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Monday, 22 July 2024

St Mary the Virgin, Maldon, and Mark Angus











St Mary’s Church, Maldon is now and has been throughout its history a beacon for the town’s community and visitors. Known as the Fishermen’s Church its tower guides many sailors and their craft into the Hythe.

Maldon, an ancient and historic town lying at the head of the Blackwater Estuary, is a small market town 40 miles east of London and a short distance from the cathedral city of Chelmsford. St. Mary’s parish covers the southern and eastern part of the town. St Mary’s Church is an 11th century Grade 1 listed building with a closed churchyard. The fishermen’s church stands above The Hythe overlooking the River Blackwater acting as a beacon to incoming shipping.

With its flint-rubble walls and impressive tower, it remains an interesting and attractive landmark in Maldon. A stained glass window by Mark Angus was installed in the south wall of the church for the 8th August 1991 to commemorate the Battle of Maldon in AD 991. A statue of the defeated Saxon leader Byrhtnoth stands at the end of the Promenade over the River Blackwater, where he lost his life in an attempt to stop the Viking invasion.

Since 1978 Mark Angus has gained his reputation in Britain and Europe for his expressive stained glass art, and especially in architecture, with windows for churches and cathedrals as well as for other public and private spaces. Important examples include complete schemes for Oundle School, Spinkhill Parish Church, Berkhampstead School, and Perth Baptist Church (all UK), and St. Raymund Parish Church in Breitenberg near Passau (Germany), and windows for the cathedrals of Durham and Guildford (UK). More recently comprehensive schemes for St. Fintan’s Church, Raheen (Ireland), St. Mary’s Church, Sheffield (UK), and for St. Ursula’s Hospice, Niederalteich (Germany).

Whilst retaining an interest in church stained glass, and in glass painting generally, present interests move towards acrylic painting, and printmaking, especially vitreography, together with artist’s books. Vitreography is a technique where prints are created from glass sheets, resulting in images of great light and subtlety. Predominant in Mark Angus’ imaginative narratives are the figure, dialogue and interaction, and the human self in space. Combined with letterpress Mark Angus is working on making unique artist’s books and prints.

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Deacon Blue - Dignity.

Sunday, 21 July 2024

Exhibitions update: Jackie Burns, Mike Fogg and Ho Wai-On

Several of the artists who have exhibited at St Andrew's Wickford or as part of the One Beautiful World Arts Festival are either exhibiting currently or have documented their exhibition online: 

Lunar Lullabies, Sunday 8 June - Sunday 6 October 2024, Firstsite Gallery

Jackie Burns, who exhibited at St Andrew's last year, is exhibiting some of her aerospace artworks in a group exhibition of over 200 artworks and objects curated for the Lunar Lullabies Exhibition at Firstsite Gallery, Colchester.

Mike Fogg FCIPS, Compass Photography, Wednesday 10 July – Sunday 4 August, Rayleigh Windmill

Mike Fogg, who exhibited at Wickford Salvation Army as part of the One Beautiful World Festival, specialises in capturing images of landscapes wherever he travels. This exhibition includes images from Mike’s recent trip to New Zealand, such as Wairere Waterfall.

From Hong Kong to Wickford, exhibition webpage from Ho Wai-On

Ho Wai-On has documented her exhibition From Hong Kong to Wickford which we showed at St Andrew's last year. From Hong Kong to Wickford was an exhibition of Wai-On's lifetime interaction with UK and Hong Kong based artists/people that have resulted in many creative works. Her webpage contains most of the stories displayed about the exhibits and those who created them and some of the images. More of the images can be seen in the music video.

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Ho Wai-On - Wisdom And Love.

In Praise of Stop

Here's the sermon that I shared today at St Andrew’s Wickford:

When you use the Lectionary to decide on the Bible reading for a particular service, as we do in this Church, you sometimes wonder what the people who chose the readings were thinking when they made their choices. The Gospel reading for today (Mark 6: 30-34, 53-end) misses out the wonderful stories of Jesus feeding the five thousand and walking on the water which have stimulated thousands of sermons and instead all we get is Jesus travelling around towns, villages and farms meeting large crowds and healing people and, as the preacher, you think; well, how am I going to get a sermon out of that?

