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Thursday, 21 January 2016

St Stephen Walbrook: Spring 2016 Newsletter


The Spring 2016 Newsletter for St Stephen Walbrook is now available - click here to view.

Highlights include:
  • Lenten art, study & worship
  • Start:Stop
  • Autumn 2015 events
  • London Internet Church
  • Silent Retreat
  • Art & Music at St Stephen Walbrook
Lent at St Stephen Walbrook will begin with a Eucharist with ashing on Ash Wednesday and will include an art exhibition by Alan Everett, a digital art installation by Michael Takeo Magruder, art talks by the Walbrook Art Group, the Bank Churches Lent Course on The Creeds, Discover & explore services, plus our regular Thursday lunchtimeEucharist.

Download the latest newsletter.

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Morten Lauridsen - Sure On This Shining Night.

Discover & explore: hope, faith , life, love, dreams, joy, truth and soul


Discover & explore: A service series of musical discovery exploring themes of hope, faith , life, love, dreams, joy, truth and soul

St Stephen Walbrook, 39 Walbrook, London EC4N 8BN
Mondays from 1st February – 21st March, 1.10 – 1.50pm

Music and liturgy with the Choral Scholars of St Martin-in-the-Fields, based on Eric Whitacre's anthem 'Hope, Faith, Life, Love'.

Discover & explore services explore their themes through a thoughtful mix of music, prayers, readings and reflections.
  • “A perfect service of peace in our busy lives.”
  • “Spiritual food in the middle of the day.”
  • “Beautifully and intelligently done.”
Discover & explore is “like a little jewel with a number of facets drawing us in and lighting our path.”

All Discover & explore services begin at 1.10pm:
  • Monday 1st February: Hope
  • Monday 8th February: Faith
  • Monday 15th February: Life
  • Monday 22nd February: Love
  • Monday 29th February: Dreams
  • Monday 7th March: Joy
  • Monday 14th March: Truth
  • Monday 21st March: Soul
The Choral Scholars of St Martin-in-the-Fields have an essential musical role at that great church. Every year twelve scholars are appointed to sing regular services while also gaining concert experience, benefiting from an extensive training in all aspects of sacred and secular choral music.

St Stephen Walbrook is an Anglican Parish Church which is rich in heritage, but one which remains actively involved in the City of London. With an almost perfect acoustic for choral singing and a renowned organ famed for its regular Friday recitals for City workers, St Stephen Walbrook stands witness next to the Mansion House at the heart of the City it was built to serve.

Opening hours, Monday – Tuesday, Thursday - Friday 10.00am – 4.00pm, Wednesdays 11.00am – 3.00pm. Recitals on Tuesdays (1.00pm) and Fridays (12.30pm), Eucharist on Thursdays (12.45pm).

St Stephen Walbrook - Tel: 020 7626 9000; Email: office@ststephenwalbrook.net; Web: ststephenwalbrook.net.

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Eric Whitacre - Hope, Faith, Life, Love.

Tuesday, 19 January 2016

Start:Stop - Water into wine


Bible reading

“… standing there were six stone water jars for the Jewish rites of purification, each holding twenty or thirty gallons. Jesus said to them, “Fill the jars with water.” And they filled them up to the brim. He said to them, “Now draw some out, and take it to the chief steward.” So they took it. When the steward tasted the water that had become wine, and did not know where it came from (though the servants who had drawn the water knew), the steward called the bridegroom and said to him, “Everyone serves the good wine first, and then the inferior wine after the guests have become drunk. But you have kept the good wine until now.” Jesus did this, the first of his signs, in Cana of Galilee, and revealed his glory; and his disciples believed in him. (John 2. 6 – 11)

Meditation

Water is essential to life. The human body is 75% water and needs a constant supply of water to function. The average person can only survive for about three days without any water at all. So, water is a basic need for all of us and speaks to us of the basic needs that we all need to be fulfilled in order that we can live and live comfortably. This is why we pray, in the Lord’s Prayer, give us this day our daily bread. This is a prayer for our basic needs.

