HeartEdge is programming some excellent sessions on the visual arts over the next few weeks:
Art and the Liturgical Year: Bringing the Church Kalendar to Life
Monday, April 26th, 3:00pm EDT
Please register here: https://www.eventbrite.com/e/149461829355.
The visual arts have the power to change our perceptions and even transport us to unfamiliar places. Think about how you feel when you sit quietly and contemplate a stained-glass window or wander the halls of an art museum. Art offers us opportunities to transform our vision and perspective and to step into someone else’s shoes and community.
Imagine the way art influences our thinking about our faith - a painting in an English cathedral will likely bring a much different perspective of Jesus than one portrayed in a Coptic icon. In viewing each, we expand our vision of what our faith means and how different cultures express fundamental truths. Art is a means to stir our imagination and bring fresh meaning to our faith.
During this workshop, our panel will discuss engaging artists with parishes and congregations to explore art in the context of the Church calendar. We’ll also look at how our liturgical year can be a source of inspiration for artists and explore how artists can use their talents to open up our understandings of the faith in new ways.
Attendees will leave with tangible approaches to using visual arts in conjunction with scripture and our Church calendar to bring concepts from the liturgical year to life for congregations. Learn how exhibitions and installations can amplify the message of seasons like Advent or Lent and hear how this work benefits both artists and congregations. This workshop is presented by the CEEP Network in partnership with the HeartEdge Network and CARAVAN.
Panelists include:
Art, Scripture and Contemporary Issues
In a short series, curators for the Visual Commentary on Scripture will speak about their experience of curating for VCS in order to assist in understanding more deeply the value and potential uses to which the VCS exhibitions can be put by churches.
The sessions will demonstrate a central premise of the VCS’s approach i.e. that the ‘world(s)’ of experience and action that the Scriptures describe can speak meaningfully to the ‘world(s)’ that present-day interpreters of the Scriptures continue to inhabit; and that the ‘world(s)’ to which art has responded in every epoch can speak meaningfully to both.
Session 1: Tue, 11 May 2021, 14:00 – 15:00 BST. Register for a Zoom invite at: https://www.eventbrite.co.uk/e/art-scripture-and-contemporary-issues-tickets-149131206453?aff=erelpanelorg. In this session Deborah Lewer will speak about her experience of curating an exhibition on Proverbs 11 exploring why she made the choices and decisions she did in relation to both text and images. Proverbs 11 is part of the oldest collection of proverbs in the book. It opens with a statement about the righteousness of true and accurate measures: Yahweh abhors a ‘false balance’ and delights in ‘an accurate weight’. Balance, uprightness, constancy, steadfastness, and diligence are characteristic of the ordered worldview of the proverbs. When their equilibrium is upset—by wickedness, crookedness, cruelty, avarice, folly, and violence—the ensuing consequences are both just and inevitable. Debbie is Senior Lecturer in History of Art at the University of Glasgow. In addition to her specialism in 20th-century German art, she is interested in relationships between visual art, faith and theology. She works extensively as a retreat leader and with churches, clergy and ordinands to open up the potential of a wide spectrum of visual art in worship, theological reflection and in pastoral contexts.
Session 2: Thu, May 13, 2021, 2:00 PM – 3:00 PM BST. Register for a Zoom invite at: https://www.eventbrite.co.uk/e/art-scripture-contemporary-issues-tickets-149683719033. In this session Caleb Froehlich will speak about his experience of curating the Cities of Refuge exhibition exploring why he made the choices and decisions he did in relation to both text and images. Numbers 35, Joshua 20, and Deuteronomy 4:41–43 record the appointment of six Levitical cities as ‘cities of refuge’ to ensure that if there was an accidental killing, the accused killer could flee to one of these cities and be protected from the menace of the ‘avenger of blood’. This session will consider the provisions of the biblical cities of refuge from the perspective of sanctuary-seekers. Caleb Froehlich is a researcher for the St Andrews Encyclopaedia of Theology and an editor for De Gruyter’s Encyclopedia of the Bible and its Reception. He holds a PhD in Religion, Art, and Culture from the University of St Andrews and has two principal areas of research: the intersection between religion and popular culture (with a focus on twentieth and twenty-first century religious history) and culturally engaged theology (with a focus on art and media as spiritual, religious, and/or theological in potentia).
Session 3: Tue, 25 May 2021, 14:00 – 15:00 BSThttps://www.eventbrite.co.uk/e/art-scripture-contemporary-issues-tickets-148748287131?aff=erelpanelorg. In this session Susanna Snyder will speak about her experience of curating the Ruth 3-4 exhibition exploring why she made the choices and decisions she did in relation to both text and images. The brevity of the book of Ruth belies its significance. It offers an answer to some of the most important questions the people of Israel grapple with throughout the Old Testament. How are we to respond to refugees? How should we understand and inhabit boundaries? Susanna Snyder is Lecturer in Ethics and Theology at Ripon College, Cuddesdon, and an Associate of the Centre for Theology and Modern European Thought, University of Oxford.
