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Saturday, 4 January 2025

Parish Study Day: Our churches and their Patron Saints


WICKFORD AND RUNWELL
PARISH STUDY DAY 2025
OUR CHURCHES AND THEIR PATRON SAINTS


Saturday 25th January 2025
9.30am - 2pm in St Andrews church Lunch provided

Get to know our three churches, the buildings and the people. Find out more about their history and reflect on the lives of the saints that they are dedicated to.

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Bryan Maclean - Love Grows In Me.

Unveiled Spring 2025 programme & 'The Way' exhibition

 








Here's the Spring 2025 programme for Unveiled, our fortnightly Friday night arts and performance event at St Andrew’s Church (7.00 – 9.00 pm, 11 London Road, Wickford, Essex SS12 0AN), plus an exhibition entitled 'The Way' by Steve Whittle:

Spring Programme 2025
  • 17 January (7.00 pm) – ‘The Way’ exhibition viewing evening. Meet artist Steve Whittle, see his exhibition & hear him interviewed. This artist, based in Westcliff-onSea based, uses collage to create Stations of the Cross & a range of other scenes, both religious and landscape.
  • 31 January (7.00 pm) – ‘Four Essex Trios’. An evening of poems and photographs with Jonathan Evens exploring thin places and sacred spaces in Essex, including Bradwell, Broomfield, Pleshey, and Runwell.
  • 14 February (7.00 pm) – An evening with the Ladygate Scribblers. Hear poetry and prose from a longestablished Wickford-based writers group.
  • 28 February (7.30 pm) – Open Mic Night. Everybody is welcome to come along & play, read, sing or just spectate. See you there for a great evening of live performance!
  • 14 March (7.00 pm) – Simon Law in concert. Simon has fronted the rock bands Fresh Claim, Sea Stone and Intransit, as well as being a founder of Plankton Records and becoming an Anglican Vicar. This will be his final concert for us before retirement.
  • 28 March (7.30 pm) – Dave Crawford & friends in concert. Popular local musician, Dave Crawford writes engaging/melodic songs in Americana/ Alt-Rock/IndieFolk. He has performed at the Leigh Folk Festival, Pin Drop Sessions, & Music for Mind together with Kev Butler. This will be Dave’s third concert at Unveiled. We have also enjoyed his powerful vocals & guitar at our Open Mic Nights.
  • 11 April (7.30 pm) – Tim Almond in concert. ‘Around the World in 60 Minutes’ featuring songs and stories from Kenya, Ethiopia, Malawi, Ecuador and Bangladesh.
See http://wickfordandrunwellparish.org.uk/whats-on.html and https://basildondeanery.co.uk/index.php/news/ for more information.

These events do not require tickets (just turn up on the night). There will be a retiring collection to cover artist and church costs.

Our churches are places to enjoy cultural programmes including concerts and exhibitions as well as being places to see art and architecture.

St Andrews Church in Wickford provides regular art, culture and heritage events and we are looking to develop this further. We think that to do so will benefit the Town by bringing more people to the Town Centre. As part of a Feasibility Study exploring what might be possible that is funded by UKFSP Feasibility Fund, we are asking people locally to share what art, culture and heritage activities they are interested in and what they are looking for. 

We would be very grateful if you could complete the survey and tell others about it. The survey can be found at https://forms.gle/dmPH7uzAafuAqLzDA. We are keen that as many people in and around Wickford complete the survey as possible.

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Dave Crawford - My Last Lullaby.






Current and past activity

I am Team Rector for Wickford and Runwell in the Diocese of Chelmsford and Area Dean for Basildon. My current and past activities all fit within the HeartEdge 4 Cs mission model.

