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Wednesday, 7 June 2017

Jamaican Art – Intuitive Outsiders But With That Old Time Religion


Edward Lucie-Smith writes on Artlyst about 'Jamaican Spiritual', the next exhibition at St Stephen Walbrook. In his article Lucie-Smith writes:

"the show ... features ... the spirituality that pervades a great deal of the art produced in Jamaica, as well as its frequent resistance to being categorised as ‘ethnic’ – i.e. as in some way necessarily Africanising. The images are about seeing Jamaica as it actually is – not as some lost fragment of African culture, transferred intact to a different hemisphere.

Where the idea of Africa is stressed, it is to make a theological statement. Christopher Lawrence’s icon-like portrayal of an African Christ declares that Christ exists as a Saviour for all mankind."

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Judith Gayle - Give Me Jesus.

Tuesday, 6 June 2017

Les Colombes Opening Night













For the opening night of Les Colombes: The White Doves, an Art for Peace Project by Michael Pendry at St Martin-in-the-Fields, Israeli-Swiss duo, Yonatan Maimon and Knaan Shabtay, presented an evening of Hebrew and English folk songs.

Their music combined delicate virtuoso guitar playing with catchy melodies and brought a fresh approach to traditional folk music. The concert was followed by a light and sound showing of Les Colombes: The White Doves.

Yonatan Maimon is an Israeli folk artist who started playing classical guitar at the age of 11. In 2011 he toured Israel with songs he wrote during his military conscription service. In 2014 he released his first demo album, Yonatan Maimon, selling all the copies of the first edition. In spring 2015 he recorded his debut album Beit Shearim produced at the UNESCO site Beit She’arim National Park. This special album was recorded live; inspired by the countryside and influenced by Nick Drake, Jose Gonzalez and Israeli-Latin singer David Broza and poet Meir Ariel. Kol Davar Katan was the first single from the album and was played on several radio stations across Israel and France and performed live in local indie festivals. Yonatan’s second album is soon to be released

Knaan Shabtay is a singer-songwriter and guitar player. His musical genre is often related to indie or folk and is inspired by such artists as Paul Simon and James Taylor. After spending some time in different bands, as frontman or guitar player, in November 2014 he independently released his debut EP Lost In Time which includes four songs. Stay A Little Longer is the first single from the EP and after being featured on different radio stations in Israel and Switzerland in early 2015, Knaan toured Israel including a show at Haifa 100 Live Festival. Sunrise is the first song from his new EP to be released later this year. Its live music video was released a few months ago to critical acclaim from national and international music bloggers.

Les Colombes is a multimedia installation by German artist Michael Pendry. Following successful installations with over 300,000 visitors in Jerusalem and Munich, Les Colombes will descend on St Martin-in-the-Fields, Trafalgar Square from 31 May – 3 July 2017.

Coming straight from Jerusalem, the 2,000 white paper doves, a symbol of the spirit, but also of peace, float through the nave of the church forming an almost 15 metre long sculpture. Light moves around the space and over the sculpture simulating the doves in flight. Quietly and playfully they integrate their movement into the atmosphere, exuding a magical sense of tranquillity and strength.

A sound cloud especially composed and produced for the installation by digital music producers Digital Haze infuses the space with the sound of cooing and fluttering wings. While a gentle rustling of the wind and mystical chords hover in space, alternating between a strong intensity and an ebbing away.

Les Colombes is free to visit during regular opening hours with special late night openings on Thursdays and Fridays from 9.30-11.00pm.

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Knaan Shabtay - Something Is Missing.

Music for the Soul: where music flows from heaven to the soul



St Peter’s Chapel, Bradwell-on-Sea, is a uniquely spiritual place that is the focus for people all over the world. 

During July and August, the evening services at Bradwell-on-Sea are held in St Peter's Chapel, at the place where the land meets the sea and the sky comes close. A place where the distance between heaven and earth is tissue thin. All services start at 6.30 pm.

The theme of this year’s services is Music for the Soul where music flows from heaven to the soul.

Peter Banks and I are contributing with a service based on themes drawn from our co-authored book, The Secret Chord.

Summer Services 2017

JUNE
JULY
AUGUST
  • 6th Evening Worship with Canon Ivor Moody – Songs for the Soul
  • 13th Reflective Worship with Music for Healing led by The Asaph Ensemble with support from the Asaph Christian Trust
  • 20th A service of Music & Healing with Revd Brigid & Laurie Main
  • 27th Music for the soul. A celebration of the summer evening services
Come as individuals or as part of a group. Bring a picnic and enjoy the peace and beauty of this ancient Holy Place.

Further information from Revd Brigid Main - t: 01621 776438 e: stpeterschapel@outlook.com w: www.bradwellchapel.org

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Cafe Musica - Time To Think.

Sunday, 4 June 2017

St Martin’s Voices in Concert - 19 June



St Martin’s Voices in Concert

Monday 19 June, 6.30pm

St Stephen’s Church, 39 Walbrook, London, EC2N 8BN

With music by contemporary choral composers including: Philip Glass • James MacMillan • Judith Weir

Directed by Andrew Earis

Free with a retiring collection

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St Martin's Voices - Gloria.

