I've recently come across the work of Paul Thek and Basil Alkazzi, two artists who at points in their careers have had a New York base and, while very different in their styles and practices, have engaged with themes of faith and belief:
Thek's spatial installations 'brought the viewer into a world full of declarations of faith and Thek’s private mythologies': 'The experience of an environment was shaped by a processional progression through different stops, as well as the opportunity to linger in various resting-places. Thek saw this as ‘human’ art, because ‘the first thing to do was to humanize the environment; then you can look at a work of art. And, of course, you do that by turning down the lights, giving people some chairs to sit on, and not having the art restricted in any way.’ (Flood 1981, p. 54-55).'
In the catalogue for Paul Thek: Diver, A Retrospective, Tina Kukielski writes: “Like most journals, they reveal deeply personal thoughts about friends, relationships, and sex, as well as Thek’s private shames and insecurities, and his efforts—like prayers—to be better in every way, especially as an artist.”'
Basil Alkazzi's painting is characterized by Spiritual and Metaphysical components which at once make it of deep significance to the beholder. The unresolved yet beautiful mysteries, alive with suspended drama, throb in the air and permeate the paintings ..."His paintings represent the materialization of poems in visual terms unwritten yet redolent of many remembered. Time and growth are instrumental in motivating his imagery." ...
In his recent paintings Basil Alkazzi continues the quest to pursue an intensely felt vision. There is a deep meditation on the flora inducing a strange spiritual calm to the viewer, yet making one look deeper, reaching towards the core of celebration let loose in a sensory world of nature’s own sensual and mysterious Life-force. Here everything connects within the harmony of the Universe at once both mystical and with an overwhelming sense of awe ...
In 2010 he established The Basil H. Alkazzi Award For Excellence, two triennial awards, at the New York Foundation for the Arts. "We live in a fast moving culture that grows increasingly more abstract, away from the physical touch, away from the physical ground of being- away from the act of creation by hand. I want, in my own way, to encourage the glorious expression of pencil, brush and paint, and to nurture the kind of artist and the kind of art that I like and respect."'
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