Windows on the world (485)

 

Liverpool, 2024

------------------------------------------------------------------------------------------------------------

Sam Phillips - Reflecting Light.

Trial and Tribulations: 'Archangel Mikhael Trampling the Devil Underfoot'

John Paul Barrett's 'Trials and Tribulations' exhibition at St Andrew's Wickford has been supplemented by a new work 'Archangel Mikhael Trampling the Devil Underfoot'.

Comments made thus far about this exhibition include:

• "Very beautiful and calming."
• "Very excellent, very different, very beautiful."
• "Fantastic exhibition. Thank you."
• "Simply stunning. You are a credit to Essex."

Barrett specialises in mixed media paintings, using acrylics and oil pastels on paintings that range from symbolism to landscapes and portraits. He creates texture, perspective, and sculptural effects by using acrylic paints mixed with an extra heavy medium gel applied with a palette knife and finished with a layer of oil pastel. His work is vivid, colourful and expressionistic.

This exhibition focuses on his modern interpretations of Eastern European religious iconography. Viewers will experience traditional religious imagery in a new light, and (re)connect with the spiritual aspect and values symbolised by pivotal Biblical events.

St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm. See https://wickfordandrunwellparish.org.uk/whats-on.html for more information.

Visitors can also see an archive display on 'Sounds of Basildon' - featuring musicians from the Borough of Basildon - created by Basildon Heritage and a pair of assemblages from Tim Harrold. The Centurion assemblages use a mixture of found objects, paint, and printed and handwritten material sitting in old drawers from a German chest of drawers. The assemblages show the kingdom of God invading representatives of the empire of man: his universe is forever changed, his personal history eternally turned. Tim Harrold has shown his assemblages – which he describes as visual parables in dioramic form – in a number of exhibitions, including at St Catherine's Wickford. He is also a poet, writer, photographer, filmmaker and itinerant speaker.

------------------------------------------------------------------------------------------------------

Martyn Joseph - Everything In Heaven.

Thin Places & Sacred Spaces: Launch events & readings

Dates have now been set for the online launch events for 'Thin Places & Sacred Spaces'. Join editor Sarah Law, founder of Amethyst Press for evenings of poetry readings and discussion on what makes the concept of a thin place so compatible with poetry. 

Use the following links to book your free space:

Monday September 30th 7-8PM UK time (BST)
https://www.eventbrite.co.uk/e/thin-places-sacred-spaces-september-online-launch-tickets-1026921248097?aff=oddtdtcreator

Friday October 25th 7-8PM UK time (BST)
https://www.eventbrite.co.uk/e/thin-places-sacred-spaces-october-online-launch-tickets-1026964326947?aff=oddtdtcreator

In this important and wide-ranging new anthology from Amethyst Press, with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:

• Sacred Locations
• Sacred Nature
• Sacred Architecture
• Sacred Times & Holy Hours
• The Thin Veil Between Life & Death
• The Holy Unexpected
• Thin Places in Art, Poetry & Language

If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell', the poem of mine which has been included in Thin Places and Sacred Spaces, is part of a series of poems on thin places and sacred spaces in Essex. 'Broomfield' has just been published by International Times and the other poems in this sequence - 'Bradwell' and 'Pleshey' - will be published shortly by International Times and Amethyst Review respectively.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Four of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click here, here, here, here, and here. My latest poem to be published, 'The ABC of creativity', is at International Times. It covers attention, beginning and creation and can be read here.

-----------------------------------------------------------------------------------------------------

Sarah Law - Thérèse: Poems.

Whoever welcomes a child in my name welcomes me

 

Here's the sermon I recorded as this Sunday's weekly sermon for the Diocese of Chelmsford (Mark 9:30-37):

The disciples had been arguing among themselves – nothing changes there, then, we might be tempted to think! They had been arguing about which of them was the greatest and thinking of what they could get out of the movement that Jesus began. What they wanted was prestige and power by being elevated over all the other disciples to what they thought of as the position of influence at the right hand of Christ. Jesus turned their thinking about what is important and about prestige and power on its head. In the kingdom of God, service; thinking of and care for others is what counts, not personal advancement, position or power. What can I do for you, not what can I do for me!

