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Sunday, 10 May 2015

British Shared Values and Faith

The Muslim Community & Education Centre and Global One 2015 hosted an event today exploring shared values among faith communities in Britain. The event aimed to encourage meaningful and insightful conversation on the issue of shared values and faith in Britain, and brought together leaders and thinkers from Britain’s faith communities as part of a multi-faith discussion panel chaired by The Right Honourable Baroness Berridge which included Rabbi James BaadenImam Asharaf Salah and myself.

With the rise of religious discrimination and tension in the UK and around the world, proactive inter-faith dialogue is as important and relevant as ever. Faith communities in the UK face increasing challenges and yet provide invaluable resources in the form of education, guidance, social engagement and community support on local, national and international levels. In the run up to and aftermath of the general election British values have been constantly in the media spotlight with questions about what British values really mean and how they are compatible with major religions.

A 2014 study by Ipsos Mori revealed that Britons overestimate the proportion of Muslims in the country by a factor of four. These mass misconceptions become problematic when combined with biased perceptions of Islam leading people to feel threatened by the faith and its perceived incompatibility with British values. A similar study for Jewish Policy Research found that 28% of respondents felt anti semitism in the UK had increased a lot in the past five years; whilst 40% felt it had increased a little.

Faith communities’ participation in civil society is an important aspect of building strong cohesive communities. As participation is an indicator of how vibrant a civil society is faith participation can play an enabling and empowering role for many faith communities particularly those which are disadvantaged.

By bringing together religious, social and political leaders and thinkers The Muslim Community & Education Centre and Global One 2015 hoped to bring the discussion on shared values and faith to the forefront of British community life and find positive and achievable solutions to the problems faced by these communities today.

In my contribution to the debate I said the following:

This week my sermon at St Stephen Walbrook was based on James 1. 22, “be doers of the word, and not merely hearers.” This passage says that if we are hearers of God’s word and not doers, we are like those who look at themselves in a mirror and immediately forget what they were like. “A first century mirror was not the silvered glass one without which no bathroom is complete today. It was beaten bronze and gave a fuzzy image. If you wanted to be sure your face was not dirty a quick glance was not sufficient. You would need to peer intently, work out what was required, then go and find some clean water to do something about it. The same is true of the way we react to encountering God. The real blessing of the Christian faith does not lie in listening to sermons or reciting liturgies, but in dwelling on what is true until it transforms what we do. A genuine encounter with Jesus provokes action.”

The action it produces is, as the letter of James states, “care for orphans and widows in their distress.” Jesus said, in the Parable of the sheep and goats, that God’s judgement on us will be based on our actions; giving food to the hungry, drink to the thirsty, welcoming the stranger, clothing the naked and visiting those in prison. These actions are to be the end result of our faith. If our looking deeply into God’s word does not result in our doing these things, our faith is not genuine and we are not walking the walk as Christians.

One summary of those words from and thoughts based on the Christian scriptures would be the sentence known as the Golden Rule which appears in the scriptures of many faiths i.e. ‘Do to others as you would have them do to you.’

Let us bear these thoughts in mind, as shared values, as we think a little now about the contribution of Christianity to shared British values.

Julian Rivers has argued in ‘Religion and Law’, that:

“The political and legal implications of Christianity have been quite different from those of Judaism and Islam.” “Judaism and Islam manifested themselves as the law of an entire community organised around those faiths. So it makes sense to talk of Islamic or Jewish criminal law, family law, property law, law of contracts, charitable foundations and so on.” “Instead, under God, in Christianity, there are two authorities on earth, not one, and they are church and government. The sphere of church is characterised by salvific grace, by individual commitment, by freedom – so much so that the very concept of law might be out of place in the church (although Christian ecclesiological traditions vary considerably on that particular question). The sphere of government is characterised by judgement and coercion in the service of goods common to all of humankind. The tasks of government may be considered primarily in terms of restraining evil, or of coordinating human action in pursuit of the common good.”

He notes that, as a result, English law has been beneficially affected by Christianity” and summarises the argument of Lord Denning (Master of the Rolls 1962-1981) who, on his retirement as President of the Lawyers’ Christian Fellowship, published a pamphlet on this topic: “These included a belief in the importance of truth, requirements of good faith in statutory interpretation and contractual obligations, the development of the law of negligence, basic presuppositions of criminal law (such as the requirement to demonstrate that the accused had a ‘guilty mind’), the principle of government under law, the rise of social welfare legislation, and the centrality of a Christian conception of marriage.”

To this list Rivers adds the following:

“Modern commitments to political liberty and equality within the law emerged out of debates which were internal to Christianity; debates which were catalysed by the inescapably radical liberty and equality exemplified by Jesus and his disciples. Jesus is the model of the accountable public servant, using power for the good of others and conscious of his answerability to a higher tribunal. English nationhood owes more than a little to the example of Israel. Christianity also reinforced a commitment to authority, order and the rule of law.”

