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Thursday, 5 October 2017

Tim Rollins and K.O.S., The moonlight was behind them...

“Great art is an instrument of God,” says Tim Rollins, founder of K.O.S. (Kids of Survival) who are exhibiting at Maureen Paley Gallery until 12 November. This is so, Rollins states, because you have to “bring faith to art as you do to God” and artists imitate “the penultimate creativity of God.”

However, you won’t see overtly religious imagery if you visit The moonlight was behind them...; in part, because the title of this exhibition finds its root in the gothic novel Dracula by Bram Stoker with an ominous darkness that Rollins and K.O.S. think relates to our current political and social condition.

Rollins’ collaboration with the members of K.O.S. takes the form of drawings, sculptural objects, paintings on canvas and paper. They highlight quotes from books, plays, operas and prose with which they engage as they relate the stories to their own experiences or to politics. Their art is created directly on these inspirational texts.

In this exhibition: “Gretchen am Spinnrade (after Goethe and Schubert) reflects on the swooning for Faust by Gretchen, distracted by her treadle. With the Brothers Grimm tale Rumpelstiltskin, the spinning of straw into gold hints at the blind pursuit of material splendour in a late capitalist period that might be seen to discourage critical thought. Tim Rollins and K.O.S. also revisit George Orwell's Animal Farm, with the relevance of the allegorical narrative only becoming more potent since its original publication. Other work makes reference to Goethe’s epistolary novel The Sorrows of Young Werther, 1774.”

Although they have engaged, on other occasions, with religious texts and imagery – as with I See the Promised Land or The Temptation of Saint Anthony – the religious underpinning of their work is not primarily found in their use of symbolism. Rather, it concerns their processes of creation.

These involve reading and researching inspirational texts in order to find images that make literature visible. K.O.S. artist Robert Branch has spoken of this process as one which involves struggle in a social experience. He says, “Art making doesn’t come with written instructions, with a step-by-step process.” Instead, you “just kind of feel it out” because art “is a process of faith.” In this way, Rollins suggests, you “become an instrument for something that cannot be articulated any other way.” “Like the paint, you’re a medium” for “some spirit … making something manifest.” This process of faith, Rollins says, is about making “the invisible visible, vision becoming visible, and making hope material, power manifest, and Spirit sensuous.”

Rollins is “an active member in the music, arts, and HIV/AIDS ministries at Memorial Baptist Church in Harlem” and draws deeply on his church experiences in discussing art as a process of faith. He speaks about Holy Ghost moments saying that people “underestimate the power of the Holy Spirit”: “We don’t make this work. It is not like speaking in tongues. It is the Holy Spirit present … Painting is capable of rapture. Our paintings are ecstatic utterances made material and visible.”

So, if you want to experience rapture, spiritual ecstasy and, even, the “glory of God,” then this exhibition based on horror, fairy tale and political allegory may be just the place to go.

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The Voices of East Harlem - Simple Song Of Freedom.

Business Harvest Festival



You are invited to the Business Harvest Festival at St Stephen Walbrook at 12.45pm on Thursday 12th October, followed by a light lunch. Our preacher on this occasion will be The Ven. Luke Miller, Archdeacon of London.

Traditionally, harvest is a time when the country gives thanks for the natural gifts of the land and the safe harvesting of them.

At St Stephen Walbrook, we give thanks for that but, as you may know, have a tradition of inviting representatives of local businesses to bring a symbol of their work and place it on the Henry Moore altar at the start of the service. Some examples of symbols presented in the past have been books, building development plans, food, financial accounts, a bottle of wine, a trowel, an insurance policy, a scaffolding bolt, and items of clothing. All will be returned after the service.

We very much hope that you will be able to join us and also include your business associates in the invitation. If you are able to attend, please do consider bringing a symbol of your work with you to place on the altar. Do stay afterwards, if you can, for a light lunch.

It would be a great help for catering purposes if you could let us know whether you or your colleagues can join us and present a symbol of your work. Please RSVP to office@ststephenwalbrook.net or phone 020 7626 9000.

