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Sunday, 14 June 2026

Ordinary, fallible and failing followers

Here's the sermon that I shared this morning in St Andrew's Wickford and St Gabriel's Pitsea:

When I go into school’s I often tell a part of my testimony. How I am fundamentally quite a shy, quiet person and how that was very much the case as a child – the sort of child who always held back from answering questions in class because I was afraid of giving the wrong answer (even if I knew the right answer). As a shy teenager, very aware of my own shortcomings, I doubted whether I was good enough for God but, in my late teens, I was shown Romans 5. 8, which says “while we were still sinners Christ died for us,” by a youth group leader and, as a result, recommitted my life to Christ.

I realised that if Jesus died for me, while I was still a sinner, I was accepted and loved by him as I was. That took all the anxiety and worry out of my relationship with God and it transformed the way I felt and thought about myself. If God loved me so much that he had died for me, it didn’t really matter what other people thought about me, even if they didn’t think much of me.

I came to God as a very ordinary person who felt under-confident and inadequate. Contrary to popular belief, we do not have to be perfect to do God's work. We need look no further than the twelve disciples whose many weaknesses are forever preserved throughout the pages of the New Testament. Jesus chose ordinary people - fisherman, tax collectors, political zealots - and turned their weaknesses into strengths (Matthew 9.35 - 10.8).

While Jesus had a large number of followers including women as well as men and those who remained at home to support those who were on the road with Jesus, this passage focuses our attention on the 12 who were amongst the first that were called to follow him, were amongst those closest to him and who became apostles following his Ascension.

Their names, as given here, are: The first, Simon, who is called Peter, and Andrew his brother; and James the son of Zebedee, and John his brother; Philip and Bartholomew (Nathanael); Thomas and Matthew the tax collector; James the son of Alphaeus (James the Less), and Thaddaeus (Judas, son of James); Simon the Zealot, and Judas Iscariot, the one who betrayed Him. (Matthew 10:2-4, emphasis added)

What do we know about them? Peter and Andrew were fishermen in the town of Capernaum working alongside James and John. Peter and Andrew were early followers of John the Baptist. Andrew was the first to follow Jesus and his enthusiasm was evident as his desire to introduce his older brother to Jesus revealed what was already in his heart—a deep love for God. Once Peter was introduced to Jesus, they left John and became followers of Jesus. Peter is portrayed as impetuous, always speaking his mind and acting on impulse. He is well known for denying Christ three times after Christ was arrested but became one of the key leaders of the early church after Jesus’ ascension.

James and John were both known for being men of intense passion and fervour. Because of this Jesus nicknamed them the Sons of Thunder. They asked Jesus if they should call down fire from heaven to destroy a village which failed to show them hospitality and also asked if they could sit on either side of Jesus’ throne in heaven. Philip was the one who suggested that Nathanael come and see Jesus and who brought a group of Greek people from Bethsaida to Jesus. Nathanael, also known as Bartholomew, expressed some local prejudice about Nazareth but was recognised by Jesus for the sincerity of his love for God from the beginning of their relationship. Jesus said, “Behold, an Israelite indeed, in whom there is no deceit!” Matthew was a tax collector; tax collectors being the most despised people in all of Israel. They were known for taking extra money from the people of Israel to pay off the Romans and to pad their own pockets. Thomas is best known for his moment of scepticism after the Resurrection which earned him the nickname “Doubting Thomas,” a term for anyone who needs proof before they believe something.

James the Less is the son of Alphaeus. His mother’s name is Mary and he has a brother named Joseph. Except for a few details about his family, there is nothing more mentioned about him in Scripture. Maybe that is why he is referred to as James the Less in Mark 15:40. Simon the Zealot was probably a political activist in his younger years. Some have suggested that the fiery enthusiasm he once had for Israel as a Zealot was now expressed in his devotion to Christ. Judas, son of James, is the eleventh name on the list of disciples. Also known as Jude, Thaddeus, and Lebbaeus, he lived in obscurity as one of the Twelve. He is recorded as asking Jesus the question (in John 14:22), “Lord, why are you going to reveal yourself only to us and not to the world at large?” Judas Iscariot betrayed Jesus for thirty pieces of silver but, by doing so, enabled the events of Christ’s Passion to occur as Jesus knew they would.

So, amongst those that Jesus chose are one who denied him, another who betrayed him; while all of them abandoned him at the last. Some were ambitious and some revengeful. Some had complicated and morally dubious backgrounds. They were primarily ordinary working people; none of whom held influence or power. Some were so obscure, even among the disciples, that we know virtually nothing about them.

