Wikio - Top Blogs - Religion and belief

Sunday, 31 December 2023

Community care and creation care

Here's the sermon I shared at our joint service held at St Mary's Runwell this morning:

King Charles spoke of faith, fellowship and compassion in his second Christmas message. In his message he spoke about care for others, linking this to the provision of the stable in Bethlehem and Jesus's own acts of service, care for creation as the angel appeared to those who were close to nature, and universal values including the golden rule and creation care.

He said that Christmas is a time to “think … of those whose work of caring for others continues, even on this special day” and thanked the “selfless army of people” in this country who are volunteers, serving “their communities in so many ways and with such distinction”.

The “care and compassion we show to others”, he said, “is one of the themes of the Christmas story, especially when Mary and Joseph were offered shelter in their hour of need by strangers, as they waited for Jesus to be born”.

The stable in Bethlehem is where the shepherds find the baby Jesus (Luke 2.15-21). As we know, the holy family found their way to the stable after experiencing rejection on their arrival in Bethlehem. Yet, all it took, whether in the midst of apathy or overcrowding, was for one person to respond, even reluctantly, for the miracle of Jesus’ birth to occur in the way that is told to us in the Gospels. All it took was for one person to respond. We are fortunate in this country, as King Charles noted, to have many volunteers in many communities. Let us continue to offer our time in our community in support of those in need.

Next, the King spoke about the shepherds to whom the angels brought the message of hope that first Christmas night. He suggested that they were people who lived simply amongst others of God's creatures and that it was those close to nature who were privileged that night.

Around the mid-point of his life, my father switched careers from community work to retrain as a landscape gardener. We moved from the city of Oxford to a village in Somerset and, although the change was to some extent forced on him and caused financial difficulties for us as a family, he came to greatly appreciate the enhanced sense of being in nature and of living closer to the natural rhythms of the seasons and the circle of life. The well-known verse from Dorothy Frances Gurney’s poem ‘God’s Garden’ – “The kiss of the sun for pardon, / The song of the birds for mirth,– / One is nearer God’s heart in a garden / Than anywhere else on earth” - though somewhat sentimental, nevertheless touches on a truth.

My former colleague at St Martin-in-the-Fields, Revd Sally Hitchiner, was particularly struck by this aspect of the King's Christmas speech. She posted that, in all her years of preaching on them and hearing others preach about them, they have always spoken about either as simple working folk or those who were excluded from hoity-toity religious circles, not as those who were close to nature. She wrote therefore of being struck by the positive framework of the King and his natural theology.

King Charles spoke about how, because out of God's providence we are blessed with much, it is incumbent on us to use this wisely by caring for the Earth we have been given. He said that, "During my lifetime I have been so pleased to see a growing awareness of how we must protect the Earth and our natural world as the one home which we all share” and do so for the sake of our children's children. He finds great inspiration now from the way so many people recognise this and, as we reflect on the Shepherd’s being the first to hear the good news, can also be inspired to care more deeply for our environment knowing that, like them, we will encounter God there.

The King ended by speaking of his two themes – care for others and care for the world - as universal values. He said that to honour the whole of creation as a manifestation of the divine is a belief shared by all religions and "To care for this creation is a responsibility owned by people of all faiths and of none”. He also quoted the words of Jesus - 'Do to others as you would have them do to you' – saying that, at a time of increasingly tragic conflict around the World, these seem more than ever relevant. "Such values,” he noted, are also universal, “drawing together our Abrahamic family of religions, and other belief systems, across the Commonwealth and wider world”. They are, after all, what is known as the Golden Rule, a teaching found in all religions.

He could have referenced this from the Nativity story, too, as Jesus’ birth was also marked by a visit from wise astrologers of other faiths; Zoroastrian priests (the magi), and foreign kings. In our reading today, we can note the naming of Jesus, whose name, given by God through angels, derives from Hebrew roots meaning “the Lord is salvation.” In his incarnation, Jesus unites the divine and the human making God one of us and ourselves one with God. In this way, he shows that God is with all and for all.

