London, 2026
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Joanne Hogg - I Was Not There.
Sunday, 10 May 2026
To the ends of the earth
Here's the reflection I shared during Reflective Evening Prayer at St Mary's Runwell this evening:
In Jesus, God became a human being. That is what we celebrate at Christmas and it is also what is emphasised by Jesus in his post-resurrection appearances (Luke 24. 36 - 53). God becomes Emmanuel, one with us, one of us.
As we read in Colossians 1.19, Jesus had in himself, as a human being, the full nature of God. In other words, he showed God to us as fully as God can be seen in human form. This is because the creator must limit himself when he becomes part of his creation and so in Philippians 2. 7 we also read that Jesus gave up all he had when he took the nature of a servant by becoming a human being and appearing in human likeness.
For God to become a human being involved limitation. A helpful analogy is that of an artist and his/her self-portrait. The self-portrait is the artist (in that it looks just like the artist, being an accurate representation of him or her) but it is much more limited than the artist (being paint on canvas rather than living flesh and bones). For the eternal, creator God to become a mortal part of his creation involved a similar level of limitation. Among the limitations as a human being that Jesus willingly accepted was being born in a particular time and place (1st century Palestine) and living, ministering and dying only in that same time and place.
Jesus’ Ascension was necessary then in order to overcome those limitations. Not so much by regaining his full divinity as by giving each of his followers his Spirit so that we can then be his hands and feet, his eyes, ears and mouth, his body in the world and throughout history. It is not possible for one person by himself to go to all peoples everywhere but it is possible for Christ’s disciples, his followers, to take his message and his Spirit from Jerusalem to all of Judea and Samaria and then to the ends of the earth.
The Gospel of Christ is able to go out into the whole world because we, the followers of Christ, are scattered throughout the world and can be his hands and feet, his eyes, ears and mouth, his body wherever we are. Suddenly, there are no limits on where the Body of Christ – his followers – can be. This is why, at his Ascension, he says to his disciples, “you will be witnesses for me in Jerusalem, in all of Judea and Samaria, and to the ends of the earth “(Acts 1. 8).
But this can only happen as we all play our own part in the Body of Christ. It can only happen as we act as the hands and feet, his eyes, ears and mouth, his body wherever we are. This is the challenge of the Ascension for us, but this challenge is combined with the promise that he will send his Spirit to us to empower and equip us to be his people, his Body, by doing what he would have done wherever we are. This is why he also says to his disciples, “when the Holy Spirit comes upon you, you will be filled with power, and you will be witnesses for me in Jerusalem, in all of Judea and Samaria, and to the ends of the earth” (Acts 1.8).
For this reason, the Ascension and Pentecost are intimately linked. The Ascension provides the challenge – “Go, then, to all peoples everywhere and make them my disciples” (Matthew 28.19) – and Pentecost provides the means - “when the Holy Spirit comes upon you, you will be filled with power, and you will be witnesses for me in Jerusalem, in all of Judea and Samaria, and to the ends of the earth.”
One day we are ordinary people, the next, through the Spirit, we are Christ’s evangelists, and pastors, and healers, and mercy-bringers, and the Body of Christ, redeemed by his blood, one in ministry to the entire world. Through our lives God brings living water to a thirsty world in the offerings of service and mercy that we share with others on a daily basis. This is the extraordinary way that God builds his Kingdom throughout the world - through ordinary people like you and me.
Let us pray for the coming of God’s kingdom on earth, as in heaven, throughout the world from Jerusalem through Judea and Samaria to the ends of the earth. Amen.
In Jesus, God became a human being. That is what we celebrate at Christmas and it is also what is emphasised by Jesus in his post-resurrection appearances (Luke 24. 36 - 53). God becomes Emmanuel, one with us, one of us.
As we read in Colossians 1.19, Jesus had in himself, as a human being, the full nature of God. In other words, he showed God to us as fully as God can be seen in human form. This is because the creator must limit himself when he becomes part of his creation and so in Philippians 2. 7 we also read that Jesus gave up all he had when he took the nature of a servant by becoming a human being and appearing in human likeness.
For God to become a human being involved limitation. A helpful analogy is that of an artist and his/her self-portrait. The self-portrait is the artist (in that it looks just like the artist, being an accurate representation of him or her) but it is much more limited than the artist (being paint on canvas rather than living flesh and bones). For the eternal, creator God to become a mortal part of his creation involved a similar level of limitation. Among the limitations as a human being that Jesus willingly accepted was being born in a particular time and place (1st century Palestine) and living, ministering and dying only in that same time and place.
Jesus’ Ascension was necessary then in order to overcome those limitations. Not so much by regaining his full divinity as by giving each of his followers his Spirit so that we can then be his hands and feet, his eyes, ears and mouth, his body in the world and throughout history. It is not possible for one person by himself to go to all peoples everywhere but it is possible for Christ’s disciples, his followers, to take his message and his Spirit from Jerusalem to all of Judea and Samaria and then to the ends of the earth.
The Gospel of Christ is able to go out into the whole world because we, the followers of Christ, are scattered throughout the world and can be his hands and feet, his eyes, ears and mouth, his body wherever we are. Suddenly, there are no limits on where the Body of Christ – his followers – can be. This is why, at his Ascension, he says to his disciples, “you will be witnesses for me in Jerusalem, in all of Judea and Samaria, and to the ends of the earth “(Acts 1. 8).
