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Friday, 29 September 2017

Discover & explore: Paul in Rome




The new group of Choral Scholars of St Martin-in-the-Fields sang for the first time at St Stephen Walbrook last Monday in the first of our new series of Discover & explore services. They sang 'May the grace of Christ our Saviour' – Caesar, 'I know that my redeemer liveth' – Jeffrey-Gray, How lovely are the messengers from ‘St Paul’ – Mendelssohn and Amen from ‘Lo, the full final sacrifice’ – Finzi.

The theme for this series of Discover & explore services is 'Rome, London & Christianity'. The series features as part of the 'Londinium' season organised by the City of London. At this opening service in the series Revd Sally Muggeridge spoke about the experiences and martyrdom of St Paul in Rome.

On Monday 1st October at 1.10pm the series continues with 'St Peter in Rome' when the Choral Scholars will sing 'Tu es Petrus' – Maurice Durufle, 'James and Andrew, Peter and John' – arr. Stephen Jackson, 'Will you come and follow me' – arr. James Whitbourn and 'A Prayer of St Patrick' – Rutter.

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Gerald Finzi - Lo, The Final Sacrifice.

Thursday, 28 September 2017

plus+ presentations: adding value to the City


As part of further developing the relationships St Stephen Walbrook has with the business community in the City of London, we have begun a new series of events to explore the place of faith in the world of business.

This new ongoing series of events is entitled ‘plus+ presentations’, as the series is one part of the way in which St Stephen seeks to add value to the City.

The inaugural plus+ presentation was given by Douglas Board, founder of Maslow’s Attic, on 21 September. Douglas, who is a senior visiting fellow at Cass and also writes on management, faith, society and humour, as well as careers, share practical, intellectual and spiritual reflections on flourishing at work in a presentation entitled ‘In an open plan office, can anyone hear you scream?’

Douglas began by referencing a sense of loneliness versus connectivity as characteristic of digital age and workplaces. Managers have become attuned to giving pseudo-recognition but there are not often "authentic" connections between people as work. There is a sense of "investing in people" but the reality is usually different. This is often due to leaders lacking emotional intelligence. Loneliness in the workplace is a poverty of recognition. Genuine/authentic connections are needed, not the round-robin "well done" one-liner emails etc. Is there a role for church here? Listening, supporting? Outside of the politics of workplace and away from familiarity at home? He suggested the example of authentic listening as developed by Samaritans, as pioneered at St stephen Walbrook. Douglas talked about our "real" hierarchy of needs, not with individual/self at the peak - but relationships with each other: (Peak) Recognition (Mid Tier) Respect (Foundation Tier) Unconditional Love. What can we do to overcome the issues he addressed? More face to face contact, less reliance on email. More time to get to know people. Create space to talk.
The format for ‘plus+ presentations’ is:

  • 6.15pm: Evening Prayer (optional)
  • 6.30pm: plus+ presentation
  • 7.00pm: Drinks reception & networking
  • 7.30pm: Close

Going forward, we plan to run the plus+ presentations on the third Thursday of each month, although the remaining 2017 dates will be 19th October; 9th November:


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Peteris Vasks - Lord, Open Our Eyes.

Actions speak louder than words

Here is my sermon from yesterday's Choral Eucharist at St Martin-in-the-Fields:

How do we react when the most significant person in our life isn’t around? Teenagers sometimes throw a party and trash the house when their parents are away. Workers might put their feet up and relax when their boss has gone away to a conference or training course. In the parables of Jesus that precede the Parable of the Sheep and the Goats (Matthew 25. 31 - 46) we hear of a servant who got drunk and beat his fellow servants when his master was away while another buried the money he’d been given in the ground and did nothing with it for fear of what the master would do to him if he lost it.

Jesus told this parable and those that precede it, to prepare his disciples for his death, resurrection and ascension. He was going to leave them but he was entrusting them with the responsibility of continuing his mission and ministry in his physical absence.

He wanted them to be like the servant that kept the household running efficiently and well while the master was away. To be like the young women who prepared well for the bridegroom’s absence so that they had enough supplies to welcome him when he did return. And to be like the servants who used the resources their master gave them before he left to increase and develop his property. Through these stories Jesus was telling his disciples at the time and his disciples through the ages to be prepared and ready to continue and to develop his work after his ascension.

So what was and is the work that they are to be prepared to continue and develop? Well, the answer comes in this parable, which is the last in the sequence.