At a training weekend for new curates the then Bishop of Barking, David Hawkins, performed a handstand to demonstrate the way in which Jesus, through his teaching in the beatitudes, turns our understanding of life upside down. He was thinking of the way in which Jesus startles us as paradox, irony and surprise permeate his teachings flipping our expectations upside down: the least are the greatest; adults become like children; the religious miss the heavenly banquet; the immoral receive forgiveness and blessing. Bishop David's action turned our expectations, as curates, of Bishops and their behaviour upside-down at the same time that it perfectly illustrated his point.

Years before Jesus was born, the prophet Isaiah had promised a child born for us who would establish endless peace upheld with justice and righteousness. Isaiah described a time when the wolf shall live with the lamb, the leopard would lie down with the kid, the calf and the lion and the fatling together, with a little child leading them (Isaiah 11.1-9).

Isaiah's vision of the peaceable kingdom was centred on a child born to be the Prince of Peace. When that promised child came among us at Jesus, he said: ‘Let the little children come to me, and do not stop them; for it is to such as these that the kingdom of God belongs’; ‘Unless you change and become like children, you will never enter the kingdom of heaven’; ‘Whoever becomes humble like this child is the greatest in the kingdom of heaven’ and ‘Whoever welcomes one such child in my name welcomes me.’ The child born for us calls us to welcome children and become like children. The most radical reversal in a culture where elders were revered is that “the greatest among you must become like the youngest.”

In 2022, several of Nicola Ravenscroft’s EarthAngel sculptures were exhibited at St Andrew’s in Wickford. These bronze sculptures are of children, simply dressed in soft silk tulle, who hesitate in time, leaning forward, hopeful, poised to dive into life, eyes closed, dreaming into their future, anticipating things unseen. Nicola says that her EarthAngels are youngling messengers of peace and healing, guardians of our future.

One reason why the promised child calls us to become like children is that children see the peaceable kingdom, until adults teach them otherwise. Children don’t argue amongst themselves for prestige and position until adults have taught them to do so. That is why the children are our future and can lead the way into a better future. We need, as Thomas Traherne wrote, to unlearn the dirty devices of this world in order to become, as it were, a little child again that we may enter into the Kingdom of God.

By telling his disciples that “Whoever wants to be first must be last of all and servant of all”, Jesus turns the meaning of greatness and leadership upside down. No longer are they to be understood in terms of garnering wealth and power for oneself. Now they are understood to be about service; giving your life that others might live. Jesus, as the servant King, says to us, ‘I, your Lord and Teacher, have just washed your feet. You, then, should wash one another’s feet. I have set an example for you, so that you will do just what I have done for you.’

Michael Curry, the Presiding Bishop of the Episcopal Church, in his statement on the coronavirus outbreak reminded us that: ‘Jesus came among us in the first place, to show us … how to live not simply as collections of individual self-interest, but how to live as the human family of God. That’s why he said love the Lord your God, love your neighbor as yourself. Because in that is hope for all of us to be the human family of God.’

Through her EarthAngels, Nicola Ravenscroft extends this call and example to include our care for the earth and the creatures it supports. Her sculptures are “earth’s messenger-angels: silently calling us all to live in peace with nature”: “Earth’s children are life’s heartbeat: they are her hope, her future ... they are breath of Earth herself. Creative, inquisitive and trusting, children are Earth’s possibility thinkers. They seek out, and flourish in fellowship, in ‘oneness’, and being naturally open-hearted, and wide-eyed hungry for mystery, delight and wonder, they embrace diversity with the dignity of difference.”