But this can only happen as we all play our own part in the Body of Christ. It can only happen as we act as the hands and feet, his eyes, ears and mouth, his body wherever we are. This is the challenge of the Ascension for us, but this challenge is combined with the promise that he will send his Spirit to us to empower and equip us to be his people, his Body, by doing what he would have done wherever we are. This is why he also says to his disciples, “when the Holy Spirit comes upon you, you will be filled with power, and you will be witnesses for me in Jerusalem, in all of Judea and Samaria, and to the ends of the earth” (Acts 1.8).
For this reason, the Ascension and Pentecost are intimately linked. The Ascension provides the challenge – “Go, then, to all peoples everywhere and make them my disciples” (Matthew 28.19) – and Pentecost provides the means - “when the Holy Spirit comes upon you, you will be filled with power, and you will be witnesses for me in Jerusalem, in all of Judea and Samaria, and to the ends of the earth.”
One day we are ordinary people, the next, through the Spirit, we are Christ’s evangelists, and pastors, and healers, and mercy-bringers, and the Body of Christ, redeemed by his blood, one in ministry to the entire world. Through our lives God brings living water to a thirsty world in the offerings of service and mercy that we share with others on a daily basis. This is the extraordinary way that God builds his Kingdom throughout the world - through ordinary people like you and me.
Let us pray for the coming of God’s kingdom on earth, as in heaven, throughout the world from Jerusalem through Judea and Samaria to the ends of the earth. Amen.
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Mavis Staples - In Christ There Is No East Or West.
Peace be with you, receive the Holy Spirit
Here's the sermon that I shared at St Mary’s Runwell and St John’s Langdon Hills this morning:
There are two occasions on which we are told Jesus’ disciples received the Holy Spirit. The second was at Pentecost but the first was one of the Resurrection appearances, in which Jesus appeared to his disciples and said, “Peace be with you. As the Father has sent me, so I send you.” When he had said this, he breathed on them and said to them, “Receive the Holy Spirit (John 20. 21 & 22). On this occasion the Holy Spirit came as the breath of God and as words of peace.
The Spirit’s coming in this way was promised by Jesus who, as we heard in today’s Gospel Reading (John 14. 15 - 31), said, “I will ask the Father, and he will give you another Advocate, to be with you forever. This is the Spirit of truth … he abides with you, and he will be in you” (John 14. 15 – 17). “The Holy Spirit … will remind you of all that I have said to you. Peace I leave with you; my peace I give to you. I do not give to you as the world gives. Do not let your hearts be troubled, and do not let them be afraid” (John 14. 26 & 27).
By giving them the Spirit he was giving them his peace and doing so in a similar way to that in which he had received it; as, when he was baptised, the Spirit descended upon him in the bodily form of a dove. The dove being a Biblical symbol of peace; a symbol that derived from the dove which brought news to Noah of the flood having receded, enabling life to begin again on earth.
When I was at St Martin-in-the-Fields we had an art installation which saw two thousand white paper doves hanging in the nave of the church forming a 15-metre-long paper sculpture called Les Colombes – The White Doves. Following successful installations with over 300,000 visitors in Jerusalem and Munich, these origami doves bore hopes and greetings from people who came into the church, from passers-by, from night revellers in the bar around the corner, from locals and strangers, people from all over the world. Catholic and Protestant, Muslim, Jewish, Buddhist, poor and rich, anyone could fold them and should fold them. In the flock each individual, separately folded dove became one of many.
The German artist, Michael Pendry, said: “Folded by different people, the doves in their unity stand for such a fundamental human right. The time has come to admonish and to stand up for this – for the right to peace and freedom! So that that the flock of doves might grow, from place to place, from country to country, across all borders.”
In this way, the flock was a symbol of a collective spirit of peace; one which is particularly needed at this time when terror has revisited our streets and leisure activities. The flock of doves headed from the entrance of the church towards the sanctuary, where lies the answer to all the questions of our spiritual potential – who am I, where do I come from, where am I going? In answer to these questions, the descent of the Spirit in the bodily form of a dove told us that we are the beloved sons and daughters of our Father God and that we are here to use our God-given abilities to do work for him that only we can do.
The Vicar of St Martin-in-the-Fields, Sam Wells, said that: “When at his baptism the Holy Spirit descended on Jesus like a dove Jesus wasn’t blown away – he was touched more deeply that words can say or eyes can perceive. That’s what this exhibition is about – and what’s more, it affirms that the Holy Spirit works through the humble hands of you and me.” Jesus gives us his peace, in the form of the Holy Spirit, so that we can then be peacemakers ourselves.
Sam has explained that “The Holy Spirit is the part of God that gives us here and now and forever and always those things that Jesus brought us once and for all. Jesus has shown us and brought us peace, but we need the Spirit to continue to make peace in and among us. The one Spirit proclaims “peace to you who were far off and peace to those who were near” (2:17). One of the most difficult things in life is to balance your care for those who are near – your regular circle of friends, family, neighbours, and colleagues – with your responsibility for those who are far off – distant friends, family, fellow citizens, and people of other nations and faiths … how easy it is to become so wrapped up with a small circle of intimates that we can’t register the need of those outside our own tiny world … It’s hard to be at peace with those who are far and at peace with those who are near … Jesus is our peace because he gives us the Holy Spirit to reconcile those from whom we are far off and those to whom we are near. Jesus is our peace because he gives us the Holy Spirit to reconcile the parts of ourselves that are far from God with the parts of ourselves that are near.”
