Consenting Attention: Simone Weil's Prayer and the Poetry of Denise Levertov

For more on poets, attention and prayer (see my post Poets paying attention to prayer) see also the following:

A Poetics of Consenting Attention: Simone Weil's Prayer and the Poetry of Denise Levertov
Katy Wright-Bushman

Abstract: This article examines the practice of attention as a subject of Denise Levertov's poetry, one that emerges fully only after her commitment to Christianity and its convictions of immanent, incarnate transcendence. Simone Weil fluidly and precisely describes this practice and the receptive consent to the subject that accompanies it in her response to stark contemporary circumstances earlier in the century. I explore Levertov's exemplification of this practice in Weil's terms, arguing that Levertov's hesitant and late-arriving Catholicism, like Weil's own devotional experience, underwrites the responsorial practice of attention. It operates for Levertov as both a poetic method and as a response to contemporary questions of poetics and language, producing a poetics that privileges the possibility of knowing as love and speaking as prayer.

and

Poetry, Attentiveness and Prayer: One Poet's Lesson

Ed Block

Abstract: In The Grain of Wheat, Hans Urs von Balthasar quotes St. Basil on the intent contemplation of God's works. In Letters to Malcolm, C. S. Lewis speaks of making “every pleasure into a channel of adoration”, by praising “these pure and spontaneous pleasures” as “‘patches of Godlight’ in the woods of our experience.” According to Iris Murdoch, such attentiveness requires a degree of “selflessness” that resembles aesthetic contemplation and— it may be inferred — prayerful reflection. Using these passages and others by Kathleen Norris and Simone Weil, this essay offers related perspectives on the process and the effects of attentiveness, in poetry and prayer. Poets practise, and thereby teach an attentiveness that is analogous to that achieved in certain forms of prayer. Prayer, like poetry, gives thanks for the mysteries — even as it seeks to understand and respond to the injustices and sufferings — of life. Denise Levertov illustrates in her poetry an awareness of how such attentiveness can be productive, in her late religious poems especially.

These themes are also explored in ""passionate reverence / active love": Levertov and Weil in the Communion of Struggle" by Cynthia R. Wallace "in this need to dance/this need to kneel: Denise Levertov and the Poetics of Faith", edited by Michael P. Murphy and Melissa Bradshaw. Wipf and Stock, 2019.

That Denise Levertov (1923-97) was one of the most pioneering and skilled poets of her generation is beyond dispute. Her masterly use of language, innovative experimentations with organic form, and the political acuity disclosed by her activist poetry are well marked by critical communities. But it is also quite clear that the poems Levertov wrote in the last twenty years of her life, with their more explicit focus on theological themes and subjects, are among the best poems written on religious experience of any century, let alone the twentieth. The collection of essays gathered here shed vital light on this neglected aspect of Levertov studies so as to expand and enrich the scope of critical engagement. In a mixture of theoretical considerations and close readings, these essays provide valuable reflections about the complex relationship between poetry and belief and offer philosophically robust insights into different styles of poetic imagination. The abiding hope is to broaden the terrain for discussions in twenty-first-century theology, literary theory, poetics, and aesthetics--honoring immanence, exploring transcendence, and dwelling with integrity within the spaces between.

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Bill Fay - City Of Dreams.