They are, therefore, great encouragements to us ‘because they exemplify how common people with typical failings can be used by God in uncommon, remarkable ways.’ John McArthur writes, ‘What we know to be true about Jesus is that He chose [those who were] ordinary and unrefined … They were the commonest of the common. They were from rural areas, farmers, and fisherman. Christ purposely passed over the elite, aristocratic, and influential … and chose mostly … from the dregs of society. That’s how it has always been in God’s economy. He exalts the humble and lays low those who are proud.’

All of them were chosen, trained and used by Jesus. Even those who were in the background as disciples were valuable team members. This was so despite their personal failings and failures. None of those things were barriers to being called by Jesus, trained and used by him. That remains true for each of us.

In my parish we use a course called ’Being With’ to prepare people for baptism and confirmation. The wonderings we use in the course take me back to my teenage experiences and the shyness that impacted my personal development. An experience summed well in The Smiths song ‘Ask’, which begins ‘Shyness is nice / and shyness can stop you from doing all the things in life that you’d like to.’

Realising that God loved me unconditionally and as I was, with my shyness and reserve, was key to finding my way through life and using the mix of gifts, skills and interests I developed. Like Jesus’ disciples I wasn’t an obvious candidate to be called to ministry. But none of us are; that’s the beauty of the way God values each person as a unique creation, calling us to be with him so that, over time, our gifts, skills and interests are all utilised in his company.

Baptism is the beginning of that journey when we first realise that God loves as we are and wants to be with us as we journey through life. In baptism God invites us on a life-long journey together with him and, as that journey begins, we hear him say to us, ‘You are my beloved son or daughter, with you I am well pleased’. When we know that in our hearts then we can grow into the people that God wants us to be. May it be so for each one of us. Amen.

(This reflection draws on material from https://www.crosswalk.com/faith/bible-study/who-were-the-12-disciples-and-what-should-we-know-about-them.html and https://overviewbible.com/12-apostles/)

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Josh Garrels - A Long Way.

Saturday, 13 June 2026

Windows on the world (573)


Dover, 2026

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Richard Ashcroft - Sonnet.

International Times: Compressed Depths

My latest article for International Times has book reviews of 'Devotions' by Lucy Caldwell and 'Catholic Modernism and the Irish ‘Avant-Garde’: The Achievement of Brian Coffey, Denis Devlin, and Thomas MacGreevy' by James Matthew Wilson, plus a brief summary of the poetry of James Matthew Wilson:
 
"‘Shared ideology is not a prerequisite for imaginative literature’. Such understanding leads to appreciation not only of Wilson’s poems but also the works and achievements of Caldwell, Coffey, Devlin, and MacGreevey."

My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: the 'Stations' project from Dunlin Press; 'William Blake: The Age of Romantic Fantasy'; Joseph Arthur in concert; installations by Chiharu Shiota and Yin Xiuzhen at Hayward Gsllery, U2's 'Days of Ash', Mumford and Sons' 'Prizefighter' and Moby's 'Future Quiet'; 'Collected Poems' by Kevin Crossley-Holland; 'Lux' by RosalĂ­a; 'Springsteen: Deliver Me from Nowhere'; 'Great Art Explained' by James Payne; 'Down River: In Search of David Ackles' by Mark Brend; 'Headwater' by Rev Simpkins; 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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International Times: 'Spencer Reece at Bemerton'

My latest poem to be published by International Times is entitled 'Spencer Reece at Bemerton' and is based on the visit that I made to Bemerton earlier in the year with Spencer Reece:

'The poet George Herbert was priest in the parish of Bemerton for three years before his death from consumption. On his death bed he sent the manuscript of The Temple (his collection of poetry) to his friend Nicholas Ferrar to publish if he thought them of value to others. The Temple was published and Bemerton became a place of quiet pilgrimage for lovers of Herbert’s poems. Among such, was Vikram Seth, poet and novelist, who in 2003 bought the Old Rectory in Bemerton where Herbert had once lived. Seth later wrote a group of six poems entitled Shared Ground based on six of those included in The Temple. US poet Spencer Reece first visited Bemerton while a student in his twenties. In 2026, by now himself also a priest and a published poet, he returned, at the invitation of the George Herbert in Bemerton Group, to give a talk at St Andrew’s Lower Bemerton on his love of Herbert’s verse.'

