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Sunday, 27 November 2022

Our ultimate destination, being united with Christ

Here is the reflection that I shared during tonight's Patronal Evensong at St Catherine's Wickford:

Tradition has it that Catherine of Alexandria was a girl of a noble family who, because of her Christian faith, refused marriage with the emperor as she was already a 'bride of Christ'. She is said to have disputed with fifty philosophers whose job it was to convince her of her error, and she proved superior in argument to them all. She was then tortured by being splayed on a wheel and finally beheaded. The firework known as the Catherine Wheel took its name from her wheel of martyrdom. She is one of the Fourteen Holy Helpers, a very special group of saints known for their very powerful intercession.

Adam of St. Victor wrote a magnificent poem - Vox Sonora nostri chori – in her honour. The poem also tells her story:

Let the voices of our choir resound in praise of our Creator, who disposes all things; by whom they fight who are unskilled in war, by whose power maidens triumph over men.

Through him, the people of Alexandria stand amazed to see in blessed Catharine qualities that seem above her sex, when she vanquishes learned men by her science and the sword by her courage.

To the glory of her race she adds the precious ornaments of incomparable virtue; and noble by birth, she becomes more noble still by grace and holy living.

Tender is the flower of her beauty, yet she spares it neither labour nor study; and in early youth she masters earthly science and that which is of God.

A chosen vessel full of virtue, she considers transitory goods as mire, contemning her father’s wealth and her ample patrimony.

Filling her vessel with oil, as a wise and prudent virgin, she goes to meet the Spouse; that, ready at the hour of his coming, she may enter without delay to the feast.

Longing to die for Christ, she is led before the emperor; and in his presence, by her eloquence, puts fifty philosophers to silence.

For love of God she endures the horrors of the prison, the cruel wheel, hunger and want, and all her other sufferings; she remains unchanged through all.

The tortured overcomes her torturer, a woman’s constancy triumphs over the emperor; yea, the emperor himself is tormented, seeing both executioner and torments unavailing.

At length she is beheaded, and by death ending death, enters into the joys of life, while Angels with all care bury her body in a far-off land.

An oil flowing from her body, by a visible grace heals the sick; good indeed is the unction she gives us, if she heals our vices by her prayers.

May she rejoice to see the joy she causes us; may she who gives us present joys give likewise those to come; and may she now rejoice with us, and we with her in glory. Amen.

Dr Eliana Corbari notes that “objects reflect the stories of her life: the crown shows her noble lineage, the wheel is an instrument of her torture, the book signifies her learning, and the sword is the instrument of her martyrdom. The crown, the book, the sword and, above all, the wheel are the attributes by which she would have been easily recognizable by medieval people, who had heard and read the stories of her life.”

Like them, let us all imitate St. Catherine, who with the enlightenment of the Holy Spirit, took the time and care to learn the Holy Scriptures and the truth of our faith, taking them to her heart. In doing so, she declared this truth openly and publicly, defending them in the face of horrible torture and martyrdom.

When she was a young woman, her father approached her about marriage. Her reply to him was simple, “Sure, I will get married—when you find a man who is smarter, more beautiful, and more virtuous than I am.” What appears at first to be arrogance ends up being something more profound when we realize that is precisely what she did—she found Christ.

From the Medieval period onwards, she is depicted as going through a mystical marriage wedding ceremony with Christ, in the presence of the Virgin Mary, consecrating herself and her virginity to him. Essentially, this is a reminder to us of our ultimate destination; that of being united with Christ. The saints are not there to emphasise their difference from us but for us to see our similarity with them and be inspired to become more Christ-like in our living as a result. May Saint Catherine inspire us in this way as we give thanks for her life and witness today.

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The ways Christ made his home with us when the Spirit came at Pentecost

Here's the sermon I preached at St Catherine’s this morning:

‘It's coming home, it’s coming home, it's coming...
Football's coming home.’

