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Showing posts sorted by relevance for query sabbatical report. Sort by date Show all posts

Tuesday, 7 October 2014

Sabbatical art pilgrimage: Presentation


Over the three months I spent on sabbatical earlier this year I enjoyed the opportunity to visit churches in Belgium, England, France and Switzerland to see works of modern and contemporary art. I have summarised my thoughts on these visits in a sabbatical report (which can be requested from jonathan.evens@btinternet.com) and will be giving a presentation on his sabbatical at St John’s Seven Kings (St Johns Road, Seven Kings, Ilford IG2 7BB) on Saturday 8th November from 7.00pm.

I saw exciting work by a wide range of significant twentieth century and contemporary artists including, among others, Jean Bazaine, Pierre Bonnard, Anthony Caro, Mark Cazalet,Marc Chagall, Brian Clarke, Le Corbusier, Stephen Cox, Maurice Denis, Eric Gill, Evie Hone,John Hutton, Roy de Maistre, Alfred Manessier, Henri Matisse, George Minne, Henry Moore,Tom Phillips, John Piper, Patrick Reyntiens, Georges Rouault, Albert Servaes, Gino Severini,Graham Sutherland and Bill Viola.

The commissions that I saw during this sabbatical tell a story of a continuing engagement by the Church with contemporary art from the Post-Impressionists to the present day. This engagement has often been contentious and contested but it has nevertheless been a continuing relationship involving both mainstream artists with a Christian faith and church commissions undertaken by mainstream artists who have not professed the faith.

This story is not one which has been well told, either by the Church or the mainstream art world. There are many reasons for this on both sides but my concern in making this story the focus of my sabbatical has been to encourage the Church to tell and to value this story.

As both a parish priest and through commission4mission, the group of artists of which I am part, I have seen the value of promoting and publicising the artworks which churches have commissioned. Through the creation of Art Trails locally and regionally, we have provided churches with a means of publicity which has led to events such as art competitions, exhibitions, festivals and talks, community art workshops, guided and sponsored walks, and Study Days. Each has brought new contacts to the churches involved and has built relationships between these churches and local artists/arts organisations.

It is my contention that to tell more fully the story of the engagement which the Church has had with modern and contemporaryart could have similar impact on a wider scale and would also have the effect of providing emerging artists from within the Church and the faith with a greater range of role models and approaches for their own developing inspiration and practice.

The commissions I have seen speak powerfully and movingly of the Christian faith and therefore also inform the spirituality of those who see them. I am seeking to tell part of this story through posts about my sabbatical visits here on my blog, as well as in the Church of the Month series on the ArtWay website. My hope is that others will find these commissions and the continuing story of church commissions as inspirational as I have done.
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The Skids - Into The Valley.

Saturday, 19 April 2014

Sabbatical art pilgrimage

I will be on sabbatical from 5th May to 8th August during which time I plan to visit significant sites connected to the renewal of religious art in Europe during the twentieth century. 

My programme will include two UK-based retreats, a series of visits to UK sites, and a pilgrimage around sites in Belgium, France and Switzerland. On the European leg of my sabbatical I plan to visit sites connected with the groups of artists surrounding Maurice Denis, Jacques Maritain, Albert Gleizes and Pere Marie-AlainCouturier. This will include visits to (among others): Sint-Martens Latem (Albert Servaes); Chapelle Notre-Dame-du-Haut, Ronchamp (Le Corbusier); Churchof Sacré-Coeur, Audincourt (Various); Église de Saint Nicolas Semsales (Gino Severini); Eglise Saint-Paul à Grange-Canal, Geneva (Denis); Notre-Dame de Toute Grâce,Assy (Various); Moly-Sabata, Sablons (Gleizes); Notre Dame, Raincy (Denis); Denis Chapel, Saint-Germain-en-Laye (Denis). I will also visit some more contemporary sites and examples of good practice such as: Centre d’Art Sacré Contemporain, Lille (Various); Chapelle Sainte-Thérèse-de-l'Enfant-Jésus et dela Sainte-Face, Hem (Alfred Manessier); Metz Cathedral (Marc Chagall); and St Jean Baptiste, Bourbourg (Anthony Caro).


My intention is to reflect on the visits I make in terms of the significance of these sites both for art history and good practice for commissioning, as well as capturing my personal and spiritual responses to the artworks at the sites. I plan to photograph each site and its artworks, write journal entries (for posting to this blog - http://joninbetween.blogspot.co.uk/) and articles (for the ArtWay website - http://www.artway.eu/artway.php?lang=en) about my visits, and write a final report summarising my responses and general conclusions in terms of art history, commissioning good practice and implications for prayer/spirituality.

