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Sunday, 2 November 2025

Home at last








Here's the sermon I shared this evening in our Commemoration of the Departed Service at St Andrew’s Wickford:

‘In 2019, Natalie Bergman was poised to step on to the stage at New York’s Radio City Music Hall with her brother Elliot and their band Wild Belle. It should’ve been a glorious night for the siblings, but before they could play even a single note, they received earth-shattering news: their father and stepmother had been killed by a drunk driver.

Bergman was especially close to her father, considering him her mentor and biggest fan, and his sudden death left her isolated and adrift. “We ended the tour immediately. It also seemed to kind of end my musical ambitions all at once,” she told NPR’s Simon Scott. “I felt as though I lost my identity with his death. I just didn’t really understand who I was.”

After months of grieving, Bergman decided to embrace her sense of isolation even more fully and visited a monastery in the remote California wilderness. During that time of silence, prayer, and reflection spent observing the monastery’s rituals and listening to the monks’ chants, music slowly began easing its way back into her life. Thus were sown the seeds for what would become Bergman’s first solo album, titled simply Mercy’, from which we have just heard the song ‘Home At Last’.

Natalie has explained simply and clearly how it happened: “When I began writing, I had already lost the greatest love I’ve ever had, so I had nothing else to lose. I went for it. I sang from the depths of my sorrow and I witnessed a little light while doing so.”

On the album, she finds different sources of hope and help. ‘Talk To The Lord’ quotes Psalm 23 – ‘Though I walk in shadows, I won't be afraid / I will fear no evil / For You walk with me’ – in order to state that:

‘When you are scared, reach out your hand
Talk to the Lord, talk to the Lord
If you are sad, He'll dry your tears
Talk to the Lord, talk to the Lord’

In ‘I Will Praise You’, she says ‘When I'm broken, I will sing Your name’, while ‘Shine Your Light On Me’ also quotes Psalm 23 in a prayer for light as she cries like a ‘mourning dove’ for her ‘greatest love’. ‘Paint The Rain’ documents difficult days but discovers that:

‘In this pain, you make me sing
When I am blue, you take me in
My little ways, they feel strange
You give me a little bit, and you take it away
You paint the rain’

In these ways, she has been enabled to live again and to find joy particularly in family life. These can all be significant helps for us in our journeys through grief as well. There is one more specific help that Natalie Bergman received from her time at the Chama Valley Monastery:

‘one of the most important answers that I got from the heavenly father is that heaven is a realm that exists and we have no idea what it is. I did a lot of reading there, and one of the scriptures I read was that, “Everything the eye has seen, and the mouth has tasted, and the heart has felt, that is not what heaven is.” Heaven is such a different realm than anything we’re even capable of experiencing, and it’s this great mystery, which is why it’s so hard and challenging to have such a strong faith because no one is promised this. I really needed to know that it existed because I need my father to be there and I need my mother to be there, whether it’s a physical place or a spiritual one. Whatever this place is, I learned that it indeed exists and that was the greatest comfort to me. That was the biggest thing I took from the monastery.’

It is this understanding that she explores in ‘Home At Last’. The song begins:

‘I come to You to answer my prayer
I long to know about Heaven
After the body dies
Where does the soul begin?
Where have all the good people gone?
The people that I love
Have they gone to the Garden
Where the tree of life grows tall
And the weeping is no more?’

In the song she asks specifically of her father, ‘Is he home at last?’, and ends the song with the repeated assurance that ‘Yes’, ‘He is home at last’.

This is the assurance that Jesus gave to his disciples in the teaching he gave them at the Last Supper before his own death on the cross (John 14.1-7). He said then that he was going from them into death to prepare a place for them among the many dwelling places in his Father’s house and that if he was going away from them for that task, he will come again and will take them and us to himself, so that where he is, there we may be also.

This is the promise that Natalie Bergman came to realise was true for her father, as it is also for us and for those we have lost. This is why at the end of every funeral I take I pray these words: ‘Lead us to a place of peace and refreshment; guide us to springs of life-giving water; wipe away the tears from our eyes and bring us to heaven where there is no more death, no more grief or crying or pain in your presence, Father, Son and Holy Spirit.’ Heaven is the place where ‘Where the tree of life grows tall / And the weeping is no more’.

Jesus describes being with God in homely terms that we can all understand. He says it is like being in God’s house with a special room already prepared for us. Our homes are usually where we feel most secure – we feel “at home” there – and our rooms tend to reflect our unique personalities as we fill them with things that we like and which interest us. So, Jesus is talking here about the way in which God knows each of us, knows what we need and is actively preparing for when we go to be with him.

So, God is prepared to welcome us but have we prepared ourselves to meet with God? Often, we are like Thomas in this reading and like Natalie Bergman before the death of her father, we don’t know where we are going or who we will meet when we get there and so we can be afraid of death and of dying.

