'The shape of a cross, which brings together vertical and horizontal trajectories, became Rainer’s typical and characteristic painting surface. This shape bears within it a broad range of substantive connotations such as death, mystery, and transitoriness.
Crosses and crucifixions are a thread that runs through all of Rainer’s work. Indeed, he regularly uses other visual material from Christianity, such as Roman or Byzantine images of Christ or the Madonna, and, between 1995 and 1998, produced a remarkable sequence of overpainted Bible illustrations, in which he responded to originals ranging from 10th-century illustrated manuscripts to the art of the 19th century.'
My other Artlyst articles and interviews are:
- A Belonging Project And Exiles Loss and Displacement
- Robert Polidori: Fra Angelico Opus Operantis
- Art, Faith, Church Patronage and Modernity
- Contemplating the Spiritual in Contemporary Art
- Mat Collishaw Challenges Faith Perspectives With Ushaw Installation
- Waterloo Festival Launches At St. John’s Waterloo
- John Bellany Alan Davie Spiritual Joy and Magic
- RIFT Unites 17 Art and Science MA Graduates At Central St Martins
- Visionary Cities: Michael Takeo Magruder – British Library
- Van Gogh’s Religious Journey Around London
- William Congdon Holy Sites And The Kettle’s Yard Connection
- Mark Dean Premieres Pastiche Mass At Banqueting Hall Chelsea College of Arts
- John Kirby: The Torment Underlying The Civilised Facade
- Curating Spiritual Sensibilities In Changing Times
- Ken Currie: Protest Defeat And Victory
- Bosco Sodi: A Moment Of Genesis
- Bill Viola And The Art Of Contemplation
- Art In Churches 2018: Spiritual Combinations Explored
- Sister Wendy Beckett – A Reminiscence
- Marleen Hengelaar-Rookmaaker On The Legacy Of ArtWay
- Guido Guidi: Per Strada Flowers Gallery London
- Peter Howson Artlyst Interview
- Peter Howson: The play is over – Flowers Gallery
- Camille Henrot: Scientific History And Creation Story Mash Up
- Nicola Green Explores Recent And Contemporary Religious Leaders – St Martin-in-the-Fields
- Art And The Consequences Of War Explored In Two Exhibitions
- Helaine Blumenfeld Translating Her Vision
- Alastair Gordon A Testament To His Faith
- Sacred Noise: Explores Religion, Faith And Divinity
- Bill Viola: Quiet Contemplative Video Installation St Cuthbert’s Church Edinburgh
- The ground-breaking work of Sister Corita Kent
- Katrina Moss Chaiya Art Awards Interview: Where is God in our 21st century world?
- Picasso To Souza: The Crucifixion Imagery Rarely Exhibited
- Apocalypse Now: Michael Takeo Magruder Interviewed
- Jonathan Anderson: Religious Inspirations Behind Modernism
- Michael Takeo Magruder: De / coding the Apocalypse – Panacea Museum
- Giorgio Griffa: The Golden Ratio And Inexplicable Knowledge
- Arabella Dorman Unveils New Installation At St James Church Piccadilly
- Can Art Transform Society?
- Art Awakening Humanity Conference Report
- Central St Martins in the Fields Design Then And Now
- The Sacramental And Liturgical Nature Of Conceptual Art
- Caravan – An Interview With Rev Paul Gordon Chandler On Arts Peacebuilding
- Art Awakening Humanity Alexander de Cadenet Interviewed
- Polish Art In Britain Centenary Marked At London’s Ben Uri Gallery
- Michael Pendry New Installation Lights Up St Martin In The Fields;
- Mark Dean Projects Stations of the Cross Videos On Henry Moore Altar;
- Refugee Artists Learning from The Lives Of Others;
- The Religious Impulses Of Robert Rauschenberg;
- The Christian Science Connection Within The British Modern Art Movement;
- Artists Rebranding The Christmas Tree Tradition;
- Art Impacted - A Radical Response To Radicalisation;
- The Art of St Martin-in-the-Fields; and
- Was Caravaggio A Good Christian?
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The Innocence Mission - Evensong.
The Innocence Mission - Evensong.
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