Sharing the Peace is the climax to which the first half of our service moves. We are used to it and probably imagine that it has always been part of Anglican worship. However, it was the liturgical reform of the later 20th Century that rediscovered the Kiss of Peace of the early church, and it was introduced in the Church of England’s experimental Series 3 liturgy in about 1971. Holy Communion is celebrated by the whole people of God gathered for worship and at the sharing of the Peace we are reminded that we are together unified as the body of Christ.
This is the moment when we are reminded that Jesus said Blessed are the peacemakers: they shall be called children of God. We are to let the peace of Christ rule in our hearts, since as members of one body we are called to peace, and we are reminded that the fruit of the Spirit is love, joy, peace. If we live in the Spirit of peace, we are to walk in the Spirit of peace.
This is the moment in our service when Christ breathes on us so that we receive his Spirit and live in his peace. His promise was, Peace I leave with you; my peace I give to you. The Peace is the moment in our Service when we are reminded of that promise and encouraged to receive it.
Many of us shake hands or hug on Sunday mornings without thinking about what the symbol means. Sometimes, we “cross our fingers” as we say “peace!” with people we don’t like, and keep bland, expressionless faces as we shake hands with someone we haven’t yet forgiven. The Peace calls us to go deeper than that.
“Before you offer your gift at the altar,” Jesus says, “be reconciled.” In our Service, the Peace always comes after the Prayers of the People and the Confession and Absolution. We are called to prepare ourselves to go to the altar: to pray for those we’ve hurt, and those who have hurt us; to confess the sins we need to confess, and to receive God’s forgiveness; and then to be reconciled, one with another, as a symbol of our new life in Christ.
Then, we can truly go to the Altar with clean hands and a ready heart, and receive truly the gift Christ makes available to us all: his body and blood given in love for us.
When others spread war, anxiety, division and strife, those led by the Spirit make peace. Sharing the Peace is the time in our service when we can make peace amongst ourselves. Then, at the end of our Service we are told to go in peace to love and serve the Lord in the rest of the week because those who are led into peace by the Holy Spirit become peacemakers in the world and in their local communities. May it be so for each one of us. Amen.
There are two occasions on which we are told Jesus’ disciples received the Holy Spirit. The second was at Pentecost but the first was one of the Resurrection appearances, in which Jesus appeared to his disciples and said, “Peace be with you. As the Father has sent me, so I send you.” When he had said this, he breathed on them and said to them, “Receive the Holy Spirit (John 20. 21 & 22). On this occasion the Holy Spirit came as the breath of God and as words of peace.
The Spirit’s coming in this way was promised by Jesus who, as we heard in today’s Gospel Reading (John 14. 15 - 31), said, “I will ask the Father, and he will give you another Advocate, to be with you forever. This is the Spirit of truth … he abides with you, and he will be in you” (John 14. 15 – 17). “The Holy Spirit … will remind you of all that I have said to you. Peace I leave with you; my peace I give to you. I do not give to you as the world gives. Do not let your hearts be troubled, and do not let them be afraid” (John 14. 26 & 27).
By giving them the Spirit he was giving them his peace and doing so in a similar way to that in which he had received it; as, when he was baptised, the Spirit descended upon him in the bodily form of a dove. The dove being a Biblical symbol of peace; a symbol that derived from the dove which brought news to Noah of the flood having receded, enabling life to begin again on earth.
When I was at St Martin-in-the-Fields we had an art installation which saw two thousand white paper doves hanging in the nave of the church forming a 15-metre-long paper sculpture called Les Colombes – The White Doves. Following successful installations with over 300,000 visitors in Jerusalem and Munich, these origami doves bore hopes and greetings from people who came into the church, from passers-by, from night revellers in the bar around the corner, from locals and strangers, people from all over the world. Catholic and Protestant, Muslim, Jewish, Buddhist, poor and rich, anyone could fold them and should fold them. In the flock each individual, separately folded dove became one of many.
The German artist, Michael Pendry, said: “Folded by different people, the doves in their unity stand for such a fundamental human right. The time has come to admonish and to stand up for this – for the right to peace and freedom! So that that the flock of doves might grow, from place to place, from country to country, across all borders.”
In this way, the flock was a symbol of a collective spirit of peace; one which is particularly needed at this time when terror has revisited our streets and leisure activities. The flock of doves headed from the entrance of the church towards the sanctuary, where lies the answer to all the questions of our spiritual potential – who am I, where do I come from, where am I going? In answer to these questions, the descent of the Spirit in the bodily form of a dove told us that we are the beloved sons and daughters of our Father God and that we are here to use our God-given abilities to do work for him that only we can do.
The Vicar of St Martin-in-the-Fields, Sam Wells, said that: “When at his baptism the Holy Spirit descended on Jesus like a dove Jesus wasn’t blown away – he was touched more deeply that words can say or eyes can perceive. That’s what this exhibition is about – and what’s more, it affirms that the Holy Spirit works through the humble hands of you and me.” Jesus gives us his peace, in the form of the Holy Spirit, so that we can then be peacemakers ourselves.