Our three churches and halls in the Wickford and Runwell Team Ministry are hubs for the community in Wickford and Runwell. Between them activities and groups supported include: Coffee Mornings; Councillor Surgery; Art and Heritage Exhibitions; Floral Art; Gamblers Anonymous; Huff & Puff; Lace Makers; Ladygate Scribblers; Martial Arts; Meet & Make; Mothers Union; Parent & Toddlers Group; Parent’s 1st Group; Phlebotomy Clinics; Singing Group; Tai Chi; U3A; Unveiled arts and performance evening; Warfarin Clinic; WI Craft Group; Wickford Chapter; Wickford Lodge; Wickford Women’s Institute; Yoga. These groups and activities provide a wide range of social, leisure and educational opportunities for the local community, as well as providing warm spaces that enable those attending to save on heating in their homes while attending. In addition, local schools visit our buildings for a range of educational opportunities. 

Our Unveiled arts and performance evening plus our art and heritage exhibition programme deliver new cultural offers in Wickford. These seek to bring high quality art and performance to Wickford while also encouraging local talent by providing new platforms for local performers and artists. We take part in Bas-Arts Index and Wickford Voices (Creative Basildon) and use heritage displays provided by Basildon Heritage. We have worked with local arts organisations such as Runwell Art Club and Next Step Creative, while also utilising local artists and performers such as Jackie Burns (Space Artist), Dave Crawford (Musician), Eva Romanakova (Singer), John Paul Barrett (Artist) and Steven Turner (Dancer). We have supported the possible development of a Wickford Business Improvement District (BID), including joining the Town Team.

We are making use of the HeartEdge 4 Cs which has enabled a focus on cultural programming that has brought new contacts with the community and which is generating additional opportunities for grant funding. One church in the team is being developed as a cultural and heritage hub for the town, while others are expanding their focus on contemplative spiritualities and traditional parish activities. Within these initiatives, a new enquirers course has been introduced and a monthly discussion group for young people.

The Basildon Deanery is a group of Church of England churches in the Basildon, Billericay and Wickford areas. Our 19 churches are grouped in 10 parishes and have great community activities, enjoyable cultural events and artefacts, beautiful environments, and fascinating heritage. In the Basildon Deanery we have used Mission Opportunities Fund grants to set up a Deanery website (https://basildondeanery.co.uk/) and to work with mission consultants/coaches.  

My creative writing has been published by Amethyst Review, International Times, Strait, and Stride Magazine. I write regularly on the Arts for national arts and church media and my journalism has been published by: AM; Art+Christianity Journal; Artlyst; ARTS Journal; ArtServe Magazine; ArtWay; Church Times; Epiphany; Expository Times; Faith in Business Quarterly, Franciscan Magazine; Gods' Collections; Ilford Recorder; Image Journal; International Times; Journal of Theological Studies; Muslim Weekly; National Churches Trust; New Start; Seen and Unseen Magazine; Strait; Stride Magazine; Transpositions; and Visual Commentary on Scripture. 

My publications include: ‘The Secret Chord’ (Lulu, 2012, with Peter Banks); ‘Finding Abundance in Scarcity’ (Canterbury Press, 2021, ed. Samuel Wells); ‘Liturgy on the Edge’ (Canterbury Press, 2018, ed. Samuel Wells); ‘Living with other faiths’ (Contextual Theology Centre, 2006 / Greater London Presence & Engagement Network, 2009); ‘Christians in the workplace’ (Diocese of Chelmsford, 2007, with C. Ball, P. Ritchie and P. Trathen); and ‘Despair and Hope in the City’ (Alistair Shornach, 1990, with Philip Evens). I have poems that have been included in two anthologies: 'Thin Places and Sacred Spaces' (2024); and 'All Shall Be Well: Poems for Julian of Norwich' (2023).

My previous roles in the Church of England have been as: Associate Vicar for HeartEdge at St Martin-in-the-Fields (including three years as p/t Priest-in-charge at St Stephen Walbrook), Vicar of St John’s Seven Kings, and Curate at St Margaret’s Barking.