The England football song 'Three Lions', which was written by David Baddiel, Frank Skinner and Ian Broudie and was first released in 1996 for that year's European Championships, perfectly captures the sense of hope and longing mixed with realism that comes with supporting a men’s national side which has won the major trophy once and come close on other occasions without quite repeating that pinnacle moment. Those of us who sing it when England qualify for the World Cup or European Championship, sing with a sense that this could be the moment of triumph revisited, but probably won't be.

Advent seems to contain that same mix of hope and unfulfilled longing. The word ‘Advent’ is derived from the Latin word adventus, meaning ‘coming’. Advent has traditionally been observed as a time of preparation for both the celebration of the first coming of Jesus at Christmas and as a time of prayer for the return of Jesus at the Second Coming. It is this second aspect to Advent which results in passages like today’s Gospel (Matthew 24.36-44) taken from Jesus’ end times sermon featuring heavily in the readings during this season. Advent asks us to reflect on the nature of Jesus’ first and second comings and on how we are to live in the time in between. But Christ’s second coming seems a long time delayed and we wonder, as with the England team winning another trophy, whether that day will ever come.

Our Gospel reading seems to suggest that even the realisation of our hopes for Christ's return can involve a similar sense of hope fulfilled and hopes dashed. It has often been understood as describing what will happen to believers and non-believers when Christ returns and has been used as an evangelistic appeal with the aim of scaring us into salvation. As a teenager, for example, I listened repeatedly to a haunting song by Larry Norman based on today’s Gospel reading. It is called ‘I wish we’d all been ready’ and the second verse includes these lines:

‘A man and wife asleep in bed
She hears a noise and turns her head he's gone
I wish we’d all been ready
Two men walking up a hill
One disappears and ones left standing still
I wish we’d all been ready
There's no time to change your mind
The son has come and you've been left behind’

These images, based directly on our Gospel reading, of people being suddenly separated are taken from a block of teaching given by Jesus during his final week in Jerusalem that have become known as his eschatological sermon. In my view, Jesus’ eschatological sermon was not actually about the end of the world but rather about the destruction of the Temple in Jerusalem which occurred in AD70. The destruction of the Temple by the Romans was a time of sudden exile and separation, persecution and loss, as graphically described in today's Gospel reading and as it affected the majority of Jesus’ disciples. There was a sudden attack that resulted in some who were in Jerusalem at the time dying and others separating and fleeing the city; just the kind of events which are described in today’s Gospel reading.

The message of Advent is that we are not alone in such times. Advent prepares us to celebrate Christ's first coming into our world. The incarnation involves God, in the baby Jesus, coming into our world and moving into our neighbourhood to be God with us as he makes his home with us. So, the message of Advent is that Christ comes to us and makes his home with us.

But, as we reflected earlier, our experience of hope and of opportunities to genuinely come home is mixed. Like England fans singing 'Three Lions' there is a mix of optimism and realism. The disciples experienced separation and loss when Christ died and when he ascended but he then came again when his Spirit filled them on the day of Pentecost and made his home within them.

So, rather than looking for another future coming, we need instead to be looking at the ways Christ made his home with us when the Spirit came at Pentecost. Together with the poet Gerard Manley Hopkins, we can say that Christ now plays in a thousand places and faces, so that we can greet him when we meet him and bless when we understand. This is light in our darkness. It is the calm in the storm that the disciples experienced on the Sea of Galilee and it is what took the disciples through the separation, loss and exile that they experienced following the destruction of the temple in Jerusalem in AD70. Because Christ was with them, because he had made his home in them, they could take the good news of his love and presence with them to the far corners of the Roman Empire. As an old children's song perhaps rather simplistically puts it, with Jesus in the boat we can smile in the storm as we go sailing home.

So, home starts here and now because Christ has come to make his home with us through his Spirit. The 17th century German mystic, Angelus Silesius, warns us:

Though Christ a thousand times
In Bethlehem be born
If he’s not born in thee,
Thou art still forlorn.

If Christ is not born in us as we listen and sing this Advent, our time together will be pleasant but not life changing. But, if Christ is born in us, then the whole story will be transformed. It will become our story. He will make his home with us and we will be able to say:

Christ born in a stable
is born in me.
Christ accepted by shepherds
accepts me.
Christ receiving the wise men
receives me.
Christ revealed to the nations
be revealed in me.
Christ dwelling in Nazareth
You dwell in me.

