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Tuesday 10 January 2023

Launch of Fruits of the Spirit - Art from the Heart,

The launch of the virtual exhibition Fruits of the Spirit - Art from the Heart, curated by the Rev Dr Ayla Lepine (2021–22 Ahmanson Fellow in Art and Religion, The National Gallery) and Dr Susanna Avery-Quash, Senior Research Curator (History of Collecting) at the National Gallery was held tonight at The Foundling Museum.

The 'fruits of the Spirit' are a list of nine qualities found in Saint Paul's Letter to the Galatians in the New Testament. They include peace, joy, love, and patience. Fruits of the Spirit – Art from the Heart focuses on these terms in relation to paintings in the National Gallery's collection, from Titian and Rembrandt to Monet and Van Gogh, featured alongside works from UK regional collections. This exciting new digital project opens new doors regarding accessible online arts content and focuses on the nine qualities themselves as ways of amplifying wellbeing for all people, of all faiths or none.

Fruits of the Spirit: Art from the Heart, is an online exhibition and trail, pairing nine paintings from the National Gallery with nine works in public collections across the UK. Visit the online exhibition.

Each pair represents one of the nine ‘Fruit of the Spirit’ – love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control – positive attributes outlined in a letter from Saint Paul in the New Testament.

The virtual exhibition is combined with a free digital catalogue of essays. Over twenty authors, including curators, artists and community groups, as well as a new poetry commission by Dr Aviva Dautch, explore the importance of the exhibition’s themes, from love and family life to self-control in relation to climate change. Including words from a Nurse-in-Residence, a care-experienced young person and social justice charities, these essays aim to bring voices not normally heard in gallery catalogues to the fore. Creating links between paintings within and beyond the National Gallery and fostering interactions through different perspectives in communities and cultures encourages new ways of seeing and more open ways of engaging with one another. As a digital exhibition, 'Fruits of the Spirit' is freely accessible to both new and regular visitors from the UK and beyond.

The Foundling Museum’s ‘Fruit’ is Faithfulness and focussing on maternal faith the National Gallery’s The Finding of Moses by Orazio Gentileschi, dating from the early 1630s, has been paired with their Isabella, Duchess of Manchester, 1738, by Andrea Soldi.

In the story of Moses, his birth mother places him in a basket in the river to avoid certain death, demonstrating immense faith that her child will survive. Her faith is rewarded, and the Gentileschi painting depicts the moment of rescue and hope. This maternal faith is also reflected in our portrait of Isabella, Duchess of Manchester, who was instrumental in the formation of the Foundling Hospital. As with Moses, the birth mothers of children given up to the care of the hospital faced heart-breaking decisions that demanded enormous faith and trust.

As part of the collaboration visitors to the Foundling Museum are able to see in person The Finding of Moses painting, attributed to Venetian artist Francesco Zugno, which is on display next to Soldi’s Isabella, Duchess of Manchester on the first floor.

Lizzie Jones, whose painting 'Couple' at Southampton City Art Gallery is paired with 'The Painter;s Daughter with a Cat' by Thomas Gainsborough, was among those present. With a commitment to direct action in different forms involving making connections with people in order to influence and inform change around issues of military violence and harm, she takes painting commissions for public spaces, for charitable organisations and community groups and for special events / private spaces. She has created and is maintaining the Dye Garden at Southampton's Arches studio complex, while utilising those plants and their colour in print and paint. Puppet Back Up sees giant puppets getting involved in live concerns and beginning to turn up - in time - brought to life with the participation of many.

Canterbury Cathedral’s altarpiece, 'Scenes from the Life of Saint Martin of Tours', 1928–33, by Winifred Knights, also features in the exhibition. It is a powerful example of religious art by a British woman of the last century. This painting represents ‘peace’. A young woman who arrived in Kent as a refugee reflected on the painting in relation to this theme and identified a strong connection between the altarpiece and her story of family, uncertainty, and courage. Knights’s painting is paired with Claude Monet’s 'Water-Lilies' from the National Gallery’s collection. Monet described this work, painted during the First World War, as a ‘monument to peace’. In her catalogue essay, Revd Dr Ayla Lepine argues that contemplating sacred and secular art and relating it to people’s lives today can inspire us all to work for peace when it is most urgently needed around the world.

This free virtual exhibition also includes paintings by Jan Van Eyck, Vincent van Gogh, Frank Auerbach, Turner, Titian, Ernst Neuschul, Eugène Delacroix, Ron Stenberg, Orazio Gentileschi, Andrea Soldi and Thomas Gainsborough.

Other participating organisations:
The Bowes Museum
The Barber Institute of Fine Arts
Canterbury Cathedral
The McManus
Leicester Museum & Art Gallery
Ben Uri Gallery & Museum
The Box
Southampton City Art Gallery

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Carleen Anderson - True Spirit.

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