At St Martin-in-the-Fields I led the development of HeartEdge from its launch in 2017 to become a growing international and ecumenical movement of churches, organisations and individuals from Australia, Canada, England, Italy, Netherlands, New Zealand, Scotland, South Africa, USA, and Wales. The movement includes Baptist, Church of England, Church of Scotland, Episcopal, Independent, Lutheran, Methodist, Presbyterian, Protestant Church of the Netherlands, Remonstrant, Roman Catholic, Salvation Army, United Reformed, and Uniting Church.

Initiated by the congregation at St Martin-in-the-Fields in 2017, HeartEdge is a movement for renewal, fuelled by people and churches sharing their assets, experience, resource and need. As an ecumenical network, HeartEdge brings together people to share ideas and experience, do theology and develop their church and community. HeartEdge is about churches developing four Cs: Commerce - Generating finance via enterprise, creatively extending mission. Culture - Art, music, performance re-imagining the Christian narrative for the present. Congregation - Inclusive liturgy, worship and common life. Compassion - Empowering congregations to address social need. 

I also had three main areas of responsibility in relation to the congregation at St Martin’s. First, I created an artists’ and craftspeoples’ group involving participants of all abilities which organises art workshops, a monthly drawing group, exhibition space in the Crypt, annual exhibitions, and a lecture series. Second, I was the clergy lead for the Disability Advisory Group, Disability Cross-Site Working Group, and annual conference on disability and church organised in partnership with Inclusive Church. Among other outcomes the support and facilitation I have provided enabled delivery of a full organisational Access Audit, six conferences, and two publications. Third, I was clergy lead with the Global Neighbours Committee which, as a sub-committee of the PCC, enabled St Martin’s to support their neighbours around the world by contributing to the funding of projects, through prayer, raising awareness and other activities. In this period I also led on their partnership with St Mary’s Cathedral Johannesburg. For three years I was also Chair of Westminster Churches Together.

I supported a curate as a team member at St Martin’s and undertook the setting up and preparation for a second curate who began after I had left. I was also a Post Ordination Training Tutor for Two Cities & Stepney – attending and contributing to POT (IME4-7) meetings in order to provide continuity of pastoral care and contribute to teaching. I also became an Associate Tutor for St Augustine’s College of Theology, teaching a module on The Arts, Culture and Christian Ministry and Mission.

At St Stephen Walbrook I created in ‘Start:Stop’ – reflections for those on their way to work - a mission model that worked in its context (creating a new sustainable congregation and drawing new people into the wider life of the church) and is replicable. I demonstrated the viability of a new Monday lunchtime service, now being taken forward as Choral Classics. I set and demonstrated the value (in terms of visitor footfall and deepening spirituality) of ongoing arts programming in a City church context. I revived the relationship between the church and Mansion House and introduced a new annual service to the City which was enthusiastically embraced by the Livery Companies and Ward Clubs. I also addressed the issues which were holding back the missional development of the church - and put viable, high-quality alternatives in place, often using the partnership with St Martin’s to do so. I was a training incumbent to one curate at St Stephen Walbrook.

St John’s Seven Kings aimed to grow together as a community of God's people, filled and empowered by the Holy Spirit to follow Jesus Christ's example and teaching. I sought to lead us as a community (including a team of reader emeritus and authorized local preacher) in that aim and enable us to live it out through worship, love, inclusivity, growth, service, witness, healing and prophecy. 

I sought to do so, in particular, by: addressing financial issues through stewardship and hall usage; an ongoing programme of building maintenance; community engagement through community campaigns and groups (including the chairing of Seven Kings & Newbury Park Resident's Association and the Management Committee of Downshall Pre-School Playgroup, plus serving as a Community Governor at Downshall Primary School); further development of the St John’s Centre as a community hub; development of a community garden; schools ministry; development of a Ministry Leadership Team; use of a variety of styles of service; establishment of a youth club; delivery of a Sunday School and annual Holiday Club; clustering with three neighbouring Anglican churches; establishment of a local Scriptural Reasoning group; establishment of a social enterprise project (Seven Kings & Newbury Park Sophia Hub); and publicizing of our engagement with the Arts (including the creation of a local Art Trail) and the wider community. 

