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Monday, 30 November 2020

The Beauty Project

The Beauty Project is about sharing and exploring our experience of beauty during the pandemic. The project has been created by Rachel Weir, who writes:

'As the first lockdown began in March, like many people, I found myself spending far more time outdoors, often taking long walks with the dog, and catching glimpses of beauty everywhere along the way.

This autumn I began studying for an MA, learning about how beauty has been understood by the philosophers through the ages and just how hard a subject it is to pin down. Is beauty somehow ‘out there’ as Plato believed? Or is it entirely ‘in the eye of the beholder’ as Hume maintained? And what does it ‘do’ for us psychologically and spiritually when we have that mysterious experience of finding something beautiful?

As I read the many elaborate theories about how all this might work, I began wondering how people were actually experiencing beauty now, in this time of intense suffering and loss. I know how important beauty has been to me in these past six months and I wanted to see if I could gather together a record of how it has been for others.'

Rachel hopes the project will provide a place of hope and encouragement in these dark times and invites you to share an experience if you can.

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Saturday, 28 November 2020

Young Poland, Stanisław Wyspiański, Jerzy Nowosielski and Leon Tarasewicz

Young Poland: The Polish Arts and Crafts Movement, 1890–1918 is the first book in any language to explore the Young Poland (Młoda Polska) period in the context of the international Arts and Crafts movements.

The Young Poland movement emerged in the 1890s in response to the country’s non-existence for almost a century. It embraced an unprecedented flourishing of applied arts and the revival of crafts, drawing inspiration from nature, history, peasant traditions and craftsmanship to convey patriotic values.

The lavishly illustrated publication charts the rich history of the artists, designers and craftspeople whose schemes came to define Young Poland, including over 250 illustrations of ceramics, furniture, textiles, paper cuttings, wood carvings, tableware, stained glass, book arts, children’s toys and Christmas decorations, as well as domestic, church and civic interior decoration schemes.

The book is being published ahead of a major exhibition on the subject at William Morris Gallery in Autumn 2021.The book argues that Young Poland shared fundamental parallels with the British Arts and Crafts movement, and that it was specifically this Arts and Crafts ethos which fuelled the movement’s patriotic ideology and the nation’s quest to regain Polish independence. 

While the diverse visual language of Young Poland was created autonomously, in search of a distinctive cultural style and identity, it simultaneously looked outwards to the rest of Europe including British influences, notably the Pre-Raphaelites and the vision of John Ruskin and William Morris. In fact, as the book reveals, there was a cultural exchange between both nations: in 1848 the members of the newly-founded Pre-Raphaelite Brotherhood included the Polish fighter for freedom, Tadeusz Kościuszko, on their list of ‘Immortals’ (inspirational heroes).

As 'Views of Albion' demonstrates there were diverse responses to the Arts and Crafts Movement in Germany, Austria, Poland, Bohemia, Slovakia, Hungary and Southern Slavic countries showing its specific features in the works of artists such as Alfons Mucha, Gustav Klimt and Stanisław Wyspiański.

Artist, designer and writer Wyspiański was the foremost representative of the Young Poland movement and can most closely be considered a counterpart to William Morris. Nature and history were key subjects for both reformers and crucially, they shared firm belief in the equality of fine and decorative arts. Like Morris, Wyspiański was a polymath whose prolific output included wall paintings, decorative patterns, stage sets, textiles, stained glass, book arts, church and domestic interior decoration, as well as achieving acclaim for his writing. Wyspiański was also instrumental in the foundation of the Polish Applied Arts Society in 1901, the equivalent of the Arts and Crafts Exhibition Society which raised the status of the decorative arts in Britain. Both men were also early champions of the preservation of historic buildings.

Drawing on nature and the folk tradition, Wyspiański played a significant part in developing a distinctive national style, characterised by a ‘return to crafts’. His most famous decorative scheme is at the Franciscan Church in Kraków (1895–1904), which invites comparisons with the work of Morris & Co. Wyspiański designed the impressive Art Nouveau polychrome paintings and stained-glass windows. Most of the paintings on the walls of the choir and transept consist of geometrical and vegetal motifs, including common Polish flowers. The windows of the chancel feature the four elements and figures of the Blessed Salomea and St Francis. Dominating the entire church is the monumental stained glass window God the Father – Let There Be! situated above the main entrance to the church.

Kraków is home to a proliferation of magnificent churches, the largest stained glass studio in Poland, and resident artistic geniuses in Wyspiański and Józef Mehoffer. Stained glass as an artform reached its pinnacle during Kraków’s Art Nouveau movement. In 1902 S.G. Żeleński (brother of famous writer Tadeusz Boy-Żeleński) founded a studio specifically for stained glass, and attracted the best artists of the generation to work there, including Wyspiański, Mehoffer and Stefan Matejko - the nephew of renowned painter Jan Matejko. After working together during the restoration of the stained glass in St. Mary’s Basilica in 1899, both Mehoffer and Wyspiański turned the force of their creative energies to stained glass, creating some of their most defining works of art in public buildings around Kraków’s Old Town.