Sam has explained that “The Holy Spirit is the part of God that gives us here and now and forever and always those things that Jesus brought us once and for all. Jesus has shown us and brought us peace, but we need the Spirit to continue to make peace in and among us. The one Spirit proclaims “peace to you who were far off and peace to those who were near” (2:17). One of the most difficult things in life is to balance your care for those who are near – your regular circle of friends, family, neighbours, and colleagues – with your responsibility for those who are far off – distant friends, family, fellow citizens, and people of other nations and faiths … how easy it is to become so wrapped up with a small circle of intimates that we can’t register the need of those outside our own tiny world … It’s hard to be at peace with those who are far and at peace with those who are near … Jesus is our peace because he gives us the Holy Spirit to reconcile those from whom we are far off and those to whom we are near. Jesus is our peace because he gives us the Holy Spirit to reconcile the parts of ourselves that are far from God with the parts of ourselves that are near.”
Sharing the Peace is the climax to which the first half of our service moves. We are used to it and probably imagine that it has always been part of Anglican worship. However, it was the liturgical reform of the later 20th Century that rediscovered the Kiss of Peace of the early church, and it was introduced in the Church of England’s experimental Series 3 liturgy in about 1971. Holy Communion is celebrated by the whole people of God gathered for worship and at the sharing of the Peace we are reminded that we are together unified as the body of Christ.
This is the moment when we are reminded that Jesus said Blessed are the peacemakers: they shall be called children of God. We are to let the peace of Christ rule in our hearts, since as members of one body we are called to peace, and we are reminded that the fruit of the Spirit is love, joy, peace. If we live in the Spirit of peace, we are to walk in the Spirit of peace.
This is the moment in our service when Christ breathes on us so that we receive his Spirit and live in his peace. His promise was, Peace I leave with you; my peace I give to you. The Peace is the moment in our Service when we are reminded of that promise and encouraged to receive it.
Many of us shake hands or hug on Sunday mornings without thinking about what the symbol means. Sometimes, we “cross our fingers” as we say “peace!” with people we don’t like, and keep bland, expressionless faces as we shake hands with someone we haven’t yet forgiven. The Peace calls us to go deeper than that.
“Before you offer your gift at the altar,” Jesus says, “be reconciled.” In our Service, the Peace always comes after the Prayers of the People and the Confession and Absolution. We are called to prepare ourselves to go to the altar: to pray for those we’ve hurt, and those who have hurt us; to confess the sins we need to confess, and to receive God’s forgiveness; and then to be reconciled, one with another, as a symbol of our new life in Christ.
Then, we can truly go to the Altar with clean hands and a ready heart, and receive truly the gift Christ makes available to us all: his body and blood given in love for us.
When others spread war, anxiety, division and strife, those led by the Spirit make peace. Sharing the Peace is the time in our service when we can make peace amongst ourselves. Then, at the end of our Service we are told to go in peace to love and serve the Lord in the rest of the week because those who are led into peace by the Holy Spirit become peacemakers in the world and in their local communities. May it be so for each one of us. Amen.
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Adrian Snell - Peace Be With You.
Thursday, 7 May 2026
Deanery Prayer Walk
with Bishop Adam Atkinson, Bishop of Bradwell
from St Mary’s Runwell to Our Lady’s Well
Saturday 23 May, 9.00 am (beginning in St Mary’s Runwell)
A contemplative walk from the Prioress’s tomb in St Mary’s Runwell to the Running Well.
Walk in the footsteps of those who have prayerfully visited the well previously to collect water for use in baptisms at St Mary’s.
Recall the stories of the nunnery based at the Running Well and the last Prioress who was buried in St Mary’s.
All are welcome.
Parking available in the Church car park beside the Church Hall
St Mary’s Church, Runwell Road, Wickford SS11 7HS
+Adam will visit Basildon Deanery to visit and pray at and for every church in the Deanery. He will also leave a pack of prayer resources for each church. This is part of the 100 days of prayer initiative in the Diocese (https://www.chelmsford.anglican.org/about-us/travelling-well-together/travelling-well-together-sustaining-ministry/#Prayer). The day begins with a Deanery Prayer Walk to which there is an open invitation.
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HeartEdge conference - Christ in the Stranger
St Martins in The Bullring Birmingham
The foundational conviction of HeartEdge is that God gives us everything we need but we need to be willing to receive it in the form in which God sends it. Matthew 25 and Luke 10 show us some of the forms in which God sends it – and both refer explicitly to the stranger. The conference will focus on how congregations can most appropriately receive the gifts of God in the stranger and how in particular they may respond to the Christian-influenced voices in this country expressing hostility to migrants today.
Key Note Speakers
Rt Revd. Guli Francis-Dehqani, Bishop of Chelmsford and
Revd Dr Sam Wells, Vicar of St Martin-in-the-Fields
Plus Inter-active workshops on the HeartEdge 4 Cs
The Fee for the day is £40 to include refreshments. You can bring a friend or colleague for just an additional £10 Subsidised places available on request from heartedge@smitf.org
More information at this booking link
https://www.eventbrite.co.uk/e/christ-in-the-stranger-a-heartedge-conference-for-churches-tickets-1984042421291?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl
Or contact heartedge@smitf.org
Revd Dr Sam Wells, Vicar of St Martin-in-the-Fields
Plus Inter-active workshops on the HeartEdge 4 Cs
The Fee for the day is £40 to include refreshments. You can bring a friend or colleague for just an additional £10 Subsidised places available on request from heartedge@smitf.org
More information at this booking link
https://www.eventbrite.co.uk/e/christ-in-the-stranger-a-heartedge-conference-for-churches-tickets-1984042421291?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl
Or contact heartedge@smitf.org
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Manchester Choral Scholars - In Remembrance.