I began the development of these initiatives with a review of the existing Mission Statement for St John's and we reviewed progress by means of a worship survey, a mystery worshipper, and ongoing discussions in Ministry Leadership Team meetings. From 2008 I was a training incumbent contributing to the training of two curates.

I had wide ranging and varied experience during my title post, including a 15 month interregnum when I was the sole priest in the ministry team based at St Margaret’s Barking. In addition, to pastoral, preaching and teaching ministries, the occasional offices and leading worship, I set up and chaired the Faith Forum for Barking & Dagenham, organized an ecumenical programme of SOULINTHECITY initiatives across the borough, set up and supported a support initiative for self-harmers, organized the delivery of ESOL courses from the St Margaret’s Centre, and organized church involvement in a range of borough-led Arts projects.

My ministry has involved a focus on the following:
  • The Arts i.e. organisation of concerts, performances, events, exhibitions and study days in each Parish and through commission4mission; oversight of contemporary Church Art commissions in each Parish and through commission4mission; delivery of Arts-related courses in parishes, through commission4mission and as part of Diocesan Lent and Eastertide programmes; painting/creative writing; arts-related journalism with a national profile, and publication of ‘The Secret Chord’. For my sabbatical I visited significant sites connected to the renewal of religious art in Europe during the twentieth century in order to reflect on the significance of these sites both for art history and good practice for commissioning.
  • Inter-faith engagement i.e. managed a project which introduced a Faith Communities Toolkit to three Jobcentre Plus regions and piloted new approaches to Jobcentres working in partnership with their local faith communities, including design and quality assurance of a comprehensive Information Pack (the Faith Communities Toolkit) and delivery of training in the use of this Toolkit; set up and chaired the Barking & Dagenham Faith Forum including: agreement of aim, objectives and statement of commitment; preparation of constitution; planning of Launch Event; chairing of Organising Committee; development of Faith Forum programme; and fundraising; planned, publicized and run, through Faith in London's Economy (FiLE), seminars on Ethics in a Global Economy and Re-negotiating ‘value’, using speakers such as Saif Ahmad, Jay Lakhani, Dr. Edmund Newell, Mannie Sher and Baroness Uddin; undertaking of consultancy work for Faith Regen Foundation; development of the Living with other Faiths Resource pack; involvement in Greater London Presence & Engagement Network (PEN) and Chelmsford Diocese Presence & Engagement Group; development of a local Scriptural Reasoning group and of Seven Kings Sophia Hub. 
  • Training i.e. as a trained Trainer I have: taught a module on The Arts, Culture and Christian Ministry and Mission for St Augustine’s College of Theology; delivered the Living God’s Future Now online programme of workshops for HeartEdge; written and delivered ‘Inspired to Follow: Art and the Bible Story’ sessions and courses through St Martin’s and HeartEdge; designed and delivered the ‘Living with other faiths’ congregational resource pack for CTC (later revised for Greater London PEN), including delivery of training for individual parishes, as part of the Diocese of Chelmsford’s Lent & Eastertide programme, and as a unit in Stepney Area Reader’s Training; designed and delivered (with others) the Christians in the Workplace resource pack for the Diocese of Chelmsford, including delivery of training using its materials for individual parishes, as part of the Diocese of Chelmsford’s Lent & Eastertide programme, with St Mellitus College students and SSM curates in the Diocese; designed and delivered (with others) ‘The Big Picture’, ‘Living the Story’ and ‘Christian Art – fallacy or fusion?’ series of courses on faith and popular culture for the Diocese of Chelmsford’s Lent & Eastertide programme; delivery of Lent Courses; leadership of home groups; POT Tutor for Two Cities and Stepney Areas; and contributions as a speaker to a wide variety of conferences, seminars and workshops.
  • Workplace ministry i.e. Weekly email to work-based email group; Christians in the Workplace courses; development of Christians in the Workplace Parish Resource pack; planned, publicized and run, through FiLE, seminars on Ethics in a Global Economy and Re-negotiating ‘value’; set up 'Start:Stop' at St Stephen Walbrook and 'Contemplative Commuters' in the Wickford and Runwell Team Ministry.
I have been: Trustee and Chair of Trustees for the Voice of the People Trust; Trustee and Elder of the New Life Church Centre, Dagenham (originally Grieg Hall Evangelical Church); Consultant, then Director of FRF; Consultant for MADE in Europe; Chair of Trustees for Downshall Pre-School Playgroup; Community Governor for Downshall Primary School; Chair of Seven Kings & Newbury Park Resident’s Association; Secretary of commission4mission; and Director of Sophia Hubs Limited. I am currently a Director of FRF and a Local Advisory Board member for Wickford Church of England School. 