Janusz Bogucki was an important Polish critic and art historian, who noted a tendency towards the spiritual in Polish avant-garde art towards the end of the twentieth century. Work by artists such as Jerzy Tchórzewski, Stefan Gierowski and Jerzy Bereś, arose from a need to achieve transcendence and was characterised by a search for the Absolute. The work of these and other artists was, for Bogucki, confirmation of his idea that art should turn to sacrum and he, therefore, invited them to take part in his church-based projects in the early 1980s. Most significant Polish artists participated in these exhibitions. It was also in this period that the work of Jerzy Nowosielski revealed its full fascination with icon paintings through the publication of "Wokół ikony" / "Around the Icon" (1985) and later "Mój Chrystus" / "My Christ" (1993).

Until December 5th, the Museum of Icons in Supraśl has an exhibition titled “Transfiguration. Jerzy Nowosielski, Leon Tarasewicz”. The exhibition presents the “Transfiguration” on Mount Tabor from 1961 by Nowosielski (collection of the Museum of the Catholic University of Lublin) in relation to the “site-specific” concept prepared by Tarasewicz. The artists met many times in a master-student – friend relationship. The personality and work of Nowosielski influenced the formation of Tarasewicz’s artistic personality. During the opening of the exhibition, Anda Rottenberg noted that both Nowosielski and Tarasewicz, in their art, are constantly looking for evidence for the existence of God. 

Nowosielski was a Kraków-born Polish painter, graphic artist, scenographer, and illustrator. He was well known for his religious compositions (wall paintings, iconostases, polychromies) in the Orthodox Churches in Kraków, Białystok and Jelenia Góra, the Roman Catholic Church of the Holy Cross at Wesoła, the Franciscan Church in the Azory district of Kraków, and the Greek Catholic Church in Lourdes, France. Nowosielski designed and erected the Church of the Birth of the Blessed Virgin Mary in Biały Bór.

Nowosielski was an outstanding painter, draughtsman, set designer, architect and illustrator, the author of writings on art and a bold and controversial thinker who invoked the theology of the Orthodox Church. His work is proof that, irrespective of the range of media available nowadays, he is still an innovatory figure in the world of painting, where he demonstrated that the surface of a painting continues to be a “field” for conveying a way of seeing the world and an area for communicating with the non-material, metaphysical universe.

Nowosielski’s clearly anti-Cartesian interests materialised in the form of hundreds of paintings, drawings, prints, architectural and set designs and polychromes in churches, (Roman Catholic and Orthodox alike), as well as in the numerous writings and interviews which form both a commentary on his own work and a subversive view on the matter of faith in the broad sense. The thematic sweep of his oeuvre, which goes well beyond the widely perceived concept of nudes, portraits, still lifes and landscapes, is also something that cannot be disregarded.

Alongside icons featuring traditionally conceived images of the saints present in Christian worship, he introduced a new category, ‘secular icons’. To him, both the one and the other were, above all, paintings. Time and again, he emphasised that, regardless of the questions or themes which a work of art tackles, if it is to be good, then it has to touch the sphere of the sacrum.

Leon Tarasewicz is one of the most intriguing contemporary painters in Poland. He was born in 1957 in Waliły in the Podlachia region. Tarasewicz is an inventive artist who constantly explores new aspects of the old and seemingly predictable discipline of painting. He is fascinated by the works of Nowosielski.

Tarasewicz has presented his works at the CCA Ujazdowski Castle several times (some of them also belong to the Centre’s permanent collection). One of the most interesting projects he took part in there was the show Jerzy Nowosielski - Leon Tarasewicz - Mikołaj Smoczyński (1997), an encounter of three strong artistic personalities, surprisingly linked by the Eastern Orthodox religion. This in turn inspired Tarasewicz to create a site-specific project at the Lublin’s Holy Trinity Chapel.

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Arvo Pärt - My Heart's in Highlands.

Friday, 27 November 2020

Living God's Future Now - December 2020

Living God's Future Now - December 2020

'Living God’s Future Now’ is HeartEdge's mini online festival of theology, ideas and practice.

We’ve developed this in response to the pandemic and our changing world. The church is changing too, and - as we improvise and experiment - we can learn and support each other.

This is 'Living God’s Future Now’ - talks, workshops and discussion - hosted by HeartEdge. Created to equip, encourage and energise churches - from leaders to volunteers and enquirers - at the heart and on the edge.

The focal event in ‘Living God’s Future Now’ is a monthly conversation where Sam Wells explores what it means to improvise on God’s kingdom with a leading theologian or practitioner.

