjunctions to be explored. The result is that significant synergies can be found between the ancient texts and current issues. In this way, stories and images which may, at first, appear to be describing or defining specific religious doctrines can be seen to take on a shared applicability by exploring or revealing the challenges and changes bound up in the age-old experience of migration.
My essay Debt Owed to Jewish Refugee Art is an updated version of an article I originally wrote for Church Times looking at influential works by émigré Jewish artists that were under threat. The article mentions Ervin Bossanyi, Naomi Blake, Ernst Müller-Blensdorf, Hans Feibusch, and George Mayer-Marton, telling stories of the impact of migration on the work and reputations of these artists.
The exhibition, which is currently Exhibition of the Week, includes a range of Biblical images from the Ben Uri Collection in order to explore migration themes through consideration of the images, the Bible passages which inspired them and the relationship between the two. This is because themes of identity and migration feature significantly in both the Hebrew and Christian Bibles and images from these Bibles are a substantive element of the Ben Uri Collection.
The combination of images and texts enables a range of different reflections, relationships and disjunctions to be explored. The result is that significant synergies can be found between the ancient texts and current issues. In this way, stories and images which may, at first, appear to be describing or defining specific religious doctrines can be seen to take on a shared applicability by exploring or revealing the challenges and changes bound up in the age-old experience of migration.
My essay Debt Owed to Jewish Refugee Art is an updated version of an article I originally wrote for Church Times looking at influential works by émigré Jewish artists that were under threat. The article mentions Ervin Bossanyi, Naomi Blake, Ernst Müller-Blensdorf, Hans Feibusch, and George Mayer-Marton, telling stories of the impact of migration on the work and reputations of these artists.
Today, I am at an Inter Faith Retreat with rabbis and Church of England priests. We are exploring similarities in our chosen vocations as religious leaders to our communities through scriptural encounters and discussions of both our respective histories and current issues. As a result, I have had the pleasure of reconnecting with Rabbi David Hulbert. Together with Imam Dr. Mohammed Fahim, Rabbi David and I led an East London Three Faiths Forum Tour of the Holy Land. My reports from this trip and some of my subsequent talks and sermons can be found here.
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