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Ricky Ross - Holy Night/Pale Rider.

Saturday, 26 November 2022

Windows on the world (402)


 London, 2022

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Story: The Mudcubs and the O Zone holes

International Times, the Magazine of Resistance, have just published my short story entitled 'The Mudcubs and the O Zone holes.' 

This story is the first of three about Nicola Ravenscroft's mudcub sculptures, which we are currently exhibiting at St Andrew's Wickford. I have been writing a range of pieces (stories, poems and reflections) in response to Nicola's works. Click here for a poem published by Stride Magazine that was inspired by Nicola's series of 'in the language of angels' images, here for my Artlyst interview with Nicola, and here for an ArtWay Visual Meditation on her work.

mudcubs… touching earth, bringing peace
5 September – 31 December 2022
St Andrew’s Church, 11 London Road, Wickford, Essex SS12 0AN


St Andrew’s Church is usually open: Saturdays from 8.30 am to 12.30 pm; Sundays from 9.30 am to 12.00 noon; Mondays from 1.30 to 3.45 pm; Tuesdays from 1.00 to 4.30 pm; Wednesdays from 10.00 am to 12.00 noon; and Fridays from 10.00 am to 1.30 pm.

See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.

Children pay attention to the world finding wonder in it. A child’s journey from the front of the house to the back will ‘be full of pauses, circling, touching and picking up in order to smell, shake, taste, rub, and scrape’, ‘every object along the path will be a new discovery’ because ‘the child treats the situation with the open curiosity and attention that it deserves’ (Sister Corita Kent). That is why the children are our future and can lead the way into a better future. This is also why Jesus said a child is greatest in the kingdom of heaven.

. . mudcubs . . are Earth’s messenger-angels: they silently call us to live in PEACE .. with nature and with each other.

Previously exhibited at St Martin-in-the-Fields, St John’s Cambridge, HSBC global headquarters Canary Wharf, Churchill College Cambridge, Cambridge University Faculty of Education and coming to us from the Talos Art Gallery’s ‘Natural Elements’ exhibition where they spent three months outdoors standing guard at the base of an old tree, these are sculptures to touch and feel and cherish. Nicola says: “Earth’s children are life’s heartbeat: they are her hope, her future ... they are breath of Earth herself. Creative, inquisitive and trusting, children are Earth’s possibility thinkers. They seek out, and flourish in fellowship, in ‘oneness’, and being naturally open-hearted, and wide-eyed hungry for mystery, delight and wonder, they embrace diversity with the dignity of difference.”

Nicola Ravenscroft is a British sculptor and songwriter whose sculpture has a lifegiving presence and a peaceful stillness. A graduate of Camberwell School of Art, London, UK she has owned and run a sculpture gallery and, as an art teacher, has nurtured many young people into celebrating their inherent creativity and thinking beyond the walls. Her sculpture installation With the Heart of a Child was part of a project exploring what the arts in transdisciplinary learning spaces can contribute to primary education. Nicola has been commissioned to create the Westminster National bronze memorial, honouring the sacrifice of NHS and careworkers on the covid front line.

Web: https://nicolaravenscroft.com / https://nicolaravenscroft.com/mudcubs/.

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Raphael Ravenscroft - "... and a little child shall lead ..."

Sunday, 20 November 2022

Transferred into the kingdom of the beloved Son

Here's the sermon I shared this morning at St Andrew’s Wickford:

Transfer deadline day has been described as the busiest and most exciting 24 hours for every football fan in the world.

Transfer deadline day is the final point at which players can be transferred from one club to another meaning that some deals are put together very quickly and some players who, one day, were wearing the colours of their original team are the next day in the colours of a new team. Normally transfers are planned and known about in advance but on transfer deadline day surprising and unexpected deals can be done.