The online programme includes:
  • Regular weekly workshops: Biblical Studies (Mondays), Sermon Preparation (Tuesdays) and Community of Practitioners (Wednesdays)
  • One-off workshops on topics relevant to lockdown such as ‘Growing online communities’ and ‘Grief, Loss & Remembering’
  • Monthly HeartEdge dialogue featuring Sam Wells in conversation with a noted theologian or practitioner
Find earlier Living God’s Future Now sessions at https://www.facebook.com/pg/theHeartEdge/videos/?ref=page_internal.

Weekly
December

Inspired to Follow: Art and the Bible Story:
Sunday 6 December, 14:00 (GMT), Zoom meeting - https://www.eventbrite.co.uk/e/inspired-to-follow-advent-course-tickets-126549205079. ‘The Advent Wreath’ exploring the Patriarchs, the Prophets, John the Baptist and Mary. Session 2, The Prophets - Isaiah 53:1-12. ‘The Forerunners of Christ with Saints and Martyrs’ probably by Fra Angelico, around 1423-4, NG663.3. ‘Inspired to Follow: Art and the Bible Story’ helps people explore the Christian faith, using paintings and Biblical story as the starting points. The course uses fine art paintings in the National Gallery’s collection as a spring board for exploring questions of faith.

‘Living God’s Future Now’ - HeartEdge monthly dialogue: Thursday 10 December, 18:00 (GMT), Zoom meeting - https://www.eventbrite.co.uk/e/living-gods-future-now-conversation-steve-chalke-tickets-128886385649. Sam Wells in dialogue on improvising the kingdom with Steve Chalke. Rev Steve Chalke is a Baptist minister, former United Nations' Special Adviser on Human Trafficking and founder of Oasis - a community transformation movement, working in and beyond the UK across Housing, Education, and anti-trafficking and much more. He was awarded an MBE in 2004, installed as an ecumenical Canon of Southwark Cathedral in 2017 and most recently was awarded the Spirit of London award.

Inspired to Follow: Art and the Bible Story: Sunday 13 December, 16:00 (GMT), Zoom meeting - https://www.eventbrite.co.uk/e/inspired-to-follow-advent-course-tickets-126549205079. ‘The Advent Wreath’ exploring the Patriarchs, the Prophets, John the Baptist and Mary. Session 3, John the Baptist - Mark 6:14-29. ‘Salome receives the Head of John the Baptist’ Michelangelo Merisi da Caravaggio, about 1609-10, NG6389. ‘Inspired to Follow: Art and the Bible Story’ helps people explore the Christian faith, using paintings and Biblical story as the starting points. The course uses fine art paintings in the National Gallery’s collection as a spring board for exploring questions of faith.

Theology Group: Sunday 13 December, 18:00 (GMT), zoom - https://www.eventbrite.co.uk/e/st-martin-in-the-fields-heartedge-theology-group-tickets-130239589117. An opportunity to reflect theologically on issues of today and questions of forever with Sam Wells, who will be responding to questions from Alaine Dodds, a member of the congregation of St Martin-in-the-Fields. Alaine will also chair the session and encourage your comments and questions.

Inspired to Follow: Art and the Bible Story: Sunday 20 December, 16:00 (GMT), Zoom meeting - https://www.eventbrite.co.uk/e/inspired-to-follow-advent-course-tickets-126549205079. ‘The Advent Wreath’ exploring the Patriarchs, the Prophets, John the Baptist and Mary. Session 4, Mary - Matthew 2:1-15. ‘The Flight into Egypt’ Workshop of Goossen van der Weyden, about 1516, NG1084. ‘Inspired to Follow: Art and the Bible Story’ helps people explore the Christian faith, using paintings and Biblical story as the starting points. The course uses fine art paintings in the National Gallery’s collection as a spring board for exploring questions of faith.




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Robert Randolph and the Family Band - Baptise Me.

Living God's Future Now - w/c 29 November 2020

'Living God’s Future Now’ is the HeartEdge online festival of theology, ideas and practice.

We’re developing this in response to the pandemic and our changing world. The church is changing too, and - as we improvise and experiment - we can learn and support each other.

This is 'Living God’s Future Now’ - talks, workshops and discussion - hosted by HeartEdge. Created to equip, encourage and energise churches - from leaders to volunteers and enquirers - at the heart and on the edge.

