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Sunday, 22 July 2018

Artlyst: Interview and Review

My latest pieces for Artlyst include an interview with Alastair Gordon who talks about painting as a form of philosophical enquiry: 

'John Berger described painting as a way of seeing but it’s also a way of thinking or making sense of the world around us. Painting is also a proposition. We respond to the ideas of our times and, for me, this is about the relationships between things made or created, digital or analogue, reproduced or replicated.

My paintings are an attempt to make sense of how artefacts come into being. These questions find their source in philosophy but historically artists (in the west) have more usually referred back to theology. These questions about how things come into being have a wider resonance with how the universe works.'

Alastair's work can currently be seen at Husk, the Gallery he founded in Limehouse, until 25 July and in the Summer Show at JGM Gallery in Battersea.

Artlyst have also published my review of Sacred Noise at Christie's:

'Themes of religion, faith and divinity have pervaded art throughout the centuries. The 20th-century did see the reinterpretation and subversion of those themes. Yet, the rebirth and redefinition of the European legacy of religious painting include much that is affirming of religion, in addition to much which challenges its basic premises and history. This exhibition has more of the latter than the former. I would suggest that, at present, the story of art which has continuity with de Morales, Zurbarán and Cranach is the road less documented and therefore, because of its hidden treasures, is currently the more interesting story to tell.'

My other Artlyst articles and interviews are:
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Joy Williams - Until The Levee.

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