These are the children we are called to welcome, the children we are to become, the children to whom the peaceable kingdom belongs. Nicola’s EarthAngels stand together, peacefully, as friends, vulnerable and strong, silently singing out their call to change. These little children lead with trusting feet, plump and bare. The Prince of Peace is with them and calls us to let them lead the way. Will you be among those who follow?

---------------------------------------------------------------------------------------------------

Raphael Ravenscroft - "... and a little child shall lead ..." Isaiah 11:6. 

Windows on the world (484)

Valldemossa, 2024

-----------------------------------------------------------------------------------------------------------------

Lone Justice - Soap, Soup and Salvation.

International Times: Broomfield

My latest poem to be published by International Times is entitled 'Broomfield' and is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios'. 

The first poem in the sequence to be written - 'Runwell' - was published by Amethyst Review and has just been included in the Amethyst Press anthology, Thin Places and Sacred Spaces,  The other two poems in this sequence - 'Bradwell' and 'Pleshey' - will be published shortly by International Times and  Amethyst Review.

Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem reviews their stories, work, legacy and motivations.

For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see here, here, here, here and here. I will be giving a talk on 'Rosemary Rutherford's Religious Art' at St Mary with St Leonard Broomfield in November, together with Kathy Rouse (see below).

My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, plus reviews of: Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's Together exhibition, What Is and Might Be and then Otherwise by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'.

My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published a poem, The ABC of creativity, which covers attention, beginning and creation.

--------------------------------------------------------------------------------------------------------

Maria McKee - Breathe.

Amethyst Press: Thin Places & Sacred Spaces

Very pleased to be among those whose poetry has been included in 'Thin Places & Sacred Spaces'.

In this important and wide-ranging new anthology from Amethyst Press with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:

• Sacred Locations
• Sacred Nature
• Sacred Architecture
• Sacred Times & Holy Hours
• The Thin Veil Between Life & Death
• The Holy Unexpected
• Thin Places in Art, Poetry & Language

If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell', the poem of mine which has been included in Thin Places and Sacred Spaces, is part of a series of poems on thin places and sacred spaces in Essex. The other poems in this sequence - 'Bradwell', 'Broomfield' and 'Pleshey' - will be published shortly either by International Times or Amethyst Review.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Four of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click here, here, here, here, and here. My latest poem to be published, 'The ABC of creativity', is at International Times. It covers attention, beginning and creation and can be read here.

-----------------------------------------------------------------------------------------------------

Jonathan Evens - Meditation on Alan Oldfield's Revelations of Divine Love of Julian of Norwich.

Interview Update

My latest interview for Seen & Unseen is entitled 'Art, AI and apocalypse: Michael Takeo Magruder addresses our fears and questions'. I have also had an interview titled 'The soul of a colour' with Richard Kenton Webb published in the Art+Christianity Journal. 

As a result, I am updating this index of interviews. I have carried out a large number of other interviews for Artlyst, ArtWay, Church Times, International Times, Seen and Unseen and Art+Christianity. They provide a wide range of fascinating insights into the approaches and practices of artists, arts professionals, clerics, curators, performers, poets and writers.

They can be found at:

Artlyst

• Michael Petry Discusses In League With Devils with Revd Jonathan Evens
• Sean Scully A Humility Towards Nature
• Winslow Homer: American Passage An Interview With Biographer Bill Cross
• Grayson Perry Tapestries On Show At Salisbury Cathedral
• Sidney Nolan’s Africa: Interview With Andrew Turley
• Ilona Bossanyi: Tate’s Ervin Bossanyi Stained Glass Window Mothballed After 2011 Redevelopment
• Louis Carreon: Sampling Art History
• Modus Operandi - What Makes Successful Public Art: Vivien Lovell Interviewed
• Genesis Tramaine: A Queer Devotional Painter
• Lakwena Maciver: Review-Interview Hastings Contemporary
• Nicola Ravenscroft - Sculpture With A Peaceful Stillness
• Artist Hannah Rose Thomas – Tears of Gold – Interview
• Marcus Lyon: Human Atlas Explorations
• Elizabeth Kwant Interview
• Helaine Blumenfeld: Undulating Structures
• National Gallery Explores ‘Sin’ In New Exhibition – Interview Dr Joost Joustra Curator
• Betty Spackman: Posthumanism Debates
• Christopher Clack: Connecting The Material And Immaterial
• Peter Howson Artlyst Interview
• Marleen Hengelaar-Rookmaaker On The Legacy Of ArtWay
• Alastair Gordon A Testament To His Faith
• Katrina Moss Chaiya Art Awards Interview: Where is God in our 21st century world?
• Apocalypse Now: Michael Takeo Magruder Interviewed
• Jonathan Anderson: Religious Inspirations Behind Modernism
• Caravan – An Interview With Rev Paul Gordon Chandler On Arts Peacebuilding
• Art Awakening Humanity Alexander de Cadenet Interviewed
• Michael Pendry New Installation Lights Up St Martin In The Fields
• Mark Dean Projects Stations of the Cross Videos On Henry Moore Altar

ArtWay

• TEARS OF GOLD: “The invisible light that radiates from the other” – Jonathan Evens interviews Hannah Rose Thomas
• Stations of the Cross in Hornsea: Jonathan Evens Interviews Artist Matthew Askey
• David Miller - "Form welcomes the formless home"
• Sophie Hacker - The Calling Window
• Peter Koenig interview
• Belinda Scarlett interview

Church Times

• Looking Up by Helaine Blumenfeld
• Proverbs of Micah Purnell, poster painter
• The Calling Window, by Sophie Hacker for Romsey Abbey
• Global Images of Christ: Challenging Perceptions at Chester Cathedral
• Betty Spackman: The art and the conversation

International Times

• Polyphony, poetry and publishing. An interview with Chris Emery
• Jago Cooper: Living art and urgent questions

Seen and Unseen

• Art, AI and apocalypse: Michael Takeo Magruder addresses our fears and questions
• Matthew Krishanu: painting childhood
• How to look at our world: Aaron Rosen interview
• The Devil's perspective: Jonathan Evens interviews author Nicholas Papadopulos
• Finding the human amid the wreckage of migration: Shezad Dawood’s multimedia Leviathan exhibition at Salisbury Cathedral
• Charm in tunes on the eastern edge: Musician and priest Rev Simpkins discusses how music is an expression of humanity and his faith

Art+Christianity

• Interview: Richard Kenton Webb by Jonathan Evens
• David Hawkins interviewed by Jonathan Evens

Also see my interviews with artist Henry Shelton here and here and David Hawkins, former Bishop of Barking, here, here and here.

------------------------------------------------------------------------------------------------------

The Alpha Band - Interviews.

Forget self and carry your cross

Here's the sermon that I shared today at St Mary Magdalene, Great Burstead:

Chapter meetings are the regular meeting for all the clergy and readers in a Deanery. In a previous Deanery we had some sessions where we shared with each other our thoughts and feelings about ministry. At one meeting we shared our motivations for ministry and, at another, we talked about those things that we found threatening in ministry.

Talking about the things we find threatening is itself a slightly threatening thing to do. Think about your life and work for a moment and the things that you find threatening. You might find yourself talking about tensions in relationships, unethical work practices, increasing demands on your time, the possibility of redundancy, mounting debts, nuisance neighbours, racial tensions, or fear of crime, among many other possibilities. Sharing things that we find threatening can open up some very personal things and so we felt vulnerable at that Chapter meeting as we shared together.

But although we felt vulnerable during the meeting, as we shared things that were personal to us, we did not go away from the meeting continuing to feel vulnerable. Instead, as each person shared, we felt a closer identification with each other and were able to support each other by praying together before we left. In that meeting our willingness to be vulnerable moved us to a place of greater understanding and support for each other.