You may also be interested in our next plus+ presentation which will take place at 6.30pm on Thursday 19 October (preceded by Evening Prayer at 6.15pm), when The Revd Sally Muggeridge will speak from personal experience about campaigns to increase the numbers of women on Boards.

plus+ presentations are a new series of events exploring the place of faith in the world of business. Future dates for plus+ presentations include:
  • 9th November Barbara Ridpath, Director of St Paul's Institute, will speak on Transitions: how to make life-changing career changes by choice or necessity. 
  • 18 January 2018, our presenter will be Professor Richard Higginson (Director of Faith in Business, Ridley Hall Cambridge) speaking about Christian entrepreneurs living out their faith. 
  • 15 February 2018 - Revd Dr Fiona Stewart-Darling, Canary Wharf MultiFaith Chaplaincy. 
Finally, our current art exhibition is 'Creations' by the sculptor Alexander de Cadenet. Alexander is exhibiting, until 3 November, a series of bronze and silver sculptures featuring ‘consumables’ that contain deeper spiritual messages. The works include a selection of his ‘Life-Burger’ hamburger sculptures and 'Creation' – a larger scale shiny bronze apple with three bites taken from it – two adult bites and baby bite in between. His sculptures explore the relationship between the spiritual dimension of art and consumerism and, at their root, are an exploration of what gives life meaning. These are themes which also link to this season of Harvest.

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Fred Pratt Green - For The Fruits Of His Creation.

Wednesday, 4 October 2017

central saint martins in the fields


central saint martins in the fields is an exhibition of work by recent art and design graduates from Central Saint Martins, University of the Arts London in the Crypt of St Martin-in-the-Fields, Trafalgar Square, London WC2N 4JH from 5 October – 4 November 2017 (Monday: 8am – 8pm, Tuesday: 8am – 8pm, Wednesday: 8am – 10.30pm, Thursday: 8am – 9pm, Friday: 8am – 9pm,
Saturday: 9am – 9pm, Sunday: 11am – 6pm).

St Martin's School of Art was established in 1854 by St Martin-in-the-Fields. The Revd Henry Mackenzie and others were concerned that art and design training should be developed alongside the religious and general education already provided by Church schools, to ‘extend the influence of science and art upon productive industry’ following the Great Exhibition of 1851.

The art school soon became independent, and over a century later in 1986 merged with Central School of Art and Design to become Central Saint Martins. Today, the College is an internationally recognised centre for art and design education and research, based in King’s Cross.

For this exhibition Central Saint Martins returns to one of its roots, St Martin-in-the-Fields. Over 150 years later, our connection remains the belief in the power of creativity as a catalyst for change in both individuals and the wider community.

The exhibition has been curated by Angela Sanchez del Campo and Mark Dunhill.

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London Sinfonietta & Central Saint Martins - SPEAKS.

The Canticle of the Creatures

Here is the reflection that I shared in the Choral Eucharist at St Martin-in-the-Fields today:

I recently visited the Friary at Hilfield which is part of the Society of St Francis, an Anglican Franciscan Religious Order. They are followers of Jesus Christ after the manner of St Francis of Assisi, the patron saint of ecology. Established in 1921 on the edge of the Dorset Downs and overlooking the Blackmore Vale, Hilfield has regularly provided refuge and rehabilitation for homeless men. Today, six Franciscan brothers form the core of a larger community who work on the Friary land - 19 acres of wildflower meadows and woodlands which have been designated as Special Nature Conservation Interest - and who offer hospitality to people of diverse backgrounds and needs. Each day is shaped by a pattern of prayer, meals together, work, reflection and recreation.

One of the many aspects of Hilfield that attracted my attention is their meditative Canticle Garden based on the Canticle of the Creatures which he composed towards the end of his life, a song which gives voice to all creation in praise and honour of God: Most High, all powerful, good Lord, To you be praise, glory, honour and blessing. Only to you, Most High, do they belong And no one is worthy to call upon your name. May you be praised, my Lord, with all your creatures…… and he goes on to include the sun, moon, stars, earth, water, fire, plants, fruits and flowers.

