Wikio - Top Blogs - Religion and belief

Thursday, 23 June 2022

Sandra Bowden and Bowden Collections

One of many joys in attending 'The Artist as Truth-Teller and the Legacy of French Artist Georges Rouault' last week was that of meeting the artist Sandra Bowden.

Sandra Bowden has been interpreting Scripture and her own spiritual walk through mixed media for more than forty years. She has been acclaimed as one of the most unique, impressive and inspiring Christian artists in America. Bowden’s work has been featured in books, magazines and gallery shows across the United States, Canada, Italy and Jerusalem.

Her work fuses the vivid yet traditional imagery of the Old Testament – stone tablets and artifacts, Hebrew inscriptions, architectural depictions – with images of Christ’s passion, important music scores, and God’s natural creations. She has issued several series of artworks over the years: crucifixion scenes, artistic use of text and color, new interpretations of classic religious artwork, even altered books with applied textures and hues. God’s grandeur and creativity shine through in each piece of her art.

“My Christian faith has been the driving force behind my art,” Bowden says. “I look at the making of a piece of art as a kind of doxology, a prayer or conversation with God. I don’t mean this in any mystical way, but my ideas come out of my theology and thoughts about God. I am somewhat of a theologian, but one who translates those interpretations into visual form.”

In addition to being an exceptional artist, Sandra is also a collector who, through Bowden Collections, offers a variety of traveling exhibitions available for rental to museums, churches, colleges, seminaries and similar institutions.

Bowden says:

'I have always wanted to own art by other artists. My first pieces were pottery or works that I could swap with other artists. Then I began to make a greater commitment to strategically collecting. However, the most important reason is that it is enjoyable. What a thrill to “find” a piece, recognize its value and have it become part of my collection.

I feel like a caretaker, so to speak, of each piece in our collection, preserving it for the future. With every new acquisition comes a world of knowledge, a reservoir of information surrounding the piece that adds to the fascination and enjoyment.

The Bowden Collections focuses on religious art for several reasons: first, it is the subject I am most passionately interested in; second, it is a wonderful time to be collecting work with biblical themes because the art market in general is not particularly interested in art with religious content. I also feel that religious art needs exposure within the Christian community, and it is my intent to make these pieces available whenever possible for that purpose. I see my collector's role as a calling—something that is critically important to do at this particular time.'

Click here to see the range of collections available which include work by Marc Chagall, Otto Dix, Alfred Manessier, and Georges Rouault, among others. 

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Morten Lauridsen - Lux Æterna.

Uplift at the Edinburgh Fringe Festival



'Uplift' is a heart-warming play illuminating the significant contributions of the Windrush Generation to Britain, the scandal around their wrongful treatment and their journey in overcoming this atrocious injustice with the support of friends and allies. Dave Neita, lawyer by profession, wrote 'Uplift' to celebrate the culture, impact and resilience of the people who came to Britain and contributed to the rebuilding of the nation following the destruction caused by the Second World War. Dave applies the law to support people who have been damaged by the Windrush Scandal and uses the arts to raise awareness of their struggle for justice.

The play is at the Edinburgh Fringe Festival this summer. For booking details see  Uplift | Theatre | Edinburgh Festival Fringe (edfringe.com).

I first met Dave through Jamaican Spiritual, an exhibition held at St Stephen Walbrook which was made up of painting,sculpture and photography highlighting the strong spiritual nature of Jamaica and it’s people. Dave has also contributed to several HeartEdge events, see here, here, and here.

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Dave Neita - The Beauty And Utility Of Poetry.

Monday, 20 June 2022

The Group of Seven

"The Group of Seven (sometimes referred to as the Algonquin School) was Canada's first internationally recognized art movement." They were "a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932.

Two artists commonly associated with the group are Tom Thomson (1877–1917) and Emily Carr (1871–1945). Although he died before its official formation, Thomson had a significant influence on the group. In an essay, Harris wrote that Thomson was “a part of the movement before we pinned a label on it”; Thomson’s paintings The West Wind and The Jack Pine are two of the group’s most iconic pieces. Emily Carr was also closely associated with the Group, though never an official member."

"The Group was united in the belief that a distinct Canadian art could be developed through direct contact with the country's vast and unique landscape." Christopher Varley and Russell Bingham write that "The group presented the dense, northern boreal forest of the Canadian Shield as a transcendent, spiritual force." MacDonald stated that the Group's aim was "to paint the soul of things [...] the inner feeling rather than the outward form".

"For the Group of Seven, the landscape became akin to a religion. Varley and Harris particularly venerated nature, finding God's immanence within it. From their paintings, Dr. Salem Bland, a leading liberal theologian, stated that he felt, "as if the Canadian soul was unveiling to me something secret and high and beautiful which I had never guessed; a strength and self-reliance, depth and mysticism I had not suspected." Katerina Atanassova says “There is a great deal of spirituality in early twentieth century Canadian art, Varley was very influenced by Buddhism, and many of Lawren Harris’s paintings are based on theosophic principles.”

