From tomorrow the Martin Tinney Gallery has an exhibition of approximately 25 works which features the last paintings she worked on. "These are powerful, haunting paintings which, fully aware that her health was declining rapidly, show the artist facing her own mortality with her customary directness and tenderness."
Fay Weldon has said: “Evelyn Williams’ work is imbued by an unmistakable mixture of grace and greatness. It is 'awesome' - if we can get back to the true sense of the word. It fills you with awe. In its restraint, its gravity, the sense it imparts of female endurance, female beauty, the power and seriousness of love between woman and child, woman and woman, man and woman, her sheer courage in taking on board the nature of the universe in its most unsmiling mode, it achieves greatness, and will outlast all of us”
Sister Wendy Beckett says: “All Evelyn’s work has a deep contemplative stillness within it. The dignity of her figures – women above all – is a consequence of their listening hearts. Looking at Evelyn’s paintings I think of Keats “Unheard Melodies” … love is her theme”
Williams' work has synergies with that of Eileen Cooper, Marlene Dumas and Ana Maria Pacheco, among others.
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John Keats - Ode On A Grecian Urn.
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