I make regular use of the visual arts within my ministry and the sabbatical will add to the image bank on which I draw to do so. The opportunity to post to my blog and write articles for ArtWay will also enable the wider church to benefit from the study element of my sabbatical. 

Marleen Hengelaar-Rookmaaker of ArtWay has said, “This sounds a wonderful sabbatical plan and this is certainly of great interest to ArtWay. We will be very happy to publish your findings on our website.” Ed Knippers (CIVA artist) has said, “Your plans for a sabbatical sound remarkable. You have really done your homework and it looks to be a wonderful adventure.”

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Creed - Don't Stop Dancing.

Wednesday, 9 July 2014

Sabbatical art pilgrimage: latest ArtWay report

ArtWay have just published the latest of my sabbatical art pilgrimage visit reports in their Church of the Month slot. This report concerns Aylesford Priory and the work of Adam Kossowski. The reports which ArtWay are publishing generally contain additional information or reflections from those which I am posting here and, as with the posts here, will gradually build up a partial history of the revival of sacred art in the twentieth century.

The report on Aylesford Priory follows reports on Chelmsford Cathedral and Lumen, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

One of the real pleasures of the European leg of my sabbatical art pilgrimage was the opportunity to meet Marleen Hengelaar-Rookmaaker, who is editor-in-chief of ArtWay. We visited two churches together and talked art, music, popular culture and faith finding many synergies as we did so.

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Sufjan Stevens - Impossible Soul.

Friday, 25 July 2014

Sabbatical art pilgrimage: Supervision

At the beginning of the week I had a second excellent sabbatical supervision session with Mark Lewis in which we reviewed the initial learning emerging from my sabbatical art pilgrimage. Following this session I was able to complete a first draft of my sabbatical report which at this stage includes reflections on:

  • the history of the revival of sacred art in the twentieth century;
  • categories of commissions and associated issues;
  • assessing quality in commissions;
  • understanding scandals caused by commissions; and
  • publicising commissions.
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Gungor - I Am Mountain.

Thursday, 21 August 2014

Sabbatical art pilgrimage: Latest ArtWay report

My latest sabbatical art pilgrimage report for ArtWay has been published in their Church of the Month slot. This report concerns St Aidan of Lindisfarne in East Acton, which is a treasure casket of sacred art. The reports which ArtWay are publishing generally contain additional information or reflections from those which I am posting here and, as with the posts here, will gradually build up a partial history of the revival of sacred art in the twentieth century.


This report follows others on Aylesford Priory, Chelmsford CathedralLumen and Sint Martinuskerk Latem, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Water into Wine Band - Waiting For Another Day.

Friday, 1 August 2014

Sabbatical art pilgrimage: Latest ArtWay report

My latest sabbatical art pilgrimage report for ArtWay has been published in their Church of the Month slot. This report concerns SintMartinuskerk Latem in Belgium and the art colony that was there in the early part of the twentieth century. The reports which ArtWay are publishing generally contain additional information or reflections from those which I am posting here and, as with the posts here, will gradually build up a partial history of the revival of sacred art in the twentieth century.


This report follows others on Aylesford Priory, Chelmsford Cathedral and Lumen, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Duke Special - Freewheel.

Thursday, 19 June 2014

Sabbatical art pilgrimage: ArtWay visit reports

A second visit report from my Sabbatical art pilgrimage has been published on the ArtWay website. This report is of my visit to Lumen, a United Reformed church in London. See http://www.artway.eu/artway.php?id=535&action=show&lang=en.

My first visit report on the site is about Chelmsford Cathedral. The site also has earlier visit reports to Notre Dame de France in London, St Christopher's Hospice in Sydenham, Gaudi's churches in Barcelona and a variety of sites in the South of France. Also currently featured on the site in the Art and Poetry section is my Ascension meditation plus an Ascension image from Henry Shelton.


Sunday, 28 September 2014

Sabbatical Art Pilgrimage: Latest ArtWay articles

My latest articles for ArtWay have been added to the website. My new Church of the Month report focuses on the Swiss town of Romont and artists such as Alexandre Cingria, Romont, Sergio de Castro and Yoki. In addition, a page about my sabbatical art pilgrimage has also been created on the site.

