Wikio - Top Blogs - Religion and belief

Saturday, 5 July 2025

International Times: Dark Intense Music


My latest review to be published by International Times is of 'Down River: In Search of David Ackles' by Mark Brend:

'In Down River Mark Brend tells the story of David Ackles more fully than it has ever been told before. In the book, he identifies why that story and Ackles’ four albums remain worthy of such focused attention. As Bernie Taupin once said, ‘It’s not just that his music was different; he was different’. Through his search for David Ackles, Brend identifies the ways in he and his music were different from all around him and makes a strong argument for a greater appreciation of the value of difference.'

'Ackles’ storytelling songs demonstrate an incarnational ‘being with’ approach to his characters (‘We are all flawed; we have all fallen’), while the cumulative picture painted is of the bleakness of a world which has, as with the stunning ‘His Name is Andrew’, lost its connection with God.'

For more on David Ackles see here and here.

My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: 'Headwater' by Rev Simpkins'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:

These poems have been published by Amethyst Review and International Times.

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David Ackles - Waiting For The Moving Van.

Friday, 4 July 2025

Unveiled: An Evening with Neil Tye














For the last 25 years Neil Tye has been working professionally, as a physical visual theatre performer, instructor, teacher, and installation artist, and has taken his performances, and teaching skills around the world. At Unveiled tonight, we heard stories about his music, performance, and painting.

He had examples of paintings and a sculpture from two recent series. He spoke of his current series as follows:

'These paintings were born from a simple encounter. A visitor wandered into my studio, drawn first by colour, by shape, by the unspoken language of image.

What began as casual conversation about my art soon deepened, the lines between art and life quietly dissolving. Before long, they were sharing their joys and wounds, their quiet sorrows, their unguarded hopes.

It always stirs me how a canvas, streaked with pigment and possibility, can open hearts wide. How abstraction, unburdened by logic, slips past the mind and speaks straight to the soul. A silent painting, yet somehow, it listens and replies.

After they left, their words lingered like incense. And I, stirred by something sacred, picked up the brush. Each mark led to the next a choreography of colour, a prayer in movement.

When I stepped back, the painting looked back at me. I saw layers like life itself layers of ache and ascent, of hope tangled with hurt. But what caught my eye most were lines piercing through the forms, bold and unwavering. They whispered of Christ, not with fury, but with grace. Not to judge, but to heal.

Through every shape, He moves breaking through the clutter of our days with quiet, radiant mercy.'

Artist Statement

Neil’s artistic practice is grounded in an intuitive and process-driven approach, wherein the act of painting itself dictates the final composition. Rather than adhering to predetermined concepts, he engages with the canvas through spontaneous mark-making and gestural forms, allowing the work to evolve organically. While his initial engagement with a piece may be sparked by a particular colour or shape, it is the dynamic interplay of movement, texture, and form that ultimately guides its development.

By embracing spontaneity and fluidity, his work exists at the intersection of abstraction and interpretation, inviting viewers to engage with the imagery in a way that is both personal and open-ended. Through this interplay between process and meaning-making, Neil`s paintings function as both intuitive expressions and conceptual explorations of movement, memory, and transformation.

About the artist

Neil Tye (b. 1963, London UK) is a Denmark-based artist with a background in both visual arts and physical theatre. Initially working as a performer and educator in physical theatre, he transitioned into visual expression 15 years ago. He holds an MA in Professional Practice from Middlesex University, London, and has exhibited, performed, and taught extensively across Europe and beyond. His exhibitions include venues such as the arts and culture centre Spinderihallerne (Denmark), the arts centre Banco de Nordeste (Brazil), and The Post Houston TX (USA), among others.

Drawing from his multidisciplinary background, Neil’s work explores movement, form, and storytelling through visual mediums. He continues to create from his studio M10 in the Art zone area here in Spinderihallerene.


Tomorrow, 'Make Space for God' is a day of creativity and inspiration led by Anja and Neil Tye, the visionary leaders of "Art Encounter" from Denmark, at Miracle House, Silva Island Way, Wickford from 10.00 am - 4.00 pm.

Art Encounter is an international arts ministry under Rescue Team which is run by married couple Neil and Anja Tye who are based in Denmark.

Neil and Anja are trained artists, and have been using their artistic skills as artist missionaries for many years. They have worked with different Christian organisations and churches from around the world such as Creative Mission in Sweden, Creative Arts Europe in Belgium, YWAM Costa Rica, Circus Victory Brazil, Ad Deum Dance Company USA, Iris Ministries Brazil, Acts Academy International Bible College, to Euroclass youth Mission boarding school in Denmark.

Art Encounter communicates the Gospel by using the arts, from dance, theatre, creative writing, and the visual arts and painting in various settings both in Denmark and around the world.

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Resurrection Band - Colours.

A Service for the Third Sunday after Trinity | The Church of England |


This Sunday, the national Church of England online service comes from St Mary's Church, Runwell. Check out the trailer above. An earlier service recorded in the Parish can be viewed below.


My recorded sermons for the Diocese of Chelmsford's Weekly Sermon series can also be viewed below.





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St Martin-in-the-Fields - Morning Song.

Wednesday, 2 July 2025

ArtWay: Painting the Life of Christ – an interview with Francis Hoyland

My latest interview for ArtWay is with Francis Hoyland, whose work was recently exhibited at Chappel Galleries.

'I had the experience of rethinking my whole language of painting as a result of a travelling scholarship to Italy. I had been trained in the Euston Road approach to painting, which I came to find limiting, and the Italian paintings I saw enabled me to find a way of painting from imagination. I realised, too, that it is not good to be absolutely cut and dried about technique.'