Dipti Patel has explored, in a paper on the religious foundations of Human Rights, approaches to understanding Human Rights based on the Judeo-Christian tradition. She writes that:

“The central understanding of the human being within the Judeo-Christian tradition starts with the idea that God was the creator of all things. He created man in his own image: ‘Let us make man in our image, after our likeness … So God created man in his own image, in the image and likeness of God he created him; male and female he created them.’ (Genesis 1:26-27, 5:1, 9:6). This supports the idea of rights that all enjoy by virtue of their common humanity. By virtue of reflecting the divine image, absolute worth is accorded to human beings. This gives all human beings a special status, a unique value, or ... his dignity. Therefore the human being has absolute and inviolable worth. A human being is not to be valued for what society can do with him, he is not a means to an end. Being created in God’s image is to be understood ‘in the sense of God bestowing dignity and honour upon man’. This is explained in Psalm (8:5) where it is stated ‘You have made him but a little lower than the angels, and have crowned him with glory and honor.’ This means that every human being is to be treated with love and respect.”

This is a shared understanding within the Judeo-Christian tradition, while the particular Christian perspective on this issue is that:

“In the New Testament, the Son of God, in the person of Jesus Christ, perfected divine regard for the human being. Through Christ humanity is freed from sin and as a result of the Fall, redeemed before God, and exists in a state of grace. So it is in Christ that the image of God, obscured and blurred by sin, is restored. The human being has supreme value with infinite worth; he is not a bearer of borrowed values. So the Christian understanding of human rights is entirely a function of the value divinely granted to humans through Christ. This is absolute and universal. The absolute value of a person pre-exists any social differences, all are seen as equal, and as a result the value is universal. All have sinned and fall short of the glory of God; they are justified by his grace as a gift, through the redemption which is Jesus Christ, who is to be received by faith (Romans 3:21- 25). The origin of human rights language in the Judeo-Christian tradition therefore starts with the idea of the creation of man in the image of God, and is therefore absolute, and the state of grace, which is universal. This is the reason why it is important to recognise the dignity of every human being regardless of any social differences. Dignity is inherent. Human rights law provides for a way to recognise the respect for dignity.”

One significant point in the development of Human Rights legislation and the history of Christian influence on British values which is being celebrated this year, is the signing of Magna Carta: “In 1215, after King John of England violated a number of ancient laws and customs by which England had been governed, his subjects forced him to sign the Magna Carta, which enumerates what later came to be thought of as human rights. Among them was the right of the church to be free from governmental interference, the rights of all free citizens to own and inherit property and to be protected from excessive taxes. It established the right of widows who owned property to choose not to remarry, and established principles of due process and equality before the law. It also contained provisions forbidding bribery and official misconduct. Widely viewed as one of the most important legal documents in the development of modern democracy, the Magna Carta was a crucial turning point in the struggle to establish freedom.”

Magna Carta starts as a religious document, concerned with the “health of the soul” of the King, and with the “honour of God,” and with the “exaltation of the Holy Church”. Dr Mike West notes that “Magna Carta established the freedom of the English church from state interference and this has grown to enshrine the rights of each individual to enjoy religious freedom. Today it challenges faith communities to examine the part they might play in the development of a liberal democracy and to be part of the solution rather than part of the problem in international relations.”

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Yusuf Islam - Peace Train.

Exploring Art Trails, Sabbatical Art Pilgrimage and the Guildhall Art Gallery rehang


I will be talking about the Art Trail for the Barking Episcopal Area to the Friends of Valence House on Tuesday 12th May at 3.00pm. The Art Trail was created for the Barking Episcopal Area by commission4mission and aims to raise awareness of the rich and diverse range of modern and contemporary arts and crafts from the last 100 years which can be found within the 36 featured churches. 

Valence House was voted by the Guardian as one of the 50 best free things to do in London. The only surviving manor house in Dagenham, it dates back to Medieval times and is still partially surrounded by a moat. Following extensive refurbishment in 2010, exciting galleries tell the story of Barking and Dagenham and its people throughout the ages.

I will also be giving a presentation on my sabbatical art pilgrimage to the Faith & Image group at St Mary’s South Woodford (207 High Road, South Woodford, London E18 2PA) on Saturday 30th May from 6.30pm. Over the three months that I spent on sabbatical in 2014 I enjoyed the opportunity to visit churches in Belgium, England, France and Switzerland to see works of modern and contemporary art. 