In our Gospel reading, we hear of Mary pondering all the things that happened at the birth of Jesus in her heart and of the shepherds sharing the good news of Jesus’ birth with others. It is clear from his Christmas message, that King Charles has also pondered the events of the nativity long and hard and, in his Christmas message, has shared the good news found there with others too. This Christmas, we would do well to do the same.

Bringing all the themes of his Christmas message together, King Charles concluded: "my heart and my thanks go to all who are serving one another; all who are caring for our common home; and all who see and seek the good of others, not least the friend we do not yet know. In this way, we bring out the best in ourselves. I wish you a Christmas of 'peace on Earth and goodwill to all', today and always." May we know the same in our lives this Christmastide and in the year to come. Amen.

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The Holmes Brothers - Amazing Grace.

Top Ten 2023

This is the music, in no particular order, that I've most enjoyed listening to in 2023:

Bruce Cockburn - O Sun O Moon: "O Sun O Moon is a surprise turn away from political and social satire or commentary to a more personal, and also seemingly more straightforward, blues and folk based music, where texture and arrangement are the focus. It’s subtle, enticing music that isn’t afraid to remain stripped back but also welcomes clarinet, upright bass, accordion, glockenspiel, saxophones and marimba into the mix as and when required. Cockburn sounds relaxed and slightly gruff vocally throughout, quiet and contemplative, whilst the album sounds as though it was recorded next door. It’s warm and enticing, with love – be that romantic, spiritual or sexual – often posed as not only the answer but a command from above."

Pissabed Prophet - Pissabed Prophet: "This album mixes the colourful and riotously explosive Britpop psychedelic influences of the Small Faces and Beatles with the melodiousness and carefully-observed lyrics of the Kinks... Like a prophet, Simpkins is reporting back from within the bell jar of cancer treatment to share a renewed zest for life as he refuses to mourn a dream and resolves to let life and love flow... Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired and profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse and inspire." Equally good is Apple, the EP that followed.

Corinne Baily Rae - Black Rainbows: "Bailey Rae takes us on a journey from the rock hewn churches of Ethiopia, to the journeys of Black Pioneers Westward, from Miss New York Transit 1957, to how the sunset appears from Harriet Jacobs' loophole, in order to explore Black femininity, Spell Work, Inner Space/Outer Space, time collapse and ancestors, the erasure of Black childhood and music as a vessel for transcendence. Yet, 'Before the Throne of the Invisible God' is where her energised and empathetic, wracked and anguished, celebratory and creative journey through Black history and the continuing legacy of racism finds its resolution. In a place not of simple submission, but of living the questions raised by a capacious faith where responses to prayer are both the actions of life and also the explorations found on this album."

Dave Gaham & Soulsavers - Angels & Demons: "With Depeche Mode, frontman Dave Gahan‘s haunting baritone often provides the human touch within songwriter Martin Gore’s icy electronic tableaus. With Soulsavers — a British production duo known for its gospel-inflected, organic sound — the singer has room to grow into something more. Angels & Ghosts is the second album Gahan has recorded with the group, after 2012’s dark, bluesy The Light the Dead See. Prior to that, the producers worked with a who’s who of underground heroes — husky-voiced grunge vet Mark Lanegan, vocal contortionist Mike Patton and sensitive folk singer Will Oldham, among others — but they stumbled on a unique foil with the Depeche Mode singer. And while The Light the Dead See was very much a transitional record, this album is where Soulsavers and Gahan hit their stride."

J Lind - The Land of Canaan"J Lind’s sophomore album, "The Land of Canaan" (2021), is the next chapter in an increasingly deep and diverse body of work. The production conjures other-worldly soundscapes reminiscent of Peter Gabriel and Brian Eno while the thoughtful lyric draws on those of Leonard Cohen, Randy Newman, and Dawes. Laced with religious allegory and existential unrest, Lind’s second album grapples with the destabilizing effect of our ever-shifting values and the ephemeral nature of our private promised lands."