Sunday 29 November
  • Inspired to Follow: Art and the Bible Story: Sunday 29 November, 14:00 (GMT), Zoom meeting - Register here. ‘The Advent Wreath’ exploring the Patriarchs, the Prophets, John the Baptist and Mary. Session 1, The Patriarchs - Genesis 12:1-10.‘The Departure of Abraham’; Workshop or imitator of Jacopo Bassano, about 1570-90, NG2148. ‘Inspired to Follow: Art and the Bible Story’ helps people explore the Christian faith, using paintings and Biblical story as the starting points. The course uses fine art paintings in the National Gallery’s collection as a spring board for exploring questions of faith.
Monday 30 November
  • Apocalyptic Lockdown Blues: Monday 30 November, 16:30 GMT, zoom - register here. A musical journey through lockdown, with visual mapping exercises and dialogue to explore the pandemic as an apocalypse - an event that reveals, and a threshold to new possibilities. With David Benjamin Blower: 6-string writer, poet, theologian and podcaster from Birmingham.
  • Biblical Studies class, Monday 30 Nov, 19:30-21:00 (GMT), Zoom meeting, register in advance here. Simon Woodman, professor, tutor and Baptist Minister leads us in a lecture and discussion of the Old Testament Epistles.
Tuesday 01 December
  • Sermon Preparation Workshop, Tuesday 01 Dec, 16:30 (GMT), livestreamed here. Sam Wells & Sally Hitchner explore the weeks lectionary readings and how they could be used in a sermon, with a chance to ask questions.
Wednesday 02 December
  • Community of Practitioners workshop, Wednesday 02 December, 16:30 (GMT), Zoom meeting. Email Jonathan Evens to register. Church leaders join in community to explore a text, and to share and reflect together on their recent experiences.
Special Mention to Forthcoming

‘Living God’s Future Now’ - HeartEdge monthly dialogue: Thursday 10 December, 18:00 (BST), Zoom meeting - register here. Sam Wells in dialogue on improvising the kingdom with Steve Chalke. Rev Steve Chalke is a Baptist minister, former United Nations' Special Adviser on Human Trafficking and founder of Oasis - a community transformation movement, working in and beyond the UK across Housing, Education, and anti-trafficking and much more. He was awarded an MBE in 2004, installed as an ecumenical Canon of Southwark Cathedral in 2017 and most recently was awarded the Spirit of London award.

Last Week's Highlight

Dr Eeva John, Enabling Officer – LLF and Revd Canon Giles Goddard, Vicar of St John’s Waterloo and member of the LLF working group answered, sometimes difficult, questions on the process involved in the development of the new resources - Living in Love and Faith. They also shared personal stories about their involvement. It was a helpful and productive time together - have a watch here.

See www.heartedge.org to join HeartEdge and for more information.

Over the next few months we are looking at everything from growing online congregations, rethinking enterprise and community action to doing diversity, deepening spirituality and responding to social need.

Are we missing something? Be in touch about your ideas for development and change.

Please note that invitations will be sent 24hrs, 12hrs, 1hr and 10 mins before an event, mostly to minimise the chance of misuse. Thank you.





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Ben Harper - I'll Rise.

Wednesday, 25 November 2020

Artlyst: Artist Hannah Rose Thomas – Tears of Gold

My latest interview for Artlyst is with Hannah Rose Thomas including 'Tears of Gold', her online exhibition for UN75:

'These paintings, like those of the Mater Dolorosa, seek to emotionally engage the viewer and inspire compassion, and are also meditations on the universal human experiences of suffering, grief and loss. In these portraits, we see a glimpse of the women’s unspeakable grief but it is also a reminder that we all face grief, sorrow and loss at different times in life. We are not so different; we are inextricably connected to one another.

As a portrait painter, I hope to communicate something of the beauty and worth of each individual in the eyes of God, regardless of race, religion, gender or social status. The use of gold leaf for my paintings of Yezidi and Nigerian women is to show the sacred value of these women, in spite of all that they have suffered. It is symbolic of the restoration of dignity, especially important considering the stigma surrounding sexual violence.'

My other Artlyst pieces are:

Interviews:
Articles:
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George Harrison - Bangla Desh.

Sunday, 22 November 2020

Christ the King – Renewal from the edge

Here's my sermon for Christ the King preached at St Martin-in-the-Fields this morning: 

Like many parents, Christine and I couldn’t bear to get rid of the toys and books that our daughters had enjoyed as children. We stored them in the attic and they moved with us as we have gone from curatage to vicarage and back to our own home. We recently brought them down from the attic for our eldest grandson. The book that Joshua loved most from our collection is called ‘Puzzle Mountain’, a book which, like the better known ‘Where’s Wally?’, has characters and objects to find on each of its busy pages. The story is about a journey to the top of Puzzle Mountain to protect a rare flower but the story is only a part of the book’s interest. What Joshua particularly loved was to find the hidden characters on each page. In other words, he loved answering the question of where those characters were at each stage of the story.

The parable of the sheep and the goats (Matthew 25.31-46) asks us to reflect on the question of where Jesus is in this story. The story begins with Jesus at the centre in the position of power, authority, majesty and judgement. It is the end of time with the Son of Man coming in all his glory to sit on the throne of his glory and separate all the people of all the nations, one from another. It’s a centralised image with power and judgement centred in and dispensed by one person. As such, it’s a traditional image of monarchical, political, judicial or hierarchical power.