I saw exciting work by a wide range of significant twentieth century and contemporary artists including, among others, Jean Bazaine, Pierre Bonnard, Anthony Caro, Mark Cazalet, Marc Chagall, Brian Clarke, Le Corbusier, Stephen Cox, Maurice Denis, Eric Gill, Evie Hone, John Hutton, Roy de Maistre, Alfred Manessier, Henri Matisse, George Minne, Henry Moore,Tom Phillips, John Piper, Patrick Reyntiens, Georges Rouault, Albert Servaes, Gino Severini, Graham Sutherland and Bill Viola.

The commissions that I saw during this sabbatical tell a story of a continuing engagement by the Church with contemporary art from the Post-Impressionists to the present day. This engagement has often been contentious and contested but it has nevertheless been a continuing relationship involving both mainstream artists with a Christian faith and church commissions undertaken by mainstream artists who have not professed the faith. This story is not one which has been well told, either by the Church or the mainstream art world. There are many reasons for this on both sides but my concern in making this story the focus of his sabbatical has been to encourage the Church to tell and to value this story.

Reflecting the recent Guildhall Art Gallery re-hang, the Choral Scholars of St Martin-in-the-Fields and I will present a service series of musical discovery at St Stephen Walbrook (39 Walbrook, London EC4N 8BN) exploring themes of beauty, faith, home, imagination, leisure, love and work. Each Monday at 1.10pm a new theme will be explored through music: 15 June – Faith; 22 June – Home; 29 June – Love; 6 July – Work; 13 July – Imagination; 20 July – Leisure; 27th July – Beauty. As part of the service series, a guided tour of the Guildhall Art Gallery rehang will take place on 21 July at 1.10pm. Meet in the main entrance of Guildhall Art Gallery.

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St Martin-in-the-Fields - Great Sacred Music: George Herbert.

Saturday, 9 May 2015

Mdina Cathedral Contemporary Art Biennale

The Mdina Cathedral Contemporary Art Biennale, scheduled between 13 November 2015 and 7 January 2016, will establish a spiritual space celebrating creativity. It will create a stimulating modern environment, in which different works of art by artists from diverse cultural backgrounds are displayed together under one theme. The theme for 2015 is 'Christianity, Spirituality and the Other', 'The Other' standing for faith and non-faith, belief and non-belief, theist and atheist, agnostic and polytheist.

The Mdina Biennale traces its roots back to the previous Christian and Sacred Art Biennale of the 1990s, and the forthcoming 2015 event will radically widen its creative spectrum. The idea that all art is spiritual remains the central concept. This thematic approach is profoundly important for a complete appreciation and understanding of the event. It plays a central role in the Artistic Director's concept and to establish the Mdina Cathedral Contemporary Art Biennale as a spiritual space of and for creativity.

Dr Giuseppe Schembri Bonaci, the Artistic Director, graduated from the University of Malta, the State University of Kiev, and the State University of Moscow. He also did postgraduate research at the State University of Milano. He specialised in Law, Philosophy and the Arts. Dr Schembri Bonaci is currently senior lecturer in the Department of History of Art, University of Malta. Besides being the author of several academic research publications he is also an artist who has exhibited in various Maltese and international venues and galleries.

Schembri Bonaci says, "Many have expressed surprise at the fact that I'll be heading the Biennale this time around, as I've always been quite vocal about my anti-clerical leanings! People have been bemused by this even when looking at my own work. 'If you're so critical of the Church, why do you insist on painting crucifixes?', they would ask. But the fact is that - whether I agree with its tenets or not - Christianity is very much part of the culture I grew up in, so it will inevitably inform my work.

"With the Biennale, what I really want to do is create a bridge with the past and the present. I'm not interested in accepting mediocre religious work - but high quality work which is also thought provoking."

The 2015 Biennale will unashamedly declare all art to be spiritual, in the sense that creative depiction, actions and events, through their intrinsic character, reflect the individual's relation with reality, and with his or her own existence. Hence such creative acts are necessarily spiritual, independent of their ostensible devoutness, independent of a faith or lack of faith, independent of their allegiance to any particular faith, or to none.
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Joseph Fenech - Credo.

Venice Biennale: Pavilion of the Holy See

'The Holy See participates this year for the second time at the Biennale d’Arte di Venezia, with a Pavilion inspired by the New Testament. In the Beginning … the Word became flesh is the theme chosen by the Commissioner Card. Gianfranco Ravasi, President of the Pontifical Council for Culture, at whose request the theme of the “Beginning” has been developed, passing from the 2013 edition’s reference to Genesis to that of the Prologue of the Gospel of John.