Our Gospel reading (Luke 23:33-43) gives us just such a surprising transfer when one of the criminals on the cross alongside Jesus says, “Remember me when you come into your kingdom” and Jesus says, “Today, you will be with me in paradise.” Our New Testament reading (Colossians 1:11-20) explains what is going on as a transfer; a transfer from the power of darkness to the kingdom of the beloved Son and it's instant, just like on transfer deadline day.

Transfer deadline day sees a select group of footballers change clubs but the transfer we see happening on the cross isn’t selective. If a dying criminal can be transferred from the power of darkness to the kingdom of the beloved Son, then surely that’s transfer that is open to anyone, indeed is intended for any or all of us.

Instead of money changing hands as is the case on transfer deadline day, for the Christian, baptism is the sign that this transfer has taken place. For some, baptism happens soon after the transfer has taken place. For others, baptism confirms something that happened in that person’s life many years earlier.

In the baptism liturgy, the transfer is described as follows: “God calls us out of darkness into his marvellous light. To follow Christ means dying to sin and rising to new life with him. Therefore, the candidate is asked: Do you reject the devil and all rebellion against God, do you renounce the deceit and corruption of evil and do you repent of the sins that separate us from God and neighbour. These decisions involve our leaving the powers of darkness while the following are to do with our transfer to the kingdom of the Beloved Son: Do you turn to Christ as Saviour, do you submit to Christ as Lord and do you come to Christ, the way, the truth and the life.

The transfer into the kingdom of the Beloved Son is enabled by Jesus on the cross, which is where we see the extent to which God is with us. Jesus is the reconciler of all things because he is both divine and human, so in him all things hold together. As God he is the Creator, so, in him all things in heaven and on earth were created, things visible and invisible, whether thrones or dominions or rulers or powers—all things were created through him and for him. In him, the creator of the universe becomes part of the creation bringing creator and creation together as one.

Through Jesus’ incarnation God moved into our neighbourhood and experienced human life in all its beauties and frustrations, joys and sorrows. Because he experienced human life for himself, Jesus is then able to take all he experienced and us as well into God. He becomes the head of the body, the church; the beginning and the firstborn from the dead. Through him, we become one with God. In him, God comes down to earth in order to bring us to God and bring heaven and earth together, uniting heaven and earth, just as they will finally be united in a new heaven and earth in future. Through him God has been pleased to reconcile to himself all things, whether on earth or in heaven, by making peace through the blood of his cross.

The cross shows just how God loves us and wants to be with us. Being with us is the reason God created the universe but we are often uninterested or opposed to being in relationship with God, because of the self-interest that governs so much of what do as human beings. In Jesus, God comes into our world to be with us as a human being but we reject him, put him on trial and then kill him. You would think that would be enough for God, that he would say those humans are simply not interested and they’re not going to change, so I’m going to give up on them as a result. That isn’t what happens. As he hangs on the cross, Jesus is faced with a choice between being with God his Father and being with us. He chooses to be with us. God the Father is faced with a choice between holding on to Jesus or letting him go to be with us. He chooses to let Jesus be with us. The cross is so important for us, as Christians, because it is where we see how much God loves us and how much he is prepared to sacrifice in order to be with us. That sacrifice enables us, like the repentant thief on his cross, to transfer into the kingdom of the Beloved Son.

Ann-Kay Lin has experienced God with her in this way in her experiences and in her music, most notably in the composition Blessed created as a leaving gift for Jane Freeman based on the Beatitudes. As a result, she is wanting to show today through baptism that this transfer that we have been exploring has happened in her life too. In her case, baptism is a confirmatory sign of something that happened long before.

The impact that this has had is shown in her composition Blessed which shows the way we are to live as a result of this transfer having taken place. So, before her baptism, let us listen to Blessed as an act of reflection and prayer - https://www.youtube.com/watch?v=kvDJIwUmR8A.

This serice can be viewed by clicking here.

Saturday, 19 November 2022

Windows on the world (401)


 London, 2022

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Rev Simpkins - Sing Your Life.