God has given us a way of getting to know him before we die and that is by coming to know Jesus Christ for ourselves. As Jesus says in his reading, he is the way we can come to know God for ourselves because he is God himself. He is the truth about God because when we look at Jesus, we see what God is actually like, someone who is prepared to sacrifice everything in order to show his love for us. And he is the life of God, the one who can take us by the hand and lead us into everlasting life together with God.

So, as Natalie Bergman discovered and as she sings in ‘Talk To The Lord’:

‘When you are scared, reach out your hand
Talk to the Lord, talk to the Lord
If you are sad, He'll dry your tears
Talk to the Lord, talk to the Lord’



See also my review for Seen and Unseen of Natalie Bergman's recent gig at Union Chapel 

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Natalie Bergman - Home At Last.

An upside-down kingdom

Here's the sermon that I shared at St Margaret’s Bowers Gifford this morning:

At my first training weekend as a curate the then Bishop of Barking, David Hawkins, performed a handstand to demonstrate the way in which Jesus, through his teaching in the beatitudes (Luke 6: 20-26), turns our understanding of life upside down. His action turned our expectations of Bishops and their behaviour upside-down at the same time as it perfectly illustrated his point.

G. K. Chesterton used a similar image in writing about St Francis of Assisi: “[Saint] Francis, at the time … when he disappeared into the prison or the dark cavern, underwent a reversal of a certain psychological kind … The man who went into the cave was not the man who came out again … He looked at the world as differently from other men as if he had come out of that dark hole walking on his hands … If a man saw the world hanging upside down, with all the trees and towers hanging head downwards as in a pool, one effect would be to emphasise the idea of dependence … It would make vivid the Scriptural text which says that God has hanged the world upon nothing.”

In what ways do these images and Jesus’ teaching in the beatitudes turn our understanding of life upside down? Jesus’ radical heartbeat can be sensed in every word of the Sermon on the Mount. The core of the sermon is a call for God’s people to be entirely different. Some of the greatest examples of the call to be different are found in the Beatitudes.

The Beatitudes give us a sense of the radical kingdom lifestyle that Jesus calls us to. It is as if Jesus has crept into the window display of life and changed the price tags. It is all upside down. In a world where ‘success’ and ‘self-sufficiency’ are applauded, and ‘the beautiful people’ are ambitious, accomplished and wealthy, Jesus teaches: “Blessed are you who are poor.” Our culture encourages us to discard guilt and the sorrow that accompanies pangs of conscience. Happiness is everything, entertainment is king but Jesus teaches: “Blessed are you who weep now.”

Donald Kraybill writing about this upside down kingdom says: “Jesus startles us … good guys turn out to be bad guys. Those we expect to receive the reward get a spanking instead. Those who think they are headed for heaven land in hell. Paradox, irony and surprise permeate the teachings of Jesus. They flip our expectations upside down. The least are the greatest. The immoral receive forgiveness and blessing. Adults become like children. The religious miss the heavenly banquet. The pious receive curses. Things aren’t like we think they should be. We’re baffled and perplexed. Amazed we step back. Should we laugh or should we cry? Again and again, turning our world upside down, the kingdom surprises us.”

It is the humble poor who know their need of God and those who have nothing who know they need everything. So, we should pray for those moments when we and others experience poverty, hunger and sadness, as they are moments when we are more likely to turn our faces to God looking for salvation. We need to pray for the opening of doors in us and others that gain and comfort have locked tight.

The Gospel announcement, our salvation, is truly comprehensive, is truly for all, because it is offered to losers, by circumstance or choice. The poor have no means of becoming rich but the rich have within themselves the possibility of becoming poor. There is nothing that we don’t have that will bar our entry to this upside-down kingdom and so we can pray to be rid of what we do have that God’s kingdom may truly come to all. In this way, as the Beatitudes state, our lives are turned upside down and we are blessed with poverty, with grief, with meekness, with hunger, with mercy, with purity, with peacemaking, and with persecution (Gerard Kelly, Humanifesto).

As opposed to the survival of the fittest or looking after No. 1, the kingdom of God, as it is described in the Beatitudes, is a place of happiness for those who know they are spiritually poor, a place of comfort for those who mourn, a place of receptivity for those who are humble, a place of satisfaction for those whose greatest desire is to do what God requires, a place of mercy for those who are merciful, a place in which God is seen by the pure in heart, a place in which those who work for peace are called God’s children, and a place which belongs to those who are persecuted because they do what God requires. That is what those, like St Francis, that we call saints came to realise. It is what we must seek through prayer as we too respond to our calling to be saints.

May God forgive our attempts to be loved, our pride, our pleasure-seeking and our leisure-seeking and instead turn our lives upside down and bless us with poverty, with grief, with meekness, with hunger, with mercy, with purity, with peacemaking, with persecution and with his upside down kingdom. Amen.