But God wants something better for us than a life based just on the meeting of our basic needs and the turning of water into wine gives us a clue as to what that better thing is. Wine reminds us of the sacrifice of Jesus on the cross; that moment when, out of love for all people, he lays down his own life in order to save us from all that is wrong with our lives and our world. So, wine is a reminder to us of the fact that the greatest love is shown through sacrifice.

This is the transformation that Jesus seeks to bring to human life. It is a change from human existence to human life; a change from the selfish experience of meeting our own basic needs to the spiritual experience of sharing what we have will others; a change from the evolutionary imperative of the survival of the fittest to the Christian imperative of sacrificial love.

We all have a need and a desire for there to be more to our lives than simply the survival of the fittest; the scramble to meet our basic needs. Yet when we are in genuine need and poverty, it is very difficult to think about anything else other than survival. But, then, when we are in the fortunate position of having our basic needs met, we have the time and space and (hopefully) inclination to look around us to develop a compassion, like that of Jesus, which sees the needs of those whose basic needs are not being met and responds to that by sharing at least some of what we have.

This transformation is symbolised in the pouring out of the wine from the water jars. It may even be that this is the moment of transformation. Just as what is drawn from the water jars to be shared with others is wine, so as we give to others we are transformed from selfish to sacrificial. It may be that it is in the act of giving that our transformation comes.

Prayer

Dear God, give us this day our basic needs; all that we need to be fulfilled in order that we live and live comfortably. We pray this, though, that we have the time and space and inclination to look around us to develop a compassion, like that of Jesus, which sees the needs of those whose basic needs are not being met and responds to that by sharing at least some of what we have.

Give us this day our daily bread, then use our lives in giving to others.

Dear God, You promise in Psalm 23 to be close beside us and protect us even as we walk through the darkest valley. We claim this promise for those who trek to get water for their families. Stay close to them, strengthen them, and protect them. We thank You for an end to drought in places such as the Horn of Africa. We pray that families in West Africa and elsewhere will have enough rain to grow food crops.

Give us this day our daily bread, then use our lives in giving to others.

Dear God, remind us of Your command to love our neighbours as we love ourselves. Don't let us rest until we know we have done everything we can to meet the basic needs of others, particularly for clean water. Give wisdom to Your people in relief agencies as they seek to bring clean water and other lifesaving interventions to millions more families around the globe. Thank You for equipping those who love You as they bring new health and opportunities to the world's most vulnerable people.

Give us this day our daily bread, then use our lives in giving to others.

Blessing

Meeting our basic needs, developing a compassion like that of Jesus, equipping us to bring health and opportunities to the world’s most vulnerable. May those blessings of almighty God, Father, Son and Holy Spirit, be with us and rest upon us, now and always. Amen.

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Nick Cave and the Bad Seeds - Oh My Lord.

Sabbatical Art Pilgrimage: Latest ArtWay report

My latest Church of the Month report for ArtWay focuses on St Paul's Goodmayes. 

'St. Paul’s Goodmayes has been a prolific and generous patron of the arts. It contains a vast array of artwork reflecting the movement in church art from the medievalism of the Arts and Crafts movement through the angular, Cubist influences of Leonard Evetts to the semiabstract work of contemporary artist Henry Shelton, as well as a range of materials, including stained glass, silver, brass, copper, stone, wood, oil, watercolors, wrought iron, gilding, and ceramics. Contributing studios include Fullers, Morris & Co., Whitefriars, and the Faith Craft Company, with designs from artists such as Sir Edward Burne-Jones, J. H. Dearle, Leonard Evetts, Alfred Fisher, Jane Quail, and Henry Shelton..'

This Church of the Month report follows on from others about Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Église de Saint-Paul à Grange-Canal, Lumen, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church and St Mary the Virgin, Downe, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

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Leonard Cohen and The Webb Sisters - If it Be Your Will.

Sunday, 17 January 2016

Sermon: The moment of transformation

This was my sermon for the Eucharist at St Vedast-alias-Foster this morning:

The writer of John’s Gospel says that this miracle is the first that Jesus performed but the word used for first also means that it is the key miracle, the one that unlocks and explains all the others (John 2: 1 – 11). So we need to ask ourselves what it is that we learn from this miracle that helps us to understand more fully what Jesus was doing through his ministry, death and resurrection.