Wickford & Runwell Team Ministry: Advent & Christmas

 







Christmas Bazaar
Saturday 26 November
9.00 am – 12.30 pm, St Andrew’s Church
(for the Wickford & Runwell Team Ministry – St Andrew’s, St Catherine’s & St Mary’s)

  • Gift from Santa (pre-booking advised at waggywishywashy@gmail.com)
  • School Choirs performing
  • Guess the weight of the cake
  • Tombola & Bottle Tombola
  • Christmas Gifts & Crafts
  • How many sweets?
  • Cakes & Produce
  • Name the Teddy
  • Children’s games
  • Refreshments
& Grand Christmas Draw

Advent & Christmas Services

1st Sunday of the Month                                                                         December 4th

09:30 Worship – St Mary’s                                                                      Morning Praise

10:00 All age worship – St Andrew’s                                                       All-Age Eucharist

11:00 Worship - St Catherine’s                                                                 Eucharist


2nd Sunday of the Month                                                                          December 11th

09:30 Worship – St Mary’s                                                                        Eucharist

10:00 Worship – St Andrew’s                                                                    Morning Praise

11:00 All age worship - St Catherine’s                                                      All-Age Eucharist


3rd Sunday of the Month                                                                          December 18th

09:30 All age worship – St Mary’s                                                            All-Age Eucharist

10:00 Worship – St Andrew’s                                                                    Eucharist

11:00 Worship - St Catherine’s                                                                  Matins


4th Sunday of the Month           November 27th                                       December 25th

09:30 Worship – St Mary’s        Holy Communion                                   Eucharist

10:00 Worship – St Andrew’s    Holy Communion                                   Eucharist

11:00 Worship - St Catherine’s  Matins                                                     Eucharist


Sunday 1st January, New Year’s Day:

All Age Eucharist, 10am in St Andrew’s
Eucharist, 11am in St Catherine’s
Morning Praise, 9.30am in St Mary’s

Advent

Mondays in Advent: Advent Night Prayer with Reflection, 8pm in St Catherine’s
(28th November, 5th, 12th, 19th December)

Sunday December 4th: Advent Carol Service, 6.30pm in St Catherine’s

Sunday December 11th: ‘Blue Christmas’ service, 6.30pm in St Mary’s
for those who are grieving and for whom a Happy Christmas will be difficult

Sunday December 18th: Parish Carol Service, 6.30pm in St Andrew’s

Christmas

Saturday 24th December, Christmas Eve:
Christingle Service 2pm, 3pm and 4pm in St Catherine’s
Crib Service 2pm and 4pm in St Mary’s
Crib Service 5pm in St Andrew’s
Midnight Mass 11.30pm in St Andrew’s, St Catherine’s and St Mary’s

Sunday 25th December, Christmas Day:
Eucharist, 10am in St Andrew’s
Eucharist, 11am in St Catherine’s
Eucharist, 9.30am in St Mary’s

The Encounter
Friday 2 December, 7.00 pm
St Andrew’s Church, 11 London Road, Wickford SS12 0AN


Books tickets (£6.50) at www.nextstepcreative.co.uk/events.

The Encounter is a show that explores the story of Christmas in a fresh way using dance and mime. Throughout the show you will experience and variety of Christmas stories in a contemporary and engaging ways for the whole family.

The performance is a creative mix of multi media and physical theatre appealing to a variety of ages. This is a great community event with a range of dynamic and engaging pieces, including Mime, Contemporary, Ribbons, Ballet, and Banners combined with bespoke video graphics.

Messy Christmas
Wednesday 7th December 2022, 4-6pm
St Andrew’s Church, London Road, Wickford


Mess! Fun! Food! FREE Kids crafts, activities, games, stories, & songs! plus FREE tea for each child. Kids must bring an adult. ​

Messy Church is a way of being church for families and others. It is Christ-centred, for all ages, based on creativity, hospitality and celebration.

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Friday, 18 November 2022

Rev Simpkins and the Phantom Folk perform Saltings














Rev Simpkins and the Phantom Folk performed Saltings at St Andrew's Wickford this evening.