Prior to ordination I worked in the Employment Service/Jobcentre Plus for 18 years and held a range of policy and operational posts primarily at management levels including: policy development work on New Deal 50+ and New Deal for Disabled People which included researching US approaches to Welfare to Work and organizing a national consultation event; managing a team of 14 delivering an assessment and rehabilitation service for disabled people; setting up a pilot Personal Adviser service and leading a consortium bidding to deliver a Job Retention service; and managing a project which introduced a Faith Communities Toolkit to three Jobcentre Plus regions and piloted new approaches to Jobcentres working in partnership with their local faith communities. During this time, I trained as a trainer. 

I have BA (Hons) degrees in Modern English Studies and Contextual Theology. In a gap year after Further Education, I led a British Youth for Christ voluntary youth work team which organized a mission, holiday club, Youth Services and took assemblies/lessons in schools. 

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Delirious? - Find Me In The River.

Windows on the world (500)


 Chelmsford, 2024

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Wednesday, 1 January 2025

Top Ten 2024

This is the music, in no particular order, that I've most enjoyed listening to in 2024:

‘All God’s Children: Songs From The British Jesus Rock Revolution 1967-1974’: "‘All God’s Children’ assembles the best of the British Christian acts, including such respected names as Out Of Darkness (and their earlier incarnation, garage R&B act The Pilgrims), Parchment, Whispers Of Truth and Judy MacKenzie. It also features the secular alongside the sacred, including the likes of Strawbs, Moody Blues, Amazing Blondel, John Kongos and Medicine Head – bands who, though theologically shyer than their more overtly Christian contemporaries, all wrote songs with a strong spiritual message." "Mr. Wells and Grapefruit Records have outdone themselves with their detailed research, their ability to find tracks both profound and disturbing, and providing liner notes worthy of the Encyclopedia Britannica. This set is not just for the Jesus freak, but for anyone who is interested in how movements of all sorts find their voice through popular music."

'Question of Balance' - The Moody Blues: "In the liner notes to the CD of Question Of Balance Hayward speaks of how Question was a protest song about the wars of the day but also a response to the breakdown of the sixties and the loss of the dream of the time. There is no doubt that this lyric shows a band reaching beyond what the hippy can achieve in the resources of humanity and seeking a transcendent power to bring the miracle that is recognised as crucial to some answer to our question of meaning and to our satisfaction of soul ... bass player John Lodge ... said, "In the '60s we were all looking for something. If you did a gig you'd spend hours afterwards meeting people, talking about religion. I grew up through an evangelical church, and the more I talked to people, the more I realized all the things I'd learned at church were relevant--and what everyone was looking for" ... His words are proven in a later song on the same album as Question. I remember listening to Minstrel, down the years, and thinking that I could see Jesus in the words ... For Lodge, the answer to his band mate Justin Hayward’s Questions was the Jesus of his upbringing and continuing spiritual journey. Right in the middle of their questioning album there is a quiet answer."