The Mercy Seat - The Mercy Seat"Truly, the whole band is amazing and shines with virtuosity. Bassist Patrice Moran features very prominently here, and her lines really help to preserve the gospel tone of the record. Gano and drummer Fernando Menendez push the music much more into the Dead Kennedys or Butthole Surfers end of the spectrum. Singer/bombshell Zena Von Heppinstall is the major creative force here, penning four of the songs and carrying the music with her fabulous voice. Highlights are "Don't Forget About Me," the bluesy "He Said," and the "Let the Church Roll On/I Won't Be Back" medley."

Victoria Williams & the Loose Band - Town Hall 1995: "Victoria Williams is truly one of a kind. Town Hall is a perfect introduction to her eccentric talents." "'You R Loved' is anchored by slapdash percussion, pedal steel accents and prickly piano. A mid-tempo rocker it pivots on dense harmonies and flange-y guitar. This is Vic at her most spiritual, giving herself up to a higher power exemplified by 'lines of poetry, revealing mysteries.' Insisting Jesus’ love is universal, her impassioned ardor makes believers of even the most aporetic."

Mary Gauthier - Mercy Now"Darkness. Lightness. Adulthood. Youth. Knowledge. Ignorance. Despair. Redemption. All reside in Mercy Now. As the last line quivers from Mary Gauthier’s pursed lips,'Every single one of us could use some mercy now', the listener is exposed to an emotion the artist has painstakingly painted into every note and vocal. Humility….something else we could us now. Thank you, Mary."

Ruthie Foster - Healing Time: "an album that gives off an overwhelming feeling of love and freedom. Foster has one of the best voices in American music today and she uses it as a healing tonic for our struggling world. Fans have always found healing qualities in Ruthie’s music but this new song cycle operates on a fresh, higher level. Her tones, lyrics, and ideas seem designed to comfort all of the displaced souls of the last few years. In many ways, this is the record that many of us need to hear right now. If you are dragging through endless lost and broken days, spin this and let Ruthie lead you to the light."

Bob Dylan - Fragments: "... seems to have been jilted by all that he once saw as his lover; the poetry and the musical backdrop are of a man at the very end of his tether. And yet it is not dark yet and Dylan still sees glimpses, tiny and all as they are... there are still inklings of hope and indeed maybe the candle of the Born Again late 70s and early 80s still flickers - I know the mercy of God must be near (Standing In The Doorway)- But I know that God is my shield/ and he won't lead me astray(Til I Fell In Love With You)... If faith kicks in as a refuge in times of trouble perhaps this is a more truely Biblical work than saved."

Worth checking out is Right by Her Roots: Americana Women and Their Songs by Jewly Hight which has influenced some of these choices.

My previous Top Ten's can be found here - 20222021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013 and 2012.

My co-authored book ‘The Secret Chord’ is an impassioned study of the role of music in cultural life written through the prism of Christian belief. Order a copy from here.

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Pissabed Prophet - Night Prayer.

Saturday, 30 December 2023

Windows on the world (457)


 Harlow, 2023

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Dave Gahan and Soulsavers - Shine.

Wednesday, 27 December 2023

Seen & Unseen: Finding the human amid the wreckage of migration

My latest article for Seen&Unseen is 'Finding the human amid the wreckage of migration'. In this article I interview Shezad Dawood about his multimedia Leviathan exhibition at Salisbury Cathedral where personal objects recovered from ocean depths tell a story of modern and ancient migrations:

'Dawood has said that the exhibition is “an exciting opportunity to bring some of the key questions I’ve been asking of climate, migration and our shared humanity … at a time when a renewed sense of sharing and purpose is urgently needed.” In the light of such thinking, Beth Hughes, Salisbury Cathedral’s Visual Arts Curator, suggests that,

“Shezad’s exhibition is a powerful reminder of how we are all connected to each other, and to the natural world … [focusing] the mind to help us think about how we might be part of the solution, to make a better world for ourselves, our loved ones and all of humanity.”'

See photographs from my recent visit to Salisbury Cathedral here, an interview with the Dean of Salisbury Cathedral here, and reviews of earlier exhibitions at Salisbury Cathedral here and here. The exhibition I curated on migration themes for Ben Uri Online can be viewed here.

My first article for Seen&Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.

My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.

