Wikio - Top Blogs - Religion and belief

Saturday, 13 November 2021

ArtWay - Sidney Nolan: Angel over Ely

My latest Visual Meditation for ArtWay focuses on 'Angel over Ely' by Sidney Nolan:

'Sidney Nolan was one of Australia's best-known artists from the 20th century, his reputation resting primarily on paintings of Australian landscapes and legends from Australian history, most famously Ned Kelly, the bushranger and outlaw. However, his work is also among the most diverse in modern art, with images in a wide variety of mediums as he worked quickly in series and regularly innovated in his use of materials.

Angel over Ely was painted using ink and enamel on glass and is one of over 130 such paintings Nolan produced between 1948 and 1951. Nolan painted this image after a visit to Ely Cathedral in England during the winter of 1950–51, while staying with his wife Cynthia’s sister in Cambridge. The image represents the moment when religious symbolism returned to his repertoire, inspired by the thought of angels over the cathedral and a subsequent trip to Italy. The subject of floating or flying angels then recurs constantly in his magnificent religious series of 1951/52 set against an Australian outback landscape.

Nolan wrote to fellow artist Albert Tucker in 1951 saying: "Our trip to Europe forced a few vigorous conclusions on me. The outstanding one being that the painters who moved me most (El Greco & Giotto) seemed men primarily of faith."'

For more on Sidney Nolan see my preview for Artlyst of Sidney Nolan: Colour of the Sky – Auschwitz Paintings and Sidney Nolan's Africa, my interview with Andrew Turley.

My visual meditations include work by María Inés Aguirre, Giampaolo Babetto, Marian Bohusz-Szyszko, Alexander de Cadenet, Christopher Clack, Marlene Dumas, Terry Ffyffe, Jake Flood, Antoni Gaudi, Nicola Green, Maciej Hoffman, Lakwena Maciver, S. Billie Mandle, Giacomo Manzù, Michael Pendry, Maurice Novarina, Regan O'Callaghan, Ana Maria Pacheco, John Piper, Nicola Ravenscroft, Albert Servaes, Henry Shelton, Anna Sikorska, Jan Toorop, Edmund de Waal and Sane Wadu.

My Church of the Month reports include: All Saints Parish Church, Tudeley, Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Churches in Little Walsingham, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Eton College Chapel, Lumen, Metz Cathedral, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St. Margaret’s Church, Ditchling, and Ditchling Museum of Art + Craft, St Mary the Virgin, Downe, St Michael and All Angels Berwick and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

Blogs for ArtWay include: Congruity and controversy: exploring issues for contemporary commissions;
Photographing Religious Practice; Spirituality and/in Modern Art; and The Spirituality of the Artist-Clown.

Interviews for ArtWay include: Sophie Hacker and Peter Koenig. I also interviewed ArtWay founder Marleen Hengelaar Rookmaaker for Artlyst.

I have reviewed: Art and the Church: A Fractious Embrace, Kempe: The Life, Art and Legacy of Charles Eamer Kempe and Jazz, Blues, and Spirituals.

Other of my writings for ArtWay can be found here. My pieces for Church Times can be found here. Those for Artlyst are here and those for Art+Christianity are here. See also
Modern religious art: airbrushed from art history?

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Love - Orange Skies.

Wednesday, 10 November 2021

Dare you to move

Here's the reflection I shared during today's Choral Eucharist at St Martin-in-the-Fields:

Only one in 10 of the lepers who were healed came back to thank Jesus for his healing and, as a result, many sermons have been preached from this passage (Luke 17. 11 - 19) on a perceived lack of thankfulness in our lives.

There is, however, a simple reason why only one came back and that is that their healing didn't happen instantly but only as they did what Jesus had told them to do and went to see the priest who could confirm that their leprosy was healed and readmit them to the community.

