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Friday, 4 November 2022

Unveiled: Jackie E. Burns in Conversation


This evening at Unveiled we heard from Jackie E. Burns about her work in Space Art fostering the inquisitive joy of art and astronomy, involvement in the International Association of Astronomical Artists, and involvement in community art projects in Essex. 

Jackie is an astronomical artist specializing in terrestrial and extra-terrestrial landscapes. She also creates celtic and medieval illuminations. She is a workshop designer, gives illustrated lectures and is an art exhibition curator for conferences and conventions.

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David Bowie - Ashes To Ashes.

Windows on the world (398)


 Soller, 2022

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Anthony D'Amato - Long Haul.

Church Times - Art review: Football and Religion: Tales of Hope, Passion and Play (Aga Khan Centre)

My latest review for Church Times is Football and Religion: Tales of Hope, Passion and Play by Ed Merlin Murray at the Aga Khan Centre Gallery:

'IF ONE were to be told of a current football exhibition with women footballers featuring as its main image, expectations would be high for an image of the Lionesses victorious at the Euros in the summer. The very different focus of this exhibition becomes apparent in that the key image features the Shimshali sisters — Sumaira Inayat and Karishma Inayat — who have, since 2018, run the Gilgit-Baltistan Girls Football League, Pakistan’s first women-led girls football tournament.

The sisters are Muslims, and this exhibition, as a whole, focuses primarily on the current contribution of Muslims and Christians to football, together with an archive display highlighting both Jewish and Christian contributions. The stories of Muslim women footballers included are one key aspect of an exhibition that challenges stereotypes on several levels. As Karishma says, “I am representing a region that lacks basic facilities yet encourages its daughters to play football and break the patriarchy.”

The exhibition features many stories of hope, passion, and play in the lives of players and professionals, both female and male. These stories are presented through a series of new artworks created by visual artist, illustrator, and animator, Ed Merlin Murray.'

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here and those for Art+Christianity are here. See also Modern religious art: airbrushed from art history?

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New Order - World In Motion.

Wednesday, 2 November 2022

Counting the cost

Here's my reflection from today's Eucharist at St Andrew's Wickford:

From its earliest days, the Church has recognised as its foundation stones those heroes of the faith whose lives have excited others to holiness and have assumed a communion with the Church on earth and the Church in heaven. That is where the celebration of All Saints Day begins. We celebrated All Saints on Sunday, although the appointed day for All Saints was yesterday.

'The believer's pilgrimage of faith is lived out with the mutual support of all the people of God. In Christ all the faithful, both living and departed, are bound together in a communion of prayer.' This simple, agreed statement from the Anglican-Roman Catholic International Commission explains the purpose of the celebration on All Souls Day. Again, we held our annual All Souls Commemoration of the Departed on Sunday, although All Souls Day is today. Since its foundation, Christians have recognised that the Church, the ecclesia, the assembled people of God, is at its most perfect when it recognises its unity in God's redeeming love with all who have said, who say now, and who will say in the fullness of time, 'Jesus is Lord'.

In today’s Gospel reading (Luke 14. 27-33), Jesus says that we need to make our decision about saying ‘Jesus is Lord’ carefully, in a considered way. We have a choice. Do we want to become people and a society who are selfish regarding ‘greed as good’ or do we want to be people and a society that live in love? Our lives are not pre-determined and the decisions we make alter our lives for good or ill. Before we decide to say 'Jesus is Lord,' Jesus says we should first count the cost of making that claim.

Jesus tells two stories to illustrate this point. In the first, a man wants to build a tower but because he doesn’t make any plans he only gets as far as laying the foundations and then runs out of money. As a result, he becomes an object of ridicule. In the second, a King realises that he doesn’t have enough soldiers to win a battle against another King with a bigger army and so he asks for terms of peace. In the first story, the builder doesn’t plan ahead and can’t finish the job but in the second story the King does plan ahead and wins peace for his people.

As we reflect on these stories and the importance of planning ahead and counting the cost, we might also reflect on the mini-budget that Kwasi Kwarteng and Liz Truss recently introduced and the negative effects it has had on our economy because they hadn’t planned ahead, thought it through or counted the cost. Jesus says that if we are to be a people and a society that seek to follow him and live in love then we have to do that; plan ahead, think it through and count the cost in order to see it through and stay the course.

It is not easy living in love with others because others are not easy to live with. Jesus says it is like carrying a cross and walking towards your own death because what you do is what he did; you sacrifice yourself for the sake of others. It is much easier the Bible says to live for yourself and try to make as much and keep as much for yourself as possible. Many people live their lives that way today but, if you are on the receiving end of someone else’s greed, if, for example, you lose your job because someone else has made money from the collapse of your employer, you quickly realise what a miserable way to live life selfishness actually is.

It is not easy living in love with others Jesus says. You need to sit down and count the cost first before beginning but, ultimately, it is the only way not to destroy ourselves, our society and our planet. Fortunately, there are many that have followed Jesus in carrying their cross and walking the narrow path.

Which will we choose? The current turmoil in the financial markets, the example of the mini-budget, this service, these readings, the example of the saints; these are all opportunities for us to count the cost of our life choices and to decide whether we believe that greed is good seeking to live our lives selfishly or whether we will hear the call of Jesus and take up our cross to live a life of love for others.

When we do the latter, we become saints and join ourselves with all souls - past, present and future - who have said, who say now, and who will say in the fullness of time, 'Jesus is Lord'.

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Mark Heard - Satellite Sky.