One interesting thing about this selection of verses is that we see Jesus attempting to take some time out from ministry together with his disciples and being frustrated in the attempt because the demands of the crowds around them were too great. That continues to be the case in ministry whether we are lay or ordained but the busyness of ministry here in the Wickford and Runwell Team Ministry and in our weekday lives cannot be sustained if it is not fed by regular times of withdrawal for prayer and recuperation.

That was Jesus’ regular practice. We read of him getting up long before daylight, leaving the town and going to a lonely place where he could pray. In order to pray effectively and well he needed to get away from the demands of ministry and away from his disciples too. He needed to be alone with God in order to recharge his batteries for further ministry to come and this is his pattern throughout his ministry; active mission together with others combined with withdrawal for individual prayer and recuperation. It was what he tried to demonstrate to his disciples in today’s Gospel reading and it needs to be our pattern too.

I’m reminded of an exhibition by the artist Micah Purnell which was called In Praise Of Stop . This was an exhibition which reflected on the theme of Sabbath as Resistance by exploring 'the practice of the fourth commandment in a contemporary age.' The exhibition included thought-provoking aphorisms such as ‘Nothing takes practice’, ‘Switch off to connect’, ‘Thou shalt not prepare for tomorrow’ and ‘Everything comes from nothing’. 

In a similar vein is the book written by Stephen Cottrell, the Archbishop of York, which is entitled ‘Do Nothing to Change Your Life: Discovering What Happens When You Stop.’ In this book Cottrell invites us to slow down and stop … and breathe. He asks, ‘When was the last time you had a real day off? Ditched the 'to-do' lists? Switched off the phone? Had a lie-in? Sat in the bath until the water went cold?’ Most of us, he suggests, live at break-neck speed. Busy lives - work, family, friends, endless tasks - leave us with little time to sleep, never mind stopping and reflecting. We urgently need to learn to nurture our inner slob. As Isaiah 30:15 says, ‘In return and rest you shall be saved.’

In a book called 'The city is my monastery', Richard Carter writes that 'Rest is given to us as the culmination of creation’ and that the ‘whole of creation moves towards this time of Sabbath, and our lives have no meaning simply as cycles of survival without this arrival at the place of wonder and rest.’ The rest that is ultimately the culmination of creation is that which we will experience in heaven. Sabbath is our anticipation of that experience in the here and now.

‘Creation is not complete,’ he writes, ‘until God rests on the seventh day and contemplates all creation.’ Therefore, 'God blesses time’ and ‘consecrates it as holy.’ The whole of creation is moving towards this time of Sabbath, ‘and our lives have no meaning simply as cycles of survival without this arrival at the place of wonder and rest.'

‘When we rest, we imitate God - we enter into the rhythm of God's time,' but, more than that, 'if Sabbath is God's time, it does not end in the keeping of the Sabbath - the Sabbath enters into all our time.’ ‘When we keep Sabbath, everything we do can be infused with that sense of God's presence.'

He describes a day on holiday in Kefalonia where he pays attention to every moment of the day – the bread he buys from the bakery, the person who serves him, the wrapping in which it comes, the feel and taste of it. Later in the day, he writes, ‘I sat on the beach and watched people playing in the sea … I swam, ate bread and ripe tomatoes, and these actions were like a prayer.'

So, Richard Carter suggests that Sabbath rest is not simply about stopping but more so about an attitude of the heart which slows us in everyday life to appreciate and enjoy what we encounter in our daily lives.

In lockdown we all experienced an enforced Sabbath. An unattributed poem that was circulated on Facebook at that time suggested that our lockdown experience could be a moment in which we learn how to rest and experience renewal:

For years our land has groaned beneath the grind
Of work, work, work, of pounding feet, of churn;
For years we stopped our ears and would not mind
The gentle voice that urged us all to turn
From endless slog and strain that warps and rends
The sinews of the Spirit, toward rest:
The Sabbath's breathing wisdom God intends
For human flourishing and the land's best.
Now cafes rest, deserted and the shops,
The bank, the bustle, bargain, building, bar,
The tube's hot haggling hustle: it all stops.
Forced into stillness, now we breathe, we are.
Such tragic loss of love, of breath, to prove
How much we need to rest, to breathe, to love.

Our reading today, demonstrates some of the difficulties in regularly finding that time and the attitude Richard Carter described because of the constant demands that ministry makes on us. However, the difficulties involved shouldn’t prevent us from making the attempt to build rest periods and an attitude of slowing down and paying attention into our daily lives. By doing so, we follow in the footsteps of Jesus who specifically carved out times for prayer in the busyness of his ministry years and sought to teach his disciples to do the same. May it be so for each one of us. Amen.