Brother Samuel from Hilfield has explained what Francis is doing in this Canticle as follows: ‘Everything gives praise, finds its true purpose, by being what it truly is and by doing what it does – the sun in shining, the moon in gleaming, the stars in glistening, the earth in producing fruit, fire in warming etc – and we, the human brothers and sisters of Francis, joining the song. Most people seem to think that worship is something done exclusively in and by churches – with organs and choirs and the like – and, certainly, the task of the Church is to offer praise and worship back to God, but Francis reminds us that when we worship in church we are joining in with something that has been going on since the beginning of time, since the ‘morning stars sang together’. Perhaps we should spend more effort and energy in trying to sing in harmony with them rather than just working our way through Hymns Ancient & Modern or Mission Praise! Having lived at Hilfield Friary now for a good number of years, I have seen from the experience of some of those who have come to us quite broken and lost and who have worked the land with us (and I know this from my own experience too) how engaging closely with creation can heal, restore and re-direct our lives; it can become an act of praise and worship. Singing from the same song-sheet with the whole created order brings us back into right relationship with ourselves, with each other and with the Source and Giver of all.’

It was for this reason that 'the Feast Day of Saint Francis was also designated World Animal Day in 1931 by ecologists in Florence Italy in order to bring focus to endangered species and celebrate animals everywhere. Numerous churches throughout the world observe the Sunday closest to October the 4th with a Blessing of the Animals, and animals are celebrated all over the world with celebrations in synagogues, parks and fields. The mission of World Animal Day is to: celebrate animal life in all its forms; celebrate humankind’s relationship with the animal kingdom; acknowledge the diverse roles that animals play in our lives – from being our companions, supporting and helping us, to bringing a sense of wonder into our lives; and acknowledge and be thankful for the way in which animals enrich our lives.'

'Today about 40% of all species on Earth are threatened with extinction due to habitat destruction, pollution, climate change, invasive species and illegal hunting, poaching and wildlife trade. There are about 3,100 animals classified worldwide as endangered and that number is growing larger every day. It is now more important than ever for people everywhere to take action to protect animals. Some simple steps you can take to protect animals are: protect wildlife habitats, pick up litter and participate in beach cleanups, recycle and reduce energy use and minimize the use of herbicides and pesticides.'

To take such simple steps is to begin to do what the Hilfield Community do, as they seek to put Jesus Christ at the heart of their community life and, following the example of St Francis, seek to: live in simplicity, humility and peace with each other; welcome others who come to visit us, especially the marginal and the stranger; have care for and delight in our environment; work for justice and peace in our world; witness to the abundant generosity of God in our life together; share the vision of living peacefully and sustainably in our world; and, as the Canticle of the Creatures enables us to do, join in the song of all creation in praise and thanksgiving.

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Sofia Gubaidulina - The Canticle of the Sun of St Francis of Assisi Part I.

Tuesday, 3 October 2017

Start:Stop - Disturb us, O Lord


Bible reading

When the woman saw that the tree was good for food, and that it was a delight to the eyes, and that the tree was to be desired to make one wise, she took of its fruit and ate; and she also gave some to her husband, who was with her, and he ate. Then the eyes of both were opened … They heard the sound of the Lord God walking in the garden at the time of the evening breeze, and the man and his wife hid themselves from the presence of the Lord God among the trees of the garden. 9 But the Lord God called to the man, and said to him … Have you eaten from the tree of which I commanded you not to eat?” The man said, “The woman whom you gave to be with me, she gave me fruit from the tree, and I ate.” Then the Lord God said to the woman, “What is this that you have done?” The woman said, “The serpent tricked me, and I ate.” (Genesis 3. 6 – 13)

Meditation

I was attracted to the opportunity to show Alexander de Cadenet’s sculptures at St Stephen Walbrook because the Christian scriptures and tradition raise important questions regarding what and how much we consume. Alex’s sculptures draw on the spiritual dimension in life to explore similar questions. The Life-Burger sculptures, in particular, explore the relationship between the spiritual dimension of art and consumerism and, at their root, are an exploration of what gives life meaning. This exhibition therefore provides a space in which profound personal reflection and review can occur.

