Between
Sunday, 6 July 2025
Windows on the world (526)
The Kingdom of God has come near you
In the National Gallery in 2013 you could find a St. Francis without a head and with a candy-grabber crane that went inside his body and which, if you were lucky, pulled out a T-shirt saying chastity, obedience and poverty; another St. Francis was mounted on a donation box and, when you put money in, he hit himself over the head with a crucifix. Michael Landy’s large-scale sculptures consisted of fragments of National Gallery paintings cast in three dimensions and assembled with old machinery, cogs and wheels, meaning that visitors could crank the works into life with a foot pedal mechanism.
They sound like pieces designed to mock St. Francis and other Saints represented and yet Landy is an artist who is fascinated by the renunciation and kindness that Saints like Francis have shown through their lives. Landy is best known for two works. The first being an installation in a former C&A store on Oxford Street, where over a two week period, he destroyed all his possessions except for the clothes in which he stood. The second being ‘Acts of Kindness’ where Landy asked members of the public who had witnessed or taken part in acts of kindness while travelling on the tube, to write about them. So, as at least one of the art critics reviewing the show at the National Gallery, has noted while enjoying the jokiness of the lucky dip St. Francis, “you also sense that Landy thinks Britain could do with a little of St Francis’s spirit.”
St. Francis lived out his faith and that is what today’s Gospel reading (Luke 10. 1 – 11, 16 – 20) is all about. This passage from Luke’s Gospel gives us Jesus’ inspirational team talk just before sending his disciples out to be his advance guard preparing those in the towns and other places to be visited by Jesus shortly after. He gives his disciples a message to share – “The Kingdom of God has come near you” – but his main focus is on the behaviour and attitude of his disciples; the way in which they live and act.
He instructs them to live simply (“don't take a purse or a beggar's bag or shoes”); to be focused (“don't stop to greet anyone on the road”); to be peace givers (“whenever you go into a house, first say, ‘Peace be with this house.’”); accept hospitality (“stay in that same house, eating and drinking whatever they offer you”); bring healing (“heal the sick in that town”); share your message (“say to the people there, ‘The Kingdom of God has come near you.’”); and move on when not accepted (“the dust from your town that sticks to our feet we wipe off against you”).
These instructions of Jesus became a model for itinerant preachers throughout Church history including St. Francis and his followers. The words “Preach the Gospel at all times, if necessary use words” are often attributed to St. Francis but, while certainly reflecting something of what he said and did, that is not a phrase he actually used. ‘Francis did focus on proclaiming the word in deeds – as well as in words. And if you have ever read any of Francis’ own writings it is easy to see that Scripture is infused everywhere in his words, his life and his being – and his actions. It is easy to see where the oft-quoted phrase came from; for example, the Legend of the Three Companions’ includes this inspirational team talk from St. Francis:
“Calling together the six brothers, Saint Francis, since he was full of the grace of the Holy Spirit, predicted to them what was about to happen. “Dearest brothers,” he said, “let us consider our vocation, to which God has mercifully called us, not only for our own good, but for the salvation of many. We are to go throughout the world, encouraging everyone, more by deed than by word, to do penance for their sins and to recall the commandments of God. Do not be afraid that you seem few and uneducated. With confidence, simply proclaim penance, trusting in the Lord, who conquered the world. Because by his Spirit, He is speaking through and in you, encouraging everyone to be converted to him and to observe his commandments”’ (http://friarmusings.wordpress.com/2012/09/26/preach-the-gospel-at-all-times-if-necessary-use-words/)
But what has all this to do with us, as we are generally not being called by God to become itinerant preachers? The answer is very simple, that our actions, as well as our words, speak powerfully about our faith. Negatively, this is the reason why Christians are often criticised as being hypocrites; others look at what we do and complain that we aren’t practising what we preach. When our actions and our words come together, however, then our witness is powerful; to see that we only have to think of examples provided by Saints like Francis or more recent followers of Christ like Dietrich Bonhoeffer, Martin Luther King Jnr, Mother Teresa, Oscar Romero, Desmond Tutu, among others.
This is also one reading of the message which Jesus gave his disciples to proclaim. Do you remember what it was? It was not quite the message that we might have expected or anticipated. The disciples weren’t given the message that ‘God is love’ or to ‘repent and believe’; instead they were told to say that “The Kingdom of God has come near you.”
What did that mean? The disciples were the heralds for Jesus’ imminent arrival in that place, so it would certainly have meant Jesus is coming and the Kingdom of God arrives where he arrives. But, because the disciples were also living out their faith in practice, as those bringing peace and healing into the communities they visited, it also meant that the Kingdom of God could be seen in their lives and examples too. This can still be true for us today. Doing good, for Christians, is not about our salvation – it’s not about earning God’s love – instead it is a consequence of our salvation; because God has loved us so much, we then want to love others and, as we do, the Kingdom of God comes close to those we love, help and heal.
That is the challenge of this passage for us today and so, in the words of St. Francis:
Dearest brothers and sisters let us consider our vocation, to which God has mercifully called us, not only for our own good, but for the salvation of many. We are to go throughout the world, encouraging everyone, more by deed than by word, to do penance for their sins and to recall the commandments of God. Do not be afraid that you seem few and uneducated. With confidence, simply proclaim penance, trusting in the Lord, who conquered the world. Because by his Spirit, He is speaking through and in you, encouraging everyone to be converted to him and to observe his commandments.
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Travelling Light: A Service for the Third Sunday after Trinity | The Church of England
Travel light. Jesus was calling the 70 to an itinerant ministry (Luke 10.1-11, 16-20). Their focus was on going ahead of Jesus to prepare people for his coming and his message. So, they took nothing unnecessary with them, they weren’t distracted by small talk along the way, they welcomed hospitality when they received it but they simply moved on to the next place and the next person whenever they were not made welcome. No distractions, just a clear focus on their task and their message.
