'Turley, by rejecting the easy shorthand with which many write about Nolan, has succeeded in bringing the African Journey images out of the shadows and into the light. Through his extensive research, Turley succeeds in shining new light on Nolan’s examination of nature, human nature and the nature of modern civilisation. He revives Nolan’s warning to society by urging his readers to consider the effect that the Holocaust, animal extinctions, colonial disenfranchisement and human conflict has had not just on the artist but also on society.'
For more of my writings on Sidney Nolan see my Artlyst interview with Andrew Turley and my review of Sidney Nolan: Colour of the Sky – Auschwitz Paintings.
My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, plus reviews of: Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's Together exhibition, What Is and Might Be and then Otherwise by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.
IT have also published a poem, The ABC of creativity, which covers attention, beginning and creation, and 'Broomfield', which is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios'.
My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, plus reviews of: Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's Together exhibition, What Is and Might Be and then Otherwise by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.
IT have also published a poem, The ABC of creativity, which covers attention, beginning and creation, and 'Broomfield', which is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios'.
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