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Monday, 5 September 2016

commission4mission's 'Reflection' exhibition











 

Classical, modern and contemporary art and architecture beautifully combine for 'Reflection' commission4mission’s fourth group exhibition in the setting of St Stephen Walbrook (39 Walbrook, London EC4N 8BN). Tuesday 6 – Friday 16 September (Weekdays 10am – 4pm, Wednesdays 11am – 3pm).

An exhibition reception (6.30pm) and commission4mission’s AGM (5.30pm) will be held on Tuesday 6 September. The exhibition launch reception, to which all are welcome, will include a talk by writer, broadcaster and commentator Richard D. North. Richard describes himself as “a complicated conservative, and a bit hippy and arty round the edges, with an increasing interest in the idea of spirituality.”

Our secretary, Rev Jonathan Evens, will give an illustrated talk at 1pm (repeated at 5pm) on Wednesday 14 September at St Stephen Walbrook entitled ‘Congruity and controversy: exploring issues for contemporary commissions.’ Modern commissions by Henry MoorePatrick Heron, Hans Coper and Andrew Varah at St Stephen Walbrook bring into focus some of the key issues and questions regarding modern or contemporary commissions. Jonathan will explore these issues in his talk, which will be in the context of the ‘Reflection’ exhibition.

The theme of the show will be ‘Reflection’ and, as in previous years, will feature a wide variety of work from longstanding and new members. ‘Reflection’ is intended as a broad theme open to wider interpretation. Our artists showcase their individual engagements with this theme and we hope that the range and variety of work, both in terms of content and media, will give pleasure and prompt reflection.

Exhibiting artists include: Hayley Bowen, Harvey Bradley,Irina Bradley, Christopher Clack, Mary Davey, Valerie Dean, Jonathan Evens,Terry Ffyffe, Rob Floyd, Maurizio Galia,Michael Garaway, John Gentry, Clorinda Goodman, Barbara Harris, Tim Harrold,Anthony Hodgson, Mark Lewis, David Millidge, Janet Roberts, Henry Shelton,Sergiy Shkanov and Peter Webb.

Reflection:
  • The throwing back by a body or surface of light, heat, or sound without absorbing it;
  • An amount of light, heat, or sound that is reflected by a body or surface;
  • An image seen in a mirror or shiny surface;
  • A thing that is a consequence of or arises from something else;
  • A thing bringing discredit to someone or something;
  • Serious thought or consideration;
  • An idea about something, especially one that is written down or expressed;
  • The conceptual operation of inverting a system or event with respect to a plane, each element being transferred perpendicularly through the plane to a point the same distance the other side of it.
Reflection: consideration; contemplation; idea; impression; meditation; observation; opinion; rumination; view; absorption; cerebration; cogitation; deliberation; imagination; musing; pensiveness; speculation; study; brainwork; pondering.

commission4mission’s Chair, Peter Webb, says: “We are very fortunate to be able to exhibit regularly at St Stephen Walbrook. The exhibition always attracts a great deal of attention in the City. As before, interpretation of the theme is up to individual artists, and no doubt we will have the usual amazing variety and originality in the work submitted.”

A gift of 10 per cent of the proceeds from sales will be donated to the charity Oasis. commission4mission has made Oasis our charity of choice, meaning that charitable giving will be exclusively to Oasis for the time being.

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Late, Late Service - Resurrection Day.

Sunday, 4 September 2016

Windows on the world (408)


London, 2016

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Switchfoot - Gone.

Thursday, 1 September 2016

London Ablaze: Reception & prizegiving










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Blondie - Heart Of Glass.

Brussels: Parlamentarium & EU Parliament Building

There are at least three great reasons for visiting Brussels at present. First, the city's cultural offer (more on that in a subsequent post). Second, support for its tourist trade following the airport bomb attack. Third, to show solidarity for the EU project in the light of the Brexit vote. In relation to the latter, these photographs from Parlamentarium, the European Parliament Visitors’ Centre, and of the European Parliament Building speak for themselves ...













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Kraftwerk - Trans Europa Express.

Tools for transformation: empowering women and men to live in just relationship

The Start:Stop meditation that I prepared based on Luke 10. 38 - 42 has been included on the page within the Anglican Communion website which is gathering a variety of ‘tools for transformation’ to help Anglicans around the Communion to join in the work needed to empower women and men to live in just relationship. Click here to read the meditation.

The page begins with the following quote from Susan Durber: “To reflect before God on gender ... is to think about what it means that we are male and female. It is to ask what it would mean to experience our being gendered as gift rather than danger, a source of life and hope rather than oppression or fear, as something to be received gratefully from God, rather than experienced as a source of strife.”

Other resources on this website page include: toolkits; bible studies; manuals; videos; and theological reflections.

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Ēriks Ešenvalds - Stars.

Movement for change

Here is my sermon from today's Eucharist at St Stephen Walbrook:

Only one in 10 of the lepers who were healed came back to thank Jesus for his healing and, as a result, many sermons have been preached from this passage (Luke 17. 11 - 19) on a perceived lack of thankfulness in our lives.