Jim Friedrich notes that, in 1927, Emily Carr saw an exhibition by the Group and that night wrote in her journal: "Oh, God, what have I seen? Where have I been? Something has spoken to the very soul of me, wonderful, mighty, not of this world. Chords way down in my being have been touched. . . Something has called out of somewhere. Something in me is trying to answer." Carr, at age 56, would go on to begin her most productive period as a painter, exploring the unique spirituality of Canadian landscapes.

Margaret Hirst writes that "Carr yearned to find and express God, and Lawren Harris ... was the catalyst for her great spiritual journey. In addition, Harris befriended and encouraged Carr, offered technical advice, and introduced her to philosophies such as Theosophy and the transcendental poetry of Walt Whitman." "An awe of great expanses became a crucial component of Carr’s religious expression, as she moved away from paintings of native scenes and totems toward a focus on the timbers and skies of the woods. Though Christian, Carr retained the Pantheistic tendencies born in her girlhood, hearing “the myriad voices of God shouting in one great voice: ‘I am one God.... I am heaven. I am earth. I am all in all’.” Her developing religious devotion began to permeate her art." "As she developed her technical skills and style, expression of the Almighty remained foremost in her artistic purpose. By 1934 she could write: “I am painting my own vision now, thinking of no one else’s approach.” Carr had synthesized her faith into a personal, non-dogmatic Christianity, accented by traces of Pantheism, all of which would be reflected in her famous “sky” paintings."

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Bruce Cockburn - Hills of Morning.

Galerie of Contemplation

The website www.galerie-of-contemplation.com shows fine art representations of themes from the Old and New Testaments. It presents the illustrated book 'THE BIBLE IN IMAGES' (Introduction, Images, Credits), published in Hamburg in May 2013. Further information on the critical response to the illustrated book can be found by clicking on Reviews.

"I found that the structure and the choice of topics from the books of the Bible really worked. Your selection of pictures and the way you put them together is quite excellent. It gives enjoyment and pleasure to read the Bible texts in connection with the pictures and, conversely, to look at and consider the pictures after having read the texts. I think that with this illustrated book you have managed a very nice redesign of a biblia pauperum, as many people today know neither the Biblical stories nor are they able to interpret the works of art depicting them. With this volume you offer a valuable aid in this respect." Principal Pastor Alexander Röder, Principal Church of St. Michael, Hamburg; Head of the Church Art Service

"I think that it is a particular achievement to have limited yourself to 82 works of art from a seemingly endless number of suitable candidates - these 82 works from the history of art in Europe. It requires extensive knowledge in this field and firm conviction in the selection. What would Europe's art look like without the Old and New Testaments? Almost impossible to conceive. The Christian West or, more precisely, its iconography, is a treasure that can never be fully exhausted." Prof. Wilhelm Hornbostel, former Director of the Museum of Art and Crafts, Hamburg; Chair of the Friends of Prussian Castles and Gardens, Berlin

"The pictures and texts draw you beyond a mere observation. A true book of meditation!" Helge Adolphsen, former Principal Pastor of St. Michael, Hamburg, and for many years President of the German Protestant 'Kirchentag'

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Mavis Staples & Levon Helm - You Got To Move.

LAKWENA MACIVER: JUMP

Hastings Contemporary is presenting an exhibition of Lakwena Maciver’s Jump Paintings, abstract portraits of some of the most inspiring Basketball Players, both past and present (18 June – 25 September 2022).

The origins of these ‘Jump paintings’ stem from two full-size courts painted in 2020 in Pine Bluff, Arkansas, to honour Senator Flowers, whose impassioned 2019 speech against proposed ‘Stand Your Ground’ legislation went viral and inspired Lakwena in the wake of the Black Lives Matter movement the following year. Entitled I’ll bring you flowers, the defiantly joyful paintings used the universality of the basketball court as a canvas to speak of hope in the face of oppression and blessing through adversity.

For these new paintings, Lakwena took physical and biographical references as a starting point. Each is titled with the first name of the player and is the same height as the individual. They are painted on bespoke slim wooden panels and given a seductive, almost mirror-like gloss. This idea of reflection adds a personal interactive element to the viewing experience.

Lakwena says “I like the notion of the basketball court as a platform or a stage where the players become almost like superheroes… The heights that they soar to… it’s like they are flying, somehow able to rise above the limitations of this world. This is especially poignant for me given that basketball is indisputably dominated by African Americans, and their style of play has shaped the game.

I’m interested in what brings us closer together, so for me these paintings are about being aspirational, dreaming, and the connection between people, but also about the link between heaven and earth and ourselves as individuals in relation to a higher power.