'Abracadabra: The Asylum Years' - Judee Sill: "Although much of Sill’s recorded output is loaded with images and symbology from Christianity, you won’t hear her songs played on your local devotional radio station or covered during youth services on Sunday nights. For one, she was just as fascinated with the occult as with Christianity. But her relationship with faith, however one wants to define it, was idiosyncratic and unique to her and her art. She sang longingly for something, anything, beyond the physical world, throwing open her arms to its chaotic uncertainty, ascribing holy meaning to everything—from being betrayed by a lover to seeking God—in her visions of ghosts that haunted early 1970s Los Angeles. In a 1972 Rolling Stone interview, she said that though her religion is “unspeakable, it’s not unsingable.” In other words, Sill’s belief in a higher power is intensely personal and intuitive. It might not make sense to others, but it doesn’t have to. Her eclectic religious and allegorical evocations allow her to peer through these impenetrable symbols and images that are as omnipresent and intangible as air to probe their human dimensions. But her music also revels in the beauty that arises from living in and with such uncertainty, a beauty which has taken years for me to appreciate."

'#1 Record' - Big Star: "It’s remarkable–arguably the “hippest” American band of the 70s (certainly the one that indie rockers love to name-drop the most) made music that, especially on their first record, bordered on proto-Christian rock. Much of this was due to the influence of the overtly Christian Chris Bell, the co-leader of the band who in recent years has become something of a poster boy for tragic indie artistry. And indeed, if his songs are anything to go by, the guy was tortured. But first, the Christianity: a few sample lyrics of Bell’s song “My Life Is Right” off Big Star’s debut #1 Record, “Once I walked a lonely road/I had no one to share my load/But then you came and showed the way/And now I hope you’re here to stay/You give me life”. Borderline mega-church stuff, if it weren’t for all the chiming power chords and gorgeous Beatle-esque production."

'Songs from the Rain' - Hothouse Flowers: "Gone is the awestruck gusto and frantic overdubbing of People. Gone are the guest musicians and backing vocalists of Home, as well as the lush arrangements and over-production, which gave that album its ripe sound ... In their place is a sound more pastoral, with even more of an ethereal beauty. The mix is sparse, capturing the band's live sound in a way the preceding albums have not done ... The songs have also encapsulated the band's inherent spirituality - both in sound and in lyric. Some are heavily immersed in gospel, with big choral crescendoes. Where before choirs and guest vocalists were used, the backing vocals here are distinctly those of Hothouse Flowers themselves - and the harmonies are used to great effect ... Songs from the Rain is a tender and uplifting album, exploring the band's soul while reaching outward and imploring its listeners to do the same. It is a sublime creation." 'Thing of Beauty' "is ‘truth sight’, seeing things as they are in all their imperfect splendour, their ‘broken holiness’ and knowing deeply, intuitively, that all is beautiful, glorious."

'La Vita Nuova' - Maria McKee: "It's loud with emotions, deafening emotions, sweeping emotions, cathartic revelations that inspire and transfix. While earlier albums have had decades to work on me, this one had the same sort of effect instantly. Intensely personal and blissfully broad in tone, nearly every composition here rings with the kind of heart-on-the-sleeve generosity that McKee used as a performer on earlier records. She can sound like she's spinning near the edge of a cliff, about to throw herself over, and then she pulls things together and roars back into our orbit. La Vita Nuova is an extraordinary album, and the sort of thing I want to play as loudly as possible even as it seems like the world's ending around us."

