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Showing posts with label clapton. Show all posts
Showing posts with label clapton. Show all posts

Sunday, 31 August 2025

Those who humble themselves will be exalted

Here's the sermon that I have shared at St Mary's Runwell and St Peter's Nevendon today: 

One of the things I did during my holiday was to watch a film about the life of the guitarist and rock star Eric Clapton. In part, this was because he experienced a conversion to Christ, about which he has written in some of his songs.

Clapton knew significant trauma in his life being brought up by his grandparents as his mother was unable to look after him as a child and did not bond with him later in life. Additionally, later in life, his four-year-old son, Conor, died in a tragic accident when he fell from a window in a high-rise apartment. The film was particularly interesting because of a radical difference in the way he responded to the painful issues he experienced in his life in his early and later years.

Clapton found fame, wealth and adulation as a young man because of his musical talents but finding those things, when combined with his early traumas did not bring joy and contentment. Instead, they led him into drug and alcohol addition which was focused on his own desires, needs and wants, including desiring a relationship with Patti Boyd, the wife of his best friend, the Beatle George Harrison. Once out of control, through excessive drinking, he also found himself making racist statements on stage that he later regretted because his career was actually based on discovering the blues, the music of Black America.

So, his selfish and self-centred behaviours, which derived in part from early experiences of pain and hurt as a child, had the effect of destroying his and other’s relationships while leading him to say and do many things that, when sober, he regretted. At a key moment in his attempts to kick his addictions, he cried out to God for help and felt that he was answered. Getting sober and finding faith meant that when the rebuilding of a new life was rocked by the tragic death of his young son, he didn’t revert to his former absorption in drink and drugs instead he committed to living in a way that honoured his son. The film ended with Clapton as a happy family man who has set up a charity providing support to those who could not otherwise afford the help needed to get free of their own addictions and using his talents and those of his friends to raise funds to support that vital work.

Our Gospel reading today (Luke 14: 1, 7-14) sets up similar contrasts to those we find in the life of Eric Clapton. The context is a party, something that would have been very familiar to Clapton in his hedonistic days, and the question Jesus poses is how should we enter. In his early years, Clapton would have become familiar with being the star, the one who turned heads when he walked in the room, and would have become used, as a result, to being given all he wanted and desired, even if it did him harm.

Jesus commends the reverse of entering as the star. He encourages us to be the one who takes the last and lowest place at the table. One of the problems, as Clapton discovered, with being at the head of the table is that the only way from there, at some stage, is down. But, as Jesus notes, if you are in the last and lowest place, the only way is up. Jesus is famous for prophesying that, in the final reckoning, the first shall be last and the last first. This is a part of what Clapton discovered in later life as he changes from a life centred on his own needs and wants to one centred on others – his family and those seeking to be free from addictions.

His understanding of this change shows up in his songs, particularly a song called ‘Broken Hearted’, where, in the context of looking forward to heaven, he writes:

‘there's a place where we can go
Where we will not be parted
And who alone will enter there?
Only the broken-hearted’

We live in a world where leaders are increasingly focused on self-promotion – constantly creating narratives about how wonderful they are and how awful their predecessors were – and are advocating policies based on selfishness, particularly by blaming the problems faced by nations on those who have or are migrating from issues and situations most of us can’t imagine and couldn’t cope with. Placing the blame for the issues we face on those travelling to different countries ignores all the other problems our countries face and seeks to portray those who are actually victims of violence or oppressions as invaders. The inherent selfishness that is at the heart of such policies is that of saying we must keep all our resources for those that we see as being the same as ourselves instead of being willing to share – ‘sharing is caring’, as my grandchildren are rightly taught at their school.

How should we respond to our changing and self-centred world, as those who are told by Jesus to take the last and lowest place at the table? The answer is to be found in today’s Epistle (Hebrews 13: 1-8, 15-16):

‘Let mutual love continue. Do not neglect to show hospitality to strangers, for by doing that some have entertained angels without knowing it. Remember those who are in prison, as though you were in prison with them; those who are being tortured, as though you yourselves were being tortured. Let marriage be held in honour by all, and let the marriage bed be kept undefiled; for God will judge fornicators and adulterers. Keep your lives free from the love of money, and be content with what you have; for he has said, ‘I will never leave you or forsake you.’