As we go about our daily lives there are many situations in which we can make us ourselves vulnerable. Each time we come to church we publicly confess our sins. If we genuinely do this and genuinely understand the significance of what we are saying and doing together, then we are all publicly acknowledging specific failures in our lives, relationships and witness during the past week. That is, or should be, a place of vulnerability. As we care for others, we experience vulnerability. In a serious illness, we can see a person that we love decline mentally and physically sometimes with little that we can do to prevent that. We are torn up inside but need to stay in that place of vulnerability in order to support that person in their illness. When we witness crime, do we call the Police or intervene? Doing either may also make us vulnerable. In our world, we are faced with significant issues of disadvantage and oppression. If we take a stand on these issues then, again, we can make ourselves vulnerable.

In our Gospel reading (Mark 8: 27 – end) Jesus said that those who follow him must forget self and carry their cross. Those who want to follow him have to lose their lives, he says. This is the ultimate vulnerability and it is what Jesus modelled for us by going to the cross with all the rejection and suffering that that particularly horrific form of death involved. But Jesus is quite clear and specific in what he says. That is what he had to do, anyone who tried to prevent that from happening was doing the Devil’s work (even if that person was Peter, the leader of Jesus’ disciples and the person who had just realised who Jesus actually was), and we are to follow in his footsteps. This is a call into vulnerability coming from a God who deliberately makes himself so weak that human beings can take him and kill him.

It is an incredible statement that contradicts our gut human instinct about the right way to live life. Scientists tell us that life is about the survival of the fittest and what follows from that is that living selfishly by protecting ourselves and our interests is the way to survive in life. That is our gut instinct as human beings about life. We see it in many words and phrases that are in common usage. We’ve all heard people talk about looking after No. 1 or how you’ve got to look out for yourself because if you don’t know one else will. Much of the way we organise society is about reducing our sense of vulnerability through extra security or by minimising pain. Faced with a crime situation many people will simply pass by rather than help and we often try to lead a quiet life rather than take a stand on issues in our community and world.

Jesus says that when we live like that, trying to save our own lives, that actually we lose them. When we live life by thinking of ourselves, protecting ourselves, building barriers between ourselves and others, then we have missed the whole point of life and cannot live a life of real engagement with God, other people and the world in which we live. In other words, when we live selfishly, we are dead to the world and all that is in it.

The alternative that Jesus maps out for us here is scary but it is the way, he says, to real life. “Whoever wants to save his own life will lose it; but whoever loses his life for me and for the gospel will save it.”

Why is it that vulnerability will lead us into real life? The Chapter meetings I mentioned give us a clue. As we make ourselves vulnerable to others, we find what we share in common (we can’t find that out if we’re only thinking of ourselves) and we find ways in which we can help or support each other and ways in which we can work together for the good of all (we can’t find that out if we only want things for ourselves). Through the experience of vulnerability, we are born into a new world, a new way of life; a shared way of life.

This is an experience of resurrection which is what Jesus promised to those who are prepared to lose their selfish way of life for his sake. It is what Jesus himself knew he would experience: “The Son of Man must suffer much and be rejected by the elders, the chief priests, and the teachers of the Law. He will be put to death, but three days later he will rise to life.” Paul wrote that Jesus’ death has destroyed the diving wall of hostility between Jew and Gentile making one people who are reconciled to God. That is resurrection. That is losing your life in order to find it. That is leaving selfishness through vulnerability in order to find solidarity.

We are called, as followers of Jesus, into this way of life. It is scary, there are no two ways about it. None of us feel comfortable with vulnerability – whether it is emotional, physical or spiritual vulnerability. But it is our willingness, Jesus says, to become vulnerable with others that leads into the experience of unity and solidarity that is a resurrection into the way that life was created to be. We are not created for selfishness we are created to love God and to love others and we only truly live when we do so. May it be so for each one of us. Amen.

--------------------------------------------------------------------------------------------------------

Adrian Snell - Son Of The World.