'I was teetering on the edge of faith when I went to Italy on a travelling scholarship – I had my 21st birthday in Assisi – and rethought my whole language of painting as a result of that trip.'

For more on Francis Hoyland see my Church Times review of his recent exhibition at Chappel Galleries here

My other writing for ArtWay can be found at https://www.artway.eu/authors/jonathan-evens. This includes church reports, interviews, reviews and visual meditations.

ArtWay.eu has been hailed "a jewel in the crown of work in Christianity and the arts," and having come under the custodianship of the Kirby Laing Centre, the much-loved publication has entered an exciting new chapter in its story following the launch of a new website in September 2024.

Since its founding, ArtWay has published a rich library of materials and resources for scholars, artists, art enthusiasts and congregations concerned about linking art and faith. Founded by Marleen Hengelaar-Rookmaaker in 2009, ArtWay's significance is reflected in its designation as UNESCO digital heritage material in the Netherlands.

In 2018, I interviewed ArtWay founder Marleen Hengelaar-Rookmaaker for Artlyst on the legacy of ArtWay itself.



In the video above, the ArtWay team recounts the history of this much-loved resource and looks ahead to an exciting future for ArtWay.

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David Ackles - Family Band.

Praise for deliverance from trouble

Here's the reflection that was shared during a Service of the Word at St Andrew's Wickford this morning:

Psalm 34 is a psalm of praise for deliverance from trouble. It relates to a story about David before he became King of Israel. David has won many battles for King Saul, including defeating Goliath, but, as a result, Saul had become jealous of David and felt threatened by David’s popularity. As a result, David felt forced to flee from Saul.

In 1 Samuel 21.10-15 we read about David fleeing to King Achish of Gath hoping to find safety there. However, he finds that his reputation has preceded him. The servants of Achish recognise him and say, ‘Is this not David the king of the land? Did they not sing to one another of him in dances, “Saul has killed his thousands, and David his tens of thousands”?’ As a result, David was afraid that King Achish would also feel threatened by his presence in Gath or let Saul know where David was.

So, he changed his behaviour before them; he pretended to be mad when in their presence. He scratched marks on the doors of the gate, and let his spittle run down his beard. Achish said to his servants, ‘Look, you see the man is mad; why then have you brought him to me? Do I lack madmen, that you have brought this fellow to play the madman in my presence? Shall this fellow come into my house?’ Achish then drives him out of Gath, and he is able to go away safely.

In Psalm 34, the Psalmist attributes David’s safety to God’s care. Looking back, the Psalmist says:

“I sought the Lord, and he answered me,
and delivered me from all my fears.
Look to him, and be radiant;
so your faces shall never be ashamed.
This poor soul cried, and was heard by the Lord,
and was saved from every trouble.
The angel of the Lord encamps
around those who fear him, and delivers them.”

As a result, the Psalmist encourages us to:

“taste and see that the Lord is good;
happy are those who take refuge in him.
 O fear the Lord, you his holy ones,
for those who fear him have no want.”

If we taste and see the goodness of the Lord know and learn the fear (or awe) of the Lord, then, when we are in trouble as David was, we will also seek the Lord and see him answer us delivering us from all our fears. As with David when he feigned madness, this may involve using our natural creativity to find an unusual way out of the difficulties in which we find ourselves.

So, let us do what the Psalmist commends and learn the fear of the Lord so that we will “bless the Lord at all times”, having his praise continually in our mouths. 

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After the Fire - The Stranger.

Monday, 30 June 2025

Artlyst: The Art Diary July 2025

My July Art Diary for Artlyst has been published today. The July Art Diary begins with exhibitions in and reflection on ecclesiastical buildings, through the Liverpool Biennial and the Waterloo Festival. Moments from the wide-ranging engagement between religion and art are featured in exhibitions at the Ditchling Museum of Art + Craft, the Barber Institute of Fine Arts, Waddesdon Manor, and the Art Institute of Chicago, among others. Reflection on the place of myth in the human story can be found in exhibitions at the Parsonage Gallery and the Museo Nacional Thyssen-Bornemisza. At the same time, ‘Worldbuilding and Wonder’ explores the experience of people with autism about the concept at Firstsite Gallery:

'The late Terry Fyffe was also an artist who dedicated himself to the pursuit of creative expression and spiritual exploration. A new website dedicated to his life, art and legacy has recently been launched. Designed as a resource for artists, curators, collectors, students, and art enthusiasts, this site offers a comprehensive insight into his prolific career and extraordinary body of work.

Fyffe built a remarkable career over four decades, predominantly based in London. He described his style as “figurative, expressionist painting, about the struggle for self-realisation.” Daniel Farson wrote that: “Ffyffe is a true painter in the classical tradition. A fluent draughtsman, he understands the challenge of paint and twists it to his advantage.” ...

I was fortunate to exhibit at St Stephen Walbrook an exhibition that brought together the last works that Fyffe was working on before this profound change combined with his new work depicting the beauty of the hidden world of nature and the inner world of the mind. It was his last major exhibition and one that was particularly satisfying for him.'

For more on Terry Ffyffe see here, here, here, here, and here. For more on Pablo Bronstein see here. For more on Paul Thek see here and here. For more on Paula Rego see here and here.

My other pieces for Artlyst are:

Interviews -

Monthly diary articles -

Articles/Reviews -
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David Ackles - I've Been Loved.

Saturday, 28 June 2025

Windows on the world (525)


London, 2025

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David Ackles - Love's Enough.