Christian love – taking the last or lowest place - involves showing hospitality to strangers, remembering those who are in most difficulty or distress as though we are experiencing the same ourselves, being faithful to those closest to us, and living contentedly with what we have, not chasing after material wealth, in order that we trust God for his presence which means more than all we might otherwise gain.

Jesus is clear that those who live self-centred lives are on the wrong path, as all who exalt themselves will be humbled. As we have seen from the story of Eric Clapton’s life that is also what he discovered as he came to see it was a path of destruction, both for himself and for those around him. He wrote in his autobiography: ‘From that day until this, I have never failed to pray in the morning, on my knees, asking for help, and at night, to express gratitude for life, and most of all, for my sobriety. I choose to kneel because I feel I need to humble myself when I pray, and with my ego, this is the most I can do.’

Each of us, however, has to come to that realisation for ourselves, if we are as individuals or as nations are to change tack and, as Clapton also did, learn the lesson of Jesus’ parable and the value in God’s eyes of taking the last or lowest place. All who exalt themselves will be humbled, and those who humble themselves will be exalted. May it be so for each one of us. Amen.

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Eric Clapton - Broken Hearted.

Sunday, 24 August 2025

Eric Clapton, Steve Winwood, Steve Turner

Presence of the Lord is the first song for which Eric Clapton wrote the lyrics and featured on the only album released by Blind Faith, the band generally reckoned to be rock's first supergroup. The song was sung by Steve Winwood, and the band also included Ginger Baker and Ric Grech.   

The song is a testimony of faith, a 'song of gratitude'. Clapton said the message of the song was to 'say ‘thank you’ to God, or whatever you choose to call Him, for whatever happens.' I first heard of the song through Conversations with Eric Clapton, a book of interviews by rock writer and poet, Steve Turner. In those interviews Clapton spoke about his coming to faith during Blind Faith's tour to promote the album.

The support band on the tour was Delaney & Bonnie and Clapton's "friendship with Delaney & Bonnie Bramlett in 1969 gave him a real encounter with God": "He said, “Delaney’s persona of a Southern Baptist preacher, delivering a fire and brimstone message … could have been off-putting, if it wasn’t for the fact that when he sang, he was … absolutely inspiring.” One night during the Blind Faith ’69 tour two Christians came to his dressing room and asked him to pray with them. he saw “a blinding light” and sensed God’s presence. Afterwards, he began telling people that he had become ‘a born-again Christian.’

But Eric again became addicted to alcohol during his successful solo years of the 1970’s. He eventually says he hit ‘rock bottom’ in 1987. Following rehab, he “surrendered to God” and his life eventually came together again. He writes, “In the privacy of my room, I begged for help. I had no notion who I thought I was talking to, I just knew that I had come to the end of my tether … and, getting down on my knees, I surrendered. Within a few days I realized that … I had found a place to turn to, a place I’d always known was there but never really wanted, or needed, to believe in. From that day until this, I have never failed to pray in the morning, on my knees, asking for help, and at night, to express gratitude for my life and, most of all, for my sobriety. I choose to kneel because I feel I need to humble myself when I pray, and with my ego, this is the most I can do. If you are asking why I do all this, I will tell you … because it works, as simple as that.”'

It was also Delaney Bramlett 'as much as anybody who coaxed [Clapton] to sing and explained the mechanics of phrasing and how to use his voice ... Delaney told Eric, “God has given you this gift, and if you don’t use it he will take it away.” In his autobiography, Clapton said, “I’ll never be able to repay Delaney for his belief in me.”'

Following Presence of the Lord, Clapton wrote and recorded a significant number of spiritually inspired songs, some original, some covers. These include: We've Been Told (Jesus Is Coming Soon); Give Me Strength; Heaven Is One Step Away; Tears In Heaven; Holy Mother; My Father's Eyes; and Prayer of a Child, among others.  

