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Wednesday 10 May 2023

Artlyst: Saint Francis Of Assisi - A Timely Exhibition

My latest exhibition review for Artlyst is on Saint Francis of Assisi at the National Gallery:

'The National Gallery’s Saint Francis of Assisi exhibition explores how Saint Francis captured the imagination of artists, how his image has evolved over centuries, and how his universal appeal has transcended time, continents, and differing religious traditions. Through more than 40 works of art which span more than seven centuries and range from medieval painted panels and relic-like objects to manuscripts and a Marvel comic, the exhibition illustrates the claim that, apart from the saints of the New Testament, Francis is probably the most represented saint in the history of art. That reality came about because the growth of the Franciscan movement went hand in hand with the rapid spread of imagery by some of the greatest artists. Art historians have estimated that as many as 20,000 images of Francis might have been made just in the century after his death.

Francis embraced Christ, his message, and way of life – as is literally depicted for us in Bartolomé Esteban Murillo’s ‘Saint Francis embracing the Crucified Christ’ – with a depth of insight and commitment that was unsurpassed in his own time and has remained so ever since. That is part of his continuing inspiration and attraction to so many, alongside the breadth of his radicalism, which embraces environmental concerns, gender equality, issues of poverty and wealth, and interfaith engagement.'

In the review I also mention Arthur Boyd: The Life of Saint Francis at the David Roche Foundation in Adelaide and Sacred Meetings - paintings by Greg Tricker at the Marylebone Theatre. For more on Arthur Boyd see here and for my Visual Commentary of Scripture exhibition that includes a piece from Boyd's Nebuchadnezzar series click here. My review of Greg Tricker's The Christ Journey for Art + Christianity can be found here. 

My other pieces for Artlyst are:

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Mumford and Sons - The Cave.
Posted by Jonathan Evens at 22:48
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