All 10 did as Jesus said, all 10 were healed as they did so, nine continued to see the priest as they had been told to do, while one returned to thank Jesus before then continuing to see the priest. Like Jesus, we can certainly celebrate the thankfulness of the one who returned but there are also significant lessons to learn from the fact that the healing of the 10 occurred as they were obedient and as they were travelling.

As human beings we often find security in sameness, in repetition, and in things remaining the same. The result can be that we also remain the same and do not change. Change inevitably involves disruption and movement; something different needs to happen in order that we change. That is what Jesus calls these 10 lepers to experience. Having been ostracised by society because of their condition they have understandably banded together to support each other on the edge of society.

In Jesus' time, to make the journey back from the edge of society people had to be examined by a priest who had to confirm that their condition had been healed before they could be readmitted to society. That is what Jesus told them to go and do but it is significant that they had not been healed at the point that he told them to go. He told them to go, to move, to make a change but they were not healed until they had begun to make the change and were on their way to see the priest. This is why they don't all thank Jesus; they are not with Jesus when the healing comes.

As well as being willing to make a move, to change, they also had to trust in Jesus and in his instructions. It would have been easy to say, 'I'm no different, I'm not healed, therefore there's no point in going to see the priest.' They could have stayed where they were in what had become familiar and safe for them. Instead, they all set out on what was a risky undertaking where they could have been exposed to ridicule, as if their healing had not occurred on the way, they could have gone to the priest and have been turned away in disgrace as delusional lepers.

There will be points in all our lives where our experience will be similar. We will have been in one place or one role or one way of doing and being for too long and we will be stagnating as a result. Something has to change in order that we grow and develop in new ways and in different aspects of our lives. Sometimes we recognise the situation and choose to change, sometimes the change is forced on us. However it begins and however resentful we might sometimes feel, the only way for us to experience growth and develop in this situation is to make the move and accept the change. While we may not be thankful at the time, often, with hindsight, we can see that change was actually good for us.

The rock band Switchfoot put it like this:

“The tension is here
Between who you are and who you could be
Between how it is and how it should be

I dare you to move
I dare you to lift yourself up off the floor
I dare you to move
Like today never happened before”

Change is constant – it inevitably comes - there are always challenges to be faced and overcome. What needs to change in us is our attitude towards change, our acceptance of it and our willingness to face it. We can pray: May we be equal to the task ahead of us, ready to renew ourselves, ready to take on the new, anxious to let go of old ideas that no longer fit, moving with confidence, into the future, your future. Make us strong enough to triumph, flexible enough to grow and change as needed, optimistic enough to see the new opportunities as we move into the changing landscape of our lives. May we accept and welcome the change that will inevitably come.

Jesus was the catalyst for change and the predictor of change for the 10 lepers, as was also the case for his first disciples. We can pray: Help us to see you clearly in the challenges and changes of our times that you might also be our Lord and guide today. Transform the poverty of our nature by the riches of your grace, and in the renewal of our lives make known your heavenly glory. Calm our concerns, show us new opportunities, and give us the freedom to discover ourselves afresh in serving you. Show us what you have stored up for us and give us the courage to follow you.

Having support in making changes - the encouragement of Jesus to make the move and the benefit of being part of a group as they do so - is clearly very significant. If we are those needing to make a change then finding the support of others in doing so is wise while, if not, we can seek to be among those who support others in making changes. The key is to recognise that movement and change needs to occur if growth, development and healing is also to come. So, I pray the blessing of new opportunities, renewal of our lives, flexibility to grow, moving with confidence into the future, and God’s heavenly glory made known to rest upon you and remain with you always. Amen.

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Switchfoot - Dare You To Move.

Sunday, 7 November 2021

The Affirmative and the Negative Ways

Here's the reflection that I shared during Sacred Space at St Martin-in-the-Fields this evening:

Rowan Williams' book Silence and Honey Cakes: The Wisdom of the Desert takes its title from a story about two of the Desert Fathers: ‘… two large boats floating on the river were shown to him. In one of them sat Abba Arsenius and the Holy Spirit of God in complete silence. And in the other boat was Abba Moses, with the angels of God; they were all eating honey cakes.’