Each of the preceding stories has included a moment of crisis or judgement in which the most significant person in the story – the master or the bridegroom – returns and it becomes clear whether those who were left behind have responded well or badly to his absence. This story is no different, only this time the central figure who returns is Jesus. Previous judgements were on whether the master’s work had been continued, whether the women had been prepared, and whether the master’s resources had been used or developed. But what is the master’s work, what are we to be prepared to do, what is it that we are to use our resources to develop? The answer comes loud and clear in this parable because Jesus’ judgement is on our compassion.

The measure of judgement used is how we have responded to those who are hungry or thirsty or strangers or naked or sick or in prison. Have we fed the hungry, given drink to the thirsty, welcomed strangers, clothed the naked and visited the sick or those in prison? When we do, we do these things to Jesus, when we refuse, we are refusing Jesus.

Actions speak louder than words, they say. In this Parable, Jesus emphasises that it is actions, not words, that will count in the final judgement, when he says: ‘‘Come, you that are blessed by my Father, inherit the kingdom prepared for you from the foundation of the world; for I was hungry and you gave me food, I was thirsty and you gave me something to drink, I was a stranger and you welcomed me, I was naked and you gave me clothing, I was sick and you took care of me, I was in prison and you visited me.’

Jesus said, in this Parable, that God’s judgement on us will be based on our actions; giving food to the hungry, drink to the thirsty, welcoming the stranger, clothing the naked and visiting those in prison. These actions are to be the end result of our faith. St Francis of Assisi summed up this aspect of Jesus’ teaching well, when he said: ‘Preach the gospel at all times. Use words if necessary.’

Vincent de Paul was influenced by the Franciscans through his education. He was born in 1581 at Ranquine in Gascony and was ordained at the age of nineteen. He was something of a token priest until his conversion in 1609, when he resolved to devote himself and all he owned to works of charity. He founded communities for men and, with Louise de Marillac, helped to begin the Sisters of Charity, the first community of women not to be enclosed and which was devoted to caring for the poor and sick. Vincent worked for the relief of galley slaves, victims of war, convicts and many other groups of needy people. He became a legend in his own lifetime and died on this day in the year 1660.

If we need a role model in order to give food to the hungry, drink to the thirsty, welcome to the stranger, clothes to the naked and visits for those in prison, then Vincent provides an excellent of devotion to those who are in need. We would do well to follow in his footsteps.

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M Ward - Epistemology.

Wednesday, 27 September 2017

John Hayward: St Michael Paternoster Royal and Sherborne Abbey








 

John Hayward "was a stained-glass artist, who designed and made nearly 200 windows that irradiate churches and cathedrals throughout Britain and abroad."

I've recently more of his work through visits to St Michael Paternoster Royal and Sherborne Abbey. 

The glass by John Hayward at St Michael Paternoster Royal dates from 1968 and is considered to be among the "best post-war glass in the City". The scheme depicts the angels of Genesis and the Apocalypse - and, in the south-west corner, "a flat-capped Dick Whittington and his wily cat". The central window in Hayward's scheme is of "the church’s patron saint beating down the devil, of which the rich hues and thick textures in the glass work with the subject towards an explosive Armageddon of colour and light."

The Great West Window at Sherborne Abbey was designed and made by John Hayward and installed in 1997. The theme of the window is The Incarnation. Its subject matter contains elements which though drawn from a sequence of events are intended to operate as one image seen at a single moment.The window is treated as a triptych with centre and flanking lights divided by the heavy mullions allowing for a change of scale.

Hayward's design for the Millennium window commemorates two important events in the life of Sherborne Abbey separated by a thousand years. First, the year of the Millennium celebrations marking the arrival of the Benedictines at Sherborne Abbey in AD998 and, second, the highlight of 1998 with the visit on 8 May of Her Majesty Queen Elizabeth and HRH Prince Philip for the dedication of the new glass to the Great West window.

Other art work to be found at Sherborne Abbey include a sculpture of St Aldhelm by Marzia Colonna and icons by John Coleman.

For more on the art of John Hayward click here and here. Hayward's work features in 'The Art of Faith', an art trail in the City of London.

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Keith Green - Stained Glass. 

Windows on the world (363)


Brussels, 2016

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Ed Kowalczyk - All That I Wanted.

Tuesday, 26 September 2017

Alexander de Cadenet: Creations



St. Stephen Walbrook presents “Creations” from October 3 until November 3.

