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Tuesday 9 January 2018

London Lumiere 2018 and churches


London Lumiere 2018 launches on the evening of Thursday 18 January and runs over four nights through to Sunday 21 January.

Lumiere first came to central London in January 2016 and wowed visitors with light installations placed across the city centre. This year the show is even bigger with installations on the Southbank and at Waterloo, Westminster, Mayfair, The West End and Kings Cross. Visitor numbers are expected to reach over 2m. The works are illuminated from 17.30 – 22.30 each night.

St Martin-in-the-Fields will be hosting Echelle, by Ron Haselden – a neon pink illuminated ladder that will be attached to the spire. Dreamlike, it will disappear into the ether above like a glowing stairway to heaven. Haselden (France/UK) is an international artist working with light, electronics, sound, film and other materials. He lives and works in London and in Plouër-sur-Rance, France. The work was originally commissioned for the Salisbury Festival in 2000. The Café in the Courtyard will open from 17.00 – 21.00 Thurs – Sat and from 16.00 – 19.00 on Sunday and will be serving homemade soup, paninis, hot drinks, snacks and licensed refreshments. 

Experience a soothing meditation connecting colour, sound, light and texture through UK artist Chris Plant’s Harmonic Portal. In this new work at St James Piccadilly, Plant seeks to piece together our fragmented world. The soundtrack is derived from the frequencies of red, green, and blue light, creating a synesthetic colour organ that explores and magnifies both the inside and the outside of the frame. https://www.instagram.com/harmonicportal/.

See Tracy Emin’s neon work Be Faithful to Your Dreams, in St James’s Churchyard during Lumiere London 2018. London-born Emin is one of Britain’s most celebrated contemporary artists. Since the early 1990s, she has used her own life as inspiration for her art, exposing the most harrowing and intimate details of her personal history through needlework, sculpture, drawing, photography, painting, and of course neon.

Emin (UK) uses neon to illuminate emotions, memories, feelings and ideas in graphic messages, sentences and poems. Translating handwriting and drawings into blown and bent neon tubing presents technical challenges, and the choice of words or images is crucial. As the artists notes: “Neon is light, so, can you live with this thing glowing and the chemicals moving all the time?”

Experience moving tales through My Light is Your Light, a tribute from artist Alaa Minawi (Palestine/Lebanon) to Syrian refugees, in St James’s Churchyard (viewed from Church Place).

This installation pays tribute to Syrian refugees and the terrible conditions they have experienced in their migrations across the world. The work was realised after Alaa Minawi worked for three years as an interpreter for Syrian, Iraqi, Sudanese and Somali refugees. Also see Suspended, an installation artwork by Arabella Dorman inside St James's Church Piccadilly.

He interpreted the final interviews that took place between the refugees and a DHS (Department of Homeland and Security) officer within which they received their final resettlement decisions. In these interviews, the refugees tell their traumatic stories, what they have been through and the reasons behind their displacement. Minawi interpreted interviews for more than 1,000 families and felt the need to express what he had heard. These stories are now embodied in art, the fragile outlines of a family glowing in the darkness.

Minawi says: “I would like people to know that these are not refugees. As an artist, it is important to highlight the fact that we need to view them as people who were forced to leave their homes. That is a much more powerful approach…. We have to go to the real meaning of the word 'refugee' without the fears that are currently stigmatising it.”

See French digital artist Patrice Warrener’s magnificent The Light of the Spirit (Chapter 2), at Westminster Abbey. Warrerner created one of the most popular installations during Lumiere London 2016; and for the second instalment, in 2018, he brings the facade of the abbey’s Great West Gate to life by incorporating sculptural details in his distinctive colourful style.

Bathing Westminster Abbey in colour and light, the projection highlights the architectural mastery of the building, enabling us to witness the glorious statuettes of 20th-century martyrs reimagined. Usually perched unobtrusively on the facade above the Great West Doors, the figures are once again transformed into kaleidoscopic illuminations, a tribute to their lives in technicolour.

Warrener is recognised worldwide for his chromolithe projection system. His polychromatic illuminations on buildings give the impression of a spectacularly bright painted surface. He has designed more than 80 astounding creations and continues to share this unique art form across the globe.

Discover how simple technology is changing thousands of lives across the world with The Rose at Westminster Cathedral. Lumiere London celebrates light in all its forms but for many people access to light is a luxury, and Mick Stephenson's installation with Electric Pedals (UK) highlights how communities can be transformed by light.

A rose window with a difference, this work is made from thousands of recycled plastic bottles transformed into beautiful illuminated art. In another twist, The Rose is powered by bicycles pedalled by members of the public. Join in and work off those Christmas calories!

Artist Stephenson explores issues relating to poverty, sustainability and climate change in his works. Filled with bottles designed during workshops with local school children, The Rose asks us to acknowledge the growing need for alternative technologies to support our everyday lives.

Stephenson’s Litre of Light installation for Lumiere London 2016 attracted thousands to Central Saint Martins. He also created installations for Lumiere Durham in 2015, 2013 and 2011.

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Larry Norman - Shine A Light.

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