Saltings is an album of ten illustrations by Tom Knight and ten songs by Matt Simpkins created in and about the ‘saltings’ of Essex. It is a loving portrait of the mystery and beauty of this salt marsh wilderness, and a meditation on the real human cost of the wilderness time of the pandemic.

Found within 50 miles from London, the saltings are one of England’s last natural wild spaces. Working as a parish priest a few miles away, Matt came to the saltings to retreat and compose these compelling and compassionate songs about his community’s real-life experiences during the pandemic. Saltings portrays hope found amid wilderness.

The album weaves together tales of the legendary and mysterious figures of the saltings, such as John Ball (leader of the peasants’ revolt) and Saint Cedd (whose Saxon chapel stands at Bradwell), with reflections on the wilderness’s ever-changing tides, skies, and seasons. Saltings is an attempt to share the atmosphere and history of this remarkable place in picture and song. 

Sinner songster, guttural gospeller & pop-poet-priest, the Rev’d Matt Simpkins’s music is an unholy brew of bruising freak blues, string-snapping finger-twanged folk, and sanctified psychedelia. Shades of Captain Beefheart, Pavement, and the Kinks meld with Evensong choirs and pipe organs, pre-war Gospel Blues, string orchestras, brass bands, and Bert Jansch style finger-picking.

Before he became the fourth generation of his family to be ordained as an Anglican priest, Matt came to musical notoriety through his raucous exploits in Fuzzface, Gospel-fiddle duo Sons of Joy, as a solo artist performing as Rev Simpkins & the Phantom Notes, and by collaborating with the remaining members of the Small Faces to reconstruct their LP Ogden’s Nut Gone Flake.

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Rev Simpkins - Plough Sunday.

Wednesday, 16 November 2022

A God who entrusts us with things of enormous worth

Here's my reflection that I shared at today's Eucharist in St Andrew’s Wickford:

Many of Jesus’ parables are set in the world of work. They concern masters, servants and slaves, as those were the primary work roles at the time and, because Israel was an agrarian culture, they often relate to farming. Ours is a very different context but, despite the many differences between the working life of Jesus’ day and time, the universal nature of the stories that he told, means that they still have much to say to the work practices of our own day and time.

One person who has specifically explored the implications of Jesus’ parables for the workplace is Will Morris who is both PwC’s Deputy Global Tax Policy Leader and a priest in the Episcopal Church. In his book ‘Where is God at Work?’ he devotes five chapters to exploring the Parable of the Talents or Pounds (Luke 19.11-28).

He notes firstly that this is story about workers and work. In the story people at work are ‘entrusted with vast sums of money and expected to use them in commercial ways’: ‘People are given assignments, they have responsibilities, and they have to report back to the boss, who then assesses them and rewards them with further work responsibility – or punishes them with demotion (or the sack). The relationships are business relationships. There is one worker who obviously has real commercial smarts, another who is not quite as high-powered but still does pretty well, and then there is the one who has no commercial savvy at all, and who lets his employer’s money sit in the ground doing nothing. So we have the successful risk-taker and the conservative, risk-adverse colleague who’d much rather do nothing than try anything. And there’s a hierarchy. It really is just like a workplace.’

He makes three key points. The first is that this is not directly a story about God-given abilities (a pound or talent was a measure of money, not a skill or gift). It is ‘rather a story about the entrustment of something of great price to various individuals.’

‘Second, the sums of money – the pounds or talents – are something given, entrusted by the master when he leaves and required to be turned back over when he returns.’ It is about ‘something entrusted to us which we are expected to work with – fruitfully – and then return to the person who gave it to us.’

Third, there is the size of the gifts. One talent is sixteen years’ wages, five is eighty years’ worth. ‘That’s a lot to entrust to a slave ... Slaves, those way down the pecking order, were here entrusted with huge wealth. The master didn’t entrust the talents to his fellow owners or to his friends, but to his slaves.’ In that sense, ‘this parable is more about equality, at least of opportunity, than it is about inequality. Slaves, if they can handle it, are as worthy of being trusted as the leaders of society.’