The miracle is one of transformation; water being transformed into wine with this transformation bringing joy to the wedding guests. Dostoevsky, in The Brothers Karamasov, sees this miracle’s significance in the joy that Jesus brings to ordinary people: “It was not grief but men’s gladness that Jesus extolled when he worked his first miracle – he helped people to be happy … his heart was open … to the simple and artless joys of ignorant human beings, ignorant but not cunning, who had warmly bidden him to their poor wedding.” Later in John’s Gospel Jesus speaks himself about having come to bring life in all its fullness which must include this sense of joy and gladness in life. The filling of the water jars to the full also speaks of this sense of life being filled with goodness and gladness.

In Luke 6: 38 Jesus speaks again about fullness. Here he links our fullness to our giving: “Give to others, and God will give to you. Indeed, you will receive a full measure, a generous helping, poured out into your hands – all that you can hold.” This emphasis is important because the transformation of water into wine suggests that Jesus does not simply bless human life as it is but comes to transform it.

Water is essential to life. The human body is 75% water and needs a constant supply of water to function. The average person can only survive for about three days without any water at all. So, water is a basic need for all of us and speaks to us of the basic needs that we all need to be fulfilled in order that we can live and live comfortably.

But God wants something better for us than a life based just on the meeting of our basic needs and the turning of water into wine gives us a clue as to what that better thing is. Wine reminds us of the sacrifice of Jesus on the cross. That moment when, out of love for all people, he lays down his own life in order to save us from all that is wrong with our lives and our world. So, wine is a reminder to us of the fact that the greatest love is shown through sacrifice.

This is the transformation that Jesus seeks to bring to human life. It is a change from human existence to human life; a change from the selfish experience of meeting our own basic needs to the spiritual experience of sharing what we have will others; a change from the evolutionary imperative of the survival of the fittest to the Christian imperative of sacrificial love.

This transformation is also symbolised in the pouring out of the wine from the water jars. It may even be that this is the moment of transformation just as what is drawn from the water jars to be shared with others is wine so as we give to others we are transformed from selfish to sacrificial. It may be that it is in the act of giving that our transformation comes.

There is also significance in the reference to the role of the water jars in ritual washing. The water jars can be seen as signifying the Jewish faith that require such ritual cleansing but from those jars and from that faith comes a new wine that must be poured out and shared with others. The new wine is for all; not just for the first but kept for the last as well. Wine symbolises the blood of Christ which is shed for all. God’s grace is no longer contained solely within the confine of the Jewish faith; coming to God no longer requires the meeting of the standards of the Law. This new wine bursts the old skins and is shared with all people of every nation, race, gender, age and sexuality.

So we see depicted a change from the old order, the old covenant, to the new. And this change extends the transformation to all. What is depicted then is not solely a change for us as individuals but a societal change no longer affecting one nation but all nations. What is depicted is a new way of life, a new way of being human, which can, perhaps, be summed up in the words of John 15: 13, “Greater love has no one than this, that one lay down his life for his friends”. He looks at all of us, at all human beings, and says, “You are my friends”. Jesus allowed his own life to end so that all people could know what it is like to really live.

In 21st century Britain we live in a culture that is parched and dry and desperately in need of the water of life. I still remember a Guardian article outlining reasons why kindness has gone out of fashion in the age of the free market and the selfish gene. The writers noted that “for most of western history the dominant tradition of kindness has been Christianity” which “functioned as a cultural cement, binding individuals into society” until “the Christian rule ‘love thy neighbour as thyself’ came under increasing attack from competitive individualism.” Our society is parched of kindness and we need Jesus to bring transformation.

In Isaiah we read: “The poor and needy search for water, but there is none; their tongues are parched with thirst. But I the LORD will answer them; I, the God of Israel, will not forsake them. I will make rivers flow on barren heights, and springs within the valleys. I will turn the desert into pools of water, and the parched ground into springs.” (Isaiah 41. 17 & 18)

Our Psalm promised that we shall be satisfied with the abundance of God’s house; we shall drink from the river of God’s delights. For with God is the well of life and in his light shall we see light (Psalm 36).