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Saturday, 1 November 2025

Nazareth Community Information Evening

 



Following on from the successful HeartEdge events in Wickford and Runwell in June and the resources shared at those events, we are looking to take some of the areas in which interest was expressed forward in a range of different ways. 

One of those is the possibility of setting up a Nazareth Community in South Essex for those interested in intentional communities and contemplative prayer. To that end a Nazareth Community Information Evening is to be held on Wednesday 3 December, 7.00 pm, Billericay Methodist Church, Western Rd, Billericay CM12 9DT. You would be most welcome at this event, along with any other folk you know who might also be interested.

Nazareth Communities bring those who want to live the Christian life generously and intentionally as a gathered Community locally. Nazareth Communities are dispersed Communities with a commitment to seven spiritual disciplines that members seek to incorporate into their own lives and contexts. The contemporary Rule of Life used by Nazareth Communities is: Silence, Service, Scripture, Sacrament, Sharing, Sabbath, Staying With. 

Find out more at the information evening, hear from Rev Moses Agyam, Revd Jonathan Evens and Jim Rose, and explore whether a Nazareth Community could be formed in South Essex. We hope to see you there.

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St Martin's Voices - Lighten Our Darkness.

Beth Chatto's Plants and Gardens
























Beth Chatto transformed an overgrown wasteland deemed unfit for fruit farming, into a series of informal gardens. As the conditions within the garden vary widely, five distinct areas have been created providing useful examples of working with nature to find the right plant for the right place:
Beth Chatto was born in 1923 to enthusiastic gardening parents. After working as a teacher she married the late Andrew Chatto in 1943. His lifelong interest in the origins of plants influenced the development of the Gardens and our use of plants to this day.

Following Andrew’s retirement, in 1960 the Chatto family built their new home on a wasteland that had been part of the Chatto fruit farm. The site presented many difficulties for starting a garden including low annual rainfall. It was to Andrew’s plant research that they turned.

Informed by his knowledge Beth selected plants for a series of Gardens that could thrive under the different conditions. Through gifts of seeds and cuttings a large collection of unusual plants and a good knowledge of propagation was acquired. Since the late fifties Beth Chatto had become involved in the Flower Club movement, lecturing, opening new clubs and demonstrating flower arranging. By 1967 the Flower Club members were an enthusiastic audience for unusual plants. Requests for catalogues followed and from a small hand typed sheet a mail order business and plant nursery was born.

In January 1975 “Unusual Plants” exhibited at the RHS Hall, Westminster, winning a Silver Medal and gaining the first press coverage. From 1977 Beth Chatto and her stand of “Unusual Plants” went on to win ten consecutive Gold Medals at RHS Chelsea. Beth Chatto’s first book, The Dry Garden, was published in 1978. She went on to publish eight books, lectured around the world and wrote articles for magazines, newspapers and online. Beth Chatto was able to get out into her beloved gardens fairly regularly on her electric scooter, chatting with staff and visitors, sharing her deep love and profound knowledge of planting, right up until she passed away on May 13th 2018.

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Stevie Wonder - Black Orchid.

Windows on the world (543)


London, 2025

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Mavis Staples - Sad And Beautiful World.

 

Interviews update

Since my last Interview Update, I have had interviews published by International Times with artist, poet, priest Spencer Reece and the artist Alexander de Cadenet. As a result, I am updating this index of interviews.

I have carried out a large number of other interviews for Artlyst, ArtWay, Church Times, International Times, Seen and Unseen and Art+Christianity. They provide a wide range of fascinating insights into the approaches and practices of artists, arts professionals, clerics, curators, performers, poets and writers.

They can be found at:

Artlyst
ArtWay
Church Times
International Times
Seen and Unseen
Art+Christianity
Also see my interviews with artist Henry Shelton here and here and David Hawkins, former Bishop of Barking, here, here and here.

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Van Morrison - Love, Lover & Beloved.

International Times: Touching the Void – Communicating with a loved one, post-mortem

My latest interview for International Times is with the artist Alexander de Cadenet:

'I know that art has traditionally held a sacred function to communicate and share something about someone well after they’ve passed – it’s something that comes to mind when you look at a portrait by Rembrandt, Vermeer or van Gogh for example and it’s also a theme inherent within monumental equestrian sculpture designed to honour military heroes and rulers for future generations. The idea of legacy is present within these works. It’s completely possible for the art about someone to become part of their legacy and as an artist you can contribute to their ongoing legacy through your work.'

For more on Alexander de Cadenet see my ArtWay articleArtlyst interview, a conference report, a visual meditation for ArtWay, and three exhibition previews here, here and here.

My earlier pieces for IT are interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: 'Down River: In Search of David Ackles' by Mark Brend; 'Headwater' by Rev Simpkins; 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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Michael McDermott - The Future.