For more on Fr Spencer's visit, see herehere and here. To read my interview with Fr Spencer for International Times see here and, for my review of Fr Spencer's more recent poetry collection, see here. Fr Spencer spoke at St Martin-in-the-Fields during his visit, see below for that service and click here for one of the services in our parish at which he preached:


IT have also published other of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

Several of my short stories have also been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

My other pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: the Stations project from Dunlin Press; 'William Blake: The Age of Romantic Fantasy'; Joseph Arthur in concert; installations by Chiharu Shiota and Yin Xiuzhen at Hayward Gsllery, U2's 'Days of Ash', Mumford and Sons' 'Prizefighter' and Moby's 'Future Quiet'; 'Collected Poems' by Kevin Crossley-Holland; 'Lux' by RosalĂ­a; 'Springsteen: Deliver Me from Nowhere'; 'Great Art Explained' by James Payne; 'Down River: In Search of David Ackles' by Mark Brend; 'Headwater' by Rev Simpkins; 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

My first review of poetry for Tears in the Fence was of 'Modern Fog' by Chris Emery. My second review was of 'The Salvation Engine' by Rupert Loydell and my third was of 'For All That’s Lost' by David Miller. My poetry reviews for Stride include a review of two poetry collections, one by Mario Petrucci and the other by David Miller, a review of Temporary Archive: Poems by Women of Latin America, a review of Fukushima Dreams by Andrea Moorhead, a review of Endangered Sky by Kelly Grovier and Sean Scully, a review of John F. Deane's Selected & New Poems, a review of God's Little Angel by Sue Hubbard and a review of Spencer Reece's 'Acts'.

I have also published pieces on poetry at Seen and Unseen - a profile of the poet Theresa Lola - and the Journal of Theological Studies - a review of Faith, Hope and Poetry: Theology and the Poetic Imagination by Malcolm Guite. For more on poetry, read my ArtWay interview with David Miller here and my interview with Rupert Loydell here. See also Rupert Loydell's interview with poet and musician Steve Scott. My own dialogues with Steve can be read here, here, here, here, and here. For thoughts on the links between poetry and prayer see here and here.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

For more of my poems, see here, and for my poetic meditations, see here.

My key literature posts (including poetry) are:
See also 'Art and Faith: Decades of Engagement: Introduction, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, and 1980s.

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Friday, 12 June 2026

St Catherine's Wickford: 150th Anniversary services and events

































































We continued celebrating the 150th Anniversary of St Catherine's Church in Wickford last weekend with a wonderful Anniversary Flower Festival featuring displays from local clubs, schools and the community. This was very well well attended as were the Coffee morning and Cream Tea afternoon which ran alongside in St Catherine's Hall.

Our Anniversary Eucharist on Sunday was led by the Archdeacon of Southend, The Ven. Dr, Sue Lucas, and included the Choir from Wickford Church of England School. The previous Sunday a joint service at St Catherine's brought all our three congregations together. The preacher was former Team Rector, The Ven. David Lowman. The joint Anniversary Service can be viewed by clicking here.

This coming weekend we continue our services and events celebrating the 150th Anniversary of St Catherine's Church with the Parish Garden Party in the Rectory Garden. That begins at 2.00 pm tomorrow.

Our 150th Anniversary events come to a conclusion with a second fundraising concert. Rumatica will be in concert at St Catherine’s Church on Saturday 20th June at 3.00 pm. They are a Ukulele Band with a difference! Playing a wide range of Rock, Pop, Country, Swing, Indie, Blues and Folk Music - https://www.rumatica.co.uk/. We are celebrating the 150th Anniversary of St Catherine’s Wickford with a fundraising concert as subsidence has caused cracks in the walls requiring underpinning - a retiring collection will be taken.

Fundraising Campaign
St Catherine’s Church, Wickford


Due to the long dry summer of 2022, the foundations of the NW corner of St Catherine’s Church subsided. This caused large cracks to appear in the walls. In 2023, we completed Phase 1 of our campaign involving safety and weather protection work costing £20,000, with funds raised by donations, events and grants. In 2024 we began Phase 2 involving groundwork investigations and design of an underpinning solution. This cost £13,560 and is essential to design a long-term solution. Phase 3, for which we are now raising funds, will cost £162,500.00 + VAT and will enable the NW corner of the church to be underpinned.

If you wish to contribute, please go to https://givealittle.co/c/CXlEMNUoerIeTUtbQmvYS
to donate online.

Send cheques to Wickford and Runwell PCC to The Rectory, 120 Southend Road, Wickford SS11 8EB or phone 07803 562329/email jonathan.evens@btinternet.com for bank details for a transfer.

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When God Almighty Came To Earth.