Seen and Unseen: Cathedrals, confessionals, and the strange allure of spiritual fiction
My latest article for Seen and Unseen is 'Cathedrals, confessionals, and the strange allure of spiritual fiction' about the return of Susan Howatch:
'These are novels that are infused with the great Christian themes of sin, repentance, forgiveness, redemption, resurrection, and renewal. They explore the Church of England and their central characters (based as these often are on actual individuals) with great rigour, energy, and creativity, both theologically and sociologically. In these novels, faith and science, mysticism and psychology, are interlinked and interwoven through the device of spiritual direction sessions. The importance to the spiritual life of having an effective spiritual director is put centre-stage in these novels as their characters crash and burn through the unexamined aspects of their life experiences before re-building lives and careers with the support of those able to accompany them with spiritual support.'
My first article for Seen and Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.
My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.
My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.
My fourth article was a guide to the Christmas season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas.
My fifth article was 'Finding the human amid the wreckage of migration'. In this article I interviewed Shezad Dawood about his multimedia Leviathan exhibition at Salisbury Cathedral where personal objects recovered from ocean depths tell a story of modern and ancient migrations.
My sixth article was 'The visionary artists finding heaven down here' in which I explored a tradition of visionary artists whose works shed light on the material and spiritual worlds.
My seventh article was 'How the incomer’s eye sees identity' in which I explain how curating an exhibition for Ben Uri Online gave me the chance to highlight synergies between ancient texts and current issues.
My eighth article was 'Infernal rebellion and the questions it asks' in which I interview the author Nicholas Papadopulos about his book The Infernal Word: Notes from a Rebel Angel.
My ninth article was 'A day, night and dawn with Nick Cave’s lyrics' in which I review Adam Steiner’s Darker With The Dawn — Nick Cave’s Songs Of Love And Death and explore whether Steiner's rappel into Cave’s art helps us understand its purpose.
My 10th article was 'Theresa Lola's poetical hope' about the death-haunted yet lyrical, joyful and moving poet for a new generation.
My 11th article was 'How to look at our world: Aaron Rosen interview', exploring themes from Rosen's book 'What Would Jesus See: Ways of Looking at a Disorienting World'.
My 12th article was 'Blake, imagination and the insight of God', exploring a new exhibition - 'William Blake's Universe at the Fitzwilliam Museum - which focuses on seekers of spiritual regeneration and national revival.
My 13th article 'Matthew Krishanu: painting childhood' was an interview with Matthew Krishanu on his exhibition 'The Bough Breaks' at Camden Art Centre.
My 14th article was entitled 'Art makes life worth living' and explored why society, and churches, need the Arts.
My 15th article was entitled 'The collective effervescence of sport's congregation' and explored some of the ways in which sport and religion have been intimately entwined throughout history
My 16th article was entitled 'Paradise cottage: Milton reimagin’d' and reviewed the ways in which artist Richard Kenton Webb is conversing with the blind poet in his former home (Milton's Cottage, Chalfont St Giles).
My 17th article was entitled 'Controversial art: how can the critic love their neighbour?'. It makes suggestions of what to do when confronted with contentious culture.
My 18th article was an interview entitled 'Art, AI and apocalypse: Michael Takeo Magruder addresses our fears and questions'. In the interview the digital artist talks about the possibilities and challenges of artificial intelligence.
My 19th article was entitled 'Dark, sweet and subtle: recovered music orientates us'. In the article I highlight alt-folk music seeking inspiration from forgotten hymns.
My 20th article was entitled 'Revisiting Amazing Grace inspires new songs'. In the article I highlight folk musicians capturing both the barbaric and the beautiful in the hymn Amazing Grace and Christianity's entanglement with the transatlantic slave trade more generally.
My 21st article was entitled 'James MacMillan’s music of tranquility and discord'. In the article I noted that the composer’s music contends both the secular and sacred.
My 22nd article was a book review on Nobody's Empire by Stuart Murdoch. 'Nobody's Empire: A Novel is the fictionalised account of how ... Murdoch, lead singer of indie band Belle and Sebastian, transfigured his experience of Myalgic encephalomyelitis/chronic fatigue syndrome (ME) through faith and music.'
My 23rd article was entitled 'Rock ‘n’ roll’s long dance with religion'. The article explores how popular music conjures sacred space.
My 24th article was an interview with Alastair Gordon on the artist’s attention which explores why the overlooked and everyday capture the creative gaze.
My 25th article was about Stanley Spencer’s seen and unseen world and the artist’s child-like sense of wonder as he saw heaven everywhere.
My 26th article was entitled 'The biblical undercurrent that the Bob Dylan biopics missed' and in it I argue that the best of Dylan’s work is a contemporary Pilgrim, Dante or Rimbaud on a compassionate journey.
My 27th article was entitled 'Heading Home: a pilgrimage that breaks out beauty along the way' and focuses on a film called 'Heading Home' which explores how we can learn a new language together as we travel.
My 28th article was entitled 'Annie Caldwell: “My family is my band”' and showcased a force of nature voice that comes from the soul.
My 29th article was entitled 'Why sculpt the face of Christ?' and explored how, in Nic Fiddian Green’s work, we feel pain, strength, fear and wisdom.
My 30th article was entitled 'How Mumford and friends explore life's instability' and explored how Mumford and Sons, together with similar bands, commune on fallibility, fear, grace, and love.