Click here to read all my posts about the sabbatical art pilgrimage. My latest Church of the Month report follows others on Aylesford Priory, Chelmsford Cathedral, LumenNotre Dame du Léman, Sint Martinuskerk Latem and St Aidan of Lindisfarne, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Shovels and Rope - After The Storm.

Thursday, 4 September 2014

Seven Kings & Newbury Park Residents Association (SKNPRA) Newsletter

Audrey Shorer, Secretary to SKNPRA, writes:

Our AGM held on the 16th July was well attended and we were pleased that PC Jackson-Plume was able to give us a run down on activities in Newbury Park & Seven Kings. He explained the recent restructuring of staff in Redbridge which left 1 Sergeant , 1 PC and 1 PCSO for each ward.

Although crime figures were down in Newbury and Seven Kings, those in Chadwell & Clayhall have risen.

He urged members to attend the 3 monthly Police Ward Panels to raise local issues. The next meeting is on Monday 15th Sept. 7.30 at Barkingside Police station. If you are interested, please contact newbury.snt@met.police.uk address to FAO Ward Panel.

NEW CHAIRMAN.

The Rev Jonathan Evens has been our hard working Chairman for 6 years. Due to his three month sabbatical and heavy work load he asked to stand down as Chairman. We were most grateful for the untiring support he gave us throughout our activities.

We were pleased to welcome David Stephens as our new Chairman. He has been a Newbury Park resident for 39 years and is Chairman of the Civilian Committee of 4F (Ilford) Squadron Air Cadets also the East Sector representative on the civilian committee of the London Wing, Air Cadets.

He has already put in much time and effort as acting Chairman since Jonathan stood down.

SECRETARY’S REPORT. Audrey Shorer.

We have been involved in 3 main projects this year.

The first was to petition TfL to install step free access at Newbury Park & Seven Kings stations. You may remember that work was started on a lift shaft at Newbury Park Station in 2009, but TfL ran out of funds for the project and the hole was filled in.

In July last year we held a protest meeting at Newbury Park which was well attended and reported. Since then we have continued to badger TfL and Mayor Boris Johnson with support from Redbridge Councillors. Recently Boris indicated that SK might receive funding for step free access.

We would like to thank committee member Peter Robinson for all the time and effort he has put in with letters, e-mails & phone calls on this ongoing project and I ask you all to sign the petition here tonight.

The second project is for a permanent swimming pool in Ilford. We have been campaigning on this issue since 2003 when the old pool was threatened with demolition. Since then we have seen many plans and been given many promises, the last one that a pool will be built in 2018 but no indication of the cost or where it will be built.

I would like to thank committee members Martin Clinton & Kate Kennedy for their efforts in contacting Redbridge Councillors, Boris Johnson and local swimming groups with an ongoing demand for a pool.

The third project was to object to a proposal by Redbridge Council to close St Johns Rd and put a mini roundabout at the junction of Aldborough rd Sth and Meads Lane.

Our Chairman, Jonathan, Mark and myself spoke at Area 5 & 7 committee meetings to point out the futility of this plan. The proposal was rejected by both committees. We continue to press TfL for traffic lights at this junction.

Our Chairman, Rev Jonathan Evens has set up the Sophia Hub Timebank at St Johns church which is a community network to help and advise local entrepreneurs wishing to start new businesses. They have regular meetings with speakers on a variety of subjects such as business planning, e-safety and customer service. The use of internet is available at St Johns church where the meetings are held. The next meeting is on Tuesday 26th August 7pm. If you are interested, contact ros.southern@sophiahubs.com

In between times we have dealt with issues of parking, fly-tipping, lighting and planning.

I have produced 3 Newsletters since the last AGM. The last one sent by e-mail to all those who have given their e-mail address. The rest have been hand delivered or posted. I would like to thank all those who help with the hand deliveries.

TREASURER’S REPORT. Jayanti Parmar.

Our bank balance at 31 03 2014 stands at £ 2,815.03 Expenditure over the year was £749.85.

A full account report is available on request.

MEMBERSHIP SECRETARY’S REPORT Mark Kennedy.

It has been a busy twelve months for me in this role. I promised you as members (households) last year that I would with my committees support increase the membership to 200 members by the end of December 2013. I have to say that I owe you all an apology I was unable to hit this target in December, which I hope you will forgive me for. However, I did manage to increase the membership to 200 a short time ago in 2014 and I have to say that it is with great pleasure that I can report that the membership number for this association has now reached 222 members, an increase of 60 members. Our membership of roads where we have members has increased as well from 50 roads last year to 60, an increase of 10.