This parable ‘upholds commercial activity – even ... banking’ and, more specifically, ‘Jesus does indicate that – in the right settings – using money to make money is completely acceptable.’ ‘For Christians in the workplace that is welcome and affirming.’ Despite this, ‘the parable doesn’t tell us that money is good, or that we will be doing God’s work if we earn more talents for Him by any means we wish as long as we end up increasing the amount.’

However, ‘done well, done properly, these activities will validly contribute to the building up of the kingdom. As a result, we must be open to the possibility that God has placed them there for us to use in this way. If we approach the workplace with the idea, the preconception, that good cannot possibly be achieved there, then the chances are that it won’t be. But if, in part thanks to this parable, we are open to the possibility that God can work through instruments such as money and in the workplace, then who know what might happen? ... God can turn up and do amazing things in the most unlikely places.’

The ‘parable of the talents is not about the unequal handing out of skills and about the punishment of the weak. It is about whether we try to be the best we can be, working with God to build His kingdom, heal His creation, including the workplace – which, like everything else, will be perfected at the end of time. It’s about being ourselves, not trying to be people we’re not. It’s about doing only what we are capable of doing, but doing it very well. It’s about a God who entrusts us with things of enormous worth – the possibilities of being His co-workers – and who will love us for what we have done unless (and only unless we hide the gift, don’t ask Him for help using it, and then turn around and tell Him it was all His own fault anyway). Our God loves us. He really does. And all we have to do is love him back.’

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The Call - Let The Day Begin.

Tuesday, 15 November 2022

God's Collections case study

In September I led a tour of artworks at St Martin-in-the-Fields as part of a seminar in the Gods' Collections programme.

Places of worship of all traditions have always accumulated collections. Today some have generated great art museums, while others just keep a few old things in a sacristy cupboard. The Gods' Collections project looks at why and how these collections have developed, how they have been looked after, and how understanding of them has changed over the millennia.

My tour (which was originally developed for the Friends of St Martin-in-the-Fields) has now been turned into a case study for the God's Collections website. The case study sets the commissions programme at St Martin-in-the-Fields in the wider context of the renewal of sacred art within the twentieth century. The case study also develops further articles originally written for Artlyst and Art+Christianity.

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Choral Scholars of St Martin-in-the-Fields - Morning Song.

Sunday, 13 November 2022

Unveiled - Congruity and controversy: exploring issues for contemporary commissions

 



On Friday I gave an illustrated talk at Unveiled entitled Congruity and controversy: exploring issues for contemporary commissions. For any who missed the talk but who would be interested to know more, the talk has been published by ArtWay and can be read by clicking here.

The final Unveiled events at St Andrew's Wickford in 2022 are as follows:

On Friday 18 November, 7.00 pm, Rev Simpkins & the Phantom Notes perform Saltings. Rev Simpkins’ music mixes the colourful folk tradition of Appalachians Mountains with the melodiousness and carefully-observed lyrics of the Kinks. Close harmonies intertwine with banjo, French horn, and bass. At this concert the band will perform the Rev’s acclaimed fourth album and book, Saltings in its entirety. Created with the Illustrator, Tom Knight, Saltings is a loving portrait of the mystery and beauty of Essex's salt marsh wilderness, and a meditation on the real human cost of the wilderness time of the pandemic. Found within 50 miles of London, the saltings are one of England’s last natural wild spaces. Working as a parish priest a few miles away, Matt came to the saltings to retreat and compose these compelling and compassionate songs about his community’s real-life experiences during the pandemic. Saltings portrays hope found amid wilderness.

Then, on Friday 2 December, 7.00 pm we have The Encounter, a show that explores the story of Christmas in a fresh way using dance and mime. Throughout the show you will experience a variety of Christmas stories in a contemporary and engaging way for the whole family. Performed by Steven Turner, who has performed across the UK and Europe including Switzerland, Netherlands, Denmark, Germany, and France. Tickets £6.50. To book your ticket go to www.nextstepcreative.co.uk/events.

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Rev Simpkins - The Apple Tree.