A man visits the desert fathers and experiences two approaches to spirituality. One involves abstinence, particularly from speech through silence, while the other involves an open welcome, enjoyment of company and the eating of honey cakes. The man expresses a preference for the latter, which leads another to question how such different paths to God can exist. He then receives a vision in which God accepts both.

Rowan Williams explores this story in terms of our different vocations. I would like to think about it in terms of the two different ways to God that the story juxtaposes. They are also the two different paths found in Psalm 23 – the path through green pastures and beside still waters and the path through the valley of the shadow of death.

In one we find God in the world around of us - the people, places, creatures and creations including the green pastures and still waters. In addition, we use these things as visual or lingual images which reveal aspects of God to us. This is an affirmative way based on the understanding that God's creation is good and that something of the creator can be seen in the creation. This is a way of abundance – a spread table, a full cup, goodness and mercy. It’s also the way of the Arts, where multiple images and experiences build up a composite picture of God. This is the way of Abba Moses in the boat together with honey cakes and the angels of God.

The other way is visualised by Abba Arsenius who is silent in his boat with the Holy Spirit of God. This is the way of abstinence which recognises the inadequacy of every image and word and creature and creation to show or tell us about God. God is always more than any way of describing or imaging him and, therefore, the best way to experience God as is, is to dispense with words and images altogether and go by way of silence and darkness. As a result, this way of experiencing God is known as the negative way or also, sometimes, as the dark night of the soul which can involve travelling through the valley of the shadow of death. While the way of abundance is more easily and readily reflected in the Arts, the Arts can and do engage also with the negative way, as is evidenced by the fact that the phrase ‘dark night of the soul’ derives from a poem by St John of the Cross.

Both ways lead to God, but, as they are polar opposites, they approach God by different routes and therefore we may, at times, have to choose between them and, if we were to follow either to their conclusion, we would have to make an ultimate choice, as Abba's Arsenius and Moses seem in the story to have done. However, it is possible to combine aspects of both approaches or to follow one way rather than the other at different seasons in our lives.

My thinking about these two ways to God has been informed by that of the poet, dramatist and novelist Charles Williams. His views on these two ways have been summarised as follows: ‘The Way of Affirmation consists in recognizing the immanence of God in all things, and says that appreciation of whom and what God has made may lead us to appreciation of Himself. The Way of Rejection concentrates on the transcendence of God, the recognition that God is never fully contained in His creation; it says that we must renounce all lesser images if we would apprehend His. These two Ways have been expressed by the paradox "This also is Thou; neither is this Thou," and tend generally to illustrate, respectively, Catholic or Protestant thought in their attitudes toward the use of images.

While Williams insists that a complement of both these Ways is necessary to the life of every Christian, and that none of us can walk the Kingdom's narrow road by only affirming or only rejecting ... yet he contends that Christians are usually called primarily to one Way or the other.’ 

While both these ways are ways to God, they are also ways to understanding ourselves; in itself a necessary part of our journey towards God. The greatest commandment is to love God and to love our neighbour as ourselves. Rowan Williams connects these things when he writes that the reason why ‘the desert monks and nuns valued self-awareness’ was that to ‘be a real agent for God to connect with [our] neighbour … each of us needs to know the specific truth about himself or herself.’

These two different ways to God that we have been considering provide, as you would expect, different ways in which to encounter and understand ourselves. On the Affirmative Way, the pre-eminent metaphor may be that of light. Light enables us to see all that is around us. As a result, we can then also perceive ourselves. When we look around us and see other people, creatures and objects, we can undertake an exercise in comparing and contrasting; thinking to ourselves I’m similar to this and I’m different from that. These thoughts connect with the South African word ‘Ubuntu’, which essentially means ‘I am because you are’, and the phrase ‘I-Thou’ explored by the philosopher Martin Buber, who wrote about ‘the I-Thou relationship, where our human relationships can only be truly authentic when we open ourselves fully to the other and encounter them as whole and unique persons.’ St Anthony the Great spoke about dependency being at the heart of community and our belonging to one another when he said that ‘Our life and our death is with our neighbour’ and, as a result Rowan Williams states that ‘only in the relations we have with one another can the love and mercy of God appear and become effective.'