Steve Winwood joined Blind Faith on the back of success in the Spencer Davis Group and Traffic. He went on to enjoy a successful solo career with a string of hit singles and albums in the 1980’s. Many of his earliest musical influences came from the Anglican Church in Birmingham. He has said: 'I was brought up a Christian in the Church of England. As a young boy I was a choir boy and a server at St John’s Church, Perry Bar… and in fact many of my musical influences come from Hymnals, Psalters and organ music from the English church.' However, like many, he drifted away from the Church although always being 'interested in anything religious and spiritual'.

Ralph Burden writes that: 'Things changed for him in 1985 after meeting Eugenia Crafton. She was a dedicated Christian. Thoughts of a new marriage and starting a family directed Steve back to his Christian roots and brought a fresh zeal for music. He says, “It wasn’t until I met Eugenia in 1985 and began to think about a family that I became again interested in Christianity.”

With the 1986 album ‘Back in the High Life’ and the 1988 album ‘Roll With It’ came a new level of success. The renewal of his Christian faith and the positive, spiritual themes in these two particular albums are more than coincidental. Writing of the 1986 album, the music information contributor ’Rockportraits’ notes,

“The acoustic-based title track, ‘Back In The High Life’, seems filled with resolve and self-assurance. ‘My Love’s Leavin’ comes from this album as does the horn-infused neo-soul of ‘Freedom Overspill’. However, the most important track is ‘Higher Love’. Bolstered by backing vocals from funk diva Chaka Khan, this is a prayer of soulful aspiration:

“Think about it, there must be a higher love
Down in the heart or hidden in the stars above
Without it, life is wasted time…”

Lyricist Will Jennings (who also had a church background in the United States) seems to be tapping into Steve’s own renewed Christian faith. ‘Wake Me Up On Judgement Day’ has a deep spiritual overtone.”' (‘Rockportraits – Steve Winwood’ – 2014)

Other tracks of particular interest include Holding on, the second US chart topping single from the album 'Roll With It' and State of Grace. a track from Traffic’s 1994 reunion album ‘Far From Home’. Real Love from his 1997 solo album ‘Junction Seven’ is another song brimming with spirituality, while Someone Like You, also from ‘Junction Seven’, is a deeply reflective song with Christian imagery referring to answered prayer.

It is fascinating that two of those involved with Presence of the Lord later came to faith and wrote powerfully and movingly about that experience.

Steve Turner began writing for BEAT INSTRUMENTAL as features editor and has subsequently written for NME, ROLLING STONE, Q and countless newspapers. His books include Conversations with Eric Clapton (1976), Hungry for Heaven (1988), Cliff Richard: The Biography (1993), Van Morrison: It's Too Late to Stop Now (1993), A Hard Day's Write (1994), Jack Kerouac: Angelheaded Hipster (1996) and Trouble Man: The Life and Death of Marvin Gaye (1998). He is also a well-regarded poet.

Turner says that: 'Though I didn’t plan it this way, all the artists I’ve written about in depth – Johnny Cash, U2, the Who, the Beatles, Marvin Gaye, Van Morrison, Kerouac– have explored issues of faith.'

Hungry for Heaven: Rock and Roll and the Search for Redemption is his acclaimed account of the relationship between religion and popular music. In Turn! Turn! Turn!, Turner, takes an in-depth look at the lyrics and cultural context of 100 of the greatest songs from the 1930s to today to reveal an often overlooked or ignored strand of influence in popular music―the Bible. Indeed, some of the “greats”―including Bob Dylan, Leonard Cohen, Bono, Johnny Cash, Sting, and others―have repeatedly returned to the Bible for such sustenance, as well as musical inspiration and a framework with which they can better understand themselves. From The Byrds’ Turn! Turn! Turn! to Marvin Gaye’s Wholly Holy, some of the best loved and least likely songs reflect the Bible. Looking at the songs in the context of the time it was written, its influence on the culture, and the way that it incorporates or reflects the Bible will give a different perspective on many of the most loved songs of our time.

My co-authored book The Secret Chord explores aspects of a similar interplay between faith and music (and the Arts, more broadly). Posts related to the themes of The Secret Chord can be found here.

Check out the following too to explore further:
 
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Blind Faith - Presence Of The Lord.