Windows on the world (483)

London, 2024

-------------------------------------------------------------------------------------------------------------

Michael Kiwanuka - Lowdown (parts i and ii).

 

International Times: Beyond Language

My latest book review for International Times is on What Is and Might Be and then Otherwise by David Miller:

"This is principally a book of conversations and juxtapositions where the gaps and pauses and what is between are as significant as the links and lines and flow. Sight and sound are juxtaposed; what is said being as meaningful as what is seen in silence. Dreams, memories, images, stories, phone calls, conversations are all recounted, reimagined, remembered and re-membered in an attempt to commune with the dead and navigate grief."

For more on David Miller see here and here.

My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, plus reviews of: Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's Together exhibition, 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'.

My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published a poem, The ABC of creativity, which covers attention, beginning and creation.

-------------------------------------------------------------------------------------------------------

David Miller & SPIRITWORK - Moments.

Seen and Unseen: Art, AI and apocalypse: Michael Takeo Magruder addresses our fears and questions

My latest interview for Seen & Unseen is entitled 'Art, AI and apocalypse: Michael Takeo Magruder addresses our fears and questions'. In the interview the digital artist talks about the possibilities and challenges of artificial intelligence:

'Like artists, perhaps theologians can use emerging (and disruptive) media to not only expand possibilities for their work, but more importantly, to refocus their efforts towards areas that these technologies cannot presently (and will likely never) address.'

For more on Michael Takeo Magruder see here, here, here and here.

My first article for Seen and Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.

My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.

My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.

My fourth article was a guide to the Christmas season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas.

My fifth article was 'Finding the human amid the wreckage of migration'. In this article I interviewed Shezad Dawood about his multimedia Leviathan exhibition at Salisbury Cathedral where personal objects recovered from ocean depths tell a story of modern and ancient migrations.

My sixth article was 'The visionary artists finding heaven down here' in which I explored a tradition of visionary artists whose works shed light on the material and spiritual worlds.

My seventh article was 'How the incomer’s eye sees identity' in which I explain how curating an exhibition for Ben Uri Online gave me the chance to highlight synergies between ancient texts and current issues.

My eighth article was 'Infernal rebellion and the questions it asks' in which I interview the author Nicholas Papadopulos about his book The Infernal Word: Notes from a Rebel Angel.

My ninth article was 'A day, night and dawn with Nick Cave’s lyrics' in which I review Adam Steiner’s Darker With The Dawn — Nick Cave’s Songs Of Love And Death and explore whether Steiner's rappel into Cave’s art helps us understand its purpose.

My 10th article was 'Theresa Lola's poetical hope' about the death-haunted yet lyrical, joyful and moving poet for a new generation.

My 11th article was 'How to look at our world: Aaron Rosen interview', exploring themes from Rosen's book 'What Would Jesus See: Ways of Looking at a Disorienting World'.

My 12th article was 'Blake, imagination and the insight of God', exploring a new exhibition - 'William Blake's Universe at the Fitzwilliam Museum - which focuses on seekers of spiritual regeneration and national revival.

My 13th article 'Matthew Krishanu: painting childhood' was an interview with Matthew Krishanu on his exhibition 'The Bough Breaks' at Camden Art Centre.

My 14th article was entitled 'Art makes life worth living' and explored why society, and churches, need the Arts.

My 15th article was entitled 'The collective effervescence of sport's congregation' and explored some of the ways in which sport and religion have been intimately entwined throughout history

My 16th article was entitled 'Paradise cottage: Milton reimagin’d' and reviewed the ways in which artist Richard Kenton Webb is conversing with the blind poet in his former home (Milton's Cottage, Chalfont St Giles).

My 17th article was entitled 'Controversial art: how can the critic love their neighbour?'. It makes suggestions of what to do when confronted with contentious culture.

---------------------------------------------------------------------------------------------------

Maria McKee - I Should Have Looked Away.