L.A. art critic Peter Frank has stated that, "We're at a moment in modern history where the excess has gotten staggeringly wretched … For the meta-rich, the world is their fast food joint, and their appetite insatiable." When I interviewed Alex for Artlyst, I asked him why he thought this situation was problematic. He said: “What’s problematic is the desire to consume and accumulate for the sake of it – often to run away from pain or discomfort – beauty and pleasure can at some point become quite warped and grotesque without limits, where even the original value gets lost or diluted within excess. I think it’s become more and more prevalent in the world today.”

His other key work for this show is ‘Creation’ – a large scale shiny bronze apple with three bites taken from it – two adult bites and baby bite in between. This clearly references the second Creation story in the Book of Genesis, where Eve is tempted by the serpent to eat the apple from the Tree of the knowledge of Good and Evil which Adam and Eve had been forbidden to eat. Adam also eats the apple (the second adult bite) but when challenged by God passes the buck to Eve who then puts the blame on the serpent.

The Genesis Creation stories can be read as descriptions of key human tendencies such as our grasping after those things that we have been told we should not have, our willingness to cross boundaries to acquire them and our refusal to accept personal responsibility for our own actions when we are found out. You can see the link between these characteristics and the consumerist desires that are satirized in the ‘Life-Burgers’. The Biblical witness is that these desires characterise every generation. This may be why the baby bite appears in Alex’s ‘Creation’ as indication to these tendencies in future, as well as current, generations.

Yet, Alex has also stated that, “In Genesis, we were told by God not to take a bite from the apple, yet it was by taking a bite that we became ‘self-conscious’ and self-consciousness is what is necessary for making art.” This is also a part of the story as, by eating the apple, Adam and Eve gained knowledge of good and evil. This can be understood in terms of the development of consciousness in human beings which enables us to create, but which also means that our creativity can be used for good or for evil. The creation of luxury goods and of weapons of mass destruction involve considerable creativity on our part, as human beings, but may not have contributed greatly to our own well-being or that of society.

That brings us back, I think, to the possibility that this exhibition may provide a space in which profound personal reflection and review can occur as these sculptures are an exploration of what gives life meaning and purpose. I pray that that may be so and end with an extract from a prayer of Francis Drake, as adapted by Desmond Tutu: Disturb us, O Lord, when with the abundance of things we possess, we have lost our thirst for the water of life when, having fallen in love with time, we have ceased to dream of eternity and in our efforts to build a new earth, we have allowed our vision of Heaven to grow dim. Amen.

Prayers

O God, awaken us to the challenges of this day. Open our eyes to the subtle pervasiveness of consumerism, that we might see our culture, the church, and ourselves in your divine light. Remind us that you are the source of our hope and the giver of all that is good. You alone are worthy of our praise. Bring us to new life, that we might be your people.

Disturb us, O Lord, when with the abundance of things we possess, we have lost our thirst for the water of life.

Jesus, we come before you with the sincere desire to be faithful. Yet we are often misguided and fail to reflect your image in us. We confess we are seduced by the lure of greater wealth and the accumulation of things; help us find true contentment in your presence and your grace. We confess that we are sometimes overwhelmed with the disparity between rich and poor and that we do not know how to respond. Help us to build your kingdom of peace and justice.

Disturb us, O Lord, when with the abundance of things we possess, we have lost our thirst for the water of life.

(https://www.ncchurches.org/lectionary-archive/year-c/materialism-consumerism-proper-13/)

Blessing

Disturb us, O Lord, when with the abundance of things we possess, we have lost our thirst for the water of life when, having fallen in love with time, we have ceased to dream of eternity and in our efforts to build a new earth, we have allowed our vision of Heaven to grow dim. And the blessing of almighty God, Father, Son and Holy Spirit, be upon you and remain with you always. Amen.

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Greater Richmond Children's Choir - Prayer of Desmond Tutu.

Discover & explore: St Peter in Rome




The new group of Choral Scholars of St Martin-in-the-Fields are singing at St Stephen Walbrook in latest series of Discover & explore services. The theme for this series of Discover & explore services is 'Rome, London & Christianity'. The series features as part of the 'Londinium' season organised by the City of London. 

