Between: creswell

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Saturday, 25 July 2026

Interviews Update

Since my last Interview Update, I have had an interview published by International Time s with Jacquiline Creswell, who has worked as a curator with a number of Cathedrals in England and in that time has commissioned, curated and installed more than 80 exhibitions:

'It’s so interesting, as it usually takes about two or three years to do an exhibition, and what’s really amazing and fascinating is how the artist sees their work and themselves differently in that time. Somehow, they’ve actually embraced faith. I don’t necessarily mean in a Christian way but they have a new and different spirituality by that engagement. They talk to the Cathedral’s communities and there’s these backwards and forwards conversations, from which everybody’s learning. Everybody’s getting something from it. It’s bringing light to everybody.'

My reviews of exhibitions curated by Jacquiline Creswell can be read here, here, and here.

As a result, I am updating this index of interviews. I have carried out a large number of other interviews for Artlyst, ArtWay, Church Times, International Times, Seen and Unseen and Art+Christianity. They provide a wide range of fascinating insights into the approaches and practices of artists, arts professionals, clerics, curators, performers, poets and writers.

They can be found at:

Artlyst

ArtWay

Church Times

International Times

Seen and Unseen

Art+Christianity

The Big Picture

Meeting Christ in Sundry Places: Jonathan Evens in conversation with Francis Hoyland

Also see my interviews with artist Henry Shelton here and here and David Hawkins, former Bishop of Barking, here, here and here. I have also published an interview with artist, poet and writer Rupert Loydell, who has also interviewed Nick Battle and Steve Scott.

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Steve Scott - Not A Pretty Picture.

International Times: ‘Learning My Language’

My latest interview for International Time s is with Jacquiline Creswell, who has worked as a curator with a number of Cathedrals in England and in that time has commissioned, curated and installed more than 80 exhibitions:

'It’s so interesting, as it usually takes about two or three years to do an exhibition, and what’s really amazing and fascinating is how the artist sees their work and themselves differently in that time. Somehow, they’ve actually embraced faith. I don’t necessarily mean in a Christian way but they have a new and different spirituality by that engagement. They talk to the Cathedral’s communities and there’s these backwards and forwards conversations, from which everybody’s learning. Everybody’s getting something from it. It’s bringing light to everybody.'

My reviews of exhibitions curated by Jacquiline Creswell can be read here, here, and here.

My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Sp encer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:

Michael Takeo Magruder -Reconstructed Landscape{s}
The Last Supper: Art, Faith, Sex and Controversy in the 1980s
In Another World: The Four Seasons of Talk Talk
Hulda Guzman: Please awake - asked Nature kindly' at Turner Contemporary;
'Devotions' by Lucy Caldwell and 'Catholic Modernism and the Irish ‘Avant-Garde’: The Achievement of Brian Coffey, Denis Devlin, and Thomas MacGreevy' by James Matthew Wilson;
the 'Stations' project from Dunlin Press;
'William Blake: The Age of Romantic Fantasy';
Joseph Arthur in concert;
installations by Chiharu Shiota and Yin Xiuzhen at Hayward Gsllery,
U2's 'Days of Ash', Mumford and Sons' 'Prize fighter' and Moby's 'Future Quiet';
'Collected Poems' by Kevin Crossley-Holland;
'Lux' by Rosalía;
'Springsteen: Deliver Me from Nowhere';
'Great Art Explained' by James Payne;
'Down River: In Search of David Ackles' by Mark Brend;
'Headwater' by Rev Simpkins;
'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson;
'Breaking Lines' at the Estorick Collection of Modern Italian Art,
albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey,
also by Joy Oladokun and Michael Kiwanaku;
'Nolan's Africa' by Andrew Turley;
Mavis Staples in concert at Union Chapel;
T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone;
Helaine Blumenfeld's 'Together' exhibition,
'What Is and Might Be and then Otherwise' by David Miller;
'Giacometti in Paris' by Michael Peppiatt,
the first Pissabed Prophet album; and
'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:

These poems have been published by Amethyst Review and International Times.

