Mobo recommended Michael Kiwanuka, who has been compared to Bill Withers and Al Green, has an "honest, unpretentious and raw style" that "is straight to the matter, unspoilt soul music at it’s best." Kiwanuka is getting ready to believe:
"Oh my, I didn't know what it means to believe
Oh my, I didn't know what it means to believe
but if I hold on tight is it true
you take care of all that I do
Oh Lord, I'm a-getting ready to believe
Oh my, I didn't know how hard it would be
Oh my, I didn't know how hard it would be
but if I hold on tight is it true
you take care of all that I do
Oh Lord, I'm a-getting ready to believe"
Scottish singer Emeli Sandé has: had two Top 10 hits, thanks to collaborations with Chipmunk and Wiley; written for Cheryl Cole, Susan Boyle, Cher Lloyd and Leona Lewis; and is influenced by Joni Mitchell, Lauryn Hill, Aretha Franklin and Nina Simone. Sandé, by contrast to Kiwanuka, focuses on the loss of the good intentions that she links with heaven:
"Will you recognize me, when I’m stealing from the poor
You're not gonna like me, I’m nothing like before
Will you recognize me, when I lose another friend?
Will you learn to leave me, or give me one more try again
Oh heaven, oh heaven, I wake with good intentions,
But the day it always lasts too long
Then I’m gone!
Oh heaven, oh heaven, I wake with good intentions,
But the day it always lasts too long
Then I’m gone, then I’m gone, then I’m gone , then I'm gone
Then I’m gone, then I'm gone, then I’m gone , then I'm gone"
As a supplement to the above we could also include 'Believer' by Susanna and the Magical Orchestra to give a trio of songs exploring the nature of belief:
"Didn't think you would trust me.
Thought you would see what I see.
These days have been good for me too,
But I can't stay.
You know why.
Didn't want this to end like this.
Thought I might, could convert.
These nights have been sad for me too,
But I don't pray.
You know why.
You are a believer,
I am not."
Thought you would see what I see.
These days have been good for me too,
But I can't stay.
You know why.
Didn't want this to end like this.
Thought I might, could convert.
These nights have been sad for me too,
But I don't pray.
You know why.
You are a believer,
I am not."
We would then have songs about observation of another's belief, preparation to believe, and the difficulty of the practice of belief. It is a fascinating sociological phenomenon to find such songs being written and connecting within popular culture at a time when secularisation was supposed to have eradicated such notions.
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