Jesus is the river that flows in the desert of our selfish, self-centred existence because he shows us how to live in his new way of being human, loving God with all our being and loving our neighbours as ourselves. God wants us to look at Jesus and see how human life was originally intended to be lived before we chose the path of self-centredness. It is when we look at Jesus and begin to live life his way that transformation comes in our lives and our world. The water of our lives and our communities can become wine.

When that is so for us as individuals, as communities and even as a nation then, as we heard in our reading from Isaiah, we shall be a crown of beauty in the hand of the Lord, and a royal diadem in the hand of your God. You shall no more be termed Forsaken, and your land shall no more be termed Desolate (Isaiah 62. 1 – 5).

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The Waterboys - My Love Is My Rock In The Weary Land.

Saturday, 16 January 2016

Legal Aesthetics and the Architectural Ambiguities of St Stephen Walbrook

In this Research Seminar at the Courtauld Institute, Timothy Hyde addressed the theme of incongruity in modern architecture through examination of the installation of an altar sculpted by Henry Moore in 1972 into St Stephen Walbrook, a church designed by Christopher Wren in 1672.

Hyde began by noting a coexistence of eras in this installation with connections between the moments of rebuilding inherent in the 1960s and post-Great Fire of London. Neo-classical services had the pulpit as the focal point ensuring that those in box pews could see and hear the preacher, while the altar was smaller and less visible. By 1967, when the idea of a new stone altar began to emerge at St Stephen Walbrook, celebrations of Communion had become more frequent, the box pews had been replaced as part of the erosion of class privilege and the socially engaged Rector, Chad Varah, asked Henry Moore to forget all altars he had seen previously and think in terms of the primitive, rough-hewn altars of the Old Testament. In line with an increased sense of spatial and emotional proximities, it was proposed that a circular altar be centrally placed under Wren's dome.

There was no formal opposition to the altar at the beginning of the faculty process but, as the City and parish has few residents, the Archbishop registered an objection in order that the case be heard by the London Consistory Court. There, the arguments revolved around aesthetic and theological issues. Debate included the effect on Wren's severely geometrical design of introducing a form that was tactile and indeterminate. The resulting focus on the dome and the square within which it is set could also represss the longitudinal axis of Wren's design. These are debates regarding congruence and how it is defined and assessed. This debate saw similar aesthetic arguments made to those used at about the same time in relation to the extension to the National Gallery and the construction of both Lloyds of London and No. 1 Poultry.  

At the Consistory Court, however, it was theological issues that proved definitive. These concerned the definition of an altar in regard to the Canons of the Church of England and a precedent set in relation to a restoration of the Ecclesiological Society of the Round Church in Cambridge in 1845. There a fixed stone altar had been introduced as part of a restoration looking back to the original Romanesque design of the church. However, the Canons, based as they were on the theology of the Reformers, said that communion should be celebrated from a table not an altar, as Communion is a remembering, not a repeat, of Christ's sacrifice. The precedent set through the case of the Round Church was that a table, while it could be of stone, could not be fixed without becoming an altar. At the Consistory Court hearing Chancellor GH Newsom QC ruled that the Moore sculpture was an altar not a table and therefore was not congruent with the Canons. In doing so, he also established that uniformity of architecture cannot be given precedence over theological or doctrinal issues within the Church of England.

An appeal was then able to be made to the Court of Ecclesiastical Causes Reserved because the judgement had turned on a doctrinal issue. This Court was not bound by earlier precedents and could consider issue afresh. This Court preferred a broader definition of table to that used by the Chancellor and on this basis agreed that the altar could be installed. Their decision and debates in arriving at that decision were symptomatic of post-modern awareness of the ambiguities of language. The Consistory Court decision was compatible with the thinking of late modernity, while that of the Court of Ecclesiastical Causes Reserved was consistent with post-modern ideas.

The implications of this installation tested and exceeded conventional frameworks of explication such as intentionality or style, and in so doing opened a view onto intricate exchanges between otherwise incommensurable registers of judgment. Unfolding the complicated legal and aesthetic history of this particular architectural, sculptural, and theological act suggested possibilities for considering facets of architectural postmodernity outside of the disciplinary frameworks of architecture itself.

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Windows on the world (375)


London, 2015

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The Beach Boys - I Just Wasn't Made For These Times.