At the second service in the series I spoke about the experiences and martyrdom of St Peter in Rome. The Choral Scholars sang 'Tu es Petrus' – Maurice Durufle, 'James and Andrew, Peter and John' – arr. Stephen Jackson, 'Will you come and follow me' – arr. James Whitbourn and 'A Prayer of St Patrick' – Rutter. Philip Dawson has summarised this service in a facebook post - click here for Philip's summary.

On Monday 9 October at 1.10pm our theme will be 'The Early Church in Rome'. All are most welcome.

At Monday's service I shared the following reflection:

St Peter is a key figure in the Gospels and in the first half of the Acts of the Apostles which documents the story of the Early Church. When we consider the prominence of St Peter in the first half of Acts of the Apostles, it seems remarkable that he then completely disappears from the narrative halfway through. So what happened to Peter, where did he go and where did he die? There are a few clues from Paul's letters which suggest that Peter did travel and he did so together with his wife. (http://www.bbc.co.uk/religion/religions/christianity/history/disciples_1.shtml)

In the greeting at the end of Peter’s first epistle we read: “The Church here in Babylon, united with you by God’s election, sends you her greeting, and so does my son, Mark” (1 Pet. 5:13, Knox). ‘Babylon is a code-word for Rome … Eusebius Pamphilius, in The Chronicle, composed about A.D. 303, noted that “It is said that Peter’s first epistle, in which he makes mention of Mark, was composed at Rome itself; and that he himself indicates this, referring to the city figuratively as Babylon.”’ (https://www.catholic.com/tract/was-peter-in-rome)

‘However, the details of Peter's later life cannot be found in the Bible: one must look elsewhere.’ (http://www.bbc.co.uk/religion/religions/christianity/history/disciples_1.shtml)

‘William A. Jurgens, in his three-volume set The Faith of the Early Fathers, a masterly compendium that cites at length everything from the Didache to John Damascene, includes thirty references to this question, divided, in the index, about evenly between the statements that “Peter came to Rome and died there” and that “Peter established his See at Rome and made the bishop of Rome his successor in the primacy.”’ (https://www.catholic.com/tract/was-peter-in-rome)

So what do these sources tell us? ‘The earliest testimony to … Peter’s presence in Rome is a letter from a Christian deacon named Gaius. Writing probably toward the end of the second century C.E.—so, around 170 or 180 C.E.—Gaius tells about the wondrous things in Rome, including something called a tropaion where Peter established a church—in fact, the Church, the Roman Catholic church at the site where St. Peter’s Basilica is today. But there are other traditions besides Peter’s tropaion. One early Christian text, the Apocryphal Acts of Peter, recounts many things that Peter did in the city. At one point in Acts of Peter, Peter is taunted by a flamboyant heretic, Simon Magus. Simon challenges Peter to a flying contest around the Roman Forum, but Peter’s prayers make Simon crash to the ground, proving that Simon’s powers are not as great as his own. At the end of this text, Peter, not wishing to be martyred for his faith, flees from Roman authorities on the Via Appia leading out of the city. Rather unexpectedly, Peter meets Jesus, who is traveling in the opposite direction. He asks Jesus, “Where are you going?” Jesus tells Peter that he is going to Rome “to be crucified again.” Peter realizes, from this, that he cannot flee from his fate. “Where are you going?” in Latin is “Quo Vadis?” and there’s a medieval church in Rome called the Church of Quo Vadis at the spot where Peter met Jesus. (https://www.biblicalarchaeology.org/daily/people-cultures-in-the-bible/people-in-the-bible/the-apostle-peter-in-rome/)

‘The tradition that Peter was executed began with the reference to the form of his death in John chapter 21, in which Jesus told Peter, "I assure you: When you were young, you would tie your belt and walk wherever you wanted. But when you grow older, you will stretch out your hands and someone else will tie you and carry you where you don’t want to go." John reported, (probably after Peter died) "He said this to signify by what kind of death he would glorify God." So the idea that Peter was crucified (stretch out your hands) came from John, but this does not include the location or the physical position of his crucifixion …