We also need to travel light in our individual lives and our corporate Church life in order that we are focused on our core task of sharing the good news about Jesus in actions and words. But there is also a second reason for travelling light which is to do with the footprint that we leave on the world. By sitting light to possessions and by accepting hospitality as it was offered to them, the 70 imposed as little as possible on the people, villages and areas through which they travelled. In our society, since the advent of the Industrial Revolution, we have done anything but. Our footprint has been heavy on our world as we have exploited its resources for our own gain and we are still struggling to realise the consequences.
John V. Taylor's book, ‘Enough is Enough’, kickstarted the simple lifestyle movement. ‘Live more simply that others might simply live’ was their slogan and it is one that Eugene Peterson sees as coming out of the instructions that Jesus gave to his disciples before he sent them out on their mission: “Don’t load yourselves up with equipment,” he writes, “Keep it simple; you are the equipment. And no luxury inns – get a modest place and be content there until you leave.” Keep it simple. Travel light. These are the key messages of Jesus’ instructions.
Why? To keep us focused on our message and mission and to tread lightly on the earth as we do so.
Travelling light / without / a purse / without / a bag / without / shoes / without / equipment / you are / the equipment / you are / all you need
Travelling light / no / special appeals / no / luxury hotels / no / looking / for the best / cooks / keep it / simple / keep it / modest / be / content
Travelling light / don’t stop / to make / small talk / with those / on the road / move on / reach / your destination / the harvest / is great / but the / workers / few
Travelling light / do stop / to bless / the homes / in which / you rest / for all / you receive / give thanks / and peace / don’t create / when made / unwelcome / shrug / your shoulders, / wipe / your feet / move on
Travelling light / don’t / fill your barns / simply / to eat, / drink / and / be merry / don’t / store up / riches / simply / to rust / and decay / don’t / store up / riches / simply / for others / to steal / your heart / will be / where / your riches / are
Saturday, 5 July 2025
International Times: Dark Intense Music
My latest review to be published by International Times is of 'Down River: In Search of David Ackles' by Mark Brend:
'In Down River Mark Brend tells the story of David Ackles more fully than it has ever been told before. In the book, he identifies why that story and Ackles’ four albums remain worthy of such focused attention. As Bernie Taupin once said, ‘It’s not just that his music was different; he was different’. Through his search for David Ackles, Brend identifies the ways in he and his music were different from all around him and makes a strong argument for a greater appreciation of the value of difference.'
'Ackles’ storytelling songs demonstrate an incarnational ‘being with’ approach to his characters (‘We are all flawed; we have all fallen’), while the cumulative picture painted is of the bleakness of a world which has, as with the stunning ‘His Name is Andrew’, lost its connection with God.'For more on David Ackles see here and here.
My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: 'Headwater' by Rev Simpkins; 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.
IT have also published several of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.
To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.
I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.
'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.
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David Ackles - Waiting For The Moving Van.
Friday, 4 July 2025
Unveiled: An Evening with Neil Tye
For the last 25 years Neil Tye has been working professionally, as a physical visual theatre performer, instructor, teacher, and installation artist, and has taken his performances, and teaching skills around the world. At Unveiled tonight, we heard stories about his music, performance, and painting.
He had examples of paintings and a sculpture from two recent series. He spoke of his current series as follows:
After they left, their words lingered like incense. And I, stirred by something sacred, picked up the brush. Each mark led to the next a choreography of colour, a prayer in movement.
Neil’s artistic practice is grounded in an intuitive and process-driven approach, wherein the act of painting itself dictates the final composition. Rather than adhering to predetermined concepts, he engages with the canvas through spontaneous mark-making and gestural forms, allowing the work to evolve organically. While his initial engagement with a piece may be sparked by a particular colour or shape, it is the dynamic interplay of movement, texture, and form that ultimately guides its development.
Art Encounter is an international arts ministry under Rescue Team which is run by married couple Neil and Anja Tye who are based in Denmark.
Neil and Anja are trained artists, and have been using their artistic skills as artist missionaries for many years. They have worked with different Christian organisations and churches from around the world such as Creative Mission in Sweden, Creative Arts Europe in Belgium, YWAM Costa Rica, Circus Victory Brazil, Ad Deum Dance Company USA, Iris Ministries Brazil, Acts Academy International Bible College, to Euroclass youth Mission boarding school in Denmark.
A Service for the Third Sunday after Trinity | The Church of England |
Wednesday, 2 July 2025
ArtWay: Painting the Life of Christ – an interview with Francis Hoyland
'I had the experience of rethinking my whole language of painting as a result of a travelling scholarship to Italy. I had been trained in the Euston Road approach to painting, which I came to find limiting, and the Italian paintings I saw enabled me to find a way of painting from imagination. I realised, too, that it is not good to be absolutely cut and dried about technique.'
'I was teetering on the edge of faith when I went to Italy on a travelling scholarship – I had my 21st birthday in Assisi – and rethought my whole language of painting as a result of that trip.'
ArtWay.eu has been hailed "a jewel in the crown of work in Christianity and the arts," and having come under the custodianship of the Kirby Laing Centre, the much-loved publication has entered an exciting new chapter in its story following the launch of a new website in September 2024.
Since its founding, ArtWay has published a rich library of materials and resources for scholars, artists, art enthusiasts and congregations concerned about linking art and faith. Founded by Marleen Hengelaar-Rookmaaker in 2009, ArtWay's significance is reflected in its designation as UNESCO digital heritage material in the Netherlands.
In 2018, I interviewed ArtWay founder Marleen Hengelaar-Rookmaaker for Artlyst on the legacy of ArtWay itself.
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