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Saturday, 20 July 2024

Windows on the world (475)


London, 2024

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Red Clay Straps - God Does.

 

Friday, 19 July 2024

Church Times: Enid Chadwick brought colour to the Shrine

My latest article for Church Times is about the artist Enid Chadwick, whose painting 'The Baptism of Christ' hangs in St Mary's Runwell:

'ST MARY’s, Runwell, is the most historic and Anglo-Catholic of the three churches in the Wickford and Runwell Team Ministry, where I minister. The unusual but beautiful interior of St Mary’s — principally the result of decisions made by a collection of interesting former incumbents — is enhanced by a large painting, The Baptism of Our Lord, behind the font.

With its flat, outlined style and use of gold leaf, this image has the feel of an icon. Christ is seen in the waters of the Jordan, depicted as a cleft in the rock, a reminder of God’s provision of water to the Israelites in the wilderness. Christ is framed by John the Baptist on the left, angels on the right, and, above, the hand of God the Father and the dove of the Spirit.'

For more about artworks in the Parish of Wickford and Runwell click here and for more about artworks in the Basildon Deanery here.

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.





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Sunday, 14 July 2024

Windows on the world (474)

 


Sudbury, 2024

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Sixpence None The Richer - There She Goes.

Lord, disarm violence and begin with me

Here's the sermon I shared in the 9.30 am service at St Mary Magdalene Great Burstead:

In 2014, a poster for the children’s Horrible Histories stage tour attracted protests from parents. Horrible Histories, as many of you will know, describes itself as 'history with the nasty bits left in.' It is a series which has inspired millions of children to discover history because the books have ‘got ALL the yucky bits and foul facts that other books leave out.’

The posters, advertising the 'Barmy Britain' tour, featured a big picture of an executioner holding an axe and a bloody head and were labelled as being in 'shockingly bad taste' by furious parents in the wake of the beheading of Western hostages by ISIS militants. A father-of-two from Chelmsford, said: 'The posters are shocking in light of the recent events in the news and in really bad taste. The pictures are meant to be showing events in history, but sadly beheadings are still going on and are all too real.’ Neal Foster, director and producer of the show, said: 'It is unfortunate and we are sympathetic to anyone who is offended by the poster, but it was designed in July 2013, a long time before these recent incidents came to attention.’

These responses were interesting because they seem to suggest that as long as the nasty events of history are kept firmly in the past, we can enjoy history with all the foul facts left in but as soon as those same events feature in our present, we have a problem with showing and viewing them.

I wonder whether the same holds true for similarly violent Biblical stories such as today’s Gospel reading about the beheading of John the Baptist (Mark 6.14-29). How do we understand such passages? Should they be censored, as happened to the ‘Barmy Britain’ posters? Do we find the blood and gore attractive, repulsive, or are we immune to it?

The first thing I want to say in the light of all this is that the Bible does not give us a sanitised version of violence. If anything, the reverse is the case and the Bible can easily be seen, like the Horrible Histories, as full of blood and gore. There is realism in our Scriptures about nature, and human nature in particular, being red in tooth and claw. This realism sees each one of us as having the potential for violence, whether we ascribe that to sin or the survival of the fittest. As studies examining complicity in the Holocaust tend to show, those involved were not monsters, ‘beasts or aliens’ and the overwhelming brutality involved appeared to arise easily ‘in the context of 1930s Germany, with its background of economic depression, political disenchantment and frustrated nationalist sentiment’. This suggests that we are all actually at different points on the same continuum between peace and violence and the saying, 'there, but for the grace of God, go I' carries a profound truth about which we need to be honest and repentant.

Our complicity with violence often leads us to make God over in our own violent image. Bob Dylan described this tendency well in the song ‘With God on our Side’. We begin with the belief that the land that we live in has God on its side and from there we interpret every change and challenge in our history as indicating that God is truly on our side. This, as Dylan notes in the 5th verse, can lead to the confusions of changing sides in war and peace. So, during the Second World War we believed that the German nation did not have God on their side but once the War ended and there was reconstruction with the German nation becoming our allies that changed and they now had God on their side, despite all that had previously occurred during the war.

