'ON ENTERING Gallery 1A at the Djanogly Gallery, one sees a series of dismembered torsos — the arms of all the figures being absent — of the crucified Christ in cast Jesmonite, primarily white, but with gold and pink also used, and hung upside down from ropes the ends of which trail across the floor. In this, the largest sculptural installation here, some of the torsos wear life jackets, pointing to recent political and humanitarian events.
Untitled I highlights “how the white European male has dominated the image of Christ” and challenges white viewers with the question how they “reconcile exemplifying Christ whilst reaping unjust benefits from being white”. Forbes has, for many years, questioned this aspect of religion, “believing that it is morally and theologically incumbent upon Christians to realise how whiteness confers privileges that have an impact on the lives of black people and people of colour”. The installation (through the inclusion of life jackets) raises these questions in relation to the legacies of the slave trade and also the current refugee crisis.'
Click here for my Artlyst diary for October which also includes this exhibition.
Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here and those for Art+Christianity are here. See also Modern religious art: airbrushed from art history?
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Ben Harper - With My Own Two Hands.
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