My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.

My fourth article was a guide to the Christmas season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas.

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Corinne Bailey Rae - Erasure.

Monday, 25 December 2023

Where the body of Jesus Christ is, there we are

Here is the sermon I shared at Midnight Mass in St Catherine's Wickford tonight: 

Three miracles or wonders come together on Christmas night. First, the miracle of carrying a baby. The wonder of new life growing within the life and body of a mother. A shelter within the womb in which dependent life can grow towards independence, a life providing all that is necessary to nurture hidden growth and development.

Second, the miracle or wonder of birth itself. The contractions that signal the inevitable, shuddering and painful (for the mother) descent down the birth canal and out, gasping tiny lungfuls of air for the first time. Then the marvel for the parents of holding this tiny being who is flesh of their flesh, bone of their bone; wholly theirs and yet wholly itself.

Third, there is the reaction of others; friends, family, hospital staff, others on the maternity ward, all of whom gather round to share their congratulations and point out those features which confirm that this is a baby that is the child of these parents and these alone. As the saying goes, ‘It takes a village to raise a child’, and that village begins gathering from the moment of birth.

These three miracles or wonders were all present on Christmas night. The miraculous conception of Jesus led Mary from Joseph’s initial rejection and his dream-based acceptance, to the support of her cousin Elizabeth and the recognition of the Messiah by Jesus’ cousin John while still in Elizabeth’s womb, and on to the journey to Bethlehem because of the census, the lack of room for them to stay, with the stable at the inn becoming their resting place in preparation for the birth. Mary was the God-bearer, the one who carried Jesus through his nine-month gestation and who delivered him into a world that neither knew him or particularly wanted him.

That delivery happened on the night that we celebrate tonight. Without midwives and for the usual length of time involving all the usual birth pains, the birth took place of a child about whom prophecies had been spoken and through whom the world itself had come into being and yet he came into a world that did not know him and did not accept him. While born into obscurity, living and dying in obscurity, many, throughout time, have come to see this moment, the birth, as the central moment in human history, the moment around which our wellbeing, salvation and future happiness revolve.

And then others began arriving; first, the animals in the stall, then angels sending shepherds, then a star leading Magi to find the baby born Kings of the Jews. There was celebration and singing, wonder and awe, gift-giving and more dreams providing warnings and directions. A hastily assembled village bringing affirmation, guidance, and protection for the new family who were a long way from home and shortly to become refugees.

All these wonders occurred in less than ideal circumstances as God is always most fully experienced and encountered in adversity, rather than comfort!

Three Christmas wonders, but we have yet to experience the full wonder of Christmas night. There one more wonder, I want to share. I want to encourage you to look more closely into the manger. If you do, looking more intently and closely at the child lying in the manger like new parents seeing their new-born child for the first time and recognising their features in their child, you will see yourself looking back at you.

This insight was first expressed in 1939 by Dietrich Bonhoeffer, a Lutheran pastor who directed an underground seminary in Germany, an intentional Christian community that practised a new form of monasticism. The seminary was closed down in 1937 by the Gestapo and more than two dozen of its students were arrested. Bonhoeffer, too, was arrested in 1943 and executed in 1945, just weeks before the end of World War II. Earlier, while still at liberty, he wrote circular letters to his students encouraging them to pursue and maintain fellowship with one another in any and every way possible.

In his circular letter sent at Christmas in 1939 Bonhoeffer wrote this about the nativity:

‘The body of Jesus Christ is our flesh. He bears our flesh. Therefore, where Jesus Christ is, there we are, whether we know it or not; that is true because of the incarnation. What happens to Jesus Christ, happens to us. It really is all our "poor flesh and blood" which lies there in the crib; it is our flesh which dies with him on the cross and is buried with him. He took human nature so that we might be eternally with him. Where the body of Jesus Christ is, there we are; indeed, we are his body. So the Christmas message for all … runs: You are accepted. God has not despised you, but he bears in his body all your flesh and blood. Look at the cradle! In the body of the little child, in the incarnate son of God, your flesh, all your distress, anxiety, temptation, indeed all your sin, is borne, forgiven and healed.’