My 31st article was entitled 'The late Pope Francis was right – Antoni Gaudi truly was God’s architect' and explored how sanctity can indeed be found amongst scaffolding, as Gaudi’s Barcelona beauties amply demonstrate.
My 32nd article was entitled 'This gallery refresh adds drama to the story of art' and explored how rehanging the Sainsbury Wing at the National Gallery revives the emotion of great art.
My 33rd article was an interview with Jonathan A. Anderson about the themes of his latest book 'The Invisibility of Religion in Contemporary Art'.
My 34th article was an interview with 'Emily Young: the sculptor listening as the still stones speak'.
My 35th article was a profile of New York's expressionist devotional artist, 'Genesis Tramaine: the painter whose faces catch the spirit'.
My 36th article was a concert review of Natalie Bergman at Union Chapel - a soul-soaked set turned personal tragedy into communal celebration.
My 37th article was based on the exhibition series 'Can We Stop Killing Each Other?' at the Sainsbury Centre. In it I explore how art, theology, and moral imagination confront our oldest instinct.
My 38th article article was 'The dot and the dash: modern art’s quiet search for deeper meaning' in which I argue that Neo-Impressionism meets mysticism in a quietly radical exhibition at the National Gallery.
My 39th article was 'From Klee to Klein, Wenders to Botticelli: angels unveiled' in which I explore how, across war, wonder and nativity, artists show angels bridging earth and heaven.
My 40th article was 'When Henry Moore’s Madonna shocked Northampton' in which I explore how a modernist mother and child stirred outrage, then lasting wonder.
My 41st article was 'Turner and Constable: storms, salvation and the sublime' in which I discussed how Tate Britain reveals how rival visions shaped art and spirit.
My 42nd article was 'When converts cracked open the culture’s polished surface' in which I explored how faith’s outsiders disrupted the scene with unexpected force.
My 43rd article 'The Magdalene we rarely see' was about the painting 'Magdalene at the Base of the Cross' by Chris Gollon.
'These are novels that are infused with the great Christian themes of sin, repentance, forgiveness, redemption, resurrection, and renewal. They explore the Church of England and their central characters (based as these often are on actual individuals) with great rigour, energy, and creativity, both theologically and sociologically. In these novels, faith and science, mysticism and psychology, are interlinked and interwoven through the device of spiritual direction sessions. The importance to the spiritual life of having an effective spiritual director is put centre-stage in these novels as their characters crash and burn through the unexamined aspects of their life experiences before re-building lives and careers with the support of those able to accompany them with spiritual support.'
My first article for Seen and Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.
My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.
My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.
My fourth article was a guide to the Christmas season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas.
My fifth article was 'Finding the human amid the wreckage of migration'. In this article I interviewed Shezad Dawood about his multimedia Leviathan exhibition at Salisbury Cathedral where personal objects recovered from ocean depths tell a story of modern and ancient migrations.
My sixth article was 'The visionary artists finding heaven down here' in which I explored a tradition of visionary artists whose works shed light on the material and spiritual worlds.
My seventh article was 'How the incomer’s eye sees identity' in which I explain how curating an exhibition for Ben Uri Online gave me the chance to highlight synergies between ancient texts and current issues.
My eighth article was 'Infernal rebellion and the questions it asks' in which I interview the author Nicholas Papadopulos about his book The Infernal Word: Notes from a Rebel Angel.
My ninth article was 'A day, night and dawn with Nick Cave’s lyrics' in which I review Adam Steiner’s Darker With The Dawn — Nick Cave’s Songs Of Love And Death and explore whether Steiner's rappel into Cave’s art helps us understand its purpose.
My 10th article was 'Theresa Lola's poetical hope' about the death-haunted yet lyrical, joyful and moving poet for a new generation.
My 11th article was 'How to look at our world: Aaron Rosen interview', exploring themes from Rosen's book 'What Would Jesus See: Ways of Looking at a Disorienting World'.
My 12th article was 'Blake, imagination and the insight of God', exploring a new exhibition - 'William Blake's Universe at the Fitzwilliam Museum - which focuses on seekers of spiritual regeneration and national revival.
My 13th article 'Matthew Krishanu: painting childhood' was an interview with Matthew Krishanu on his exhibition 'The Bough Breaks' at Camden Art Centre.
My 14th article was entitled 'Art makes life worth living' and explored why society, and churches, need the Arts.
My 15th article was entitled 'The collective effervescence of sport's congregation' and explored some of the ways in which sport and religion have been intimately entwined throughout history
My 16th article was entitled 'Paradise cottage: Milton reimagin’d' and reviewed the ways in which artist Richard Kenton Webb is conversing with the blind poet in his former home (Milton's Cottage, Chalfont St Giles).
My 17th article was entitled 'Controversial art: how can the critic love their neighbour?'. It makes suggestions of what to do when confronted with contentious culture.
My 18th article was an interview entitled 'Art, AI and apocalypse: Michael Takeo Magruder addresses our fears and questions'. In the interview the digital artist talks about the possibilities and challenges of artificial intelligence.
My 19th article was entitled 'Dark, sweet and subtle: recovered music orientates us'. In the article I highlight alt-folk music seeking inspiration from forgotten hymns.
My 20th article was entitled 'Revisiting Amazing Grace inspires new songs'. In the article I highlight folk musicians capturing both the barbaric and the beautiful in the hymn Amazing Grace and Christianity's entanglement with the transatlantic slave trade more generally.