On the Negative Way, the pre-eminent metaphor for knowing ourselves may be that of silence. In silence, we hear the working of our own minds, we hear our self-justification and unmask our need to defend our territory, establish our position, and defend our ego. As Rowan Williams states, ‘Our words help to strengthen the illusions with which we surround, protect and comfort ourselves; without silence, we shan’t get any closer to knowing who we are before God.’ Our ‘sense of the authentically human, depends and can only depend on the quality of our silence – the need to let go of words in certain ways, that willingness to occupy a space before God which is not a defended territory, defended against God or against anyone else. And because we occupy a space that isn’t a defended territory, it is space both for God and for each other. We are moving beyond our fascination, our hypnosis by the ideas of choice and individuality as conceived in the modern world, moving towards the possibility of a human life characterised by consistent instinctive responsiveness to the truth, acquiring an instinctive taste for truth. A taste for truth, that’s to say an appetite for what is real, so strong that it allows us constantly to keep ourselves in question, under scrutiny, not in an obsessional way but just going on asking, ‘Who is being served here? The ego or the truth?’

Which boat are we sitting in? In which would we wish to sit? Are our personalities fundamentally compatible with sharing silence or honey cakes? Have we found ways to combine the affirmative and the negative ways or to move between the two at different times and seasons of our lives?

While you are pondering those questions I close with two poems exploring first the Negative Way, second, the Affirmative.

are/are not

We hear you
and
do not.
We are with you
and
are not.
Through whom,
with whom
and in whom,
we are – what?

We are one
with what
we are
not.

No voice is audible,
yet we hear.
No hand touches ours,
yet we feel.
No eye has seen the glory,
yet we kneel.
What you are,
who you are
is and
is not
clear.

Knowing
and
not knowing.
In
and out
of touch.
Out of mind
yet
mindful.
Out of sight
yet
insight.

We are
in relation
to much
that is excess –
beyond
comprehension
and expectation –
being
night
and
light.

Attend, attend

Attend, attend, pay attention, contemplate.
Open eyes of faith to days, minutes,
moments of miracle and marvel; there is wildness
and wonder wherever you go, present
in moments that never repeat, running free,
never coming again. Savour, savour the present –
small things, dull moments, dry prayers –
sacraments of presence, sense of wonder,
daily divine depth in the here and now.
There’s only here, there’s only now,
these are the days, this is the fiery vision,
awe and wildness, miracle and flame. Take off
your shoes, stand in the holy fire; sacrament
of the burning, always consumed, never repeating
present moment, knowing the time is now.   

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Saturday, 6 November 2021

Inside the Rainbow: Seeing and Doing the Book of Revelation

 

Books have been a lifelong passion for Pieter Kwant. Pieter has told of a first encounter with theological books in a bookshop in South Africa where he was rooted to the spot after pulling a book off the shelf and devouring all its contents. Pieter went on to buy that book along with many more and later also began publishing them.

In South Africa he managed and owned a bookshop and came up with many imaginative ways of getting his books in front of potential customers, especially students. Then he came to Europe, where he worked for IVP and Paternoster before setting up his own publishing house and book agency, Piquant.

Pieter is also with Langham Partnership as the director of its literature program, focusing on resourcing institutions in the Majority World with evangelical theological books for libraries and students, developing and training Majority World writers and publishers, and pioneering partnerships to produce exceptional indigenous book projects such as the Africa Bible Commentary and the South Asia Bible Commentary, among other activities. There, he launched Langham Creative Projects which has published over 160 titles, producing academic evangelical resources, books for Majority World preachers, and textbooks and theology relevant for Majority World readers.