That is the great insight of Bonhoeffer’s letters; where Jesus Christ is, there we are, whether we know it or not; what happens to Jesus Christ, happens to us. He became a human being like us, so that we would become divine. He came to us so that we would come to him. He took human nature so that we might be eternally with him. Where the body of Jesus Christ is, there we are; indeed, we are his body. Like new parents seeing their new-born child for the first time and recognising their features in their child, so, when we look in the manger, we see ourselves looking back at us.

‘How shall we deal with such a child?’ Bonhoeffer asks. How shall we respond to so many Christmas wonders? These wonders, these miracles, are all wonderful points of connection with the God who connects with us in and through the Christ-child on Christmas night.

I wonder with which of the four wonders of Christmas night you most identify? I wonder how you will come and connect with the Christ-child this Christmas night? As one who has carried a baby and given birth, as one who has gathered in support of a new family, or as one who has seen something of yourself in the new-born child.

Bonhoeffer also asks us, ‘Have our hands, soiled with daily toil, become too hard and too proud to fold in prayer at the sight of this child? Has our head become too full of serious thoughts … that we cannot bow our head in humility at the wonder of this child? Can we not forget all our stress and struggles, our sense of importance, and for once worship the child, as did the shepherds and the wise men from the East, bowing before the divine child in the manger like children?’ Will you look in the manger this Christmas night to see not only Jesus, but also yourself, and bow your head in humility and worship at the wonder of this God-given child.

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Steve Bell - O Holy Night.

Sunday, 24 December 2023

The meaning of life enters humanity still

Here's the sermon that I shared at St Mary's Runwell and St Catherine's Wickford this morning (using material from Alan Stewart and Late, Late Service):

It was a day like any other day
Kneading bread. Lost in my thoughts
And then from behind
This light
An amazing light that filled the room
I turned round, holding my hand to my eyes
Backing away from it
And from inside this light, the figure of a man
Standing there. Looking at me
I felt I should run
I wanted to run
But his gaze fixed me to the spot
Like some rabbit charmed by a fox
But actually
His eyes were kind
And I felt strangely safe
‘is this an angel?’ I suddenly thought
have I sinned?
Has he mistaken me for someone?
Someone of importance
And then he spoke
‘Mary’
he knew my name
‘Mary’, he said ’don’t be afraid’
‘I have news for you’
‘in 9 months you will have a child and you are to call him Jeshua; God saves’
before I knew it, I was speaking
‘but I’m not married yet, I don’t…’
‘the child will be fathered by the Holy Spirit and he will save his people
the lord God will give him the throne of his father David’
the Saviour?, the Messiah?
I knelt down
And whispered
Simply
‘may it be to me as you have said’
I said yes
I said yes to my God
And I have come to question those words
For I did not know where they would lead

The Annunciation (Luke 1: 26-38) is the moment when the creator of everything finds a way into flesh and blood. And in doing that, the meaning of all life enters into full humanity. That's what we celebrate at Christmas.

And the meaning of life enters humanity still. The meaning of life desires us. Watches our movements and listens to our hopes. The meaning of life is a lover whose gentle fingers occasionally touch and startle us, asking if we can love back, but never using force on us ... waiting to be invited to love. The meaning of life is love. Something intangible by nature. Something that cannot be possessed, bought, or sold.

And at Christmas we celebrate the fact that God, the source of all love and meaning, has so desired humanity that He has taken the risk of becoming vulnerable to what we might do if His life is left in our hands. God, the meaning of life, desires you and me in a way that one of us would desire our partner.

Love and desire are about creative union. About being open and receptive to the other, letting them be fully themselves, working for their pleasure, receiving their gifts to you. And when we're open to being God's partner, we find the mystery of meaning: that the ordinary moments of life have meaning. Not a meaning perhaps that you could put into words, just a sense of being right, purposeful.

You and I have this choice. A chance to respond to the touch of our lover and receive this union in our souls ... the centre of who we are. A choice to live life for the meaning of the moment, not just the thrill, and to turn from anything that promises a thrill and delivers meaninglessness. God is still in Flesh and Blood. Now God is flesh and blood in partnership and love, and like Mary we must say "Yes" to that partnership and discover the meaning of our own individual (and communal) lives.