As far as I can tell, judging by other residents membership numbers that exist in the London Borough of Redbridge we can proudly boast to be one of the biggest if not the biggest residents association in Redbridge. We are certainly one of the few residents associations that can say that we are adding new members almost every week. If I do not personally recruit a new member every week, I feel disappointed. My mandate in this role is to increase the membership base and broaden our coverage of roads. So far so good, but the hard work and journey must continue.

Why do we need a big membership base? It is important that we continue to grow and recruit new members so we become or are more representative of the areas we serve as a residents association. The more members we have the louder our voice is, the more united we are as a community in tackling an issue and a force to be reckoned with in the Seven Kings and Newbury Park areas.

My target for 2014/15 is to increase the membership form 222 to 272 over the next 12 months. To do so, I need your help! We all know, a neighbour or a friend that lives in Seven Kings and / Newbury Park. I would like to encourage you all to speak to your neighbour(s) and or friends and ask them to join us. I can email you copies of membership forms for you to forward on to your neighbours/friends/contacts. I cannot recruit NEW members all on my own. The increase in membership is a credit to this committee in their support and to some of you in your support in the local neighbourhoods and at community events in raising our profile and recruiting new members, to which I thank you all. Just think, if we recruited one NEW member each, we would double the membership to 400 members at a stroke, now that would be an achievement!
PRESS & PUBLICITY REPORT. Mark Kennedy.

I have covered the role of Press & Publicity for the last 12 months. During this time the following has been achieved:

· Sponsored Newbury Park Lift Campaign Sheet –

Printed and distributed to all residents association members.

· Working with Peter Robinson, lead Campaign Co-ordinator on our committee, together he and I managed to persuade over 80 people to come out in support of the Lift campaign at Newbury Park station. Amongst those present was local MPs Lee Scott, Ilford North Mike Gapes, Ilford south Roger Evans, GLA member for Havering & Redbridge and of course the VIP’s our members. All came out for our protest in July 2013 last year for a photo shoot. I was a great turnout and demonstrated a united community spirit.

· Press Release and Photo re: Newbury Park Tube Lift Campaign featured in Ilford Recorder, Yellow Advertiser, Woodford Recorder and Wanstead & Woodford Guardian in mid July 2013, which was great publicity for the association.
On the Letters Page for Community comments of the Ilford Recorder we received a name credit as a SKNPRA residents association from Ron Jefferies, Chairman of Aldborough Hatch Defence Association, which is another local residents association serving residents in Aldborough Road North where he wrote in support of us on the Newbury Park lift campaign.
Local Radio station, TIME 107.5 FM also covered the campaign story and interviewed myself and Roger Evans, GLA Member for Havering & Redbridge which was broadcast on Saturday 13th July 2013, the day of the photo gathering at the tube station. The interview was broadcast to listeners in Barking & Dagenham, Havering and Redbridge.
A Poster promoting the SKNPRA was very kindly displayed in the shop window of Creeds Ironmongers shop in Seven Kings to attract new members for a few weeks.
A photo gathering promoting the non-access for lifts to Seven Kings Rail Station was held on Thursday 29th August 2013 at 09:30 am organised by Transport for All, Lianna Etkind, Campaign and outreach coordinator. I popped along for this 30 minute event and took part in the photo shoot alongside Cllrs Bob Littlewood and Stuart Bellwood and a handful of supporters. The BBC London Tonight camera news team were invited along to film the event which is centred on persuading Crossrail to perform a U turn in their policy and install lifts at the station. Lianna invited me to make a speech which was filmed to be broadcast on the Thursday London Tonight News alongside Bob’s speech. Sadly, my and Bob’s speech was not broadcast on the news, but it was exciting to take part and to highlight the non-lift issue at Seven Kings and Newbury Park stations.
Press Release and Photo re: Newbury Park Tube Lift Campaign featured in Ilford Recorder, as an updated story featuring in this paper in early 2014.
Ilford Swimming Pool Campaign – Photo Shoot outside the former Swimming pool site on Saturday 28th September 2013 – both I and my youngest daughter, Isabella took part in this event, which led to the photo being published in the Ilford Recorder, sadly my quote for the SKNPRA was not published.
Table Top Sale – Saturday 10th May 2014 – Venue: St John’s Church, St John’s Road – our committee booked a table for this event and through their efforts, we were able to recruit x10 NEW Members and raised our profile at this event. Well done to all that took part!
St Peter’s Church – Craft Fayre and Flower Festival – held on Saturday 28th June 2014 - we had a stand at this event for the first time and recruited x3 NEW members and again raised our profile in the community. This event showcased our display table display board, put together by Audrey and I must give her full credit for her efforts as the display caused a great deal of interest in our association and questions too. It was a great crowd puller and this helped us engage with the public, so thank you Audrey. Additional thanks for the helpers on the day that manned the stall, Ray Alavoine, Patricia Alavoine, Peter Robinson, Jayanti Parmar, Gill Gough, Shy Choudhary, Mosharaf Ashraf, Darrell Arjoon, Masaeb Ahmad, Rodney Foster, Bob Greenfield, Christina Greenfield and Susan Samuels.
Ilford War Memorial Day Gardens Open Day – Saturday 2nd August 2014 – We had a stand booked at this event Stands included exhibitions of library activities and displays by the Ilford War Memorial Action Group, Western Front Association, Royal British Legion. We are took part in this event to recruit new members and raise awareness of our association.