-------------------------------------------------------------------------------------------------------
The visual arts have the power to change our perceptions and even transport us to unfamiliar places. Think about how you feel when you sit quietly and contemplate a stained-glass window or wander the halls of an art museum. Art offers us opportunities to transform our vision and perspective and to step into someone else’s shoes and community.
Imagine the way art influences our thinking about our faith - a painting in an English cathedral will likely bring a much different perspective of Jesus than one portrayed in a Coptic icon. In viewing each, we expand our vision of what our faith means and how different cultures express fundamental truths. Art is a means to stir our imagination and bring fresh meaning to our faith.
During this workshop, our panel will discuss engaging artists with parishes and congregations to explore art in the context of the Church calendar. We’ll also look at how our liturgical year can be a source of inspiration for artists and explore how artists can use their talents to open up our understandings of the faith in new ways.
Attendees will leave with tangible approaches to using visual arts in conjunction with scripture and our Church calendar to bring concepts from the liturgical year to life for congregations. Learn how exhibitions and installations can amplify the message of seasons like Advent or Lent and hear how this work benefits both artists and congregations. This workshop is presented by the CEEP Network in partnership with the HeartEdge Network and CARAVAN.
Panelists include:
- Janet Broderick - Rector, All Saints Beverly Hills; Beverly Hills, California
- Paul-Gordon Chandler - Bishop, Diocese of Wyoming; Jackson Hole, Wyoming (moderator)
- Catriona Laing - Chaplain, St. Martha & St. Mary’s Anglican Church Leuven; Associate Chaplain, Holy Trinity Brussels; Brussels, Belgium
- Ben Quash - Professor, Christianity and the Arts & Director, Center for Arts and the Sacred, King’s College London; Director, Visual Commentary on Scripture Project; London, United Kingdom
- Aaron Rosen - Professor, Religion and Visual Culture; Director, Henry Luce III Center for the Arts and Religion, Wesley Theological Seminary; Co-founder, Stations of the Cross Public Art Project; Washington, D.C.
Introducing the Visual Commentary on Scripture
Thu, 29 April 2021, 14:00 – 15:30 BST. Register for a Zoom invite at https://www.eventbrite.co.uk/e/introducing-the-visual-commentary-on-scripture-tickets-148377347641.
The Visual Commentary on Scripture, TheVCS.org, is the first online project to introduce visitors to the entirety of Christian Scripture in the company of art and artists.
Celebrated with a launch event in November 2018 at Tate Modern, TheVCS.org seeks to connect the worlds of art and religion as a ground-breaking resource for scholars, educators, churches and interested readers looking for insightful, original explorations of art and the Bible.
In this talk, Canon Ben Quash, the project’s director, will share some of the challenges and discoveries he has encountered so far in this ambitious undertaking.
Ben Quash came to King’s College London as its first Professor of Christianity and the Arts in 2007. Prior to that, he was a Fellow of Fitzwilliam College and then of Peterhouse, Cambridge, and lecturer in the Faculty of Divinity in the University of Cambridge. He is fascinated by how the arts can renew people’s engagement with the Bible and Christian tradition, and is directing a major 7-year project to create an online Visual Commentary on Scripture. He runs an MA in Christianity and the Arts in association with the National Gallery, London, and broadcasts frequently on BBC radio. He is a Trustee of Art and Christianity Enquiry, and Canon Theologian of both Coventry and Bradford Cathedrals.
His publications include Abiding: The Archbishop of Canterbury’s Lent Book 2013 (Bloomsbury, 2012) and Found Theology: History, Imagination and the Holy Spirit (T&T Clark, 2014), and he has written catalogue essays for exhibitions at Ben Uri Gallery, London, the Inigo Rooms in Somerset House, and the Vatican Pavilion at the Venice Biennale 2015.
Inspired to Follow: Art and the Bible Story
‘Inspired to Follow: Art and the Bible Story’ helps people explore the Christian faith, using paintings and Biblical story as the starting points. The course uses fine art paintings in the National Gallery’s collection as a springboard for exploring questions of faith.
Register for a Zoom invitation at https://www.eventbrite.co.uk/e/inspired-to-follow-art-and-the-bible-story-tickets-148401610211.
Navigating the Dark: A conversation between an artist and a theologian
Thu, 6 May 2021, 19:00 – 20:00 BST. Register for a Zoom invite at https://www.eventbrite.co.uk/e/navigating-the-dark-tickets-148323582829.
