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Saturday, 17 June 2017

Exhibitions update: Image and identity

I've recently enjoyed seeing two exhibition about image and identity:

Grayson Perry: The Most Popular Art Exhibition Ever!: This summer Grayson Perry, one of the most astute commentators on contemporary society and culture, presents a major exhibition of new work at the Serpentine Galleries. The works touch on many themes including popularity and art, masculinity and the current cultural landscape.

Perry’s abiding interest in his audience informs his choice of universally human subjects. Working in a variety of traditional media such as ceramics, cast iron, bronze, printmaking and tapestry, Perry is best known for his ability to combine delicately crafted objects with scenes of contemporary life. His subject matter is drawn from his own childhood and life as a transvestite, as well as wider social issues ranging from class and politics to sex and religion.

The Most Popular Art Exhibition Ever!, tackles one of Perry’s central concerns: how contemporary art can best address a diverse cross section of society. Perry said: “I am in the communication business and I want to communicate to as wide an audience as possible. Nothing pleases me more than meeting someone at one of my exhibitions from what museum people call ‘a non-traditional background.’ The new works I am making all have ideas about popularity hovering around them. What kind of art do people like? What subjects? Why do people like going to art galleries these days? What is the relationship of traditional art to social media?”

A Channel 4 documentary Grayson Perry: Divided Britain followed Perry as he created a new work for the show: his attempt to capture the thoughts of a divided country a year after the EU referendum. Harnessing social media, Perry invited the British public to contribute ideas, images and phrases to cover the surface of two enormous new pots: one for the Brexiteers and one for the Remainers. He also visited the most pro-Brexit and pro-Remain parts of the country for the programme, which is available to watch on All4. 

Saatchi Gallery and Huawei have teamed up to present From Selfie to Self-Expression. This is the world’s first exhibition exploring the history of the selfie from the old masters to the present day, and celebrates the truly creative potential of a form of expression often derided for its inanity.

The show also highlights the emerging role of the mobile phone as an artistic medium for self-expression by commissioning ten exciting young British photographers to create new works using Huawei’s newest breakthrough dual lens smartphones co-engineered with Leica.

I'll also be going to see Art Out of the Bloodlands: A Century of Polish Artists in Britain at the Ben Uri Gallery from 28 June - 17 September 2017. This exhibition focuses on the contribution made by the largest migrant community to 20th/21st Century British Art, this exhibition highlights the work of Polish artists who have worked and continue to work in Britain. Featured artists include: Jankel Adler, Janina Baranowska, Marian Bohusz-Szyszko, Stanislaw Frenkiel, Feliks Topolski and Alfred Wolmark, complemented by contemporary practitioners working in London now. All but a handful of the featured works have been created in England – the new homeland - yet many retain symbols of Polish national identity, from Catholicism and the cavalry, to the dark forests and traditional embroidery.

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Pink Floyd - Wish You Were Here.

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