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Tuesday, 1 November 2022

Artlyst: Soulages And Strange Clay November 2022 Art Diary

My November diary for Artlyst has mention of 'Sarum Lights - Renaissance' at Salisbury Cathedral, 'Gaia' at Southwark Cathedral and Chelmsford Cathedral, Marta Jakobovits at Elizabeth Xi Bauer Gallery, Sandra Bowden at Gordon College, Lakwena Maciver at Yorkshire Sculpture Park and windows by Pierre Soulages at Conques abbey-church:

‘Under an image of Richard Woods’ ‘Small House’ installation at Southwark Cathedral, Fergus Butler Gaillie, in a recent article for The Spectator, criticised Cathedral art exhibitions as gimmicks bringing the temporary stimuli of consumerism into “places dedicated to the majesty of the eternal.”

His concern was that such temporary exhibitions disrupt spaces built for solemn reflection with their heightened engagements and the number of people they attract. On one level, his piece seems to be a plea for greater space and stillness in already cavernous spaces, while, on another, it seems to be predicated on an unhelpful and unnecessary sacred-secular divide. Fundamentally, it claims that much modern stimuli are antithetical to solemn reflection or reflection per se. Recent and current Cathedral exhibitions, including Luke Jerram’s Gaia installations at Chelmsford and Southwark Cathedral’s and Luxmuralis’ Sarum Lights – Renaissance light and sound spectacular at Salisbury Cathedral, would seem to call Butler Gaillie’s contentions into question.'

See also my Artlyst interview with Lakwena, my Visual Meditation for ArtWay on Lakwena's work, and my Church Times review of her Jump paintings. See also my review of Richard Woods' 'Small House'. Reviews of other exhibitions at Salisbury Cathedral can be found here.

My other pieces for Artlyst are:

Interviews -
Monthly diary articles -
Articles/Reviews -

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 The Revolutionary Army of the Infant Jesus - Song of the Soul.

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