Planned - Future Publicity

· On-going campaign for Lifts at Seven Kings and Newbury Park

· General publicity promoting the association

· Leaflet Deliveries to recruit new members.

YOUR COMMITTEE. We were pleased that members of last year’s committee were all willing to stand again. We welcomed new member Andy Walker onto the committee. You will know of Andy’s untiring work in the ‘Save King George Hospital’ campaign ever since the threat to close the A&E department was imminent. We will continue to support this issue.

OPEN COMMITTEE MEETINGS. Our Chairman David Stephens wishes to invite all members to our regular committee meetings so that you can see how we work, put forward suggestions and hopefully, volunteer to help in the many activities with which we are involved.

Our next committee meeting is on Monday September 1st 8pm at St Johns Church Hall. We hope you will join us !

LONDON BOROUGH OF REDBRIDGE COUNCIL MEETINGS.

As you may know, the new Redbridge Council has discontinued Area Committee meetings at which members of the public could voice issues during the Public Forum. We have made good use of this contact in the past by speaking up on your behalf, with successful results. An alternative Forum is being discussed and we await a decision in order to continue our good relationship with Council.

Now it just remains for me to wish you all a happy holiday time wherever you are going or if you are staying at home, enjoy and relax in the sun (even when it rains it’s good for the garden).

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Martyn Joseph - On My Way.

Tuesday, 11 November 2014

The subjective nature of art criticism and history

There is a fascinating article in The Art Newspaper by Julian Spalding, the former director of Glasgow Museums, and the academic Glyn Thompson in which they claim, on the basis of strong historical evidence, that Marcel Duchamp's famous artwork Fountain was actually the creation of the poet and artist Baroness Elsa von Freytag-Loringhoven.

As the authors point out, 'Duchamp’s late, fictional story is still taught in every class and recited in every book' and 'The submission and rejection of Duchamp’s urinal is now regarded as one of the early turning points in the history of Modern art. Fountain is always cited as the source of conceptualism, the Modern art movement that America, rather than Europe, gave the world.'

What this contested finding illustrates for me is the essentially subjective nature of art criticism which nevertheless often goes entirely unchallenged (including, by myself, as I have repeated the received narrative about this work in several posts). In my sabbatical report I highlight Grayson Perry's acknowledgement that within the art world the rule by which people work is that of consensus plus time i.e. ‘If it's agreed amongst the tribe for a fairly sustained amount of time, then it becomes good taste.’

The claims made by Spalding and Thompson reveal some of the issues with this approach; issues which I have highlighted, through my Airbrushed from Art History series and Sabbatical art pilgrimage, in relation to the engagement of the Church with modern and contemporary art. Despite there being numerous and consistent examples of the Church commissioning modern/contemporary art and also the widely acknowledged prevalence of religious themes in the work of modern and contemporary artists, art critics and historians persistent in maintaining a narrative which posits an fundamental divide between mainstream art and organised religion. 

Such refusals to acknowledge evidence which conflicts with the accepted narrative reveals a fundamental subjectivity to much art criticism and art history.

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Dry The River - Lovin's For Fools.

Thursday, 20 November 2014

Sabbatical art pilgrimage: Report - Part 6

Christianity is about the something more of life. We believe that there is more to life than the material, more to life than just the visible and we express this through signs and symbols. So, bread and wine is not simply wheat and grapes or food and drink but is also the body and blood of Jesus Christ. Jesus himself was a physical being – a human who could be touched and felt – but was also more by being, at one and the same time, divine; the Son of God.