Join us as artist Jake Lever is interviewed by Dr Paula Gooder, Chancellor of St Paul’s Cathedral, London.
Jake Lever is an artist who is interested in the power of visual art to draw us into an encounter with the sacred. He seeks to make work that invites a slowing down, a return to the liminal and the "real". During the pandemic, he has developed a new participatory project, making hundreds of tiny, gilded boats that people have sent by post as tokens of love, gratitude and solidarity to family and friends around the world. Website: www.leverarts.org.
Dr Paula Gooder is a writer and lecturer in Biblical Studies. Her research areas focus on the writings of Paul the Apostle, with a particular focus on 2 Corinthians and on Paul’s understanding of the Body. Her passion is to ignite people’s enthusiasm for reading the Bible today, by presenting the best of biblical scholarship in an accessible and interesting way. She is currently the Chancellor of St Paul’s Cathedral in London. Website: www.gooder.me.uk.
Thu, 29 April 2021, 14:00 – 15:30 BST. Register for a Zoom invite at https://www.eventbrite.co.uk/e/introducing-the-visual-commentary-on-scripture-tickets-148377347641.
The Visual Commentary on Scripture, TheVCS.org, is the first online project to introduce visitors to the entirety of Christian Scripture in the company of art and artists.
Celebrated with a launch event in November 2018 at Tate Modern, TheVCS.org seeks to connect the worlds of art and religion as a ground-breaking resource for scholars, educators, churches and interested readers looking for insightful, original explorations of art and the Bible.
In this talk, Canon Ben Quash, the project’s director, will share some of the challenges and discoveries he has encountered so far in this ambitious undertaking.
Ben Quash came to King’s College London as its first Professor of Christianity and the Arts in 2007. Prior to that, he was a Fellow of Fitzwilliam College and then of Peterhouse, Cambridge, and lecturer in the Faculty of Divinity in the University of Cambridge. He is fascinated by how the arts can renew people’s engagement with the Bible and Christian tradition, and is directing a major 7-year project to create an online Visual Commentary on Scripture. He runs an MA in Christianity and the Arts in association with the National Gallery, London, and broadcasts frequently on BBC radio. He is a Trustee of Art and Christianity Enquiry, and Canon Theologian of both Coventry and Bradford Cathedrals.
His publications include Abiding: The Archbishop of Canterbury’s Lent Book 2013 (Bloomsbury, 2012) and Found Theology: History, Imagination and the Holy Spirit (T&T Clark, 2014), and he has written catalogue essays for exhibitions at Ben Uri Gallery, London, the Inigo Rooms in Somerset House, and the Vatican Pavilion at the Venice Biennale 2015.
Inspired to Follow: Art and the Bible Story
‘Inspired to Follow: Art and the Bible Story’ helps people explore the Christian faith, using paintings and Biblical story as the starting points. The course uses fine art paintings in the National Gallery’s collection as a springboard for exploring questions of faith.
Register for a Zoom invitation at https://www.eventbrite.co.uk/e/inspired-to-follow-art-and-the-bible-story-tickets-148401610211.
- Sunday 2 May, Session 16: The Resurrection. Text: Luke 24:25-35. Image: ‘The Supper at Emmaus’, Michelangelo Merisi da Caravaggio, 1601, NG172.
- Sunday 9 May, Session 17: The Ascension. Text: Acts 1:1-12. Image: ‘The Incredulity of Saint Thomas’, Giovanni Battista Cima da Conegliano, about.1502-4, NG816.
- Sunday 16 May, Session 18: Pentecost. Text: Acts 2:1-39 (extracts). Image: ‘Pentecost’, Giotto and Workshop, about.1310-18, NG5360.
- Sunday 23 May, Session 19: Death of Stephen. Text: Acts 6:8 – 7:60 (extracts). Image: ‘The Martyrdom of Saint Stephen’, Possibly by Antonio Carracci, about1610, NG77.
- Sunday 30 May, Session 20: Saint Peter. Text: Acts 10:30-48. Image: ‘Christ appearing to Saint Peter on the Appian Way (Domine, Quo Vadis?)’, Annibale Carracci, 1601-2, NG9.
- Sunday 6 June, Session 21: Saint Paul. Text: Acts 9:1-19. Image: ‘The Conversion of Saint Paul’, Karel Dujardin, 1662, NG6296.
- Sunday 13 June, Session 22: The New Jerusalem. Text: Revelation 21:1-5, 9-11, 22-27, & 22:1-5. Image: ‘Christ Glorified in the Court of Heaven’; central predella panel, probably by Fra Angelico, about 1423-4, NG663.1.
Navigating the Dark: A conversation between an artist and a theologian
Thu, 6 May 2021, 19:00 – 20:00 BST. Register for a Zoom invite at https://www.eventbrite.co.uk/e/navigating-the-dark-tickets-148323582829.