Artlyst - A Question Of Clay: Strange Clay – Hayward Gallery


‘Recent years have seen a resurgence of interest in ceramics from artists and the public, from the popularity of The Great Pottery Throw Down to Theaster Gates’ The Question of Clay, a multi-institution project in 2021-22 across Whitechapel Gallery, Serpentine and the V&A that investigated the making, labour and production of clay, as well as its collecting history. Now, the Hayward Gallery gives us 23 international artists who stretch the medium itself, going beyond vessels into assemblage, sculpture and installation while examining the plasticity and possibilities of ceramics. As the exhibition’s curator, Dr Cliff Lauson, notes, by using “innovative methods and techniques”, these artists “push the medium to its physical and conceptual limits.”'

See also my November diary for Artlyst which covers Look and See, an exhibition by ceramicist Marta Jakobovits and also my review of Theaster Gates' A Clay Sermon at Whitechapel Gallery.

My other pieces for Artlyst are:

Interviews -


Articles/Reviews -
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Bap Kennedy - Please Return To Jesus.

What do these stones mean?


Here is the sermon that I gave at today's Service of Remembrance held at the Wickford War Memorial in Memorial Park:

What we are doing here today has ancient origins. The Old Testament speaks of the People of Israel, when they crossed the River Jordan on dry land to enter the Promised Land, picking up rocks from the river bed and setting them up in the Promised Land as a memorial to their crossing over into a new world (Joshua 4).

Stone was chosen for this memorial, as is the case with our Memorial here, because it endures from generation to generation. No names were carved onto the rocks that the Israelites set up as a memorial but 12 rocks were chosen and set up to represent the 12 tribes of Israel. Their leader, Joshua, explained to the Israelites what the memorial meant saying, ‘When your children ask their parents in time to come, “What do these stones mean?” then you shall let your children know, “Israel crossed over the Jordan here on dry ground.” For the Lord your God dried up the waters of the Jordan for you until you crossed over, as the Lord your God did to the Red Sea, which he dried up for us until we crossed over, so that all the peoples of the earth may know that the hand of the Lord is mighty, and so that you may fear the Lord your God for ever.’

We gather today to do essentially the same thing, to ensure that our children and, through them, our children’s children, down through the generations, honour those who serve and served to defend our democratic freedoms and way of life and remember the service and sacrifice of the Armed Forces community from Britain and the Commonwealth, in particular those from this area. As the number of those who served in the two World Wars lessens with the passing years, it becomes ever more important that we gather in this way and honour those who gave their lives for the freedom that we enjoy. The two poems which are part of this Act of Remembrance today suggest that that message has been heard and is understood.

The memorial that the Israelites set up after crossing the Jordan was not the only way in which that great event was remembered. We know of it today, because the story and Joshua’s instructions were written down meaning that we can still read them today. We can do the same here in Wickford and Runwell, thanks to the work of Steve Newman and the Wickford War Memorial Association who, through the book ‘Wickford’s Heroes’ and their website enable us to read the stories of those from this area who gave their lives in the two World Wars.

The Rt Hon John Baron MP, in his Foreword to the book, says that he was so taken with this book because, “in highlighting the tremendous sacrifice of lives so young, we are reminded yet again that war must always be a measure of last resort, to be taken up only when all other possibilities have been exhausted.” The RBLI speak of our helping towards building a peaceful future. The Bible envisages a time when people “shall beat their swords into ploughshares, and their spears into pruning-hooks; nation shall not lift up sword against nation, neither shall they learn war any more.” Our prayer today, as we honour the sacrifice of those who have died in war, is to inhabit that other country where “her ways are ways of gentleness and all her paths are peace.”

The best way to show our gratitude for all those who make these sacrifices is to remember, to give thanks and to try to bring about a better world. We can do this by working together for reconciliation and justice; by being kind and forgiving to all - in our closest relationships, our neighbourhoods, our communities, our nations; by being selfless ourselves. God loves us all alike and wants us all to live in peace and harmony and to thrive, as one family, where everyone is equal and valued for their place in it. If we all recognise that, we come closer to that other country about which we sang in our hymn. 

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