One of the ways in which we express this sense of there being something more to life is through the Arts. Réne Hague in writing about the artist David Jones said that he embodies in his art Jacques Maritain’s view that 'the joy or delight of a work of art is in proportion to its powers of signification': 'the more there is of knowledge, or of things presented to the understanding, the vaster will be the possibility of joy; this is why Art, in so far as ordered to Beauty, does not, at least when its object permits, stop at forms or at colours, nor at sounds, nor at words taken in themselves and as things, but it takes them also as making known other things than themselves, that is to say as signs. And the thing signified may itself be a sign in turn, and the more the work of art is laden with significance … the vaster and the richer and the higher will be the possibility of joy and beauty.'

When we make art – whether that is literature, performing arts or visual arts – we are essentially following what Jesus did when he made bread and wine into a symbol of his life and death; we are using something known to us to make the invisible visible. This happens most powerfully when the symbol connects us to something real; if Jesus had broken bread and shared wine with his disciples and said this is my body and blood but had not then died, we would not celebrate communion today. We celebrate using the symbols of bread and wine because they connect us with the reality of Christ’s death and resurrection and all that that opens out to us. When something visible and tangible connects us to the invisible reality of the divine that is what we call a sacrament and, at its best, that is what art can do.

St John of Damascus said: ‘A picture is a semblance, representing the original likeness in such a way that there still persists a difference between them.’ The picture is, however, also a ‘semblance of something, a representation or copy, indicating the objects copied.’ Because of this resemblance the prototype is closely bound up in a spiritual sense with its representation, an association which Theodore the Studite circumscribed as follows: ‘Just as to the seal belongs its impression, to each body its shadow, so to each prototype is its representation.’ According to Dionysius the Areopagite the picture is merely a reflection of the invisible, but the contemplatiom of this visible reflection can raise us to a conception of the divine invisible.’

Jonathan Miles and Derek Shiel writing in 'The Maker Unmade' about the work of David Jones said that: ‘By rigorous habit, the artist would not only be able to reveal this or that object under the form of paint but also make an epiphany, make the universal shine out from the particular. Thus, what is re-presented also becomes a sign of something else and if that something else is significant of something divine, then the art can claim to have a sacred character or function, a sacramental vitality.'

During my sabbatical I heard Rev. Sam Wells, Vicar of St Martin-in-the-Fields talk about the way his church using the Arts. He used a description of Jesus as prophet, priest and King, which he took from the writings of John Calvin, to illustrate how the Arts reveal the something more of life. Prophetic art holds a mirror up to society and asks, ‘Are you proud of what you see?’ This kind of art can create a vision of what society could be (the kingdom of God) and then brings home to us the painful gap between this possibility and our present reality. As a result, prophets and prophetic acts are often shocking. Priestly art takes the opposite approach. The poet George Herbert wrote that when we look at glass we can either see ourselves reflected (like a mirror) or we can look through it to see the heavens. Priestly art gets us seeing beyond the stars. Through priestly art the ordinary stuff of life speaks or sings of the divine. Kingly art, Wells suggested, is about glory; the glory of God and, through that, the glory of human beings reaching their full potential in God. Kingly art is art which stretches us by showing what humanity can be when we reach our full potential.

The art made for churches often succeeds in doing all these things and that is why it can impact and change our lives. However, there have been periods in the life of the Church when the Arts haven’t been fully appreciated and understood and when artists have felt disconnected from and disillusioned with the Church. The beginning of the twentieth century was just such a time. Modern art looked, sounded and felt very different from the art that had traditionally been made for the Church, meaning that the Church avoided using modern art while many modern artists were excitedly exploring new ways of creating art and couldn’t see any connection between what they were doing and the styles of art which the Church continued to use. As a result, there was a whole segment of society – artists and art lovers – that were not being impacted by Christianity.

Fortunately, there were some visionaries both in the Church and among modern artists (including those who have been my particular focus during this sabbatical - George Bell, Marie-Alain Couturier, Maurice Denis, Albert Gleizes, Walter Hussey and Jacques Maritain) who made it their life’s work to reconnect the Church with modern and contemporary art. The visits I have made during my sabbatical have primarily been to places where they worked or had an influence.

My concern in making this story the focus of my sabbatical has been to encourage the Church to value, learn from and tell the story of what these people did. In my ordained ministry, particularly through commission4mission, I have seen the value of promoting and publicising the artworks which churches have commissioned. Art competitions, exhibitions, festivals, talks, trails, walks and workshops all bring new contacts to the churches that use them and build relationships between those churches and local artists/arts organisations.