Join us as artist Jake Lever is interviewed by Dr Paula Gooder, Chancellor of St Paul’s Cathedral, London.
Jake Lever is an artist who is interested in the power of visual art to draw us into an encounter with the sacred. He seeks to make work that invites a slowing down, a return to the liminal and the "real". During the pandemic, he has developed a new participatory project, making hundreds of tiny, gilded boats that people have sent by post as tokens of love, gratitude and solidarity to family and friends around the world. Website: www.leverarts.org.
Dr Paula Gooder is a writer and lecturer in Biblical Studies. Her research areas focus on the writings of Paul the Apostle, with a particular focus on 2 Corinthians and on Paul’s understanding of the Body. Her passion is to ignite people’s enthusiasm for reading the Bible today, by presenting the best of biblical scholarship in an accessible and interesting way. She is currently the Chancellor of St Paul’s Cathedral in London. Website: www.gooder.me.uk.
Art, Scripture and Contemporary Issues
In a short series, curators for the Visual Commentary on Scripture will speak about their experience of curating for VCS in order to assist in understanding more deeply the value and potential uses to which the VCS exhibitions can be put by churches.
The sessions will demonstrate a central premise of the VCS’s approach i.e. that the ‘world(s)’ of experience and action that the Scriptures describe can speak meaningfully to the ‘world(s)’ that present-day interpreters of the Scriptures continue to inhabit; and that the ‘world(s)’ to which art has responded in every epoch can speak meaningfully to both.
Session 1: Tue, 11 May 2021, 14:00 – 15:00 BST. Register for a Zoom invite at: https://www.eventbrite.co.uk/e/art-scripture-and-contemporary-issues-tickets-149131206453?aff=erelpanelorg. In this session Deborah Lewer will speak about her experience of curating an exhibition on Proverbs 11 exploring why she made the choices and decisions she did in relation to both text and images. Proverbs 11 is part of the oldest collection of proverbs in the book. It opens with a statement about the righteousness of true and accurate measures: Yahweh abhors a ‘false balance’ and delights in ‘an accurate weight’. Balance, uprightness, constancy, steadfastness, and diligence are characteristic of the ordered worldview of the proverbs. When their equilibrium is upset—by wickedness, crookedness, cruelty, avarice, folly, and violence—the ensuing consequences are both just and inevitable. Debbie is Senior Lecturer in History of Art at the University of Glasgow. In addition to her specialism in 20th-century German art, she is interested in relationships between visual art, faith and theology. She works extensively as a retreat leader and with churches, clergy and ordinands to open up the potential of a wide spectrum of visual art in worship, theological reflection and in pastoral contexts.
Session 2: Thu, May 13, 2021, 2:00 PM – 3:00 PM BST. Register for a Zoom invite at: https://www.eventbrite.co.uk/e/art-scripture-contemporary-issues-tickets-149683719033. In this session Caleb Froehlich will speak about his experience of curating the Cities of Refuge exhibition exploring why he made the choices and decisions he did in relation to both text and images. Numbers 35, Joshua 20, and Deuteronomy 4:41–43 record the appointment of six Levitical cities as ‘cities of refuge’ to ensure that if there was an accidental killing, the accused killer could flee to one of these cities and be protected from the menace of the ‘avenger of blood’. This session will consider the provisions of the biblical cities of refuge from the perspective of sanctuary-seekers. Caleb Froehlich is a researcher for the St Andrews Encyclopaedia of Theology and an editor for De Gruyter’s Encyclopedia of the Bible and its Reception. He holds a PhD in Religion, Art, and Culture from the University of St Andrews and has two principal areas of research: the intersection between religion and popular culture (with a focus on twentieth and twenty-first century religious history) and culturally engaged theology (with a focus on art and media as spiritual, religious, and/or theological in potentia).
Session 3: Tue, 25 May 2021, 14:00 – 15:00 BSThttps://www.eventbrite.co.uk/e/art-scripture-contemporary-issues-tickets-148748287131?aff=erelpanelorg. In this session Susanna Snyder will speak about her experience of curating the Ruth 3-4 exhibition exploring why she made the choices and decisions she did in relation to both text and images. The brevity of the book of Ruth belies its significance. It offers an answer to some of the most important questions the people of Israel grapple with throughout the Old Testament. How are we to respond to refugees? How should we understand and inhabit boundaries? Susanna Snyder is Lecturer in Ethics and Theology at Ripon College, Cuddesdon, and an Associate of the Centre for Theology and Modern European Thought, University of Oxford.
-------------------------------------------------------------------------------------------------------
T Bone Burnett - Image.
No comments:
Post a Comment