Yet, although this is where the story begins, it is not where the centre of the story actually resides. There is a redefining of the centre and the margins, the heart and the edge, that is the challenge which is at the heart of this parable. The judgement made within the story is one made on the basis of the extent to which people have been with those on the edge; those who are hungry, thirsty, strangers, naked, sick or imprisoned. This is about compassion – bringing food and water, welcoming, clothing, caring and visiting – but is not simply about gestures of humility and service towards others. As in the story of St Martin, our patron saint, sharing his cloak with a beggar and then, in a dream, realising that the beggar was Christ; the deeper insight of this parable is that we encounter Jesus in those on the edge. They are Christ to us and we need to be on the margins ourselves because that is where Christ is to be found most fully.

This story is, therefore, a retelling of the story of incarnation; of Christ giving up equality with God to become a human being who suffers and dies for the sake of all. It is also a retelling of the story that the Bible, as a whole, tells. The Old Testament has a core narrative which associates God with the powers that structure, order and rule society; a story with Judges and Kings that for many today is viewed as patriarchal and oppressive; meaning it is unlike the kingdom that Jesus later revealed. However, the core narrative in scripture is subverted by a counter narrative in which God hears the voices of those who are victims and is found with the oppressed in order that they can journey from oppression to freedom. These two narratives may actually be two different ways to interpret the story told in the Old Testament. The question as to which is the correct reading remains open until Jesus comes to be the fullest revelation of the nature of God that can be seen in human form. These narratives, therefore, culminate in the story of the incarnation in which God becomes the ultimate scapegoat sent out from the centre into the margins carrying the sins of all for the sake of all.

This parable, the incarnation and the salvation history found in the Bible all ask the question of where is God to be found. They turn our expectations upside down by saying that God is seen most clearly among those on the edge. This is how we have come to understand our mission and ministry at St Martin’s and is what we have sought to share more widely through HeartEdge. We have said that, theologically, St Martin’s exists to celebrate, enjoy, and embody God being with us – the heart of it all. This is not a narcissistic notion that we are the heart, but a conviction that God is the heart and we want to be with God. The word ‘heart’ refers to feeling, humanity, passion, emotion. It means the arts, the creativity and joy that move us beyond ourselves to a plane of hope, longing, and glory. It means companionship, from a meal shared in our café or a gift for a friend perhaps bought in our shop. At the heart means not standing on the sidelines telling the government what to do, but getting into the action, where honest mistakes are made but genuine good comes about, where new partners are found and social ideas take shape.

The edge, for us, refers to the edge of Trafalgar Square, looking over its splendour and commotion, pageant and protest. But theologically, as we have been reflecting, the word ‘edge’ speaks of the conviction that God’s heart is on the edge of human society, with those who have been excluded or rejected or ignored. God is most evidently encountered among those in the margins and on the edge. St Martin’s isn’t about bringing those on the imagined ‘edge’ into the exalted ‘middle’; it’s about saying we want to be where God is, and God’s on the edge, so we want to be there too.

This parable, the incarnation and the salvation history found in the Bible take us further still as they turn our traditional understandings of heart and edge upside down and reveal that it is from the edge that the centre or heart is renewed. Our traditional expectation in society and, often, within the Church are that leadership, power and direction all come from the centre - the heart - of a society or nation or organisation or church. Our expectation has been that those on the edge need to be drawn into an exalted centre where they will also in time be exalted.

That is the basis for much charitable endeavour, particularly the charitable endeavours of the wealthy or powerful. It is also the basis of the flawed trickle-down theory of economics which argues that centralised wealth eventually trickles down to empower those who are poorest and furthest from the centres of wealth or power. Whether we think in terms of charity, economics, education or evangelism, these are instrumental approaches in which those at the centre possess what those at the edge need and benignly bestow their largesse on others, always in limited measure. They are approaches based on patronage rather than empowerment.

These stories turn that kind of thinking on its head. The defining characteristic in these stories is that of being on the edge with those who are hungry, thirsty, naked or imprisoned. God is seen in those on the edge therefore the edge is now where the heart of God is fully revealed. The edge is where God is fully seen and can be encountered meaning that the edge is now the place from which renewal can come.

Left to their own devices those at the heart with power and influence accumulate more power and influence centrally. To fully reflect Christ's characteristics of service and sacrifice we need to understand that the edge and the heart have become one. It is only as power and influence is devolved from the centre to the margins that society reflects the rule of Christ by reflecting the characteristics of Christ in letting go of power and serving others.

Christ divested himself of power, influence, authority and prestige when choosing to be born as a human being in relative poverty and obscurity in Bethlehem. Christ moved into our neighbourhood bringing the human and divine together, bringing the heart to the edge, and thereby renewing the Godhead by bringing our humanity into the heart of the Trinity, so that we become one. As our reading from Ephesians puts it, we become the body of the one whose fullness fills all in all.

