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Showing posts with label environment. Show all posts
Showing posts with label environment. Show all posts

Sunday, 6 September 2026

Stewardship 1: Creation care on the Feast of Creation in Christ

Here is the sermon that I shared on the Feast of Creation in Christ and also, for our parish, the first Sunday of Stewardship Month, at St Catherine's Wickford and St Mary's Runwell: 

Animals and plants were first domesticated across a region stretching north from modern-day Israel, Palestine and Lebanon to Syria and eastern Turkey, then east into, northern Iraq and north-western Iran, and south into Mesopotamia; a region known as the Fertile Crescent. This was in the Neolithic Period, also known as the New Stone Age.

It is arguable that this is the period of human history that is described by the creation story told in Genesis 2 (Genesis 2.4b-9, 15-17). Ernest Lucas notes that Eden is located at the place where the Tigris and Euphrates rise – which is in the upland plateaux of Turkey and that the word ‘Eden’ may come from a Babylonian word meaning ‘plateaux’. He also notes that Genesis 4 tells of a descendent of Adam called Tubal-Cain, who was the first person to use metal to make things. That means that Adam must have used only stone implements. Genesis 2 tells us that Adam was a gardener and that he tamed animals. All of which adds up to a picture of Adam as what we would call a ‘New Stone Age man’.

This is the point in history when human beings begin, by a combination of social organisation (sociality) and individual creativity (development), to have a choice about how we behave ethically. Prior to this point human beings had been hunters, migrants dependent on the movements of their prey and participants in the natural ‘kill or be killed’ processes of a nature that is ‘red in tooth and claw.’ However, as human beings developed agriculturally and socially, the killing of animals and other human beings was no longer essential.

So, the biblical creation stories locate the image of God in the ability of human beings to be consciously social and creative. Albert Wolters comments that: “Adam and Eve, as the first married couple, represent the beginnings of societal life; their task of tending the garden, the primary task of agriculture, represents the beginnings of cultural life." (Creation Regained: Biblical Basics for a Reformational Worldview)

In speaking of Genesis 1, Wolters suggests that: ‘There is a process of development and evolution as the earthly realm assumes, step by step, the contours of the variegated world of our experience. On the sixth day this process is completed with the creation of [human beings], and on the seventh day God rests from his labors. This is not the end of the development of creation, however.’

Creation, once made, is not something that remains a static quality. ‘There is, as it were, a growing up (though not in a biological sense), an unfolding of creation.’ ‘Although God has withdrawn from the work of creation, he has put an image of himself on the earth with a mandate to continue. The earth had been completely unformed and empty; in the six-day process of development God had formed it and filled it – but not completely. People … now carry on the work of development: by being fruitful they must fill it even more; by subduing it they must form it even more. [Hu]mankind, as God’s representatives on earth, carry on where God left off.’

Human development of the created earth is societal and cultural in nature. We are to use our organisational abilities in community and our creativity to cultivate creation (to make it fruitful) and to care for it (to maintain and sustain it), just as God told Adam to work the ground and keep it in order. As God’s image bearers we have a responsibility to care for and work with the good environment God has created.

God’s first words to men and women, were that they would rule over ’the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground’ in a way that reflects his own image. Not just God’s power, but his unselfish love, mercy and tender compassion. Similarly, when Jesus points us in the Sermon on the Mount to reflect on God’s care for the birds and plants, then he is also flagging that we, too, should care for them as well. Our focus shouldn’t simply be on our needs or wants but on God’s kingdom, including the world he made and the creatures and plants within it. We have been given a special task – to look after the rest of what God has made (Genesis 1: 26–28; Gen. 2:15). This is not an optional extra for a few keen environmentalists, but a fundamental part of what it means to be human.

Today we are seeing massive climate change and increased destruction and pollution of creation. We are treating God’s gift badly and it is the poorest in our world who will suffer most from that reality. Tragically, our rule over creation has been characterized by cruelty, greed and short-sightedness, but this was clearly not God’s intention. If we desire to obey God, then we must look for ways in which we can be good and responsible stewards of the natural world by reducing our environmental impact and raising awareness of the environmental challenges we face today as a global community.