When we know this for ourselves we will say with Mary:

My soul magnifies the Lord
And my spirit rejoices in God my Saviour
For he has been mindful
Of the humble state of his servant
From now on all generations will call me blessed
For the mighty One has done great things for me
And holy is his name

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Late, Late Service - Let Not Your Hearts Be Troubled.

Saturday, 23 December 2023

Windows on the world (456)


 Rettendon, 2023

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Innocence Mission - Morning Glory.

Winter Garden - Hyde Hall

 















Hyde Hall's Winter Garden, which opened in winter 2018, and has been designed to show that gardens can look spectacular even through the coldest months of the year. The Winter Garden celebrates seasonal change, from its autumn display of foliage and berries to the colourful stems and skeletal seedheads of the colder months.

Set against this winter landscape, a series of sculptures by David Watkinson explore the gradual decay of a leaf. Look out also for Hyde Hall’s living sculptures.

Striking plant combinations include the glossy leaves of Viburnum odoratissimum underplanted with the contrasting yellow foliage of Acorus gramineus ‘Ogon’.

Cornus (dogwood) offers wonderful variety and winter colour, with stems ranging in hue from white through yellow, orange and red. The Winter Garden features around 100 different types of Cornus , which is being monitored as part of a RHS Trial to establish which varieties perform reliably.

Colour and texture are also provided by the herbaceous plants with seedheads and stems that remain though winter adding a variety of colour and texture - like the perennial grass, Pennisetum alopecuroides 'Cassian's Choice' pictured above. The golden haze from Deschampsia cespitosa ‘Goldtau’, meanwhile, seems to float among the seedheads of Liatris spicata ‘Floristan Violett’, Amsonia tabernaemontana and the silvery foliage of Anaphalis triplinervis ‘Somerset’.

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Wednesday, 20 December 2023

Maciej Hoffman: Who Tells Your Story? Who Tells Your Future?

 




Who Tells Your Story? Who Tells Your Future?
An exhibition of paintings by Maciej Hoffman
23 January – 29 March 2024
St Andrew’s Church, 11 London Road, Wickford SS12 0AN


‘I choose themes that pervade everyday life, our constant battle with problems which we inevitably face. But also issues which haunt us for years, shaping our perspective on the world and building us as humans. I try to capture the moments of tension, the climax, and the spark before ignition.’ Maciej Hoffman
  • Holocaust Memorial Day reflection – 27 January, 3.00 pm.
  • Hear Maciej speak about his work at ‘Unveiled’ – the arts & performance evening in St Andrew’s Wickford - Friday 9 February, 7.00 pm.
St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm. https://wickfordandrunwellparish.org.uk/whats-on.html

Maciej Hoffman was born in Wrocław, Poland in 1964, the son of artist parents, growing up under Poland's communist regime; after studying philosophy at the School of Theology in Wrocław, he graduated in Painting and Sculpture from the Academy of Fine Art in 1992. Becoming fascinated with web art and new graphic technologies, he then worked for 15 years in one of Poland's largest advertising agencies until a watershed moment in 2003, when he returned fulltime to the studio and to oil painting. He moved to England in 2012, in search of new artistic and life opportunities, and continues to paint, teach and exhibit in the UK and abroad.

Here he became involved in leading art workshops for school students, encouraging self-expression through art therapy for young people from disadvantaged backgrounds, or coping with mental health issues and trauma. He also contributed artworks to exhibitions dealing with conflict and resolution, including two marking Holocaust Memorial Days in 2012 and 2018 respectively. Maciej Hoffman's work has been exhibited in the UK on numerous occasions, including at Chelmsford Cathedral; Barry Gallery Central; Polish Social and Cultural Association (POSK) Gallery and Willesden Gallery (both London), and at the Warwick Art Centre.