As a result, those who are at the centre – however defined - are called to divest themselves of power in order to be with those on the edge. We have an example of this occurring within HeartEdge. Azariah France-Williams, who leads the HeartEdge Hub church for Manchester, wrote his book ‘Ghost Ship’ about institutional racism in the Church of England because his experience and that of other black clergy was of those with white privilege in the Church using that privilege to disempower black clergy. In his experience those with white privilege have not divested themselves of power or devolved that power to the margins of the church where most black clergy are currently to be found. Azariah says that his experience in HeartEdge has been different; one of being trusted to lead and of receiving support in enabling his voice to be heard through the HeartEdge programme.

So, like Joshua looking for the hidden characters in ‘Puzzle Mountain’, we need to be those who ask where Christ is in our world. This parable pictures Christ as being in the centre and on the edge – the fullness of the one who fills all, as our reading from Ephesians put it – but the parable is clear that being on the edge is what defines Christ and should also define us, as his followers. This parable, similarly, challenges us to go to the margins and to live on the edge if we are truly to find Christ and be found with Christ in the renewal of church, society and God that he promises and towards which he leads us. 

That means we do something that Joshua and I can’t do with ‘Puzzle Mountain’, which is to enter the story ourselves. This parable is a story we can enter, making the question posed in the parable not just where is Christ, but also where are we. When we see Jesus on the throne of judgement, that is the only one question he will have for us: “Where have you been?”


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Saturday, 21 November 2020

Windows on the world (304)


Kettering, 2018

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Gillian Welch - Garden Of Love.

Artlyst: Marcus Lyon: Human Atlas Explorations – Interview

My latest interview for Artlyst explores the Human Atlas projects of Marcus Lyon, focusing on the most recent iDetroit:

'... my intention with this work, [is] to give people a chance to experience something more powerfully and with more depth. I think that’s the gift we’re trying to give. I’m very intentionally and practically building processes to help people slow down in a fast world. I think within the Human Atlas process our endeavour is to facilitate a deeper meditation on what it means to be you, what it means to be me and what it means to be we.'

My other Artlyst pieces are:

Interviews:
Articles:
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Marvin Gaye - Right On.

CTiW: Advent Service & Solidarity Sunday


Churches Together in Westminster Advent Service - Sunday 29 November, 6.00 pm, St James Piccadilly - on YouTube.

Churches Together in Westminster join together with St James Piccadilly for their annual Advent Service. An online service led by Revd Lucy Winkett with readings by members of the CTiW Executive Committee.

CTiW will also observe Solidarity Sunday and World Day of the Poor on 6 December, to mark our commitment to those most vulnerable in the Coronavirus pandemic – and those who are responding. Solidarity Sunday is about reminding ourselves and each other that there is so much good we can do - through giving, through prayer and through powerful demonstrations of unity.

In his message for the fourth World Day of the Poor, Pope Francis writes that ‘keeping our gaze fixed on the poor is difficult, but that it is more necessary than ever if we are to give proper direction to our personal life and the life of society. Until we revive our sense of responsibility for our neighbour and for every person, grave economic, financial and political crises will continue.’ The Pope reminds us that prayer to God and solidarity with the poor are inseparable.

The Diocese of Westminster are holding a special service on that day and all CTiW members, including St Martin's, are invited to attend. You are invited to join this United Service for the World Day of the Poor: A celebration of solidarity at Farm Street Church. The service will be held online at https://www.farmstreet.org.uk/livestream at 3pm on Sunday 6 December.

CTiW are producing a Resources Booklet of Readings, Reflections, and Prayers to help individuals and churches reflect upon and raise awareness of how the pandemic is impacting the vulnerable of the world. This booklet is arranged as a series of daily themes on specific issues. It will have information on organisations working abroad, and how you can support them.

 

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Arvo Part - The Deer's Cry.

Living God's Future Now: w/c 22 November 2020

'Living God’s Future Now’ is the HeartEdge online festival of theology, ideas and practice.

We’re developing this in response to the pandemic and our changing world. The church is changing too, and - as we improvise and experiment - we can learn and support each other.

This is 'Living God’s Future Now’ - talks, workshops and discussion - hosted by HeartEdge. Created to equip, encourage and energise churches - from leaders to volunteers and enquirers - at the heart and on the edge.


Monday 23 November
  • Being Interrupted: Reimagining the Church's Mission from the Outside, In – Monday 23 November, 16:30 (GMT) zoom meeting. Explore an 'alternative economy' for the Church's life and mission, which begins with transformative encounters with neighbours and strangers at the edges of our churches, our neighbourhoods, and our imaginations. ‘Resurrection from the compost heap’ sees guests Annika Mathews and Sanjee Perera in conversation with Sharon Prentis, Ruth Harley and Al Barrett. Please register here.
  • Biblical Studies class, Monday 23 Nov, 19:30-21:00 (GMT), Zoom meeting, register in advance here. Simon Woodman, professor, tutor and Baptist Minister leads us in a lecture and discussion of the Old Testament Epistles.
Tuesday 24 November
  • Sermon Preparation Workshop, Tuesday 24 Nov, 16:30 (GMT), livestreamed here. Sam Wells & Sally Hitchner explore the weeks lectionary readings and how they could be used in a sermon, with a chance to ask questions.