My 21st article was entitled 'James MacMillan’s music of tranquility and discord'. In the article I noted that the composer’s music contends both the secular and sacred.
My 22nd article was a book review on Nobody's Empire by Stuart Murdoch. 'Nobody's Empire: A Novel is the fictionalised account of how ... Murdoch, lead singer of indie band Belle and Sebastian, transfigured his experience of Myalgic encephalomyelitis/chronic fatigue syndrome (ME) through faith and music.'
My 23rd article was entitled 'Rock ‘n’ roll’s long dance with religion'. The article explores how popular music conjures sacred space.
My 24th article was an interview with Alastair Gordon on the artist’s attention which explores why the overlooked and everyday capture the creative gaze.
My 25th article was about Stanley Spencer’s seen and unseen world and the artist’s child-like sense of wonder as he saw heaven everywhere.
My 26th article was entitled 'The biblical undercurrent that the Bob Dylan biopics missed' and in it I argue that the best of Dylan’s work is a contemporary Pilgrim, Dante or Rimbaud on a compassionate journey.
My 27th article was entitled 'Heading Home: a pilgrimage that breaks out beauty along the way' and focuses on a film called 'Heading Home' which explores how we can learn a new language together as we travel.
My 28th article was entitled 'Annie Caldwell: “My family is my band”' and showcased a force of nature voice that comes from the soul.
My 29th article was entitled 'Why sculpt the face of Christ?' and explored how, in Nic Fiddian Green’s work, we feel pain, strength, fear and wisdom.
My 30th article was entitled 'How Mumford and friends explore life's instability' and explored how Mumford and Sons, together with similar bands, commune on fallibility, fear, grace, and love.
My 31st article was entitled 'The late Pope Francis was right – Antoni Gaudi truly was God’s architect' and explored how sanctity can indeed be found amongst scaffolding, as Gaudi’s Barcelona beauties amply demonstrate.
My 32nd article was entitled 'This gallery refresh adds drama to the story of art' and explored how rehanging the Sainsbury Wing at the National Gallery revives the emotion of great art.
My 33rd article was an interview with Jonathan A. Anderson about the themes of his latest book 'The Invisibility of Religion in Contemporary Art'.
My 34th article was an interview with 'Emily Young: the sculptor listening as the still stones speak'.
My 35th article was a profile of New York's expressionist devotional artist, 'Genesis Tramaine: the painter whose faces catch the spirit'.
My 36th article was a concert review of Natalie Bergman at Union Chapel - a soul-soaked set turned personal tragedy into communal celebration.
My 37th article was based on the exhibition series 'Can We Stop Killing Each Other?' at the Sainsbury Centre. In it I explore how art, theology, and moral imagination confront our oldest instinct.
My 38th article article was 'The dot and the dash: modern art’s quiet search for deeper meaning' in which I argue that Neo-Impressionism meets mysticism in a quietly radical exhibition at the National Gallery.
My 39th article was 'From Klee to Klein, Wenders to Botticelli: angels unveiled' in which I explore how, across war, wonder and nativity, artists show angels bridging earth and heaven.
My 40th article was 'When Henry Moore’s Madonna shocked Northampton' in which I explore how a modernist mother and child stirred outrage, then lasting wonder.
My 41st article was 'Turner and Constable: storms, salvation and the sublime' in which I discussed how Tate Britain reveals how rival visions shaped art and spirit.
My 42nd article was 'When converts cracked open the culture’s polished surface' in which I explored how faith’s outsiders disrupted the scene with unexpected force.
My 43rd article 'The Magdalene we rarely see' was about the painting 'Magdalene at the Base of the Cross' by Chris Gollon.
My 44th article was 'U2’s music shows surrender can still sound like joy' which explores the spirituality of U2
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The Choir of Salisbury Cathedral - How Shall I Sing That Majesty.
Wednesday, 6 May 2026
Memorial Service for The Revd Sally Muggeridge
The opportunity to minister at St Stephen Walbrook together with Sally was one that I greatly enjoyed and appreciated. I greatly valued having her as a colleague. She was a special colleague with great insight and ideas coupled with real humility and a servant heart. We were very fortunate to have enjoyed Sally’s assistance and ministry at St Stephen Walbrook during her curacy and were particularly grateful for the links she established with the City and with businesses locally.
Her time with us also broke down barriers as she was the first woman to preside at the Eucharist in St Stephen Walbrook. It was a privilege to be at the ‘At Home’ for WATCH during which she celebrated her first Eucharist and became the first woman to celebrate the Eucharist in that church. I also remember with real pleasure our conversations about her uncle Malcolm Muggeridge and his impact as well as all she did to work on his legacy. I will always remember her time with us and all she brought to ministry with deep gratitude.
As we have just heard, Sally had her calling as a priest confirmed to her as she cared for and sat through the night with a lady in Calcutta who was dying while in the care of Mother Teresa’s Sisters of Charity. This remarkable experience culminated with a moment of communication between the two just before the woman died and coincided, in a God-incidence, with the death of Sally’s own mother, who received a call from Desmond Tutu just before she died.
Reflecting on these experiences would have confirmed a priestly call for Sally because they are experiences of being with, something that is at the heart of what priestly ministry involves. Being with is based on the belief that to find the meaning of life we need each other. We need to spend time being present and attentive to others who may be different to us and to ourselves and the world around us. As we do this, we can discover a way to be attentive to God and discover that God is present to us.