Jamaican Spiritual


St Stephen Walbrook will be hosting an exhibition of Jamaican spiritual art arranged by Art Jamaica (www.art-jamaica.org) from 3 July to 16 July 2017.

The exhibition has been curated by Art Jamaica founder Theresa Roberts who has included mainly new work from young Jamaican artists but will also be featuring selected work from her own extensive collection.

The Private View will be held on the evening of 3 July but thereafter the exhibition is open to the public.

The show is made up of painting,sculpture and photography highlighting the strong spiritual nature of Jamaica and it's people. Whilst predominantly Christian, Jamaica is home to a wide variety of religions which coexist peacefully. The variety of spiritual beliefs held on the island reflect the diverse nature of the people who live there and the motto of the country "Out of many we are one".

Whilst spirituality is the overriding theme the exhibition inevitably also offers a compelling insight into the diverse nature and vibrancy of modern Jamaica.

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Grace Thrillers - Thank you Lord For One More Year.

Windows on the world (347)


Stratford, 2016

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Yonatan Maimon - Tzafuf.

Thursday, 1 June 2017

Step up to the plate

Here is my sermon from today's Eucharist at St Stephen Walbrook:

The expression “step up to the plate” refers to “voluntarily assuming responsibility for something.” However, when someone seems to have a particular role or responsibility covered, it is then difficult for others to see the part that they could play or to think there is a need to play their part. That is, in part, what Jesus is addressing with his disciples in his farewell discourse (John 15. 26&2716. 1-4).

In the farewell discourses and also in many of his parables, Jesus was preparing his disciples for the point when he would leave them. That point was reached with his Ascension. Among the parables Jesus told to prepare his disciples was the Parable of the Talents, where the Master in the story is absent for much of the time. By telling stories where the central character was absent or left, Jesus was saying that he would be leaving and that, when he did so, he was going to entrust them with the responsibility of continuing his mission and ministry.

This was and is an awesome responsibility and we can readily understand why, for example, the third worker in the Parable of the Talents is depicted as being paralysed by fear at the prospect of the Master’s absence. However, it also shows the value that Jesus saw in his disciples and sees in us. It is amazing but true that God believes in us enough to entrust us with working towards the coming of his kingdom, on earth as in heaven.

The question, then, was whether Jesus’ first disciples (and by implication, all who follow, including ourselves) will step up to the plate and assume responsibility. When the one that was thought of as being in charge and responsible was no longer with the disciples physically, they were made aware of their own responsibilities. Jesus is recorded as saying in our Gospel reading that there were things he did not say to his disciples at the beginning because he was with them at that stage. It was only at the point that Jesus was to leave that it became essential that they heard those things. It was only at that point that they could hear those things.

What Jesus was saying was a version of the popular statement that no one is indispensable, even him. “The graveyards are full of indispensable men,” is another similar saying, popularly attributed to Charles de Gaulle. The reality for Jesus, as the incarnate Son of God, was that he could not personally share his message and love across the known world or throughout history without disciples committed to following him and sharing him with others.

Therefore, at the Ascension, Jesus was like an Olympic torchbearer passing his light on to his disciples and calling them to bear his light. This could only happen as those following him acted as his hands and feet, his eyes, ears and mouth, his body wherever they are. That is essentially the challenge of the Ascension for us, but this challenge is combined with the promise that Jesus will send his Spirit to us to empower and equip us to be his people.

For this reason, the Ascension and Pentecost are intimately linked. The Ascension provides the challenge – “Go, then, to all peoples everywhere and make them my disciples” (Matthew 28. 19) – and Pentecost provides the means - “when the Holy Spirit comes upon you, you will be filled with power, and you will be witnesses for me in Jerusalem, in all of Judea and Samaria, and to the ends of the earth.” In this way we are been given the resources needed to fulfil our responsibility. Similarly, in the Parable of the Talents, the Master gave out resources (the ‘talents’) alongside responsibilities. In the same way, after the Ascension, the Holy Spirit came to empower Jesus’ disciples.

Do we recognise that each of us has much that we can give; that we are all people with talents and possessions however lacking in confidence and means we may sometimes be? We all have something we can offer, so how can we, through our lives and work, benefit and develop the world for which God has given humanity responsibility? What resources - in terms of abilities, job, income and possessions - has God given to us in order to fulfil our responsibility to bear his light in this dark world? Through his Ascension, Jesus challenges us as to whether we will be faithful or unfaithful servants? How will we respond? If we accept the responsibility we have been given, we can then pray for quiet courage to match this hour. We did not choose to be born or to live in such an age; but we can ask that its problems challenge us, its discoveries exhilarate us, its injustices anger us, its possibilities inspire us and its vigour renew us for the sake of Christ’s kingdom come, on earth as in his heaven.

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Charles Wesley - Hail The Day That Sees Him Rise.