While being of particular interest to practitioners and academics, the book – by summarising earlier research and through case studies of artists and exhibitions – provides an interesting and varied introduction to this field of study and practice; one which is increasingly featuring in the programmes of major museums and galleries.'
This book derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art (ASCHA) which was called 'A Strange Place Still? Religion in Contemporary Art'. I contributed to a later ASCHA symposium and my paper can be read on the ArtWay site - click here. My Artlyst interview with Jonathan A. Anderson can be found here, my review of Daniel A. Siedell's 'God in the Gallery' can be found here, and my exhibitions for the Visual Commentary on Scripture, which is directed by Ben Quash, can be found here and here.
Several of my short stories have been published by International Times, the Magazine of Resistance, including three about Nicola Ravenscroft's mudcub sculptures, which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'.
My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.
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Nick Cave and Nicholas Lens - Liturgy Of Divine Absence.
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