‘Painting begins with a spark, an idea, an impulse. Sometimes it seems as though the painting creates itself, intuition guides me during the process … In trivialities as well as in big events I seek contrasts between imagination and reality. Our expectations and our anticipations are never what we finally meet in real life. This constant collision fascinates me. It’s irrelevant whether it’s beauty and ugliness, order or chaos - the point is, how it’s reflected in the mirror of my interpretation … I am moved by people’s stories with all their misfortunes and moments of happiness. It seems like one is always part of the other.’

https://www.maciej-hoffman.com/

https://www.buru.org.uk/record.php?id=1443

Read my Visual Meditations on the work of Maciej Hoffman here and here, and my review of an earlier exhibition here.

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Henryk Górecki - Symphony of Sorrowful Songs.

Blue Christmas, Christmas Eve and Christmas Day



 

Friday 22nd December: 

‘Blue Christmas’ service, 6.30pm in St Mary’s Runwell for those who are grieving and for whom a Happy Christmas will be difficult


Sunday 24th December, Christmas Eve:

Eucharists 9.30am St Mary’s, 10am St Andrew’s Wickford, 11am St Catherine’s Wickford

Christingle Service 2pm, 3pm, 4pm in St Catherine’s

Crib Service 2pm and 3.30pm in St Mary’s

Crib Service 5pm in St Andrew’s

Midnight Mass 11.30pm in St Andrew’s, St Catherine’s and St Mary’s



Monday 25th December, Christmas Day:

Eucharist 9.30am in St Mary’s

Eucharist, 10am in St Andrew’s

Eucharist, 10.30am in St Catherine’s

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The Virgin Mary Had A Baby Boy.

Monday, 18 December 2023

Artlyst: Antony Gormley Explores Self Awareness White Cube Bermondsey

My latest exhibition review for Artlyst is of Body Politic: Antony Gormley at White Cube Bermondsey:

"Antony Gormley has spent his career investigating the relationship of the human body to space. Through his fertile imagination, this has proved to be a seam that he can continuously mine, whether using his own body or those of others, in order to explore questions of where human beings stand in relation to nature and the cosmos. His latest exhibition at White Cube Bermondsey uncovers new ways to probe these fundamental issues.

“The responsibility of the art of our time is to reflect on and provide instruments for examination and self-awareness” Antony Gormley

He is doing so at a time when human beings are predominantly urban dwellers in industrially manufactured habitats, and when, Teresa Kittler writes, there is a broad “cultural acceptance of the rights of money, goods, ideas and tourists to travel – a phenomenon accelerated by new technologies” at the same time as national governments are controlling or denying that same right to migrants. In this exhibition, Gormley uses the industrial processes that produce clay blocks, concrete, iron and steel to create works that examine the dynamic tension between our need for refuge and our need to roam."

Interviews -
Monthly diary articles -
Articles/Reviews -
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Brian Eno - Thursday Afternoon.

Windows on the World (455)


 Lydney Harbour, 2021

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Patti Smith - Spell.

Sunday, 17 December 2023

Who are you?

Here's the sermon that I shared at St Catherine’s Wickford this morning:

Who are you? That was the question that the priests and Levites asked John the Baptist in today’s Gospel reading (John 1. 6-8, 19-28). Think for a moment about the way in which you answer that question when someone asks it of you.

Often when we are asked who we are, we answer by saying what we do and tell the person asking about the job that we do. For many of us, our work seems to be the thing that we think is the most significant thing about us. If we don’t talk about our job, then we might talk about a role we have, perhaps being a parent, or we might talk about our family; so, I might say to someone who knows my family that I’m Phil and Pauline’s son or Rachel’s brother. Another tack might be to talk about our interests, so I might say that I’m a painter or a writer or an Oxford United fan. Whatever we say in answer to the question ‘Who are you?’ the answer usually involves saying something about ourselves.

So, it is surprising that when John the Baptist is asked who he is, he doesn’t say anything about himself at all. Firstly, he is asked whether he is one of the great figures of the Jewish religion; the Messiah, Elijah or Moses. We’ve probably all at some time pretended that we are one of our heroes, whether we’ve played at being our favourite pop star looking into our bedroom mirror and singing into our hair brush or have wanted to be Pele or Bobby Moore or Kevin Keegan or Ronaldo when we have been playing football with our mates. We all have delusions of grandeur! Even as Vicars, maybe wanting to be the next Billy Graham or Justin Welby or Tom Wright!