Wednesday 25 November
  • Community of Practitioners workshop, Wednesday 25 November, 16:30 (GMT), Zoom meeting. Email Jonathan Evens to register. Church leaders join in community to explore a text, and to share and reflect together on their recent experiences.

Thursday 26 November
  • Living in Love and Faith: Thurs 26 Nov, 16:30 (GMT), via Zoom - book here. How do questions about identity, sexuality, relationships and marriage fit in the bigger picture of the love? What does it mean to live in love and faith together as a Church? Eeva John, Enabling Officer Living in Love and Faith, and Giles Goddard, Vicar of St John’s Waterloo and member of the LLF working group, discuss 'Living in Love and Faith' as a project enabling church-wide learning together, discerning a way forward for the Church of England in relation to matters of identity, sexuality, relationships and marriage.
Last Week's Highlight

God in Exile, this time together was as powerful as its title thanks to an interfaith panel drawn from Islam, Judaism and Christianity. Together we looked at themes of Migration, Theology and Community. It was the commonality between our faiths and practical approaches to welcoming refugees that made this a special time together. No matter the faith, political persuasion or circumstance; love, compassion and care to all was the sentiment shared by both panellists and audience. Please watch a recording here.

See www.heartedge.org to join HeartEdge and for more information.

Over the next few months we are looking at everything from growing online congregations, rethinking enterprise and community action to doing diversity, deepening spirituality and responding to social need.

Are we missing something? Be in touch about your ideas for development and change.

Please note that invitations will be sent 24hrs, 12hrs, 1hr and 10 mins before an event, mostly to minimise the chance of misuse. Thank you.




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Eric Whitacre - Alleluia.

HeartEdge Mailer - November

The HeartEdge Mailer for November is out with a focus on compassion. Also included are extracts from books by Sam Wells and Rachel Mann, plus offers, resources, news and events. 

What's not to like? Read it by clicking here.

More information about HeartEdge can be found at www.heartedge.org.

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Choral Scholars of St Martin-in-the-Fields - Heaven-Haven.

Sunday, 15 November 2020

Living God's Future Now - w/c 15 November 2020

'Living God’s Future Now’ is the HeartEdge online festival of theology, ideas and practice.

We’re developing this in response to the pandemic and our changing world. The church is changing too, and - as we improvise and experiment - we can learn and support each other.

This is 'Living God’s Future Now’ - talks, workshops and discussion - hosted by HeartEdge. Created to equip, encourage and energise churches - from leaders to volunteers and enquirers - at the heart and on the edge.


Sunday 15 Nov
  • Theology Group: Sunday 15 November, 18:00 (GMT), zoom - register here. An opportunity to reflect theologically on issues of today and questions of forever with Sam Wells, who will be responding to questions from a member of the congregation of St Martin-in-the-Fields. That person will be Will de Renzy-Martin, who will be asking where in the present and future can enlightenment and misery be found. It will be your questions and comments that shape conversation too.

Monday 16 Nov
  • Fundraising Clinic: Monday 16 November, 14:00 – 15:30 GMT, zoom - register here. ‘Got a question about fundraising?’ Join us as we unpick some of the common challenges to raising money for churches and community groups and look at simple steps you can take to encourage generosity within your communities. We’ll be taking questions, sharing ideas and pointing you towards good practice to help you raise the money you need to change the world.
  • Being Interrupted: Reimagining the Church's Mission from the Outside, In – Monday 16 November, 16:30-18:00 (GMT), zoom meeting, register here. Explore an 'alternative economy' for the Church's life and mission, which begins with transformative encounters with neighbours and strangers at the edges of our churches, our neighbourhoods, and our imaginations. ‘What would the Roman centurian do …?’ sees Azariah France-Williams and Rachel Mann in conversation with Sharon Prentis, Ruth Harley and Al Barrett.
  • With love to guide us, nothing can divide us: Religious faith and LGBTI+ - Monday 16 November, 18:00 – 20:00 GMT, zoom - register here. With both a religious and general challenge to LGBTI+ people and even to their alliances, is conflict between religion and LGBTI+ people inevitable? A lecture and Q&A with Revd Dr Christina (Tina) Beardsley. Part of the St Brides, Liverpool series of occasional lectures, with HeartEdge and the 'Living God's Future Now' festival of theology, ideas and practice.

Wednesday 18 November
  • Restoring Relations: Reconciling Ourselves to God and One Another - 18 November, 20:00GMT, Zoom, register here. As Christians, our faith calls us to be agents of reconciliation - as hard as that might be given deep-seated and stridently held convictions. How do we act on this call? Join our panel for a candid discussion of what it means to be agents of reconciliation and how we go about this work. While answers are often elusive, our panel will explore avenues allowing us to restore civil discourse and engagement… and then move into the work of deep listening, understanding, and compromise. Panelists include: Steve Lawler, Alastair McKay, Chuck Robertson, Lia Dong Shimada, Josh Thomas, and Xolani Diwati.