Curated by Micol Forti, the structure of the Pavilion is articulated around two essential poles: firstly, the transcendent Word, which is “in the beginning” and which reveals the dialogical and communicative nature of the God of Jesus Christ (v. 1-5); and then the Word made “flesh”, body, bringing the presence of God in humanity, especially where it appears injured and suffering (v. 14). The encounter of these “vertical-transcendent” and “horizontal-immanent” dimensions is the heart of the research. The two “tables” of the Prologue of John’s Gospel are the basic inspiration for the artistic creations of three artists, who have been chosen after a long selection, in light of some precise criteria: the consonance of their own journeys with the chosen theme, the variety of the techniques used, their internationality, diversity and geographic and cultural provenance, and above all the open and evolutionary nature of their work.

Monika Bravo (1964) was born and raised in Colombia, and today lives and works in New York; the Macedonian Elpida Hadzi-Vasileva (1971), currently lives and works in London; the photographer Mário Macilau (1984), was born and raised in Maputo, Mozambique, where he lives.

The catalogue of the Pavilion, edited by Micol Forti and Elisabetta Cristallini, (Italian and English – Gangemi Editore), together with an introductory essay by Gianfranco Ravasi focusing on the theme of the Pavilion, contains texts by Micol Forti, Elisabetta Cristallini, Ben Quash, Octavio Zaya and Alessandra Mauro.'

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Pēteris Vasks - Distant Light.

Update: Sophia Hub Seven kings

Ros Southern writes:

'Here's some updates that will hopefully be of interest and help for your start-up business

Sat Kumar of Seven Kings Business Partnership and Hansons Estates is speaker at our lunchtime Enterprise club on Tuesday. He's got loads of experience and contacts.

Redbridge CVS have alerted us to lots of funding opportunities currently live. I've put the whole list here. Please get in touch if you want some help.

Who's joining us at the Chambers comedy night on Thursday? Still just about time to book.

The Timebank is about the complementary/alternative economy - the next skills swap is on 6th June. Also see ECHO business Timebank workshops.

Other upcoming opportunties: Redbridge College networking, Excel business show, Chambers breakfasts etc.

The Marjorie Collins MS society is trying to raise funds for exercise classes and need your vote!

Finally thanks to Meenakshi Sharma for being our speaker last week. Read all about it here.

Best wishes, Ros

Ros Southern, Coordinator, Sophia Hubs Seven Kings
M: 07707 460309 T: 0208 590 2568
ros.southern@sophiahubs.com
T: @sophiahubs7k
Sophia Hubs Seven Kings https://sophiahubs7k.wordpress.com/
c/o St Johns Church, St Johns Road, Seven Kings, IG2 7BB'

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The Members - The Sound Of The Suburbs.

Fyffe Christie

Painter, draughtsman, muralist and teacher, Fyffe Christie  was born in Bushey, Hertfordshire, son of a commercial artist and illustrator, George Christie. From the age of 12 Christie lived in Glasgow, from 1934 working in a solicitor's office, then became an apprentice lithographic draughtsman and during World War II served in the Scottish Rifles, resulting work finding its way into the Imperial War Museum.

Christie studied at Glasgow School of Art, 1946-50, mural painting under Walter Pritchard. He gained the Newberry Medal in 1950 and a post-diploma year's study. After a period teaching and a six-month travelling scholarship taken on the continent Christie resumed teaching and completed many murals, including Glasgow University and the Iona Community House. With his wife Eleanor, a sculptor, he moved to London in 1957 and again taught, while completing murals and much other work. 

Christie and his wife held a show at Woodlands Gallery in 1979, shortly before he died. This showed him to be a painter with a rich palette, notable for his female nude studies, as well as a consummate draughtsman. His widow did much to promote Christie's work after his death. There were exhibitions at Cyril Gerber Fine Art, Glasgow, and Fairhurst Gallery in 1988, preceded by a show of his drawings at Glasgow School of Art. He was included in Children & Childhood at the City Art Centre, Edinburgh, in 1989; there was a large show of his schoolchildren drawings at the Bethnal Green Museum of Childhood, 1991; and further small exhibitions at Blackheath Concert Halls and in Norwich. In 2004, there was an exhibition at Wimpole Hall, Cambridgeshire, accompanied by a monograph, Nature and Humanity, The Work of Fyffe Christie 1918-1979, published by Sansom & Company Ltd.


Christie's mural at St Margaret Stanford Rivers features in the Art Trail for the Barking Episcopal Area. I will be talking about the Art Trail to the Friends of Valence House on Tuesday 12th May at 3.00pm. All are welcome.


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Bruce Springsteen - When The Saints Go Marching In.

Our job is to try to look at the world behind the world

'There was something about that poetry [of the Bible] that spoke to a heightened experience and a language of interiority. Religion provided a structure for thinking about experience and moving through this life. That is all part of poetry's work. Our job is to try to look at the world behind the world.'

Mark Doty - The books interview, The Guardian, 09/05/15

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Patti Smith - Tarkovsky (The Second Stop Is Jupiter).