Telling more fully the story of the engagement which the Church has had with modern and contemporary art, as I am trying to do using my sabbatical, can impact people in these ways and contribute to the wider mission of the Church. Ultimately, though, it brings me and others into contact with art which speaks powerfully and movingly of the Christian faith and informs the spirituality of those who see.

As we use the signs and symbols of the Arts to reflect on the something more which Christianity reveals to us – the divine in the human, the invisible in the visible – we have the opportunity to become walking, talking, living works of art ourselves. Through the way we live and act we can be signs and symbols of the divine. As Rowan Williams notes in writing on the work of David Jones, 'a life may become a significant form – as, decisively and uniquely; in the life of Christ': 'Jones implies that the life of ‘prudence’, a life lived in a consciously moral context, however exactly understood, is itself an act of gratuitous sign-making; moral behavior is the construction of a life that can be ‘read’, that reveals something in the world and uncovers mystery.’

The Arts can and still do all this, and more.

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Shovels and Rope - Tell The Truth.

Saturday, 14 March 2015

Sabbatical art pilgrimage: Latest ArtWay report

My latest Church of the Month report for ArtWay focuses on the Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem. Featuring mosaics and windows by Alfred Manessier, sculptures by Jean Roulland and Eugène Dodeigne, and a tapestry of the Holy Face made by the Plasse Le Caisne studio after a painting by Georges Rouault, the church is a fine example of art sacré after World War II.

This Church of the Month report follows on from others about Aylesford Priory, Canterbury Cathedral, Chelmsford Cathedral, Lumen, Notre Dame du Léman, Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne and St Mary the Virgin, Downe, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Hildegard von Bingen - Voice of the Living Light.

Saturday, 6 May 2017

Sabbatical Art Pilgrimage: Latest ArtWay Report

My latest Church of the Month report for ArtWay focuses on Chichester Cathedral:

'... the mix of commissions at Chichester Cathedral—from the “riot of colour and symbol” in the Piper tapestry to the glow of Hans Feibusch’s tender Baptism, the harmonious whole that is the Icon of the Divine Light by Cecil Collins to the fractured energies of Ursula Benker-Schirmer’s tapestry for the Shrine of St. Richard—genuinely invigorate and beautify the cathedral while introducing variety and intrigue into the experience of visiting and worshipping here. Tourists are encouraged to do both during their visit by prayers on the hour and use of the leaflet “A Spiritual Tour of Chichester Cathedral,” which has been designed to help people pray as they walk around the space.'

This Church of the Month report follows on from others about Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, LumenMetz CathedralNotre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St Margaret's Ditchling and St Mary the Virgin, Downe, and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Karl Jenkins - The Armed Man.

Friday, 24 July 2015

Sabbatical art pilgrimage: Latest ArtWay report

My latest Church of the Month report for ArtWay focuses on Notre-Dame de Toute Grâce, Plateau d’Assy. 'Planned as a showcase for the value of modern church commissions, the Dominican-inspired church of Notre-Dame de Toute Grâce in Plateau d’Assy (or Assy), France, elicited diverse reactions of praise and condemnation when it was consecrated in August 1950. Many hoped it would set off a renaissance of sacred art in Europe, but others disapproved strongly of its commissioning of secular artists.'

This Church of the Month report follows on from others about Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Lumen, Notre Dame du Léman, Romont, Sint Martinuskerk Latem, St Aidan of LindisfarneSt Alban Romford and St Mary the Virgin, Downe, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Paramore - Ain't It Fun.

Sunday, 31 May 2015

Sabbatical art pilgrimage: Latest ArtWay report

My latest Church of the Month report for ArtWay focuses on St Alban Romford. Featuring fifteen Stations of the Cross by Charles Gurrey, a Christus Rex by Peter Eugene Ball, seven stained glass windows by Patrick Reyntiens, and a chancel ceiling mural by Mark Cazalet, the church is a fine example of contemporary ecclesiastical art.

This Church of the Month report follows on from others about Aylesford Priory, Canterbury CathedralChapel of St. Thérèse of the Child Jesus and the Holy Face, HemChelmsford Cathedral, Lumen, Notre Dame du Léman, Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne and St Mary the Virgin, Downe, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Arvo Part - The Deer's Cry.