The early church fathers are unanimous in claiming that Peter died in Rome, by crucifixion, during the persecution of Nero in AD 64.” It is traditionally held that he was crucified upside down at his own request, since he saw himself unworthy to be crucified in the same way as Jesus. That is also testified to by the early church fathers, but the evidence for this is weaker. ‘The apocryphal Acts of Peter is the earliest reference to crucifixion of Peter upside down. The earliest reference to the martyrdom of Peter comes from the letter of Clement of Rome (about AD 90). He said, in his Letter to the Corinthians, "Let us take the noble examples of our own generation. Through jealousy and envy the greatest and most just pillars of the Church were persecuted, and came even unto death… Peter, through unjust envy, endured not one or two but many labours, and at last, having delivered his testimony, departed unto the place of glory due to him." (https://www.catholic.com/tract/was-peter-in-rome)

‘The magnificent basilica that now stands in the centre of Vatican City was built to replace the original structure built by Constantine, the first Christian emperor. Constantine's basilica was a remarkable engineering feat: his men moved a million tonnes of earth in order to create a platform for the structure and yet there was a flat plot just yards away. Constantine went to such lengths because he believed that this was the very spot where Peter was buried, on the side of the Vatican Hill …

In 1939 routine alterations under the floor of St Peter's unearthed an incredible find. Archaeologists discovered a whole street of Roman mausoleums, highly decorated family tombs of both pagans and Christians dating to the early centuries AD … towards the high altar … they found a simple, shallow grave … [and] … bones from a niche above the grave … These bones were then analysed and the tests showed they were the remains of a man in his 60s or 70s and of stocky build. Yet perhaps even more revealing was the fragment of graffiti-covered plaster discovered next to the bones. The words were incomplete but could read petros emi, which means 'Peter is within'. It could be that the remains of Peter the apostle had finally been found.’ (http://www.bbc.co.uk/religion/religions/christianity/history/disciples_1.shtml)

How much of this is historical fact we don’t know for sure, but we can say, with Clement of Rome, that Peter endured many labours, and at last, having delivered his testimony, departed unto the place of glory due to him. Therefore, we can pray: Almighty Father, who inspired Simon Peter, first among the apostles, to confess Jesus as Messiah and Son of the living God: Keep the Church steadfast upon the rock of this faith, so that in unity and peace we may proclaim the one truth and follow the one Lord, our Saviour Jesus Christ; who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.

Prayers

Almighty God, who inspired your apostle Saint Peter to confess Jesus as Christ and Son of the living God: build up your Church upon this rock, that in unity and peace it may proclaim one truth and follow one Lord, your Son our Saviour Christ. Lord, in your mercy, hear our prayer.

Almighty God, who by your Son Jesus Christ did give to your Apostle Saint Peter many excellent gifts, and commanded him earnestly to feed your flock: make, we beseech thee, all Bishops and Pastors diligently to preach your holy Word, and the people obediently to follow the same, that they may receive the crown of everlasting glory; through Jesus Christ our Lord. Lord, in your mercy, hear our prayer.

Almighty God, who on the day of Pentecost sent your Holy Spirit to Peter and the apostles with the wind from heaven and in tongues of flame, filling them with joy and boldness to preach the gospel: by the power of the same Spirit strengthen us to witness to your truth and to draw everyone to the fire of your love. Lord, in your mercy, hear our prayer.

Almighty God, whose blessèd apostle Peter glorified you in his death as in his life: grant that your Church, inspired by his teaching and example, and made one by your Spirit, may ever stand firm upon the one foundation, Jesus Christ your Son our Lord, who is alive and reigns with you, in the unity of the Holy Spirit, one God, now and for ever. Lord, in your mercy, hear our prayer.

Blessing

May God, who kindled the fire of his love in the hearts of the saints, pour upon you the riches of his grace. May he give you joy in their fellowship and a share in their praises. May he strengthen you to follow them in the way of holiness and to come to the full radiance of glory. blessing of God almighty, the Father, the Son, and the Holy Spirit, be among you and remain with you always. Amen.

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Giovanni Palestrina - Tu Es Petrus.