There is, however, a simple reason why only one came back and that is that their healing didn't happen instantly but only as they did what Jesus had told them to do and went to see the priest who could confirm that their leprosy was healed and readmit them to the community.

All 10 did as Jesus said, all 10 were healed as they did so, nine continued to see the priest as they had been told to do, while one returned to thank Jesus before then continuing to see the priest. Like Jesus, we can certainly celebrate the thankfulness of the one who returned but there are also significant lessons to learn from the fact that the healing of the 10 occurred as they were obedient and as they were travelling.

As human beings we often find security in sameness, in repetition, and in things remaining the same. The result can be that we also remain the same and do not change. Change inevitably involves disruption and movement; something different needs to happen in order that we change. That is what Jesus calls these 10 lepers to experience. Having been ostracised by society because of their condition they have understandably banded together to support each other on the edge of society. We find a similar experience repeated today, for example, among those who are homeless in Central London.

In Jesus' time, to make the journey back from the edge of society people had to be examined by a priest who had to confirm that their condition had been healed before they could be readmitted to society. That is what Jesus tells them to go and do but it is significant that they have not been healed yet at the point that he tells them to go. He tells them to go, to move, to make a change but they are not healed until they have begun to make the change and are on their way to see the priest. This is why they don't all thank Jesus; they are not with Jesus when the healing comes.

As well as being willing to make a move, to change, they have also had to trust in Jesus and in his instructions. It would have been easy to say, 'I'm no different, I'm not healed, therefore there's no point in going to see the priest.' They could have stayed where they were in what had become familiar and safe for them. Instead they all set out on what was risky undertaking where they could have been exposed to ridicule, as if their healing had not occurred on the way, they could have gone to the priest and have been turned away in disgrace as delusional lepers.

There will be points in all our lives where our experience will be similar. We will have been in one place or one role or one way of doing and being for too long and we will be stagnating as a result. Something has to change in order that we grow and develop on new ways and in different aspects of our lives. Sometimes we recognise the situation and choose to change, sometimes the change is forced on us. However it begins and however resentful we might sometimes feel, the only way for us to experience growth and develop in this situation is to make the move and accept the change. While we may not be thankful at the time, often, with hindsight we can see that change was actually good for us.

Having support in making that change - here the encouragement of Jesus to make the move and the benefit of being part of a group as they do so - is clearly very significant. I mentioned earlier the experience of rough sleepers in London and there is a specific way of supporting that group of people as they make the journey back into the heart of community. Home for Good matches a former rough sleeper moving into accommodation with a volunteer in that person's new community who can befriend and integrate the person where they now live. Those who sleep on the streets find community there and often find the experience of moving into accommodation one that is isolating. Having someone to befriend them and overcome that sense of isolation can be vital in making the change. The Passage, the charity which runs Home for Good, is specifically looking for volunteers from City to become befrienders in their local areas.

Whether we are those needing to make a change or those able to support others in doing so, the key is recognise that movement and change needs to occur if growth, development and healing is also to come.

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Exhibition: London Ablaze












Major celebrations are taking place in The City of London to mark the 350th anniversary of the Great Fire, which occurred between 2nd and 5th September 1666. 

As part of these celebrations, the Worshipful Company of Glass Sellers of London, a City Livery Company, has chosen 10 London secondary schools each to design a piece of glass artwork on the theme of the Great Fire, in collaboration with a leading contemporary glass artist. The resulting works from these collaborations will be on display at an exhibition, London Ablaze, at the church of St Stephen Walbrook, next to the Mansion House, at the heart of the City on Thursday 1 st and Friday 2nd September (10am - 4pm). The Friday is the 350th anniversary of the day the Great Fire started. 

Early in 2016 the Glass Sellers’ Company selected ten artists and ten schools, allocating an artist to each school. Up to 15 students in Year 8 or 9 (age range 13-15) were chosen by each school to work with the artist. The process started by pupils learning about what happened during the Great Fire. They then worked with the artist for at least a day to design a work that interpreted the pupils’ vision of the Great Fire. The artists have then produced the works in their studios. 

The ten works are also being judged, with the winning school, teacher, pupils and artist receiving a glass work made especially by Andreya Bennett. The winner will be announced at a reception in the Church this evening (Thursday 1st September) at 5.00pm. The judges are Katharine Coleman MBE (glass engraver), Neil Hughes (Managing Director of Dartington Crystal) and Maria Chanmugam (a Trustee of the Glass Sellers’ charity). Eight of the 10 schools have associations with City Livery Companies. 

After being exhibited in the City, London Ablaze will move to Hatfield House in Hertfordshire where it will be exhibited for the month of September. On 29th September many of the pupils who have taken part in the Project will participate in a special day held by Hatfield House about Tudor and Stuart history including the Great Fire. 

The Master of the Glass Sellers’ Company, William Knocker, says “We looked for an original way for glass to celebrate this great historical event. As our contribution to the City of London celebrations, the project has delivered all we wanted and more, creating an exciting opportunity for cross-curricular exploration between humanities and art in the participating schools.”

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