Launching on Tuesday October 3, 2017 (PV on Monday 2 October), British artist Alexander de Cadenet presents for the first time at St. Stephen Walbrook a series of bronze and silver sculptures featuring ‘consumables’ that contain deeper spiritual messages. The works include a selection of his ‘Life-Burger’ hamburger sculptures and 'Creation' – a larger scale shiny bronze apple with three bites taken from it – two
adult bites and baby bite in between.

'Creation' explores the mysterious process of creativity – of how both a human being and an artwork come into existence.

The artist states, “In Genesis, we were told by God not to take a bite from the apple, yet it was by taking a bite that we became ‘self-conscious’ and self-consciousness is what is necessary for making art”.

The 'Creation' sculpture is a large scale bronze based on the original 'Creation' life size sculpture made in 2015 from extra-terrestrial meteorite metal.

The 'Life-Burger' sculptures explore the relationship between the spiritual dimension of art and consumerism and, at their root, are an exploration of what gives life meaning.

Art historian Edward Lucie-Smith has written, “The Life-Burgers offer a sharp critique of the society we live in and yet simultaneously they are luxury objects in their own right”.

L.A. art critic Peter Frank writes, "We're at a moment in modern history where the excess has gotten staggeringly wretched. Oligarchs worldwide shock us and shame themselves with their conspicuous consumption -- a consumption that extends to the rest of us, as consumed no less than as consumers. Alexander de Cadenet encapsulates this emerging neo-feudal order in his gilded and multi-decked burgers.
For the meta-rich, the world is their fast food joint, and their appetite insatiable. Over 3.6 billion sold!"

L.A. art critic Shana Nys Dambrot has written that the ‘Life-Burgers’ are an “illustration of how the initial appeal of beauty might give way to a darker meaning over time”.

A selection of de Cadenet’s previous projects and participations include, Victoria & Albert Museum (1998), Museum of Modern Art Ostende (2001), Courtauld Institute of Art (2003), Beijing Olympics (2008), Museum of Torrance (2012).

Revd Jonathan Evens, Priest-in-charge of St Stephen Walbrook, says: ‘The Christian scriptures and tradition raise important questions regarding what and how much we consume. Alexander de Cadenet’s sculptures draw on the spiritual dimension in life to explore similar questions. This exhibition therefore provides a space in which reflection and review can occur.’

To read my interview with Alexander de Cadenet for Artlyst click here.





During the exhibition, a conference entitled ‘Art awakening humanity’, organised by St Stephen Walbrook in partnership with Alexander de Cadenet and Watkins Mind Body Spirit Magazine, will explore further the relationship between art and the spiritual dimension. Those wishing to register for this conference on Wednesday 25 October at St Stephen Walbrook can do so at https://ssw.churchsuite.co.uk/events/standzg2.

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Jeff Buckley - Hallelujah.




Just As I Am: A weekend of events on Disability and Church


Just As I Am
Saturday 14 October – Sunday 15 October 2017


A weekend of events to mark our 6th annual conference on Disability and Church, a partnership between St Martin-in-the-Fields and Inclusive Church.


Just As I Am: Living Theology
Saturday 14 October, 10.30am – 4.30pm
St Martin’s Hall


What does it mean to be disabled, and what might that say about God? Do our stories tell us something of God’s story? Are we living theology?

Through plenary talks and working in small groups, with a silent space and a marketplace, we explore the ideas arising from our experience and consider how we can resource each other and the Church. Organised by and for disabled people, supporters and those with an interest in disability. Speakers to be announced.

Cost: £20/£10 concessions
Registration: www.inclusive-church.org/disability-conference. Spaces are limited.


Just As I Am: Eucharist and Healing Service
Sunday 15 October, 10.00am – 11.30am


A special liturgy for St Luke’s Day which reflects the weekend’s themes, written by members of St Martin’s Disability Advisory Group and Healing Team. The service includes the laying on of hands and anointing with oil, accompanied by prayers for healing – for yourself, someone else or the wider world. All are welcome.



Just As I Am: Summer in the Forest
Sunday 15 October, 2.00pm – 4.30pm
St Martin’s Hall


A special screening of this feature-length documentary film. Summer in the Forest follows the life of the L’Arche community in Trosly, France, where people with learning difficulties and those who support them have found what it truly means to be human. We are delighted to be joined by filmmakers and others to share their experience, and invite us to consider the ideas raised.

Registration: https://justasiam-summerintheforest.eventbrite.co.uk

Tickets are free with a retiring collection to cover costs – suggested donation £5.

www.summerintheforest.com

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