The temptation for John the Baptist to claim his place in the pantheon of Jewish heroes must have been strong but what he actually says is just ‘No, I am not.’ Nothing about who he is, just statements of what he is not. And yet these denials have huge significance.

On one level they are a way of saying that what he is part of, what he is pointing towards can’t be explained by the usual ways of understanding things. The priests and Levites were looking for a category that they could use to understand John, perhaps so that they could label him and file him away and forget about him. If we can fit someone into a neat category – he’s a Hammers fan, she’s single mother, he’s Irish or she’s a computer programmer - then we feel as though we’ve got them sussed and we know all about them. John doesn’t allow that to happen and by doing so says that what is going on here does fit any of your categories; it’s ‘outside the box’ and, if you’re going to understand then you’ve got to have your way of thinking about God expanded and changed.

On another level, his denials are also a subtle way of pointing to Jesus as God. Throughout John’s Gospel Jesus makes a series of I AM statements about himself. He says, ‘I AM the living water, the bread of life’ and so on. In doing so, Jesus is using the very name of God who responded to Moses by saying ‘I AM who I AM.’ John by contrast says, ‘I AM NOT.’ By framing his denial using the ‘I AM’ statement he is pointing his listeners to the one who will come after him who will be able to say ‘I AM,’ who will be God himself.

This is John the Baptist’s sole mission and purpose; not to point people to himself by saying look at me aren’t I wonderful? Instead, it is to point away from himself in order to point to Jesus. That is what the writer of this Gospel says in verses 6-9: “There came a man who was sent from God; his name was John. He came as a witness to testify concerning that light, so that through him all men might believe. He himself was not the light; he came only as a witness to the light. The true light that gives light to every man was coming into the world.”

We see this also in what John the Baptist does say about himself. When he is asked, “What do you say about yourself?", his reply is to say ‘I’m not the significant person here, I’m actually only a voice calling out to prepare the way for the one who is to come. Don’t pay attention to who I am instead listen to my message and look for the coming of the Lord.

The same thing is there in what he says about baptism. John is asked why he baptizes but he doesn’t answer the question. Instead, he again points beyond what he is doing to the one who comes after him, the one who is so much greater that John feels unworthy even to untie the thongs of his sandals.

In his commentary of this passage Lesslie Newbigin says that this is the mark of a true witness; “the function of a witness is not to develop conclusions out of already known data, but simply to point to, report, affirm” the new reality that the witness has seen and heard. This is also what John’s Gospel sets out to do and what it wants those who read it, like us, to become. Newbigin writes:

“[John] points his hearers to Jesus (e.g., 1:29ff., 36ff.; 3:27ff.); Jesus draws his hearers to himself. But these hearers will in turn become witnesses through whom others may believe (15:27; 17:20; 20:31), for the purpose is that not some but all … may come to faith. This book in its final form is based upon the testimony of one of these witnesses (21:24), and its purpose is that it readers may believe that Jesus is the Christ, the Son of God, and believing may have life in his name.”

So, we are to be witnesses like John, this is our calling as Christians. And this is essentially a simple task. We are not asked to become fluent in all the doctrines of the Christian faith or to have an answer for every question that people ask about Christianity. Instead, like John we are to be witnesses to what we have seen and heard about Jesus. The focus is not on us and our lives but on him and what we know of him and have experienced of him in our lives. So instead of needing to memorize a Gospel presentation like ‘2 Ways to Live’, all we need to do to be a witness is to tell our story; this is how I came to know Jesus and this is what he has come to mean to me.

Christmas is a time for preparation and then for sharing. The example that John the Baptist sets is one of preparing people for the real Christmas gift; the coming of Jesus. Can we do the same this Christmas by sharing the best news of all, the good news, with those around us – our family, friends, neighbours, and work colleagues – simply by being witnesses and pointing others to Jesus by telling our story of knowing him ourselves? 

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