Private View: Creations





Alexander de Cadenet is exhibiting at St Stephen Walbrook, until 3 November, a series of bronze and silver sculptures featuring ‘consumables’ that contain deeper spiritual messages. The works include a selection of his ‘Life-Burger’ hamburger sculptures and 'Creation' – a larger scale shiny bronze apple with three bites taken from it – two adult bites and baby bite in between.

At last night's Private View for the exhibition I made the following remarks: 
I was attracted to the opportunity to show Alexander de Cadenet’s sculptures at St Stephen Walbrook because the Christian scriptures and tradition raise important questions regarding what and how much we consume. Alex’s sculptures draw on the spiritual dimension in life to explore similar questions. The Life-Burger sculptures, in particular, explore the relationship between the spiritual dimension of art and consumerism and, at their root, are an exploration of what gives life meaning. This exhibition therefore provides a space in which profound personal reflection and review can occur.

L.A. art critic Peter Frank has stated that, "We're at a moment in modern history where the excess has gotten staggeringly wretched. Oligarchs worldwide shock us and shame themselves with their conspicuous consumption -- a consumption that extends to the rest of us, as consumed no less than as consumers. Alexander de Cadenet encapsulates this emerging neo-feudal order in his gilded and multi-decked burgers. For the meta-rich, the world is their fast food joint, and their appetite insatiable. Over 3.6 billion sold!"

When I interviewed Alex for Artlyst, I asked him why he thought this situation was problematic. He said: “What’s problematic is the desire to consume and accumulate for the sake of it – often to run away from pain or discomfort – beauty and pleasure can at some point become quite warped and grotesque without limits, where even the original value gets lost or diluted within excess. I think it’s become more and more prevalent in the world today and it’s also very much part of the art world system too in the way that artworks are commoditized and their original beauty can get lost in the transformation into status symbols.”

Art historian Edward Lucie-Smith has perceptively noted a similar paradox: “The Life-Burgers,” he says, “offer a sharp critique of the society we live in and yet simultaneously they are luxury objects in their own right”.

Alex has said that he grew up exposed to these values and it has been valuable for him as a yardstick by which to compare things to and also given insights into the darker aspects of it. As a result, he is a playful moralist; conscious of his own ambivalent relationship to ‘morality’. Meaning that “any ‘moralizing’ is not done with self-righteousness but more as a way to explore and express the inherent paradoxes and richness of life.”

We can see this at play in his other key work for this show ‘Creation’ – a large scale shiny bronze apple with three bites taken from it – two adult bites and baby bite in between. This clearly references the second Creation story in the Book of Genesis, where Eve is tempted by the serpent to eat the apple from the Tree of the knowledge of Good and Evil which Adam and Eve had been forbidden to eat. Adam also eats the apple (the second adult bite) but when challenged by God passes the buck to Eve who then puts the blame on the serpent.

The Genesis Creation stories are not to be read literally, despite what the New Atheists claim. A YouGov poll, commissioned by Newman University in Birmingham, found that "72% of atheists polled believe that someone who is religious would not accept evolutionary science." "In fact, only 19% of religious respondents in the poll rejected Darwinian thinking in favour of a literal reading of the Book of Genesis."

When the Genesis Creation stories are not read literally, they can be read as descriptions of key human tendencies such as our grasping after those things that we have been told we should not have, our willingness to cross boundaries to acquire them and our refusal to accept personal responsibility for our own actions when we are found out. You can see the link between these characteristics and the consumerist desires that are satirized in the ‘Life-Burgers’. The Biblical witness is that these desires characterise every generation. This may be why the baby bite appears in Alex’s ‘Creation’ as indication to these tendencies arising  in future, as well as current, generations.

Yet, Alex has also stated that, “In Genesis, we were told by God not to take a bite from the apple, yet it was by taking a bite that we became ‘self-conscious’ and self-consciousness is what is necessary for making art.” This is also a part of the story as, by eating the apple, Adam and Eve gained knowledge of good and evil. This can be understood in terms of the development of consciousness in human beings which enables us to create, but which also means that our creativity can be used for good or for evil. The creation of luxury goods and of weapons of mass destruction involve considerable creativity on our part, as human beings, but may not have contributed greatly to our own well-being or that of society.