Our human tendency to believe that God is on our side pervades the Old Testament and can be described as the core testimony about God. As this core testimony sees God as being on our side, it legitimizes and justifies our national interests. In this way of thinking our enemies are God's enemies and we petition him in prayer to smite and destroy those who are our and, therefore, also his enemies.

Also found in the Old Testament, however, is a counter testimony which, at times, can seem overwhelmed or submerged by the core testimony but which is, nevertheless, a thread running throughout scripture. The counter testimony says that God, rather than being about power and rather than being on the side of those in power, is actually most concerned about those who are crushed by the power-mongers of this world; those who are victims, those who are poor, those who are powerless, those who are excluded, those who are scapegoats.

These two testimonies about God are both present throughout the Bible with the core testimony often appearing dominant. But, we believe, at a particular point in human history God himself entered human history in the person of Jesus in order to show us in actions and words just what God is actually like. In Jesus, the counter testimony becomes prominent as Jesus lives, teaches, dies and rises not only as an example of compassion toward those who are victims, excluded and scapegoated but also becomes a victim, becomes excluded, becomes a scapegoat himself. When God is revealed in human history it is as a victim of violence, not as a perpetrator of violence.

God's revelation in Jesus continues a subversion of the human story of violence that actually began in the Old Testament. René Girard suggests that the story of Cain and Abel reveals the way in which we consistently act as human beings. We desire something that is possessed by someone else and become disturbed through our longing for what we don’t have. We resolve our disturbance by creating a scapegoat of the person or people who appear to have or prevent us from having what it is we desire. When the scapegoat is killed, we can gain what we desire and also release the sense of disturbance that we feel.

That is what we see acted out in the story of Herodias and Salome. The privileges that Herodias and Salome enjoy seem to be threatened and they identify John the Baptist as the threat to their continued enjoyment of their desires. John is therefore scapegoated and killed to remove their sense of threat.

This pattern becomes expressed in religions involving human sacrifices as scapegoats to appease their gods. It is out of such religions that Abraham is called to form a people who do not sacrifice other human beings, but instead use animals as their scapegoats and sacrifices. Jesus is later born into this people who have subverted the existing practice of scapegoating and he further subverts this practice because, as he is crucified, God becomes the scapegoat that is killed.

The crucifixion is, therefore, the logical outcome of the incarnation. To use the language of Sam Well's, Nazareth Manifesto, God is not simply for victims. God is with victims, because God is a victim. God is not simply for the excluded. God is with the excluded, because God is excluded. God is not simply for those who are scapegoated. God is with scapegoats, because God is a scapegoat. When God is scapegoated, there is no longer any god to appease and the necessity for scapegoating is superceded, subverted and eradicated.

This is the reality in which Christianity calls us to live. A world beyond Horrible Histories, beyond scapegoating, beyond victimisation and beyond exclusion. A world in which the mechanisms for justifying and acting out our violent desires have been dismantled and rendered null and void. A world, as Barbara Brown Taylor has said, in which we ‘keep deciding not to hate the haters, … keep risking the fatal wound of love and teaching others to do the same — because that is how we prepare the ground around us to receive the seeds of heaven when they come’.

‘Violence did not surprise Jesus. He was prepared for it, and he tried to prepare his followers as well but few of them had ears to hear.’ ‘Even before the violent had come for him, he knew what had happened to God’s messengers in the past: silenced, exiled, outlawed, killed …Then King Herod threw John the Baptist in prison … and Jesus had to say it all over again: expect violence; prepare for it; never underestimate the harm it can do.’

Are we similarly prepared? Do we know ‘the power to resist the deadly force of violence’ by doing what Jesus taught and practised: ‘turn the cheek, pray for the persecutor, love the enemy, welcome the stranger. In everything do to others as you would have them do to you.’ Are we willing, like John the Baptist and Jesus, to be prophets who can see and name what does not belong with us and can shine the light of God’s truth in the night-time of fear and oppression?

If we do then our prayer must be: Lord, disarm violence and begin with me. As Barbara Brown Taylor has noted, ‘Sometimes [the power to resist the deadly force of violence] actually works to disarm the violence in others, which is why we know the names of Gandhi, Tutu, and King. But that is not its main purpose. Its main purpose is to disarm the violence in us, so that we do not join the other team.’

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Bruce Cockburn - Orders.