This discovery occurs because God has always been with, although never more so than in his incarnation as Jesus. The kingdom of God comes near to us when Jesus comes near because Jesus is God with us. That is what the incarnation, the crucifixion and the resurrection are all about. The Gospel of Matthew begins with the angel's promise that the Messiah will be called Emmanuel - God with us. The Gospel ends with Jesus's promise to his disciples, "Remember, I am with you always, to the end of the age." In between we get Jesus's promise to the church, "Where two or three are gathered in my name, I am there with them." … And, perhaps most significantly of all, the Gospel of John says "The Word was made flesh and dwelt with us." Jesus's ministry is about being with us, in pain and glory, in sorrow and in joy, in quiet and in conflict, in death and in life. God is with us when Jesus comes near, which is, in reality, all the time. That is our witness as Christians and it is also our ministry. If the heart of the Gospel is that God is with us in every circumstance and into eternity, then our task is to be with others in order that they experience God with them.
This was Sally’s experience and was at the heart of her priestly ministry being the key aspect of her ministry about which she spoke when she was profiled by the Financial Times: “My role is now one of pastoral care of stressed City workers. So many seek chats, prayers, a quick discussion [about] a worry about family life and work. A prayer needed, a smile, a service — I can help with examples and encouragement.”'
She was able to do this so well because of the time she had spent in the business world and the experience gained. Being with those who work in the City involves making connections between faith and working life and Sally was able to do that supremely well because of the prior experience that she brought to ministry. Again, this featured in the FT profile where it was noted that: "Throughout her career, Revd Muggeridge has been a vocal advocate of increasing the role of women in business and the church.”
As such, Sally organised a 'Women in the City of London - More than just a place of work' event which highlighted the civic, cultural, charitable and social opportunities in the City of London, including networks as a route to fuller participation. She also contributed to a series of events we ran to explore the place of faith in the world of business. We titled this series as ‘plus+ presentations’ flagging that we were seeking to add value to the experience of being in the City. Sally spoke from personal experience about campaigns to increase the numbers of women on Boards. She also chaired a Volunteers from the City event which explored the benefits of volunteering, preparation, training and support for volunteers, and the part that Corporate Social Responsibility plays in volunteering. These are just a few examples of the links she established for St Stephen Walbrook with the City and with businesses locally. They, and other gatherings, were opportunities to meet and be with the City workers to whom she ministered pastorally.
She also contributed regularly to Start:Stop, our popular ten-minute Tuesday morning reflections, one of several initiatives that created ‘a new pattern of missional engagement at Walbrook.’ These included the uplifting ‘Discover and Explore’ series of services on Mondays, which featured different themes accompanied by the music of the Choral Scholars. This service involved speaking on an eclectic but interesting variety of topics depending on the theme. Among the topics on which Sally spoke were the following: Lanning Roper, Love, the Temple of Mithras, Christopher Wren, George Croly, Hope, Sir John Vanburgh, Chad Varah, John the Baptist, Guidance, Faith, St Paul in Rome, and St Columba. Always, however, with a deep perception of where God was to be found with us in relation to the topic.
In speaking once about architecture, she noted that this impulse: “the planning and specification of buildings, is perhaps as old as man’s wish to build. But we also know we cannot look to any building, however majestic, for permanence. Buildings are by nature, like us, transitory, here today and gone tomorrow. In the search for true permanence and stability, in wishing to build Jerusalem in England’s green and pleasant land, we must look to God.”
That thought brings us back to the permanent nature of God’s being with us in the reality of life experiences that are changing and transient. As we heard in the reading from Romans, “nothing can separate us from his love.” That remains true in all that we experience as we go through life.
As Sam Wells has said: “God doesn’t spare us from the fire. God doesn’t rescue us from the fire … God is with us in the fire. ‘Though I walk through the valley of the shadow of death, I fear no evil; for you are with me.’ ‘When you walk through fire you shall not be burned, and the flame shall not consume you.’ That’s the gospel …
Jesus isn’t spared the cross. Jesus isn’t rescued from the cross. Jesus is with God on the cross. The bonds of the Trinity are stretched to the limit; but not ultimately, broken. When we see the cross we see that God is with us, however, whatever, wherever … forever. This is our faith.”
As Henri Nouwen says: “God’s protection is not a promise that nothing will happen to us, but that nothing—absolutely nothing—will separate us from His love.”
As a result, we can say with the Psalmist: “If it had not been the Lord who was on our side … then the flood would have swept us away, the torrent would have gone over us; then over us would have gone the raging waters.” May we know that truth in whatever difficulty we face currently.
Finally, though, God’s being with in the incarnation and in the vicissitudes of life is so that we can be with him forever in the coming kingdom of God where there will be nothing for us to fix and where there will simply be being with God, with each other and with creation. That is now Sally’s experience having come through all that she experienced in this life with the knowledge that Christ was with her in all things.
And, as will be of great importance for someone who was always learning, growing, developing and doing something beautiful for God, that experience of being with will not be static, formulaic and dull but instead will be exploratory as there is always something more to know of love, joy and peace in the never-ending depths of God. Although at rest, Sally remains on her journey of faith, exploring her calling, discovering more of the beauty in God, in others, in herself, and in creation. May the same also be true for us. Amen.
My review of 'Jesus, The Man Who Lives by Malcolm Muggeridge, with an Afterword by Sally Muggeridge, can be read here.
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