“Piquant” means “pungent, spicy” and the image that inspired Pieter and his team when they started out in publishing and literary agency work in 1999 came from 2 Corinthians 2:14 paraphrased as “to spread in every place the aroma that comes from knowing Christ”. Their initial plan was to “publish books in the arts that achieve the goals of “theology animating the arts” and “art seasoning faith”, as well as books that support missions, missionaries and believers in the Majority World.”

Early on they published books about art by Hans Rookmaaker, Calvin Seerveld, Alistair Gordon, Betty Spackman and books about artists by Peter Smith, Roger Wagner, Maria Gabankova, John Walford, Anneke Kaai, Dunstan Massey and Ben Simpson. The vision of Piquant for publishing them was to help ordinary Christians understand visual culture.

Pieter notes big changes since then. Christians in the arts are not such a rare breed anymore, and the arts have become far more integrated in expressing faith. Both theology and pastoral work regularly employ the arts now. What he thinks has not changed is the church, the gospel, and the powerful “seeing”, “hearing”, “knowing” and “healing” that theology and the arts can unlock. And that a book can waft in the “sweet aroma of Jesus” to surprise you with hope and joy.

That “sweet aroma of Jesus” is no doubt what he hopes will be spread by his first book of his own words and images, ‘Inside the Rainbow:Seeing and Doing the Book of Revelation (Vol 1)’. Having immersed himself over the last seven years in reading every commentary he can find on Revelation, and picking up his teenage hobby of painting, Pieter here retraces the process whereby John first “saw” Revelation before writing it down, now moving from (biblical) text to image…

In this, Pieter takes his stand on the shoulders of both giant biblical commentators and visual artists over the centuries as he engages Revelation in a personal way that he hopes will make this, often obscure, text approachable even to children! His big hope, and the challenge he set himself, is that readers may be emboldened not to shrink from looking deeply into this concluding book of the Bible – reading and hearing (by doing) it!

His engagement with Revelation was sparked by the vivid images and vibrant colours found in the book. His acrylic paintings often quote visually from or repurpose other classic works including works by Vincent van Gogh and the medieval Beatus collection. The best of these To Be Happy is a collage incorporating photographs of his wife Elria and their grandchildren reading together surrounded by angels from the Beatus in front of the New Jerusalem window at Manchester Cathedral. The painting is drenched in the colours of the window and radiates the joy of the happiness sayings – the be-attitudes – of Revelation.

The book also contains Pieter’s reflections on the themes of Revelation itself. He notes that Revelation was written for a time that is “near” – that is, near the time when it was written but also says the text has more than one “horizon”. As a result, throughout every age the church has been able to apply Revelation’s message to herself and put it into practice. He also suggests that what is soon to take place may not be the final coming of Jesus just yet.

Although he wants to take John at his word about what will soon take place, he also wants to hold to there being a future coming. The problem with this position is that because it leaves us looking forward, it tends to distract us from focusing on all the ways in which Jesus did come near the time of John’s prophecy. That is what is most important for us, as those are all the ways in which Jesus is with us still.

He is clear, however, that the key focus in reading Revelation is to keep Jesus at the centre and His work on behalf of and through His church. With this as the focus, the meaning of the Bible is revealed, from creation to new creation, from Eden to new Jerusalem, from word to new song. Inside the Rainbow is conceived to be the first in a series. As such, it focuses particularly on Revelation 1–3. Pieter makes it clear that he does not see these opening chapters as a strong separate section but as integral to the one story of Revelation. He ends with hints of what is to come in the later volumes. Revelation refracts the light of Christ so that the church is transformed into a living structure of light, as though we are sitting inside a rainbow. This is the joyful insight of this book, as also of To Be Happy.

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Gungor - Who We Are.