That brings us back, I think, to the possibility that this exhibition may provide a space in which profound personal reflection and review can occur as these sculptures are an exploration of what gives life meaning and purpose.

I pray that that may be so and end with an extract from a prayer of Francis Drake, as adapted by Desmond Tutu: Disturb us, O Lord, when with the abundance of things we possess, we have lost our thirst for the water of life when, having fallen in love with time, we have ceased to dream of eternity and in our efforts to build a new earth, we have allowed our vision of Heaven to grow dim. Amen.

Alex de Cadenet shared the following reflections:

“Creations” brings together some of the recent Life-Burger sculptures and also a larger scale bronze apple with three bites taken from it.

The Life Burgers communicate a wider message but drawn from and motivated by my own personal history and background. In form, they use a totem structure of a burger with high status fillings: classic cars, watches, airplanes, money and trophy women and with varying degrees of grotesquery.
The wider message explores materialism and consumerism as way of life and while elevating the subject on the top of the burger (and giving reverence to whatever crowns the burger), the validity and significance of those systems that elevate and give status is questioned and checked. A system that may need to be checked by those that ultimately place a higher value on ownership and personal significance to the detriment of their own and mankind’s spiritual evolution. In this sense and in keeping with the Christian teaching the words of Patrick Howe, artist and author of The Awakening Artist come to mind when he said, “the Life-Burgers…conjure a fattening materialism that works like a toxic cholesterol on the spiritual heart”.

On display are examples from the different stages of the Life Burgers from the past 2 years. The more recent Trump Burgers further explore the relationship between the traditional function of monumental portrait sculpture: to honour and give reverence to the subject and the idea of those with earthly dominion being seen as a spiritual protector. For some, world leaders, influential celebrities, powerful bosses or wealthy art collectors can become directors of our life destinies and akin to gods on the material plane. The impact that these people can have on one’s life cannot be underestimated. On one level it could be the difference between survival and non-survival. These are people that we may wish to influence in order to personally benefit….Yet there is often a darker dimension to this relationship, as Shana Nys Drambot wrote in a recent article for Whitehot Magazine, “The Life Burgers are an illustration of how the initial appeal of beauty might give way to a darker meaning over time”.

The most recently completed work ‘Jester Burger’ is a self portrait and presents the artist as a jester but on the top of the Burger in the same top position as Trump and Buddha. The hierarchy of worldly power is hereby questioned and to some extent our own relationship to this hierarchy.

This show has been presented within the sacred architecture and spiritually uplifting energy of this beautiful church, designed inside and out by one of Britain’s greatest architects Sir Christopher Wren. We also have here the central alter created by one of Britain’s best known sculptors – Henry Moore.

This show would not have been complete without a central statement. If the burgers talk about both the sacred function of art to revere and to say something of the paradoxes of life, the large scale bronze apple, presented this evening in the middle of the church on the sacred alter is the culmination of the Christian tradition – redemption through consuming the body and blood of Christ.

The heart of this holy place is where such redemption occurs. It is my privilege that today we see the apple bronze sculpture with three bites – two parents bites and a child’s bite. In a sense we may ask, how can we transcend original sin, the bite that we all take by being born? For some, the body of Christ is the vehicle to connect to that deeper dimension, for others it may be to meditate in nature or connect to an artwork that can act as a portal to the deeper dimension. For some creatives transcendence may be to create an outer manifestation of their deepest most sacred connection to Life – to be able to create new forms that offer the opportunity to others to expand consciousness and to share the joy of their existence.

My intention was for the apple sculpture in the centre to say something of the transformative power of art by using the Christian symbol of temptation and here presented in the very place where redemption from sin occurs. It is a prayer offered for the evolution of humanity and deliverance from ignorance, ingrained materialism and the seemingly ever increasing thirst for worldly power.

If anyone is interested in the relationship between art and the spiritual dimension, please come on October 25, here to St. Stephen Walbrook, we are having an afternoon of talks, conversations and meditations by international artists, critics, historian and collectors about their own perspectives on this theme.

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The Flying Lizards - Money.