Trials and Tribulations: Exhibition viewing evening

We had a very enjoyable opening night at St Andrew's Wickford this evening with a fascinating talk by John Paul Barrett about his work.

John Paul spoke about his career to date, how he became an artist, the spirituality that informs his work and his interest in Eastern European iconography. His work has a sculptured and textured look and he told us about the technique he uses to achieve that look. He also spoke about some of the artists that have inspired his expressionist style and why they are important to him. He ended by telling us about some the other themes and topics he addresses.

To view the exhibition, St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm. See https://wickfordandrunwellparish.org.uk/whats-on.html for more information.

The next Unveiled arts and performance event on a Friday evening is: Friday 27 September (7.30 pm) – Dave Crawford in concert. Popular local musician, Dave Crawford writes engaging/melodic songs in Americana/ Alt-Rock/Indie-Folk. He has performed at the Leigh Folk Festival, Pin Drop Sessions, & Music for Mind together with Kev Butler. This will be Dave’s second concert at Unveiled. We have also enjoyed his powerful vocals & guitar at our Open Mic Nights.

---------------------------------------------------------------------------------------------------------

Kev Butler and Dave Crawford - Revelations.

Art+Christianity: The soul of a colour - Interview with Richard Kenton Webb

My latest interview is with Richard Kenton Webb and has been published in the Art+Christianity Journal. The interview is titled 'The soul of a colour' and explores Richard's pilgrimage to explore and communicate the spiritual significance of colour.

Painting has been declared dead on many occasions and for many reasons over the past 150 years since Paul Delaroche declared ‘From today, painting is dead’ having seen a daguerreotype for the first time. Although painting has never been counted out and has always staged a come- back, artists like Webb have experienced real barriers in their professional and academic careers as a result of their commitment to painting. In Webb’s case this has reinforced his intent to ground the demonstration of his practice through both paint and philosophy. When combined with his spirituality, this places his work firmly in the tradition of British visionary art begun by Blake and Palmer, while the rigour, breadth and depth of his practice and its visual expression in his manifesto of painting mean that his work may well be the most fully realised and significant contemporary expression of that tradition. Recent series such as A Conversation with John Milton’s Paradise Lost and Passion set him alongside Blake in his ability to create an imaginative dialogue between text and image that plumbs the depths of inspiration, psyche, and spirit. His art and teaching combine to form an integrated whole providing a substantive platform on which future visionary art may be built.

For my other writings about Richard Kenton Webb see here and here. Webb is part of a loose grouping of artists known as the Brotherhood, a group of friends and fellow artists – Mark Cazalet, Thomas Denny, Nicholas Mynheer, and Roger Wagner – who create in the tradition begun by Blake and Palmer. They "support each other as we go our different ways, and ... share a deep faith". For more on this tradition and artists in the Brotherhood see here, here, here, here, here, here, here, here, here and here.

In addition to the interview, this edition of the A+C Journal features:

• Vessel: an art trail in remote rural churches - Essay by Jacquiline Creswell
• Exhibition reviews: Anish Kapoor by Emma Roberts; Michael Petry, In League with Devils by Maryanne Saunders; Mysterious Ways: Art, faith and transcendence by Orla Byrne
• Event review: Ritual/Bodies by Charles Pickstone
• Book reviews: The Spiritual Adventure of Henri Matisse by Charles Miller - Inge Linder-Gaillard
• Art in Churches: Re-siting works of art by Laura Moffatt

Several of these I have also covered in my writing: see my review of Anish Kapoor at Liverpool Cathedral here, my recent interview with Michael Petry here, and my review of 'The Spiritual Adventure of Henri Matisse here. 

My other writing for Art+Christianity is here. My writing for ArtWay can be found here. My pieces for Church Times can be found here and those for Artlyst are here.

-------------------------------------------------------------------------------------------------------

Lleuwen Steffan - Ebeneser (Dyma Gariad Fel Y Moroedd) (Ton Potel)