The politicisation of the game is something I’m interested in exploring. The ‘slam dunk’ for instance, one of Basketball’s great crowd pleasers, could be seen as a physical manifestation of black power. So much so that it was banned in 1967 for 10 years, coincidentally after a year of Lew Alcindor’s domination of the game. I see these paintings as an opportunity to celebrate black power, joy, and self-expression.”

These paintings were originally shown at Vigo Gallery and my review for Church Times can be found here. For more on Lakwena, see my Artlyst interview here, a visual meditation for ArtWay here, a Diary piece for Artlyst, and an article about emerging religious artists here.

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Sarah Brown - Didn't It Rain.

Artlyst: Art Illuminating spirituality June 2022 Diary

My June diary for Artlyst has mentions for The Singh Twins at Firstsite, Chaiya Art Awards 2023, Peter S. Smith and The Woodpecking Factory at British Museum, Remembering Ervin Bossányi at The Liszt Institute, ASCHA's Georges Rouault symposium, plus the Visual Commentary on Scripture and Reframed: The Woman in the Window at Dulwich Picture Gallery. It's a very full diary!

For more on Chaiya Art Awards see:
For my interview with Ilona Bossanyi about her grandfather see - 
For my VCS exhibitions, see 'A Question of Faith' and 'Back from the Brink'.

My other pieces for Artlyst are:

Interviews -
Articles -
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Eric Bibb - With My Maker I Am One.

Sunday, 19 June 2022

The Psalms Project: In the Shadow of Your Wings

HeartEdge featured the Psalms project 'In the Shadow of Your Wings' run by Deus Ex Musica on several occasions. The project has now resulted in a brand new book of Psalm settings for female voice, In the Shadow of Your Wings, which is a must have for the church singer. Curated by the Executive Director of Deus Ex Musica, Dr. Delvyn Case, this anthology will offer you contemporary settings in a variety of styles.

Composers include:
  • Richard J. Clark
  • Mary Montgomery Koppel
  • Bil Mooney-McCoy
  • Shawn E. Okpebholo
  • Fiona Evison
  • Josh Rodriguez
  • Emily Hiemstra
  • Delvyn Case
  • Sungji Hong
Songs can be heard at: In the Shadow of Your Wings

The Psalms Project also features soon in two upcoming UK events. First, The Beautiful World of Holiness: Explorations of Creation and Nature Through New Sacred Music on Sunday, 26 June 2022, 3 pm at All Saints Church, Tooting, London. This unique interactive event uses live musical performances as a springboard for discussion about Creation and our varying responses to what composer June Boyce-Tilman calls “the beautiful world of holiness.” Featuring the UK premieres of solo psalm settings by June Boyce-Tilman MBE, Alexandra T. Bryant, and Delvyn Case. Performed by Robert Rice, baritone, and Delvyn Case, piano.

This event is part of the All Saints ARTS Festival, itself part of the Wandsworth Arts Fringe, which is designed to embrace a variety of styles and performers with a range of experience together. It will include many concerts embracing a variety of styles – including a recital on Baroque instruments with Pawel Siwczak, an organ recital with Benjamin Costello, a jazz concert with Senior Street Jazz Sextet and a community concert with schools, soloists and other groups. It is a community event encouraging the embracing of diversity at every level. It has an eco-theme with poems and musical pieces designed to reflect our care for the environment. The events will be taking place in All Saints Church, Brudenell Road, Tooting, SW17 8DQ.

The second event is The Psalms Project: Dialogues with Contemporary Sacred Music on Sunday 3 July, 19:30 – 21:00, at Institute of Contemporary Performance, 39 Ludgate Hill, London EC4M 7JN. A unique event organized by UK-based composer Ng Yu Hng, combining world-premiere performances of new sacred music with interfaith discussion. Featuring new works for unaccompanied violin inspired by the psalms.

Through a combination of live performances and informal discussions, this event invites listeners to consider the ways these new compositions respond to the Biblical texts that inspired them. What insight into these ancient poems do these works provide for us today? How do they help us experience the psalms in new ways? Can they teach us anything about the spiritual dimension of Scripture? What do they tell us about contemporary sacred music’s ability to contribute to dialogues about faith in our secular society?

Written by an international collection of composers representing the Christian and Jewish traditions: Sungji Hong (South Korea), Delvyn Case (US), Ng Yu Hng (Singapore), Joelle Wallach (US), Kirsten Strom (New Zealand). The new works will be performed by violinist Joseph Edwards, at the Institute of Contemporary Performance in Central London (39 Ludgate Hill, London EC4M 7JN). This event is kindly hosted by the pianist Leona Crasi, director of the Institute of Contemporary Performance, and to be filmed and recorded by Bernardo Simões.

Moderated by musician, scholar, and teacher Delvyn Case, this event is open to anyone. No religious background or musical experience is necessary. Attendees may participate in the discussion or simply enjoy the music and the conversation.



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In the Shadow of Your Wings - Psalm 148