'Grace Will Lead Me Home' - Angeline, Cohen & Jon: "This project, which commemorates the 250th anniversary of the writing of the hymn [Amazing Grace], has new songs to explore the dichotomy between the song and the sometime trade of its writer. It is heady stuff." "All credit, then, to Jon Bickley, for pulling all this together, he being a poet, folksinger, radio and podcast producer from Bucks, instigator of the Invisible Folk Club, a virtual folk club, wherein he often explores, often in cahoots with academics and historians, the backgrounds of and to our folk traditions. Here his cahoots include no less than Angeline Morrison and Cohen Braithwaite-Kilcoyne, each fast staking claims in the annals of a black Britain hitherto undiscovered or forgotten, together for Morrison’s ‘The Sorrow Songs’ and Braithwaite-Kilcoyne as part of Reg Meuross’ ‘Stolen From God’ project."

'Stolen from God' - Reg Meuross: "... in Stolen From God, he has unquestionably written his masterpiece in a song cycle that turns an unflinching eye on the toxic legacy of the transatlantic slave trade, especially in his home in the South West of England. Shocked by his realisation of his ignorance of British Black History, of the Empire and how so many of the nation’s grand estates and lauded figures were tainted by the stain of slavery that had served as the foundation for their wealth and public acclaim. Embarking on four years of in-depth research into family trees, church records, and oral histories passed down through generations and uncovering many uncomfortable long-hidden truths in the true tradition of folk music, he has turned these into songs about seafaring, war, class, politics and social history with subjects that range from how naval legends like Sir Francis Drake and John Hawkins who helped to establish the transatlantic slave trade, how it underpinned the British economy of the17th century, the first petition to abolish slavery that originated in Bridgwater and Edward Colston, the Bristol merchant, entrepreneur and philanthropist finally revealed as being involved in the forcible kidnapping and transportation of some eighty thousand Africans."

'The Other Side' - T Bone Burnett: "The Other Side, could, perhaps, be seen as a companion piece to that self-titled triumph [T Bone Burnett] as it contains many of the qualities Jon Young and Brad Reno have identified in the earlier album i.e. a sparse, largely acoustic country affair with songs that tend to be more personal than preachy. Paradoxes are never far away in Burnett’s world and we are treated to a particularly compelling list in ‘Everything and Nothing’ including: Everybody wants to know the truth but nobody wants to hear it. / Everybody has to face the end but nobody wants to get near it. / Everybody wants peace but nobody wants to surrender. / Everyone lives in the past but nobody seems to remember. Burnett has spoken of a dystopian dream he has had repeatedly over the years which shapes his understanding of societal trends and digital developments in particular. The paradoxes he notes are one of the ways in which he describes societal challenges, at the same time that he writes characters seeking renewal, restoration and reconciliation in the midst of a cruel world."

'Wild God' - Nick Cave: "His latest album reminds me of Julian of Norwich’s work; baffling, subversive, mystical, rooted in a truth that can’t be proven. A truth he wouldn’t be interested in proving, anyway. It, too, swerves ‘rightness’. It, too, refuses to dilute the oddness of faith. It, too, is irresistibly intense ... This is not a casual album. Any true Nick Cave fan would scold me for ever expecting it to be. The album is a ten-track-long ode to a Wild God who has met Nick in the darkest of places. Places, I’m sure, he never wanted to go. Places, I’m sure, he will never fully leave. Such a wild God is a challenge to a culture that has enthroned comfort. We’re too easily spooked. But Cave, through a combination of circumstance and intentionality, appears to have entirely shunned comfort. And so, he’s in prime position to introduce us to a God who will confound us. Julian of Norwich’s book and Nick Cave’s album are centuries apart – yet, somehow, it feels as though they have been made from the same materials: profound discomfort and raw wonder."

My previous Top Ten's can be found here - 20232022, 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013 and 2012.

My co-authored book ‘The Secret Chord’ is an impassioned study of the role of music in cultural life written through the prism of Christian belief. Order a copy from here.


My music-related posts from 2024 include: Methuselah, Amazing Blondel, Tom YatesDavid Ackles, Chris Bell, Bryan Maclean; and Jesus Music - 1 & 2.

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Hothouse Flowers - Thing Of Beauty.