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Sunday, 14 December 2025

Look at what my people do in my name

Here's the sermon that I shared this morning at St Gabriel’s Pitsea at a Parade Service that included a Toy Service and a Baptism:

A major new art installation at Canterbury Cathedral in which ordinary people pose questions to God split public opinion ahead of its official launch, with visitors reporting visceral reactions to the bold graffiti-style graphics and thought-provoking questions displayed on the ancient walls. Whilst many reported their delight and intrigue, others have been discomforted by encountering the artworks.

Featuring questions including “Are you there?”, “Why did you create hate when love is by far more powerful?” and “Does everything have a soul?”, the “Hear Us” installation is the culmination of poet Alex Vellis and curator Jacquiline Creswell’s collaboration with marginalised communities and a team of skilled artists to create vibrant handwritten literature responding to the question “What would you ask God?”.

“Surely we have all wondered about the mysteries of the universe, the meaning of life, or in times of uncertainty, sought advice?” Jacquiline Creswell says. “Within a theological context, posing a question to God is viewed as a form of prayer, meditation, or contemplation, in return receiving guidance and solace from a source believed to be all-knowing and compassionate. By reaching out to the Divine with personal inquiries, individuals may find comfort, clarity, and direction amidst life’s uncertainties.”

I wonder what questions you would like to ask of God as we gather here today. Rather than responding to questions with intellectual answers, Jesus often asked those with questions to look and see what God is doing in their lives and times. That’s what we see him do in today’s Gospel reading (Matthew 11.2-11) in response to the questions brought to him by the disciples of John the Baptist.

Jesus says to John’s disciples: “Go and tell John what you hear and see: the blind receive their sight, the lame walk, the lepers are cleansed, the deaf hear, the dead are raised, and the poor have good news brought to them.” Then he says to the crowd, “Look at John the Baptist, at what he has done and said, and see a true prophet from God”.

When we have questions, God still directs to look around us and see what He is doing through his people. When we question whether God is there and whether He is loving or not, He continues to say look at what my people are doing in my name. If we do so in this Deanery, we will see churches organising food banks, supporting those who are homeless or migrants, working intergenerationally with people of all ages to enhance wellbeing and encourage creativity, reducing their carbon footprint and setting up environmental initiatives that show care for creation, going into schools and care homes to minister to people at the beginning and end of their lives, coming alongside people at key moments in their lives including birth, marriage and death.

God continues to answer our questions by saying look at what my people do in my name. That is why when children or adults come to baptism into the family of God supported, in the case of children by parents or godparents, we talk to them in the service about their actions.

We ask those who are baptised to: continue in the apostles’ teaching and fellowship, in the breaking of bread, and in the prayers; persevere in resisting evil, and, whenever we fall into sin, repent and return to the Lord; proclaim by word and example the good news of God in Christ; seek and serve Christ in all people, loving our neighbour as ourself; acknowledge Christ’s authority over human society, by prayer for the world and its leaders, by defending the weak, and by seeking peace and justice; so that Christ may dwell in our hearts through faith, that we may be rooted and grounded in love and bring forth the fruit of the Spirit. We ask this because, as Jesus said, it is by their fruits (their deeds) that true Christians will be known.

In baptism, God touches us with his love and gives us a place among his people. God promises to be with us in joy and sorrow, to be our guide in life, and to bring us safely to heaven. In baptism God invites us on a life-long journey. Together with all God’s people we then explore the way of Jesus and grow in friendship with God, in love for his people, and in serving others. That is the invitation made to James, his parents and godparents today, as to all who have been baptised, and not simply for ourselves and our benefit, but that we might reveal to love of God and the reality of God’s love to others through our lives and example. May it be so for each one of us. Amen.

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Make Me A Channel Of Your Peace.