Thursday 19 Nov
  • God in Exile: Interfaith perspectives on welcoming refugees - 19 November, 16:30-18:00 (GMT), zoom - register here. This is the first of a 4-part series that explores the themes of Migration, Theology and Community. In this interactive session, panelists Mohamed Omar, Yvonne Green, Julie Khovacs and Lia Shimada (chair) will share their insights into some theologies and practicalities of welcoming refugees – of welcoming God in Exile. Mapping Faith: Theologies of Migration and Community (published by Jessica Kingsley, 2020) brings together over 35 writers, poets, artists and practitioners, from primarily Jewish, Muslim and Christian backgrounds. Royalties from book sales will be donated to the Helen Bamber Foundation, with whom HeartEdge has a longstanding relationship.

Friday 20 Nov
  • Shut In, Shut Out, Shut Up: Friday 20 November, 16:30-18:00 (GMT), zoom meeting - register here. Since 2012 the Living Edge conferences have held space for disabled and neurodivergent people to gather, to resource each other and the church. In this HeartEdge series we'll share some of this experience, exploring issues and ideas across current practice and systemic barriers, outmoded belief and cutting edge thinking. Come and join the conversation with Fiona MacMillan, Naomi Lawson Jacobs and Krysia Waldock discussing Disability, social justice and the church.


Last Week's Highlight

The second online HeartEdge Introductory Morning took place on Thursday and was hosted by Revd Jonathan Rust - Director of Mission Development, Kensington Area. Over 50 churches came together to explore and share best practices across the 4 Cs of Commerce, Culture, Compassion and Congregation. This was helped by the input from Revd Dr Sam Wells that described where the church is and imagined where it could be going in light of Covid and BLM. Please have a look at his talk here.

See www.heartedge.org to join HeartEdge and for more information.

Over the next few months we are looking at everything from growing online congregations, rethinking enterprise and community action to doing diversity, deepening spirituality and responding to social need.

Are we missing something? Be in touch about your ideas for development and change.

Please note that invitations will be sent 24hrs, 12hrs, 1hr and 10 mins before an event, mostly to minimise the chance of misuse. Thank you.






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Gillian Welch - Peace In The Valley.

Saturday, 14 November 2020

Windows on the world (303)


Painswick, 2019 

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Nickel Creek - When You Come Back Down.

Wednesday, 11 November 2020

Restoring Relations: Reconciling Ourselves to God and One Another

Wednesday, Nov 18, 2020, 8:00 PM GMT, zoom - https://www.eventbrite.com/e/restoring-relations-reconciling-ourselves-to-god-and-one-another-tickets-128573259079?mc_cid=60f9bd2d42&mc_eid=22b185552c.

An internet search for ‘reconciliation,’ gives the definition that reconciliation is “the restoration of friendly relations.” Our broken world and deep division on any number of issues suggests this definition only names one element of what true reconciliation entails.

For those in the United States, the recent election has exacerbated a years’ long fraying of the social compact. Harsh rhetoric, dismissive attitudes, and a lack of listening have resulted in misunderstanding and fragmentation across society – with some folks literally at each other’s throats.

Throughout the world, COVID-19 has exposed deep divisions based not only on the actual economic and health impacts, but also among people of goodwill on all sides around the perceived threat of the Coronavirus and the impact of measures taken to mitigate the virus spread. Add these elements to an already fractured populace and nations around the world find their citizenry divided and quickly working to unmake the social contract.

Do we stand aside and watch this happen? Or, do we act in ways consistent with our Baptismal Covenant? As Christians, our faith calls us to be agents of reconciliation - as hard as that might be given deep-seated and stridently held convictions. How do we act on this call?

Join our panel for a candid discussion of what it means to be agents of reconciliation and how we go about this work. While answers are often elusive, our panel will explore avenues allowing us to restore civil discourse and engagement… and then move into the work of deep listening, understanding, and compromise.

Panelists include:
  • Steve Lawler - Founding Director, The Walker Leadership Institute at Eden Theological Seminary; St. Louis, Missouri (moderator)
  • Alastair McKay - Executive Director, Reconciliation Initiatives; Founder, Bridge Builders (UK); Coventry, United Kingdom
  • Chuck Robertson - Canon to the Presiding Bishop for Ministry Beyond the Episcopal Church; New York, New York
  • Lia Dong Shimada - Mediator and Community Practitioner; Senior Researcher for the Susanna Wesley Foundation at the University of Roehampton; London, United Kingdom
  • Josh Thomas - Executive Director, Kids4Peace; Washington, D.C.
  • Xolani Diwati - Dean , St Mary's Cathedral; Johannesburg, South Africa

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U2 - One.