Saturday, 18 February 2017

Sabbatical Art Pilgrimage: Latest ArtWay report

My latest Church of the Month report for ArtWay focuses on Metz Cathedral:

'James Waller has written that here “Chagall is all curves and tonal flares,” his “modulation of tone, within the fabulously fragmented and flowing glass panes” lending “his colours a deeper, more smoldering dimension.”

Waller contrasts Chagall’s curves with the “constructivist angles and flat-colour planes” of the windows by Jacques Villon created for the Chapel of the Blessed Sacrament in 1957. Villon’s “highly expressive constructivism, divided into powerful sections of colour, makes a startling impact within the medieval interior” and “flare brilliantly, even on an overcast day, drawing all eyes towards them.” In the early morning light, his “stained-glass compositions of the Crucifixion (centre), the Jewish Passover and Last Supper (left), and the Wedding Feast of Cana (right)” blaze in a stunning conflagration of light.'

This Church of the Month report follows on from others about Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Lumen, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St Margaret's Ditchling and St Mary the Virgin, Downe, and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

Also on ArtWay is a short piece about Francis Bacon based on the forthcoming Crucifixions:Francis Bacon exhibition at St Stephen Walbrook

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Corinne Bailey Rae - The Skies Will Break.

Sunday, 21 October 2018

Sabbatical Art Pilgrimage: Latest ArtWay report

My latest Church of the Month report for ArtWay focuses on Eton College Chapel:

'A bomb that fell on Upper School in 1940 shattered all the Chapel glass except that in the window above the organ. The east window, which was created by Evie Hone and installed in 1952 as a replacement, is considered by many to be one of the masterpieces of modern stained-glass art. The designs for the windows flanking it, four on each side, are by John Piper and were executed in glass by Patrick Reyntiens from 1959 onwards. The subjects are divided into four miracles on the north side and four parables on the south, each built around a general theme of success and failure.'

This Church of the Month report follows on from others about Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Lumen, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St. Margaret’s Church, Ditchling, and Ditchling Museum of Art + Craft, St Mary the Virgin, Downe, and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Nick Cave and the Bad Seeds - God Is In The House.

Sunday, 9 November 2014

Sabbatical art pilgrimage: Latest Artway report

My new Church of the Month report for ArtWay focuses on Canterbury Cathedral. This Church of the Month report follows on from others about Aylesford Priory, Chelmsford Cathedral, Lumen, Notre Dame du LémanRomontSint Martinuskerk Latem and St Aidan of Lindisfarne, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Wovenhand - As I Went Out One Morning.

Saturday, 4 June 2016

Sabbatical Art Pilgrimage: Latest ArtWay report

My latest Church of the Month report for ArtWay focuses on St. Margaret’s Church, Ditchling, and Ditchling Museum of Art + Craft.

'St Margaret’s Church in Ditchling has an east window designed in 1947 by [Charles] Knight, as well as an oak screen designed by John Denman and carved by [Joseph] Cribb in memory of the artist Louis Ginnett. The font and the lettering of the Ten Commandments are also by Cribb. The gravestones of [Edward] Johnston and Cribb overlook the Ditchling Museum of Art + Craft, where examples of their work and that of Guild members are now displayed in new premises by Adam Richards Architects, shortlisted in 2014 for the ArtFund’s Museum of the Year award. “The Museum offers an accessible and evocative insight into type of craftsmanship and way of life the Ditchling Arts and Crafts community developed”'

This Church of the Month report follows on from others about Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford CathedralCoventry CathedralÉglise de Saint-Paul à Grange-Canal, Lumen, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church and St Mary the Virgin, Downe, and St Paul Goodmayes, as well as earlier reports of visits to sites associated withMarian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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The Band - To Kingdom Come.

Saturday, 16 September 2017

Sabbatical Art Pilgrimage: Latest ArtWay Report

My latest Church of the Month report for ArtWay focuses on Notre-Dame des Alpes, Le Fayet:

'The church has rightly been described as an essential stage in understanding the revival of sacred art in the twentieth century but is overshadowed by the fame and significance of Notre-Dame de Toute Grâce du Plateau d’Assy ... There are at least two reasons for the significance of Notre-Dame des Alpes. First, the architecture of the church was the inspiration for the church of Assy, Novarina being the architect for both. Second, the decoration of the Le Fayet church represents the first stage in the revival of sacred art that Fr. Marie-Alain Couturier sought to move beyond at the church of Assy.'

This Church of the Month report follows on from others about Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Chichester Cathedral, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Lumen, Metz Cathedral, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St Margaret's Ditchling and St Mary the Virgin, Downe, and St Paul's Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Bruce Cockburn - Jesus Train.