One of the Five Marks of Mission is to strive to safeguard the integrity of creation and sustain and renew the life of the earth. One of the ways we have worked towards that has been to take part in the EcoChurch initiative run by A Rocha. This provides a framework that support our churches and our leadership in taking practical action on caring for God’s earth. The EcoChurch survey covers five key areas of church life: Worship and teaching; Buildings and energy; Land and nature; Community and global engagement; and Lifestyle.

Our Stewardship Pack helps us think about our lifestyle by suggesting many things that we can do to treasure our environment. These include, for example:
  • Share transport, walk, use a bike or public transport.
  • Turn the heating thermostat down by 1°C.
  • Reduce the time that the heating is on by 15 minutes.
  • Install low-energy light bulbs or LED lights.

Can you commit to doing any of these or other of the things listed in the Pack? Doing so will not only help us treasure our environment it will also move us closer towards the possibility of gaining a Gold EcoChurch Award.

Being a good steward means caring for and conserving the world in which we live and the resources within because to do otherwise selfishly uses up those resources for ourselves and alters the natural cycle of life in ways that harm the world and all that lives on it. We will, therefore, be encouraging all of us, as we have done previously, to look again at the actions we can take to show responsibility by caring for this world, rather than acting in ways that dominate and exploit the natural world.

Let us pray: Lord, grant us the wisdom to care for the earth and till it. Help us to act now for the good of future generations and all your creatures. Help us to become instruments of a new creation, founded on the covenant of your love. Amen.

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Bruce Cockburn - Creation Dream.

Saturday, 11 July 2026

International Times - Reconstructed Landscape{s} Michael Takeo Magruder

My latest exhibition review for International Times is on 'Michael Takeo Magruder: Reconstructed Landscape{s}’ at Gazelli Art House Project Space:

'His works, therefore, manage the complex and tricky task of relating, at one and the same time, to the landscape tradition in art history, debates about the development and uses of AI, and the science documenting the increasing fragility of environments impacted by climate change. That six works in a small, dark, basement room can open out into such expansive terrain is a huge achievement that is reflective of the way that Takeo combines creativity and vision with an integrity of process that is consistently driven through the detail of his designs.'


My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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Steve Scott - Sun Poem.

Tuesday, 23 June 2026

Artlyst: The Sun and The Moon Saatchi Gallery A Sublime Experience

My latest exhibition review for Artlyst is on ‘The Sun and The Moon: Art Inspired by the Celestial’ at Saatchi Gallery:

"With artefacts relating to ancient mythologies and early cosmologies progressing through to works of contemporary art and popular culture, the exhibition explores the profound influence these celestial bodies continue to have on human imagination. As such, the show brings together contemporary artworks, rare objects, and large-scale immersive installations across nine gallery spaces on two floors, with a huge number of artists’ works included.

With such a wide range of artists and media, there is no way of categorising the diversity of work other than by content. Therefore, the exhibition unfolds as a journey through a complete 24-hour cycle, moving from dawn through daylight, into the depths of the night. Each chapter of this sequence – Dawn, The Sun Rising, Zenith, Setting Sun, Evening, Midnight and Darkest Hours – features a large central work surrounded by a selection of paintings, sculpture, fashion items, textiles, photographs, films and/or installations."

My other pieces for Artlyst are:

Interviews -
Monthly diary articles -
Articles/Reviews -
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Talk Talk - April 5th.

Tuesday, 7 April 2026

Artlyst: The Art Diary April 2026

Here's my April Art Diary for Artlyst:

The April 2026 Art Diary examines several exhibitions related to spirituality. Kettle’s Yard recently commissioned an essay exploring their collection through the lens of spirituality, while an exhibition at ICA LA is currently examining art as a conduit to the spiritual. Performances and exhibitions involving Maurizio Cattelan, El Greco, William Blake, Henri Matisse and Lillian Delevoryas, among others, explore related themes.

Exhibitions by Mirna Bamieh and Theaster Gates engage with themes of discrimination, while several other exhibitions and a sculpture unveiling explore aspects of our relationship with our environment. These include ‘Gainsborough, Turner and Constable’, a Constable 250 exhibition at Gainsborough’s House that explores the emergence of landscape painting in Britain, led by three of its greatest exponents.

My other pieces for Artlyst are:

Interviews -
Monthly diary articles -
Articles/Reviews -

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Joseph Arthur - The Family.