Tuesday, 1 November 2022

Artlyst: Soulages And Strange Clay November 2022 Art Diary

My November diary for Artlyst has mention of 'Sarum Lights - Renaissance' at Salisbury Cathedral, 'Gaia' at Southwark Cathedral and Chelmsford Cathedral, Marta Jakobovits at Elizabeth Xi Bauer Gallery, Sandra Bowden at Gordon College, Lakwena Maciver at Yorkshire Sculpture Park and windows by Pierre Soulages at Conques abbey-church:

‘Under an image of Richard Woods’ ‘Small House’ installation at Southwark Cathedral, Fergus Butler Gaillie, in a recent article for The Spectator, criticised Cathedral art exhibitions as gimmicks bringing the temporary stimuli of consumerism into “places dedicated to the majesty of the eternal.”

His concern was that such temporary exhibitions disrupt spaces built for solemn reflection with their heightened engagements and the number of people they attract. On one level, his piece seems to be a plea for greater space and stillness in already cavernous spaces, while, on another, it seems to be predicated on an unhelpful and unnecessary sacred-secular divide. Fundamentally, it claims that much modern stimuli are antithetical to solemn reflection or reflection per se. Recent and current Cathedral exhibitions, including Luke Jerram’s Gaia installations at Chelmsford and Southwark Cathedral’s and Luxmuralis’ Sarum Lights – Renaissance light and sound spectacular at Salisbury Cathedral, would seem to call Butler Gaillie’s contentions into question.'

See also my Artlyst interview with Lakwena, my Visual Meditation for ArtWay on Lakwena's work, and my Church Times review of her Jump paintings. See also my review of Richard Woods' 'Small House'. Reviews of other exhibitions at Salisbury Cathedral can be found here.

My other pieces for Artlyst are:

Interviews -
Monthly diary articles -
Articles/Reviews -

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 The Revolutionary Army of the Infant Jesus - Song of the Soul.

Monday, 31 October 2022

Unveiled: Space Art, Commissions, Saltings, The Encounter







We've had some tremendous Unveiled events at St Andrew's Wickford this Autumn and have more to come before the end of the year.

Next up is Jackie E. Burns in conversation. Jackie is a Fellow of the International Association of Astronomical Artists and will be talking to us this Friday (4 November), 7.00 pm, St Andrew’s Church, 11 London Road, Wickford SS12 0AN. Hear about her work in Space Art fostering the inquisitive joy of art and astronomy, involvement in the International Association of Astronomical Artists, and involvement in community art projects in Essex.

Then I’ll be talking on ‘Congruity and controversy: exploring issues for contemporary commissions’ on Friday 11 November, 7.00 pm. Modern art commissions have led to debates about the Church working with artists that have significant mainstream reputations versus those without, and between secular artists and artists who are Christians. In this illustrated presentation I’ll be showing work made for churches by all these groups of artists and examining the resulting debates.

On Friday 18 November, 7.00 pm, Rev Simpkins & the Phantom Folk perform Saltings. Rev Simpkins’ music mixes the colourful folk tradition of Appalachians Mountains with the melodiousness and carefully-observed lyrics of the Kinks. Close harmonies intertwine with banjo, French horn, and bass. At this concert the band will perform the Rev’s acclaimed fourth album and book, Saltings in its entirety. Created with the Illustrator, Tom Knight, Saltings is a loving portrait of the mystery and beauty of Essex's salt marsh wilderness, and a meditation on the real human cost of the wilderness time of the pandemic. Found within 50 miles of London, the saltings are one of England’s last natural wild spaces. Working as a parish priest a few miles away, Matt came to the saltings to retreat and compose these compelling and compassionate songs about his community’s real-life experiences during the pandemic. Saltings portrays hope found amid wilderness.

Finally, on Friday 2 December, 7.00 pm we have The Encounter, a show that explores the story of Christmas in a fresh way using dance and mime. Throughout the show you will experience a variety of Christmas stories in a contemporary and engaging way for the whole family. Performed by Steven Turner, who has performed across the UK and Europe including Switzerland, Netherlands, Denmark, Germany, and France. Tickets £6.50. To book your ticket go to www.nextstepcreative.co.uk/events.

I look forward to seeing you at some of these events.

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Rev Simpkins - Song of Songs.

Sunday, 30 October 2022

Henry Shelton artist


















Last Friday in the Unveiled session at St Andrew's Wickford I talked with Henry Shelton about his life and art.

Henry was born and grew up in Stratford, East London. He joined West Ham church as a choir boy where he first became aware of the importance of Christian art.

After leaving school he joined a London studio as an apprentice draughtsman developing his drawing skills in lettering and fine art. After 15 years of service he set up his own studio receiving many commissions to design for such clients as the Science Museum, Borough Councils, private and corporate bodies.

During this time he continued painting Christian art and after meeting Bishop Trevor Huddleston he completed a series of portraits of him which were exhibited in St Dunstan's Church, Stepney, where he was also confirmed by the Bishop.

Henry worked designing in studios across the world, including Hong Kong and the USA. Together, we formed commission4mission, an artist's collective that generated church commissions, exhibitions, events and resources. Henry's commissions include a large oil painting of the Ascension installed as an altarpiece in the Church of the Saviour, Chell Heath; the Millennium clock tower in Goodmayes, memorial etched glass windows in All Saints Goodmayes and All Saint's Hutton, painting for the Chapel at Queen's Hospital Romford, Stations of the Crown of Thorns at St Paul's Goodmayes, and the Trinity Window at All Saints Goodmayes.

An earlier interview that I undertook with Henry can be read here and here, while a Church Times profile on him can be found here.

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Ed Kowalczyk - Grace.