Windows on the world (352)


 Mallards Pike, 2021

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Aretha Franklin - How I Got Over.

Friday, 5 November 2021

Living God's Future Now: w/c 7 November 2021

'Living God’s Future Now’ is our mini online festival of theology, ideas and practice.

We’ve developed this in response to the pandemic and our changing world. The church is changing too, and - as we improvise and experiment - we can learn and support each other.

This is 'Living God’s Future Now’ - talks, workshops and discussion - hosted by HeartEdge. Created to equip, encourage and energise churches - from leaders to volunteers and enquirers - at the heart and on the edge.

The online programme includes:
  • Regular weekly workshops: Sermon Preparation (Tuesdays) and Community of Practitioners (Wednesdays)
  • One-off workshops on topics relevant to lockdown such as ‘Growing online communities’ and ‘Grief, Loss & Remembering’
Find earlier Living God’s Future Now sessions at https://www.facebook.com/pg/theHeartEdge/videos/?ref=page_internal.

Regular – Weekly
W/c 7 November 2021

For future events, check out the revamped events section of our website. HeartEdge partners can now promote their own events through the HeartEdge website. Just log in to the Partners' Area to submit your event details, whether in-person or online.

Sunday

Theology Reading Group
Zoom
Sunday 7 November, 20:00 (GMT)
Register here.

The St Martin-in-the-Fields and HeartEdge Theology Reading Group meets termly to discuss a book together. For this session we will be discussing Thomas Merton's The Seven Storey Mountain with Revd Dr Sam Wells, St Martin-in-the-Fields congregation and HeartEdge partners. All welcome.

Tuesday

Sermon Preparation Workshop
Livestreamed on the HeartEdge Facebook page.
Tuesday 9 November, 16:30-17:30 (GMT)

Join Sam Wells and Sally Hitchiner for a discussion of the Church of England lectionary readings for the coming Sunday and for a wide-ranging, practical discussion of preaching. If you would like to be a guest speaker at future workshops, email rose.lyddon@smitf.org.

Wednesday

Community of Practitioners
Zoom
Wednesday 10 November, 16:00-17:00 (GMT)
Email rose.lyddon@smitf.org to register.

This is open to all, including ordinands and lay leaders. Church leaders join in community, share and reflect together on their recent experiences in the form of wonderings with one of the HeartEdge team.

Catch up with missed sessions...

Why not catch up with the lectures, workshops and conversation you've missed in the last 14 months or so? If you head over to one of the following platforms you will find a wealth of resources that will inspire and equip for your work, whether you are ordained, lay, or simply enquiring.

Facebook - https://www.facebook.com/theHeartEdge

Youtube - https://www.youtube.com/channel/UCWUH-ngsbTAKMxCJmoIc7mQ

St Martin's Digital - https://stmartins.digital/heartedge/

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Deacon Blue - Bethlehem Begins.



Thursday, 4 November 2021

Artlyst - Bosco Sodi: In The Beginning Of Wisdom

My latest review for Artlyst is of Bosco Sodi: Totality at König London:

'Sodi has used the touch, tangibility and materiality of earth to evoke and contemplate the vast expanses of immaterial space. He uses the dust of the earth to recreate the dust that forms planets. He uses the particular to evoke the universal. He looks down for his materials and in his making, so we might look up in awe at the night sky and the galaxies.

We gather in contemplative space to view both the details of clay colours and cracks and the expanse of his installation and canvases. At one and the same time, his surfaces form planetary landscapes viewed from above – mountains, valleys, rivers – with the whites and golds of his paints evoking light on the cracks and crevices of these ravines and ranges while simultaneously also evoking celestial star systems.' 

An earlier review of a Sodi exhibition for Artlyst can be found at https://www.artlyst.com/features/bosco-sodi-moment-genesis-revd-jonathan-evens/. 

My other pieces for Artlyst are:

Interviews -
Articles -

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The Beatles - Across the Universe.